AFTER HOURS

No. 2. No date. Fallowdene, Stone Allerton, Axbridge,Somerset. 22 pp., 21 x 30 cm, side stapled.

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The door and the window; the fall, Reptile Ranch, Dogma Cats, Rock and Sexism.

DE L'AME POUR L'AME

BROADSIDE PROGRAM OF THE FIRST OF SMITH'S 'ROCK-N- RIMBAUD' PERFORMANCES. [New York]: np [Gotham Book Mart?], [1973]. Broadside folio leaf, printed recto only. Line drawing of Rimbaud by Smith to top of sheet above text, which lists the program of events, and a quote from Rimbaud (in part: "The Poet makes himself a seer by long, gigantic, and rational derangement of the senses..."). Also mentions "special appreciation to The Wartoke Concern, Robert Mapplethorpe, Dennis Florio, Sharon Ensko, Sam Wagstaff and Gotham Book Mart. 35,56x20,32 cm. Shallow crease at one corner, else fine.

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"Program from one of Smith's earliest gigs, predating her first album by almost two years. This, the first of three perfor- mances in honor of the anniversary of Arthur Rimbaud's death (also known as "Rock-N-Rimbaud"), took place on the roof of Le Jardin, a gay disco, in the Hotel Diplomat on November 4th, 1973. Smith sung and recited her own works, as well as songs by Kurt Weil and Hank Ballard. She was backed by Bill Elliot on piano and future Patti Smith Group member Lenny Kaye (both listed in program) on guitar. This would be only the second time Smith and Kaye performed together (the first being when the two opened for a Gerald Malanga reading at the Poetry Project almost two years earlier) and the first time Smith headlined a show with Kaye at her side. The program also thanks both Robert Mapplethorpe (just a few months after his first solo exhibition) and Sam Wagstaff, certainly one of their earliest links in print. A landmark event, one which sowed the seeds of not only of Smith's band, but was also inspired by Smith's most important influence." (Text by Brian Cassidy).

DE L'AME POUR L'AME

" The Patti Smith Fan Club Journal". Numbers 5 and 6 (out of 8 published). October 1977 [With Related Ephemera]. - July 1978. [Richmond Center, WI]: (The Patti Smith Fan Club), (1978).Both first editions. 4to., 28x21,5 cm. side-stapled wraps. Photo-offset duplicated. Both fine, in original mailing envelopes (both opened a bit rough but otherwise good condition)

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Fanzine published in Wisconsin by Nanalee Berry with help from Patti's mom Beverly. DE L'AME POUR L'AME, the official newsletter of the Patti Smith Fan Club, ran eight issues from 1976-1980. It includes numerous photos of Smith (in performance, etc.), members of her band and circle (Ivan Kral, Jay Dee Daugherty), as well as club members. - No. 5: 26 pages. Includes numerous photos of Smith (in performance, etc.), members of her band and circle (Ivan Kral, Jay Dee Daugherty), as well as club members. Also: news on Patti's recovery from January 1977 stage fall, autobiographical essay entitled "Excerpts from Dog Dream" by Smith, various interviews, a reproduction of a letter from Smith to her parents, Smith's poetry, and more. Together with ephemera: Ephemera included and mailed with issue: Gotham Book Mart promotional broadside listing Smith publications published by Gotham, a page of biographical information on Smith "provided by Patti's mother," as well as five broadsides reproducing Smith's poetry, some from holograph and some based on earlier broadsides (all also photo-offset duplicated), presumably produced only for fan club distribution and use. Poems are "Arthur Rimbaud" ("nigger no invented for color..."), "Field Marshall" ("house doctor in the womb of pleasure..."), "mon vieux lucien" ("there goes lucien. his blonde hair..."), an untitled poem ("The night will be a jewel in my crown"), and a promo sheet reproducing Smith's holograph promoting her "new böc coming" and the upcoming album EASTER. Signed "R.E.F.M." (Radio Free Field Marshall). All in good condition, except "Rimbaud" and the last page which have faint stains due to offsetting from laid in newspaper clipping of photo of Smith in concert. -No. 6: Includes ( amongst others) numerous photos of Smith (as baby, in performance, etc.), members of her band and circle (Lenny Kaye, Ivan Kral), Essay by Smith on Bob Dylan, various interviews, a reproduction of a letter from Smith to her parents, Smith's art and poetry, a "collector's discography," compiled by Paul Perner.

ANNOUNCING ATTITUDES

Number 1 (probably only published). London (UK), 1980 Original wrappers. 25,5x2,5 cm., stapled, 20pp.

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Post punk fanzine. Edited by Charles Wyndham.. Notable for some science fiction content - A review of Tanith Lee's "Drinking Sapphire Wine", as well as a review of a Young Marble Giants, This Heat, and Furious Pigs show at the Clarendon (with photographs), a feature on PS, an article on the impossibility of injecting soul into the current electronic music, an interview with Swell Maps with photographs, and articles on political anarchy and trends. Contributions by Matthieu Glasman, Alan Peete, Chris Feer, Simon Edden.

APPLE PIE

The All American Humor Magazine:

Vol.1 no 1 to Vol.2 no 3 (all published?). New York, NY, Adrian B. Lopez 1975. 27,5x21cm., stapled, between 70pp. and 78pp. Offset. (In Vol. 2 no 2 the front cover was torn and has been repaired. The rest of the magazine is in pristine condition) TOGETHER WITH PRECURSOR: - HARPOON. The New American Humor Magazine. Numbers 1-3 (all publ.). NY, Adrian B. Lopez 1974/75. 27,5x20cm., stapled, 71pp. Offset. (From here: Apple Pie).

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Edited by Dennis H. Lopez. The All American Humor Magazine: Vol. I, no1: Flatulence issue; Vol. I, no 2: Smut issue; Vol. I, no3: Senseless Violence issue; Vol. I, no4: Hard Times for Jackie? Issue; Vol. I, no5: Smart issue; Vol. II, no1: I was a CIA assassin; Vol. II, no2: Jack Ford is not a marijuana addict; Vol. II, no3: Our pick for president '76 announced! Harpoon: No.1: Balls for Women; No. 2: Fish Issue; No. 3: Roughing Up Santa.; Then followed by APPLE PIE.

ARCADE

Nos. 1-5 (all published). London, 1964-1967. Original illustrated wrappers, 15 x 18 cm. Illustrated. A fine set, with important contributions, see below:

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Devoted to collage, art, drawings, photographs, cartoons, unusual graphics, edited by Martin Leman. Issues of 28 pages each + ills. wrappers with contributions by William Burroughs, Stan Peskett, Ron Sanford, Mike Foreman, Jane Beckett, David Kozubel, Geoff Reeve. The first issue, "William Burroughs Special" features WSB's "The Border City", "The Danish Operation", and "The Cut." Number 2 complete with the multiple by Brian Haynes, "Rose Tinted Spectacles" laid-in as issued. Number 3 with a montage of "two-dimensional" lips on the front-cover. All issues contain important graphics by a combination of Leman, Jane Beckett, Mike Foreman, Stan Peskett, Colin Smith, Ron Sandford, Brian Mills, and others. Maynard and Miles C84,85,86.

ARTHOLES

-No. 1 (Artholes/The Clash), 16 pages, mimeographed, colour added. Amsterdam, Artholes/Mecano Productions. September 1977; 29,5x21 cm. (small price sticker remainder) -No. 2. (Generation Rock & Roll Issue). 16 pages, mimeographed, colour added. Amsterdam, Artholes/Mecano Productions. December 1977. 1977; 29,5x21 cm. (small price sticker). Front pages torn, in bad condition. remainder) - No. 3 (Artholes, Music in Motion). 16 pages. Amsterdam, Artholes/Mecano Productions.March 1978 Offset printing (silkscreened?)from typewritten text and photographs. 34,5x24,5 cm., sidestapled.Right upper corner has very light damage. Frontpage colour added.

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Arty Punk/New Wave magazine, made by Maryan van Tilborg & Humb van Vroonhove. (Subway Sect/ Wire/ Siouxie and the Banhees/ Buzzcocks/Slits/The Fall/penetration/Talkin Reads, a.o.)

BACK DOOR MAN

Nos. 1-15 (all publ., complete). Torrance, CA., 1975-1978. Unbound, in overall excellent condition with some toning and occasional minor wear to covers. A very good and extremely rare set.

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Legendary proto-punk fanzine from the Los Angeles South Bay, founded by Phast Phreddie Patterson. It captures the mid-70's scene from hard rock into punk rock like no other publication! Since then he has written for SLASH, the LA WEEKLY, NEW YORK ROCKER, ROCK SCENE and BILLBOARD. He has managed acts, written songs and sung in bands. He's a poet, a painter, a recovering alcoholic and a connoisseur of fine '60s soul records. He lives in Brooklyn.

BACK DOOR MAN

Nos 7, 8, 10 - 14. Torrance, Ca. June/ July 1976 - March/April 1978. (26x21,5 cm; offset printing). Together 7 issues.

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For hard core rock'n'rollers only. No. 7: June/July 1976 issue has: Ted Nugent, Rolling Stones, Blue Oyster, Led Zeppelin, Kiss, Aerosmith and Gregg Turner reviewing (Ubu's "Final Solution" for one) and writing a "tale of bionic madness". A little staining and wear to covers. No. 8: Sept/Oct 1976 eighth issue of this early SoCal rag for hardore rock 'n' rollers. Flamin' Groovies, Iggy, Raspberries and so on. No. 10: February 1977 issue with a KISS feature and the Destroyer sticker still intact! Minor wear to cover. No. 11: Debbie Harry's underwear star in this May/June 1977 issue of LA rock solid punk-n-roll zine. Interviews with Television, Ramones, Blondie and Mink DeVille. No. 12: His highness Iggy Pop graces the cover of this July/August 1977 issue! Good lead-off with Meltzer's "I'm A Man" followed by bits on the Sex Pistols, Dictators; a long, unflattering assessment of Kim Fowley's New Wave night; and "Back Door Men and Women In Bondage" by Lester Bangs. Minor toning to cover and tear to upper spine. No.13 Nov/Dec 1977 issue featuring Richard Hell, Dead Boys, Iggy and, well, Tom Petty. No. 14:14 Production values get ramped up in this March/April 1978 issue.Silver ink and three-panel fold-out Johnny Rotten as centerfold.

BAD NEWS

Numbers 1-2 (all publ.). London, ,Quipmead 1978/79:(Dec. 14th 1978) and (Jan. 11th 1979) . 30x21cm. stapled, unpaginated.

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Edited by Robert Pierce and Roger Pearson, contributors Anthony Kilgore,

BALLSOUT:

A Magazine of Unpleasant Verse and Impolite Prose.

Vol. 1, No. 1 & Vol. 2, No. 2 (all pubished). Vancouver: Pendejo Press, 1969 38 + 40 pp. Stapled wrappers

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Edited by Bertram Maird. Contributions by Brian Fawcett, Lionel Kerns, Ralph Maude, Judith Copithorne, Joe Rosenblatt, and others.

DE BASSEN

Cover plus 15 loose sheets with drawings & comics by Peter Klashorst & Ricardo, 1980. Privately printed.

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BEAN-O

Numbers 1 and 2 (Hound Dog Issue). San Fransico, CA, 1981.

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Number 1 contains an interview with legendary Bay Area promoter Paul Rat, as well as Joe Ely, Clifton Chenier, Bowwowwow, Stray Cats and The Specials. Number 2 features Blasters, Sparks, Big Mama Thornton, Rank and File, Beat, Presley Land.

THE BEDSIT JOURNAL

Nos. 1-3 (all publ.). London, 2004-2008. 29,5x21 cm, stapled, not paginated.

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Edited by Richard Cowdry. Comics for the discerning reader. Adults only

BEELD

Sex, Kunst & Religie.

Jaargang 1 no 1 (all published ?). Feb, 1982. 20 pages,sidestapled between illustrated covers. Stencilled or screenprinted. (Hunter Press).

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Artist periodical. Illustrations on full page, no text. Contributions by/ Edited by Jos Anderse, Michiel van Zelst, with Hugo Kaagman, Peter Giele, Janneke de Groot, Ivar Vics, Jan Bianchi, Arie Ijzerdraad, Boa, Jos van Niele etc.

A BIG SOMEPLACE

Nos. 1-2 (all publ.). Plymouth, MI, Iconografix 1992. 25x17 cm., stapled, unpaginated.

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Written and drawn by Dave Cooper, published by Gary Reed.

BLACKBORED

Number 4. Published by Blackbored, Windsor, 1971. 16 pages, 4to; stencilled

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For the Bored of Education. Alan Stanton, Mal Grosch, Gill Bountie, a.o.; "socialist magazine".

BLAFFATUUR

Nr. 1 Januari [January] 1980. (Huijbergen): (Blaffapress), 1980. 4to. Stapled wraps. Some mild rubbing and soil,else clean and sound throughout. 24pp. Probably all published.

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Dutch fanzine with clear Situationist roots. Articles on Pere Ubu, Talking Heads, The Screamers, and others. Plus politics, protest, philosophy (Herbert Marcuse), etc. Editors: Peter Diesveld, Stan Janssens, Henk Koolen, Paul de Ron.

BOH

Number 6. October 1982. 15 x 21 cm.

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"Uitgave van de binnenlandse ontwikkelingshulp"., ed. Tony Blokdijk, Voorburg. Pseudo Code, Nexda, Punk from Eindhoven, Rotterdam,

BRAVEAR magazine.

Nos. 1-16 (vols. 1-3, all publ.). Bravear, Hayward,Ca, (Michael Miro Publisher)1982-1987. Unbound, as issued.

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Punk zine. Editor Michael Macdonald, Rory Lions, Lorry Fleming. Complete run of this San Francisco area "magazine for moderns" with coverage of local and national punk and new wave acts. Jam, Clash, Passion Kick, English Beat, Audium, Amgst,Jello Biafra, Juliam Cope,Ian MacKaye,Durutti Column, Screaming Trees, Troslu Icepick, Dwarves,Kydia Lunch, The Fall, The Egyptians,Ferret, The Damned, Fetchin Bones, MinuteMenn, Poison Girls, Cat Heads,Camper van Beethoven, Flaming Lips, Golden Dawn, Eagmer, Dear Kennedfys,Billy Bragg, Aslovenly,Sisters of Mercy. Lenny Bruce, Kohn Cage,UB40, Green on Red, Stranglers, U2, Toxic Reasons, T.S.O.L., William Burroughs,Buch Teras, New Californians,Mutans,Articles of Faith,Table Tips,

CAN CONTROL

Vol.1 no.1 and no. 2. North Hollywood, CA: Ghetto Art Publications, (no 1 no month, no. 2 May/July1990. Quarto (27.75cm); glossy illustrated wrappers, stapled; [16pp each]; illus. Near mint copies, very rare early issues.

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Premiere issues of this influential graffiti magazine, reportedly the first to be published in color. A sequel to "Ghetto Art". Not found in OCLC. Printed by Timothy Power & Raffi Guiragossian. Logo was created by Keli Gravel Ghetto Art Publications, North Hollywood.

CANCER

Number 1, Madison, WI, 1983. 18 pp., 14.5 x 21.5 cm.

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Cut and paste magazine edited(?) by mykel (rev.digby x) hobart. Thanks to: steve gnarly, marcel colbert, immanent attack, americas hardcore, roan kaufman and jenny, murray, alan suttle, bone-air, chosen-obes, brett tobias, killdozer, nø response, and all madison skaters, and locals

CANDY

Nos. 1-2 (most probably all published). Ed. J. Friedrich, Chicago, n.d. (1993). 4to; photocopies b/w pages, orig wrappers, no. 1 comb binding, title painted trough stencils, no. 2 stapled wrappers. Rare.

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Magazine of found, purloined and collaged images and texts, relating to primarily sexual themes. Contributors include: Georges Bataille. Hans Bellmer, Charles Lutwige Dodgson, Leopold von Sacher-Masoch, Joseph Beuys, Christian Boltanski, Georges Hugnet, J.G. V=Ballrs, Media Whore, Panther Sahibm etc. The Ballard contribution consists of photocopied pages from Crash, to be continued in Candy 3, but that apparently never appeared. Rare, OCLC locates 1 copy of No. 1 (apparently together with a lollipop, but that is not the case here), and no copies of no 2.

CAN'T BUY A THRILL

Unnumbered issue (no. 5?), dated Fall 1978. Includes NO-WAVE MAGAZOON Vol. 5 No. 6A. Newsprint, 28 pp., 29 x 38.5 cm. Light browning around the edges.

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Editor/Originator/Agitator: Russell Desmond. Contriburors: Eddie Flowers, Joe Dizney, Davis Oliver, Magaret Desmond, Davie Viener, Ken highland. Intervieuws (Willie Loco Alexander), Brian Jones retrospective, reviews: Loe Reed, Patti Smith and much more

CARDBOARD CUTOUTS.

Issue 1 (made in memory of the Horse Chestnut in the front garden). 26 pages, 4to. N.d. Derby; [1982]

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Zine. Edited by David John. Inscribed on front page: So Luuk kisses David John xx. Contribs: Pat Broomfield, Andy Boot, Philip Hughes, Serge Reynolds, C.Donald, Mike Stout, Paul Plartypus, Tim Barlow, Mike Jones,Jocelyn Almond etc.; fully illustrated, mix of handwritten and typewritten text, with photocompositions., etc.

CHAINSAW

Fanzine

No. 11 & 12. Croydon, UK, 1981.4to. 24-28 pp. Side stapled in color covers illustrated by Mike Weller.

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2 issues of the early UK punk fanzine, which began in 1977 and ran to 14 issues.Though it began as something of a clone to Sniffin'Glue, it quickly evolved it's own unique style thanks to comix artists such as Michael J. (Mike) Weller, Kid Charlemagne, and Willie D. Most issues were typed on a typewriter which was missing the "n" key; the letter was filled in by hand, giving the typography an immediately distinctive look. No. 12 was the first issue to feature a flexidisc, with tracks by Tronics, Instant Automations, and the Dancing Did.

CLE

Complete run of 8 issues spanning the period 1977-1997: all with confusing numbering: no.1, no.2, no.3, no.3A and no.3B. Cleveland/Ohio, 1977-1981. At first 29x21cm, then tabloid, folded 29x20 cm, then 40 pages newsprint 29x20 cm, all b/w,occasional colour on covers; thicker and with flexidisc included nos. 3A and B. Then resurrected in 1995 with issue no.3.x followed by issue no.4.0 in 1996 and no.5 in 1997 (each with one or more CD's included, mint copies, still in the original protextive foil.

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Complete run of this creative Cleveland punk magazine!. Coverage and contributors include Pere Ubu, Devo, Pagans, Electric Eels, Tin Huey and more! Some issues (e.g. the first) are very scarce.

COMICAL FUNNIES

Nos. 1-3 (all publ.). New York,NY 1980-1981. Nos. 1 and 3: 28,5x21,5; second issue 43x29. Covers in colour, inside b/w. TOGETHER WITH: STOP!

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John Holstrom's immediate follow-up to Punk Magazine. Holmstrom continued then in STOP!: Editor J.D.King, associate editor John Holmstrom, with Dale Ashmun, Peter Bagge, Bill Griffith. and Bruce Carleton. In the spirit of Holstroms Punk magazine. Featurs John Candy, The Honeymooners, Bull Winkle,3 Stooges, Punkxploitation, Hollywood eats Punks alive, Clay Wilson.

COMICAL FUNNIES

Nos. 1-3 (all publ.). New York,NY 1980-1981. Nos. 1 and 3: 28,5x21,5; second issue 43x29. Covers in colour, inside b/w. TOGETHER WITH: STOP ! Nos. 1-9 (all publ.) New York, NY, 1982-1984. Original pictorial wrappers, spine stapled. 17,5x21 cm. Excellent condition.

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FOLLOW-UPS OF John Holmstroms PUNK. Comical Funnies was the immediate follow-up to Punk Magazine Holmstrom continued then in STOP!: Editor J.D.King, associate editor John Holmstrom, with Dale Ashmun, Peter Bagge, Bill Griffith. and Bruce Carleton. In the spirit of Holstroms Punk magazine. Featurs John Candy, The Honeymooners, Bull Winkle,3 Stooges, Punkxploitation, Hollywood eats Punks alive, Clay Wilson.

COUNTER ATTACK

Vol. 1 No. 1, March/April 1983 and Vol. 1 No. 2 (n.d.). Philadelphia, PA. 18 x 22 cm. 20 and 28 pp.

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Editors: David Brookman, Steve Lukshides Coverage of Flag of Democracy, Accused, Black Flag, Husker Du, White Cross, Ruin, Angry Samoans and more.

COW

Numbers 1-3 (all publ.). San Francisco: Link (1965-1966). Mimeographed, side-stapled wrappers with light (mostly even) tanning to cover of number 2.

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Edited by Luther T. Cupp, aka "Link." Successor to Open Space; first issue intended apparently to be named Coward. Subtitles change: The San Francisco Magazine of Livestock; No. 1: Cow Soup Issue; No. 2: the Taurine World. The Magazine of Afro-Judeo Culture. The Un-escalation issue; No. 3: Pregnant cow issue. Most contributors are from around White Rabbit: Stan Persky, Robin Blaser, George Stanley, Harold Dull, Jack Spicer, Ronnie Primack and others. The editor was Spicer's last muse. See Ellingham & Killian's POET BE LIKE GOD p. 352.

CREATURES OF A DISTURBING NATURE

Number 1. Hollywood, CA.. 1981. 16 single side printed sheets, stapled together in the upper left corner.

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Debut issue of this Hollywood fanzine issued by Jeffrey Dahl. Coverage includes Dinah Cancer, Omlits, Terminal Vermin, Vox Pop and Nervous Gender.

CREEP

San Francisco-From beneath the Underground

Number 5 (Fall 1980). San Francisco, 1980. 4to. Stapled newsprint wraps.

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Punk zine, edited by Mark and Mickey Creep. The immediate predecessor to MAXIMUM ROCK-N-ROLL. Mark and Mickey Creep (Jello Biafra's then roommate) issued CREEP in the late 70s/early 80s before assisting with the founding of MRR in 1982. Though they left after only the first few issues of MRR, the visual style of CREEP had left an indelible mark. This issue features Roky Erickson, Dead Kennedy's, Crass, etc.

CURIOSITY MAGAZINE

Nos. 1-29. Bruxelles, 1972 - Automne 1978. Bound in 3 vols., illustrated front & back covers preserved, uncut.

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Edited by Michel Deligne. Contributions by Jacques Geron, Mauricew Tillieux, Paul Cuvelier and many others. Published bimonthly, later monthly.

DAMAGE

Collection of 8 numbers: Nos. 5-12/13 (=last published). San Francisco, March 1980-June 1981, without nos. 9 and 11, but inclusive of the Special Issue "Western Front Edition". Tabloid newsprint, some moderate toning, else excellent condition.

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The Bay Area's answer to LA's Slash magazine, and equivalent to New York Rocker. About 40 pages each, printed b/w with a colour added the to nicely designed front pages. Unparalleled early punk coverage of the flourishing SF punk scene. No. 5: March 1980 Coverage includes Offs, Johanna Went, Madness and Nick Zedd's They Eat Scum. No. 6: May 1980 Lene Lovich, Lydia Lunch, Mutants etc. No. 7: July 1980 installment with Cramps, Tokyo scene including a Friction interview and Flipper. No. 8: August 1980 coverage of Gang of Four, Crime and PiL. Western Front festival special edition from October 1980, published between issue 9 and 10. Pictures and profiles of all participating bands including Black Flag, Bob, Cosmetics, Crime, DOA, Feederz, Gears, Lewd,Nervous Gender and on and on. No. 10: Magazine, Amos Poe, Castration Squad and the usual heapin' helpin' of SF coverage. Published November 1980. No. 12/13: June 1981 swan song of this top-notch SF mag. DOA, Roky Erickson, Chrome, Stranglers, Siouxsie, Robert Anton Wilson etc.

DAMAGED GOODS

No. 3. n.d. Goldsborough,Yorkshire. 16 pp., 21 x 29.6 cm.

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"the worlds most humourless fanzine". Grape of the Expelaires, Delta 5; Sema 4;

DECADENCE IN PRINT

Number 1. Spring 1982. Bridgeport, CT.

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Debut issue of this Connecticut hardcore zine with comics and editorializing o' plenty. Staff: Deca Denst, U. Gene Dexter, Lucas Duke, Dic Harold. Contributions by Damon Norko and Peter Virus.

DESIRE

Vol. 1 no 1 (probably all publ.). New York, NY, Snuffalong Publishing 1970. Tabloid, 24pp. Offsett printing black and red on newsprint. Edgewear, and small tears over the fold in the right margin.

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Edited by Brandt Carlson. New York pornzine, taking the place of the tabloid COM, which has ceased publication "for the time being", so this paper is being published in its stead. Illustrated with erotic photos. The Black Castle, Part One. Swinger At Large, by Alex Grant. Centerspread is Miss Desire, and Mr. Desire in a second spread.

DESTROY ALL MONSTERS MAGAZINE

1976-1979 Nos 1-6 [reprint Signed Limited Edition]. New York: Primary Information, 2012. First Edition. 4to. Original pictorial wraps. SIGNED by the collective's original members: Mike Kelley, Cary Loren, Niagara, and Jim Shaw. WITH: Number 7: Original signed 25,3x20 cm silver print by Cary Loren and a small glycine baggie of dirt from God's Oasis -- the commune Mike Kelley and Jim Shaw lived in from 1974 to 1976 and which served as the collective's musical practice space. Limited edition, one of 75 copies numbered on the verso of the photograph, (this #7). In original mylar bag, as issued. Fine.

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From the publisher: "Destroy All Monsters Magazine was edited by Cary Loren and contained artwork, photographs, and flyers from bandmates Mike Kelley, Cary Loren, Niagara, and Jim Shaw. Printed using any papers and techniques available to the band, the issues combine the cut and paste tactics of punk zines with a psychedelic affinity for color. Destroy All Monsters Magazine functions as a kind of manifesto, providing insight into the band through densely layered pages with movie imagery, kitsch, cartoons, delicate drawings, and counter-culture collages. While Destroy All Monsters has been the subject of recent exhibitions and partial reprints, this is the first time that all issues have been reprinted." Almost certainly one of the last items signed by Kelley before his recent suicide.

DESTROY ALL MONSTERS MAGAZINE

Number 5. Hollywood, C. Loren January 1979, Printed and mimeographed on various colour stock, with numerous illustrations, 28x21,5 cm., 44 unnumbered pages, spine stapled.

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Very rare. There were six zines, released between 1976 and 1979, and also a lost seventh issue that never saw publication. The Destroy All Monsters zines comprise a vibrant array of collage, writing, photography and other miscellanea by Mike Kelley, Cary Loren Loren, Niagara and Jim Shaw. Formed in 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. Number 5 has a small collage to one page, and a screenprint on transparent paper.... "This issue we celebrate the Hollywood era of Heir Erich von Stroeim; the decade on 1919-1929, magical Chinese and Japanese Nouveau and Ozish transformations. Also included is the rare edition of Antonin Artaud's fabulous treatise "The First Manifesto on the Theater of Cruelty", first published in "Collections Metamorphoses" No. IV,1938. Includes some stamp art.

DISEASED PARIAH NEWS

Nos. 1-11 (all publ) . San Francisco, DPN, 1990-1995. Various paginations (32-42), illustrated wrappers. The first issue is a reprint made while the zine was still being published.

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A complete run of the magazine by and for HIV+ Gay Men. Edited by Beowulf Thorne, Thom Shearer (Peacock Publishing), Tom Ace. 30-38 pages per issue, photographs, articles, cartoons, strips, etc.. Added are 4 postcards; most of the protective wrap-arounds still present. The last issue notes that editor Thorne "up and died on us," leading to the demise of the irreverent publication.

EGOZINE

Vol.1 no 1 and vol. 2 no 2 International Edition. Newby/ Hollywood, CA, (later San Geronimo, CA). Summer 1975- 1976. 29,5x13cm., stapled, unpaginated. Offset printing on glossy paper, with numerous photographs. Number 1 is signed by Lambert, numbered 68/1000, with a partly burned play money bill attached to the back cover. It seems that a third issue was published in 1979, of which we have no further record.

Price on request

Edited by J. Lambert., with /P-ORRIDGE, Genesis (aka Neil Megson)/COSSEY Fanny Tutti (aka Christine). -Vol. 1 Issue 1: The Cultural Camelion, Art Hoax, The Bon-Bon Era, Fashion: Fetish!, The Post Cultural Era. -Vol. 2 Issue 2: L.A. art scene magazine, includes 3 pages on the 1976 COUM Transmissions performance at L.A.I.C.A. with photos and a note from Genesis and Cosey. Also a page contributed by the avant-garde Chicano conceptual/performance art group Asco and letters from Cavellini, Jerry Dreva and John J. Baylin. Genesis P-Orridge, born Neil Andrew Megson and later known as Genesis Breyer P-Orridge, Cosey Fanni Tutti born Christine Newby,

EVERYBODY'S HAPPY NOWADAYS.

No. 2 (?). Bijltjespad, Amsterdam. 20 pages, stapled; stencilled, illustrated, b/w. 4to.

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Pop-music zine; Jo Bonfrère, Muta Baruka, Eton Crop, Buy off the Bar, Soupdragons, Half man half biscuit, Golden Strings, Bogshed, Chumbawumba,

FANATIC

Numbers 1-2 (all publ.). Chicago (1980 - 1981). Tabloid size. Some minor wear and toning to covers.

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Rock/Punk Music magazine covering Chicago's early punk scene along with national acts. Kennerth Anger Interview; Performance Art; Iggy; Bowie;Subterranean Pop, etc.; . Under the editorship of William Levy a.ka. the Talmudic Wizard of Amsterdam (and author of The Virgin Sperm Dancer). The issues feature the impressive design work of Willem de Ridder as well as Levy's humorous and controversial article on Ian Sommerville's sex habits. No. 2 Special Low Mindedness Issue.

THE FANATIC (Design Willem de Ridder)

--(No.1). The special cosmological issue from Bath. For the Restoration of Language Prophesy, "Un autre monde". 21.5 x 31 cm, 12 pages printed in black on white paper, with some red additions. Moderate age toning and bumped corners, else a fine copy. Titles include: The New Jerusalem; Tea at the Vatican; Toward cosmogenic sanity: The demolition of Darwin, Religeous Fanaticism from Bath. -- Scarce. No. 2: Special Low Mindedness Issue. Amsterdam, 1976. Tabloid format, 12 pp. (including covers). A very good copy with some minor foxing to extremities of cover, and slight fading along spine. Scarce.

Price on request

FRENZY

Boston's 'New Wave' Rock Mag!

Nos. 1-2 (all publ.) Boston (1977 - 1978) Newsprint, folded, 22,5 x 29 cm. 16 pp.

Price on request

Short-lived, pioneering Boston punk newsprint fanzine with excellent contents cover-to-cover. Only two issues published. Edited & published by Robert Alan Colby, No. 1 contributions by Don Guyette, Rita Ratt, Denise Donahue, Eric Van, Liz Ireland, Ms. Lyn, Pablo Hurtado and Pseudo-Carol. Large interviews with William Alexander and Richard Nolan. No. 2 contributions by Eric Van, Bill Tupper, Helen Sway Privett a.o. DMZ, Atlantic, Euphoria Records Dead Boys.

FRUIT CUP

Number Zero. San Francisco: Beach Books, 1969. Orig. pictorial wrappers. With the safe conduct pass to "Hippie-land" laid in.

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Edited by Mary Beach. Contributors include Alan Ginsberg, Burroughs, Lawrence Ferlinghetti, Ed Sanders, Hoffman, Wallace Berman, Rubin, Rubington, Owens, Pélieu, Tuli Kupferberg, and others. Numerous photographs and illustrations (Sun Love, Happening with The Soft Machine,1967; various photomontages). Cover by Tom Wright. Dedicated to Miles and International Times.

LE FURONCLE

COLLECTIVE. N.p., (1970). First and last issue: 30x21 cm., stapled, unpaginated. Mimeograph taped spine.

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Contributions signed P.L.,Iron Beard, Paul Lafargue, Henry Miller, a.o.

GABBA GABBA HEY

Number 3 : Middlesbrough (first Fanzine, and the best). Gabba Gabba Hey, [1977]. 4to, 20 pp,side stapled.

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Punk fanzine. Edited by John Hodgson , Alan Cornforth, Mick Hylton. Interview with the Sex Pistols, the Buzzcocks, Listen Ear Records ("largest stockist of fanzines in the North!"), and the Doctors of Madness, Stu Lecky, Northern Punk News. Generation X.

GAY

Issues 1 and 3. New York, Four Swords, 1969. Tabloïds. Newsprint. No. 1: December 1, 41x29 cm, 20 pages. No. 3: December 31, 43x29 cm, 20 pages.

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Editors: Lige Clark and Jack Nichols. Related to Screw, Wizards: Jim Buckley and Al Goldtstein. Opening article on the Anti-War march, including the Gay Liberation Front. The Editors Speak: GAY is pleased to welcome you to a new experience in the field of publishing: a newspaper which is interesting, entertaining and informative on its own account, and not simply because it deals with the tabooed world of the homosexually-inclined. In fact GAY believes that there is only one world, and that labels and categories such as homosexual and heterosexual will some day pas away leaving human beings who, like this publication, will be liked and appreciated not because of sexual orientation, but because they are themselves interesting.

GAZ

Number 1, February 1981. Arnhem. 84 x 59.5 cm (folded to 21 x 30 cm.)

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Punk Zine. Edited by Bram Dadel, Sanne Bazuin, with Bob Link.

GHETTO ART

Vol. 1 number 1, August 1987. Sun Valley, CA: Ghetto Art Magazine, 1987. Small folio (28cm); single sheet semi-glossy stock, offset printed in black and folded once vertically at center to create a 4pp zine; illus. A fresh fine copy.

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First issue of (reportedly) the first graffiti zine produced in Los Angeles, and certainly the best-known. Ghetto Art ran for six issues under that title, prior to transitioning to a full-color format under the name Can Control. Illustrated throughout with black and white photographs of illegal pieces and trains by some of the pioneers of graffiti in LA.

GREASE BALL COMICS

Numbers 1 and 2 (likely all published) Nichol, bp. West Toronto: Ganglia Press (nd) + 1972. Two issues, both fine. First issue is a single sheet, folded once. The second is eight leaves, horizontal 64mo, side-stapled.

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Entire illuminated texts in both issues by Nichol. The first issue = grOnk Series 8, No. 1.

HET GROENTJE

Number 1, n.d. (ca.1980). Stapled. 21 x 29.5 cm.

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"Een afvalblad voor afvallers". Met muziek en poep. Geef jeugd gratis voorbehoedmiddelen.

GRONK

No. 3 d.a. levy issue. Toronto: Fleye Press (1967). First edition. 4to. [16 pp]. Fine in side-stapled wrappers, laid-into a bright yellow cover, printed on both sides.

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A special issue of Gronk. Edited by aylward, harris, nichol, smith. This issue features an excerpt from levy’s “Unmailed Letters to Ed Pederson and (the mysterious) Annburgers” and “to t.l.k. and John S.” Contributions also by bp nichol, David W. Harris, David McFadden, Ivro Vroom, bill bissett, Rah Smith, and Ernst Jandl. Protesting the obscenity charges brought on levy in 1966.

GRONK

grOnk. Ganglia Press, Toronto -Thirteen publications from 1968-1970 by the seminal small press imprint founded by bpNichol, edited by David UU. Stencilled in a variety of formats. Includes:

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Series 1 No. 3 Gerry Gilbert, envelope with loose text cards (Quote) + S 2 No. 2 + S 3 No. 2, No. 4 Force Movments, No. 5 David Aylward, No. 7 D.R.Wagner: Sprouds and Vegetables.1969 + S 4 No. 4 The War against the ASPS + S 5 No.1, No. 2 Steve Mc Caffery A Section from Carnival,1969, No. 4 + Nelson Ball, Force Movements, 1969 + Gerry Gilbert, The Phonebook, 1969 + Easrle Birney. Alaska passage. Alaska pass + Earle Birney, Pnomes Jukollages and other Stanzas + Several grOnk mail outs, envelopes, and a letter from bpNichol to Tjeerd Deelstra.

GRR OEI

Fenzien.

Handmade artist periodical, Punk-zine. 28 pages, stapled in handprinted covers, 21x15 cm, with small booklet in the midlespread "Bespraak", 14,5x10 cm., together contained in a handmade cover. Many illustrations; stencilled/photocopied.

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Punk zine from Groningen (The Netherlands), edited by Emiel (Madoerastraat 12b, Groningen). AFghAN whigs, Disgrace, mOthEr,Trespasserd W, ViCTiMs FaMiLY.

GUERILLA

A Monthly Newspaper of Contemporary Kulchur

Volume 1 Number 1 and Number 2. January-June 1967. Tabloid. Folded newspapers. The scarce first 2 issues . (Number 2 complete, Number 1 lacks pages 13-16). Both issues folded; printed on newsprint in black and red added. Newsprint, yellowed; edgewear, in particular to the first issue.

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The first issues of this tabloid produced by an editorial team at the Detroit Artists' Workshop Press, From the second volume it changed to 'broadside' format and became a vehicle for marginal countercultural expression including revolutionary poetry and provocative political rhetoric. Published at the height of the White Panther - Detroit Free Press literary movement. Allen Van Newkirk was editor, with Ellen Phelan as art editor, and Michael McClure, Stan Brakhage, Diane Di Prima, John Sinclair ,Robert Kelly, David Meltzer, Gary Snyder, Joel Oppenheimer, Sun Ra, etc. No. 1 Includes Breton on Revolutionary Art, a 12 page Jazz Section, poetry by Di Prima, John Wieners and Michael McClure and more No. 2 Includes Tom Buri on William Burroughs, John Sinclair on Jazz and Bebop, poetry by Di Prima and Robert Kelly, Gilbert Sorrentino on avant-rock and more.

HARD TIMES

Volume 1 number 6, April/May 1985. Hard Times Magazine, Maywood, NJ. 21.5 x 28 cm.

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Editor & Publisher: Ron Gregorio. Contributions by Monica Dee, M. Britt DeMaio, Mike Dillon, Dianne Dudasik, Russ Forster, Krishna Jain, Rich Kearney, Barry Kent, Lyzard, Michael Produkt, Dana Smith, Gene Sobczak, Sue Tackas, Eric Tucker.

HIGH TIMES

The Magazine of High Society.

Vol. 1. No. 1. Summer 1974. First state with $1.00 price and "premiere issue" on the cover (grey and blue-green colored pictorial wrappers). Fully iIllustrated. 4to.

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The debut issue of the most successful and long-lived magazine about drugs and marijuana legalization. Contributions by Timothy Leary (Terra II), Jack Frazier (Hemp Paper Reconsidered), John Wilcock, A Lady Dealer Talks (drug dealer Lynn), a.o. Two page article on Tantric Yoga with explicit nude sex-photography. Fine.

HUMOR GRAPHIC

Rassegna di critica di costume.

Nos. 1-5/6. Milano, marzo 1965-aprile/luglio 1966. Original illustrated wrappers; 4to. Ills.

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Organ of 'Museo internazionale dell'umorismo in Milano' directed by Luciano Consigli. Together 4 issues, 80-112 pp., with satirical drawings, cartoons, each on a theme: no. 1: 'Il Verde'; no. 2: 'La Macchina'; no. 3/4: 'La Salute'; no. 5/6: 'La Casa'. Drawings by Sergio Barletta, Adriano Zannino, Marco Biassoni, Giorgio Ferro, Tullio Pericoli, Massimo Asnaghi, Alberto Longoni, Gigi Caldanzano, a.o.

HYROGRAPHICS

HYROGRAFIKS (HYROGRAPHICS) - AEROSOL ARTS MAGAZINE (MAY 1995). [London?]: S.i., 1995. Slim octavo; black and white laser printed wrappers, stapled; 16pp; illus. Light general wear, with a few faint creases.

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Edited by M. Brunt and R. Szczelkun. Only issue published in limited edition of Aerosol arts zine, produced by a two-man team who provided both the text and all 96 photographs. Contents include the work of more than 50 different artists, with at least 12 cities throughout England represented, together with hip-hop album reviews, coverage of the Bristol hip-hop scene, and a 2-page spread containing outlines. Cover art features a female character by the legendary Mode2.

IF THE SHOE FITS

Numbers 1 & 2 (complete). SF: 7 Freds Press/Fits Collective, 1971 & 1973. Both in stapled wrappers.

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All published of this comic-book format little magazine, that carries poets from the earlier generation, and the up-and-coming comic book artists of the day. Poets Tom Clark, Ron Padgett & George Schneeman, Andrei Codrescu, Tom Veitch, Anne Waldman, Allen Ginsberg, John Girono. Artists Bill Griffith, Spain, Joe Brainard, Kim Deitch, and others.

INK DISEASE

Number 9. Los Angeles, CA. N.d. 21.5 x 28 cm.

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Edited by Joe Henderson, Steve Alper, Brady Rifkin, Thomas Siegel. Artists: Mindy Alper, John Crawford, Lee. Circle Jerks, Mad Parade, RawPower, Pop.O.Pies, Metallica..

ISSUE 1

Quarterly publication for the communication of thought and interests.

Issue 1 (all ?). Publication for the Communication of Thought and Interests. New York 1999. 24x19cm; 100 pages, illustrated;numerous pictures.

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Artist periodical with many photographic contributions. By Jan-Willem Dikkers (photography). Contributions by Ben Freedman,The Loud AZ F*CK Festival, Medieval Virtual Reality (Giono), The Door (Youth Center in N.Y.), Danita, New Jerusalem, (Acupuncture, by Tess Ghilaga,photography Mark Lyon; Lodge Kerrigan, Christopher Wool by Larry Clark. Includes a CD-ROM.

IT COMES IN THE MAIL

Virginia, Newport News/Ned Brooks, 1973-1976. Included are 13 issues of the zine edited by Ned Brooks: Nos. 6, 7, 8 (1973), 11,12, 13 (1974), 15, 16, 17, 19, 20 (1975) 21, 23 (1976). All stapled mimeographed sheets, 28 x 21.5 cm, generally containing around 20 pages. Added are: 12 copies of The Newport News, an A4 stencilled newsletter sheet published by Ned Brooks, mostly dating from 1974; the Raritan Peace News Vol 1 No.21 April 30 1968 Final Edition, 4 stapled pages; and Alternative Vol 2 No.4 (unda-ted, published by highschool students).

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Featured is a curious collection of reviews and listings of fanzines, literary magazines, underground press, and books that were recently released. Various artists such as Greg Spagnola, Sheril Birkhead and Sue Donohue-Kallista designed drawings for the cover. Most copies feature age wear, moderate soiling and bumped corners, some pages are loose. Ned Brooks (1938 – 2015), Cuyler Warnell “Ned” Brooks Jr., was a Virginia based collector of books, fanzines and typewriters. His long-running (pers)zines 'It Comes in the Mail' and 'It Goes on the Shelf' are largely devoted to reviews.

JUST ANOTHER ASSHOLE

Numbers 3 ,5, 6 and 7 (=last), together: - - Unnumbered issue (No. 3). New York City, n.d. Folio, 48 pp. Original newsprint wraps with small tears at spine. - Just Another Asshole no. 5 - Vinyl LP Record & CD - Z’ev, Arleen Schloss, Gail Vachon, Herr Lugus, Sonic Youth’s Thur / Ess, Barbara; Glenn Branca, eds New York: Just Another Asshole, 1981. First edition. LP Record with CD. New York: Just Another Asshole, 1981. LP, black vinyl in original sleeve. The record is very good with only faint wear. The sleeve is a plain white with a “Just Another Asshole” stamp on the front and a label with the track list on the verso. The sleeve has rubbing, spotting, corner wear, a two-inch split on the bottom egde, and a faint dampstain on the lower left edge. - No. 6. Ess, Barbara and Glenn Branca, eds. Softcover, 186 pages; good condition; front and rear covers have some pin/staple sized holes; spine creased; no internal marks. Includes writings by: Kathy Acker, Eric Bogosian, Jack Goldstein, Dan Graham, Jenny Holzer, Barbara Kruger, Richard Prince, Kiki Smith, David Wojnarowicz and many others. - No. 7 (=last published). Thought Objects. Photographs (pages 1-120, Essays pages 121-141 + Index). 21x21 cm.; orig.pictorial covers. Includes photographs by Sarah Charlesworth, Nan Goldin, Jack Goldstein, Dan Graham, Peter Hujar, Barbara Kruger, Richard Prince, David Wojnarowicz and many others. Essays by Gary Indiana, Cookie Mueller, David Rattray, Amy Taubin, Lynne Tillman, et al. Minor rubbing along spine.

Price on request

KENDIE ?

Number 001 - 1997(all published). Amsterdams Instituut voor Schilderkunst, 1997 - [90] pp. Orig.pictorial wrappers.- 15 x 21 cm.

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The only issue published of this artistic erotic -pornographic magazine, edited by Peter Klashorst with Joost Zwagerman, Atte Jongstra, F. Starik, Jurriaan van Hall a.o.; the name of the magazin is a pun on the sex magazine 'Candy'.

KIDS STUFF

Number 7. n.d. Chessington, Surrey. 11 single side printed pages, 21 x 30 cm stapled together in the left top corner. Front sheet loose. Light staining.

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Steve Morrissey, Danny Baker (texts). New York Dolls, The Runaways, Heartbraker, Buzzcocks,Pistols in Prison Shock, Paragraph,

KILL IT

For Snuffing Glue Freaks

Number 1 (all published). Manchester. Publisher: Badass Productions, nd [c.1977]. 33x21,5cm. 8 pages, stapled upper left corner. On front pages in blue ink handwritten "Sleak!".

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[Alberto y Lost Trios Paranoias]. The first and last issue of this zine which parodied first wave punk in the UK. The title is an obvious reference to the seminal punk zine Sniffin' Glue. Probably issued by the performance group comedy act Alberto y Lost Trios Paranoias, perhaps in conjunction with the play Snuff Rock, which lampooned punk and snuff films. The play "Snuff Rock" was performed at the Royal Court theatre in London.The "fanzine" was handed out to the audience in lieu of a programme.

KING BEE

All the Boogie that's fit to print",

Number 1 (all publ.). San Francisco, CA, Apex Novelty 1969. Tabloid format, unpaginated (16pp).

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Contributions by R. Crumb (cover), S. Clay Wilson. Peter Max, and others. Scarce underground comix publication. (Also Victor Moscoso, Rick Griffin though not identified)Texts by Jeremy Marks, Dr. Flagstaff Montgomery, 6 pages of cut-up photomontaged comics, unidentified.

KISS, DON'T KILL

GENERAL HERSHEYBAR. Den Haag (NL), Handicap Publications (1967). Only published issue: 28x21,5 cm., stapled, 128pp.

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General Hersheybar (aka Calypso Joe) is a satirical character of the Vietnam War-era protest movement, who parodied U.S. General Lewis B. Hershey, then Director of the Selective Service. He was usually seen partnered with General Waste More Land (aka Tom Dunphy), a parody of General William Westmoreland. The characters were common at street theater performances and demonstrations against U.S. military involvement in Vietnam. General Hersheybar would appear in a comical military uniform complete with a plastic toy fighter-jet attached to his "officer's cap" and hand out fliers promoting his satirical diatribe. In addition he self-published several monographs and booklets. A one shot underground magazine from the sixties from the eccentric anti-war hero. Profusely illustrated by collage, including clipping from other underground press magazines of the era. Scarce; oclc locates but three copies.

KNOCKOUT

Number 1 (all publ.). Rotterdam, n.d. 24 x 24 cm. 11 leaves in plastic folder.

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First (and last) issue, Punk from Rotterdam. The Afverts, The Pleasers, Pere Ubu, Hank, Kraftwerk, Chrome, Reggae, Buzzcocks,

KUNST STOOT

Nummer 1 (probably the only published). Amsterdam, Voorjaar 1979. Orig. Wrappers, 20,5 x 29 cm. Unpaginated.

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Cover by C.Goulart, texts in Dutch and English; includes work by Erik Mankveld, Claudio Goulart (Mail Art Project), Pamela Kirk, Koos Dubbelman, Aart van Barneveld, Eelco Overman, Henk Noorland, Robin Crozier, Anna Banana, Ostrowski, etc.

LIFE BEGINS WITH LOVE

Number 1, n.p., n.d. (Apparently the only published issue): 25,5x19 cm., stapled, unpaginated (12 pages, printed in b/w, offset)

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Artist publication by Charles Plymell, collage magazine with illustrations borrowed from (i.a.) movies, comics and sex magazines accompanied by collaged text. "Come on! Have a bite…have a mouthful…have a feast of Laughs! "WorldCat suggests that this work was created in 1965 and published by Dave Haselwood,

LITTLE CAESAR

Magazine.

Number 10. Los Angeles: Little Caesar Press, 1980. 130 pp. Near fine in illustrated wrappers.

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Contributions by Brad Gooch, Tim Dlugos, Cooper, Stephen Jonas, Malanga, Brainard, and others. Interviews with Syd Barrett, Leif Garret, Graham Parsons, and Howard Devoto.

LITTLE CAESAR

Magazine.

Number 4, November 1977. 58 pages incl. illustrated wrapper (with very light discoloration).

Price on request

Edited by Dennis Cooper. Contributions by Brainard, Malanga, Verlaine, Ian Young and many others. Cover photo of Keith Richard & all interior photos by Gerard Malanga.

LONDON'S BURNING

Number 1 (all publ.). Privately printed, John Ingham, December 1976. Photocopies collage, 14 sheets, stapled in the corner.

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Punk Fanzine, edited by John Ingham. "The fanzine by a Clash fan for Clash fans, has been done because it beats sharpening pencils.". Dedicated to KAA-CHUUUUNGGG!!! That comes right after Joe Strummer screams the opening to London's Burning.

LOS RINOS

Art Total Grup Los Rinos (Barcelona 1985). Only published issue: 50x35 cm., unbound, unpaginated (12pp)., original rubber stamps, print, offset (the outside sheet on white artpaper with photographs).

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Sergi Caballero, Pau Nubiola and Marcel.lÌ Antunez Rocca made up the collective Art Total Grup Los Rinos and their activities spanned many different fields. Initially the collective was mainly involved in graffiti. The group painted bullseyes in public places and the concentric black and white circles became their logo. The bullseye moved to other media, such as the bodies of animals, leading to the bullseyeing of sheep and goats. They also created a headpiece topped by a bullseye which the Rinos wore as they walked through the streets. Lastly they designed and made up their own Rino suits, using a fabric printed all over with bulleyes. All this work was recorded in a publication containing photos of the graffiti and all the actions related to the bullseyes as well as the Rinos' opinions about art. From 1987 onwards the Rinos' activities extended to other areas. In May of the same year they carried out a large-scale mural painting called Atlas, in conjunction with the collective Gegant. The mural was painted on the side of a building in Barcelona by means of hanging down from a balcony. (This action would be repeated in 1990 in Yokohama, Japan.) In spring 1987 they presented a video performance called Rinosacrifici portraying the Rino's crude and domestic vision of sacrifice. This is the only publication of this underground group containing photos of the graffiti, all the actions as well as the Rinos' opinions about art.

LOST AND FOUND TIMES

Nos. 1-54 (all publ.). Columbus, OH, Luna Bisonte Productions 1975-2005. 21,5x14 cm., stapled. Nos. 1 and 2 single DIN A4 sheets.no. 21,5x17,5 cm. and no. 6/7: 20 DINA4 sheet in envelope). Offset printing and xerox..

Price on request

Editor: John M. Bennett. Conceptual art publication Contributions by D. Higgins, B. Porter, R. Johnson, S. Hitchcock, O.Nations, J. Blaine, P. Petasz and others. No. 26 complete with the tape.

THE MAGIC DRAGON

(two issues, all published). NY: Friends World Institute [1965]. Two issues, the first fine, the second near fine with a small dampstain along the bottom edge, both 28x21,5. side-stapled wrappers, mimeographed on coloured stock.

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With contributions by Richard Krech (later of Undermine Press and Avalanche), Dale A. Smith, Martha Krech, and others. The editors of this magazine,being of draft age, hereby state their refusal to fight against the people of Vietnam.

THE MALE FIGURE

Nos. 1-36 (all publ.). Los Angeles, Los Alamitos, 1956-1966. Orig. colour pictorial wrappers, (13 x 19 Cm, last 2 issue 2 Cm. taller), Numerous photographs. A mint set.

Price on request

Photographed and published by Bruce of Los Angeles this publication started to openly publish male physique photography in pin-up style. Issues are also numbered as Volume, and average 48-56 pages. Photography and covers in the beginning b/w only, starting with no. 24 there are colour covers and also some colour photographs inside.

MAXIMUM ROCKNROLL (MAXIMUM ROCK'N'ROLL zine; Maximum Rock and Roll)

Bi-monthly.

Nos. 1-74. San Francisco, MRR, first number not dated (ca. Sept/October 1982) - July 1989. Unbound, as issued, 27,2 x 21 cm, about 56-124 pages/issue, printed on newsprint b/w, stapled in the spine. Endemic browning, some ragged edges and minor spine damage, a few numbers with closed tears, chipped corners. Altogether an excellent clean set with only minor damage to two numbers as detailed at the bottom of the footnote.

Price on request

Published (originally) by Jeff Bale, Jeff Berlin, Mark Berlin, Roseann Berlin, Jello Biafra, Bob Black, Booth, Eric Bradner, Mickey Creep, Peter Dimaria, Jim Donovan, Ray Farrell, Fletch, Henry Hample, Dave Rave (photographs) etc.; from the actual MRR website we quote: History of MRR- Maximumrocknroll is a widely distributed monthly fanzine dedicated to supporting the underground punk rock scene. MRR's 20-year plus history and large, obsessed all-volunteer staff has made its punk rock coverage the most consistently up-to-date and reliable around. Several major media conglomerates control most music produced today. In contrast, MRR reinforces the values of the punk underground by remaining independent and not-for-profit. Maximumrocknroll started in 1977 as a punk rock radio show - one of the first and best of all time. "Tim (Yo) and the Gang" played the latest punk and hardcore sounds from across the world, the U.S., and from their home in the bristling SF Bay Area punk scene. "The gang" included personalities like Jeff Bale, Ruth Schwartz, and Jello Biafra. Punk antiheroes regularly visited as guest DJs, and the roster of touring bands interviewed on the show reads like the track list on a classic old comp. The show was notable for the immediacy of the music, a dedication to international coverage (rare at the time), and for explicitly interjecting progressive politics into the dialogue of punk. The show became hugely successful in the underground, and eventually was broadcast from stations across the U.S. and abroad. Maximumrocknroll, in its zine form, first appeared in 1982 as the newsprint booklet in Not So Quiet On the Western Front, a comp LP released on then-Dead Kennedys' label Alternative Tentacles. The comp included 47 Nevada and Northern California bands, many of whom went on to ruin thousands of impressionable kids for productive civic life by releasing some of the best punk records ever….. The Maximumrocknroll columns section has served as the punk scene's gossipy party line for decades…. By remaining stable on the one hand, flipping the bird with the other, MRR's controversial personality has affected-or infected-the history of punk rock for all time. Added: Collectors Issue Number 8. Noted Damages: no 2 has a tear in first 2 pages without loss of text or image, no.10 has half of an inside page missing and a corner torn of another page.

MAXIMUM SPEED

Number 9. London, n.d. (ca. 1980). Stapled. 21 x 29.5 cm.

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Punk Fanzine. Secret Affair Interview, also Album Rerviews, Dolly Mixture, etc.

MEPRIS

Nos. 1-3 (all publ.).Yverdon (CH), Les Egraz/Kesselring 1973/1974. Orig. Pictorial wrappers, 21x13 cm, 78pp, 78pp and 80pp.

Price on request

Edited by Jacques Sternberg. Illustrations by Topor, Lucques, Jacques Loew, Bacri, Gourmelin, Berner et al.

METAL MELTDOWN

Straight from the infernal wasteland.

Nos. 1-10 (all publ.). Self Published 1987-1992, Severna Park, Maryland. large 8vo, spinestapled, ca 32pp each. Printed wraps as issued. Numerous Black & White plates.

Price on request

Editor in chief: Jeffrey Vanderclute. Fanzine, from the suburbs of late 80s Baltimore. Produced during a transition period in Metal there are interviews with Megadeth, Sepultura, Autopsy, Epedemic, gigs and demo reviews, photographs, notes from a sick mind, grizzly cartoons and more.

DE METRO

Satyrisch tijdschrift (subtitle changes)

Complete collection of 35 issues published [comprising Nos. 1-34 plus extra Jan.1945., Amsterdam, D.A.V.I.D., 15 Nov. 1944 - 29 Juni] , as follows: - First year,nos. [1-3] illegally published with misleading numbering asYear 5 nos 7, 8, 9-12 (15 Nov.1944-22 Nov. 1944) followed by: - Extra Nummer, 20 Jan.1945 and - Year 6 no. 1-3. Amsterdam, 19 Jan. 1945- 21 April 1945 continued as; - Year 6 (New Series Year 1, Eerste Daglicht Nummer [First legally published]) Nos. 7-14; Amsterdam, 10 Mei 1945 - 24 Aug.1945 continued as: (Year. 2 ) Nos. 15-30 . 7 Sept.1945- 6 Mei 1946 (from 30 issues published) continued as: ( Year 3) Nos 1-4. 10 Mei 1946 -29 Juni 1946 (4 issues published to the end of publication) Set in the original issues as published, some light foxing or occasional dampstains due to the newsprint paper, some edgewear, but in general a very good set in the original issues, unbound. ADDED: rare compilation book "Metro Mozaïek". N.d., Uitgeverij David. With orig.wrapper (sl,damaged). TOGETHER wih: Poster on Orange paper, printed in black, measuring 42,5x30 cm., with text "Zijt Gij vijand's slaaf ? Meldt U dan! Zoo niet, dan niet!". Depicting a German soldier with a whip threatening a workman, and in the background the potrait of Queen Wilhelmina. Printed by Metro. (folded, and with very light waving to one corner, in fact a very good copy.

Price on request

Complete set. Edited by Jan-Gerhard and Marten Toonder. This rare satirical periodical published in The Netherlands during and immediately after the war, originated from the underground movement. Yr.6 no. 1 was still illegally published and no.7 (= Eerste daglicht-nummer) is the first "legal" issue, published after the liberation. Editor in chief was Jan Gerhard Toonder, and most important in Metro was the contribution of his brother Marten Toonder, with several full-page (and also smaller) politico-satirical drawings, satirizing the former underground-press, the internment politics, the military authorities, etc. Metro was founded in Oct.1944 by J.C. Pellicaan and D.D.B. van Veen, both former collaborators of the illegal "Vrij Nederland". To mislead the Germans but also "to irritate van Randwijk", the first number published had the faked numbering Year 5 no.7 (suggesting that it was founded even before "Vrij Nederland".) Publication went on till Yr.3 no.4. Apart from M.Toonder we also find drawings by H.G.Kresse, Fiep Westendorp, H.Kabos, René Zwartjes, a.o.; other collaborators were J.G.Toonder, P.Beihuizen, Geert Lubberhuizen. DAVID stands for "De Algemene Vrije Illegale Drukkerij". Winkel: 421.In total 35 issues were published. In the Index of the reprint another extra-number is included, which was never distributed officially, This is not included in the set offered. A few issues with small stamp "leesvereniging".

MOJO-NAVIGATOR

(Rock & Roll News)

Nos. 1-14 (all published, also numbered as Vol. 1 no. 1 - Vol. 2 no 2) . San Francisco, August 8,1966-August 1967. Mimeographed sheets in different colour and b/w printing on both sides, the last two issues printed offset (no. 9 and the last number with one colour added). Stapled in left upper corner (only no.2 has been re-stapled,others are all original staples). First issue is in colour photocopy, rest is in original issues as published, excellent condition and clean. ADDED: - a multicoloured psychedelic drawing (unsigned, by Geoff Evans?), - three other related ephemeral pieces, detail see below.

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The legendary "Mojo-Navigator Rock & Roll News" was a music zine by Greg Shaw and David Harris. MOJO was one of the earliest (and most important) music zines, major news source for counterculture and alternative music in San Francisco. It ran for 14 issues and was a precursor to landmark rock magazines. Considered to be the precursor to later alternative journalism (Crawdaddy and Rolling Stone and later fanzines). Issues between 3 and 34 pages, and have become very rare now. The first issue was published August 8, 1966 as a mimeographed newssheet of two pages with concert announcements at the Matrix, Fillmore and Avalon. This issue in colour facsimile. ALL OTHERS ARE ORIGINAL FIRST PRINTS -No. 2, August 16, featured news of The Straight Theatre, and Jim Gurley, local musician from the band Big Brother & The Holding Co. -No. 3, August 23, is three sheets, with news of SF Oracle launch, band news, rumours and gossip, and record reviews (Bob Dyland etc) -No. 4, August 30, is now four sheets, and is mainly devoted to an interview with the Grateful Dead, plus a feature on Country Joe & The Fish by Greg Shaw. -No. 5, September 7, is given over to the second half of The Grateful Dead interview, and a response to the SF Oracle's unsympathetic article on the SF rock scene. - No. 6, September 18, is three sheets, reporting on record releases, New York radio, and upcoming concerts. Report of the publication of "The I.D. Band Book"; news that "the Velvet Underground has released a lousy single on Verve Records - Andy Warhol produced it, Nico sings (hah-hah) on it. It's the musical equivalent of a painted Brillo box which sells for $400"; a report on NY radio; record reviews (incl. "Sunshine Superman"); upcoming dates by The Byrds, Grateful Dead, etc. -No. 7, September 27 is four sheets, and features an interview with SF DJ Tommy Saunders, and Big Brother & The Holding Co., plus ads for upcoming concerts by Country Joe & The Fish, Takoma, and Freedom Highway. -No. 8, October 1966, is six mimeo'd sheets, and features an interview with Janis Joplin and Big Brother & The Holding Co. , plus news on The Doors, a review of The Seeds, and a full page ad "A Prophecy Of A Declaration Of Independence" for the "Love-Pageant" rally in the Haight-Ashbury (a psychedelic celebration held on Oct. 6 to coincide with the outlawing of LSD, and incl. Big Brother, the Dead, and Ken Kesey with his Prankster bus). - No. 9, October 17, is six sheets, and features a Jim Kweskin interview, Dootone Records, new, events, and an original Stanley Mouse handbill announcing The Daily Flash with Country Joe & The Fish at the Avalon, stapled in as last page.(scarcer yellow and grey colour variant). Mick Jagger photo front cover. 3pp. Jim Kweskin interview; Dootone Records; news, reviews, gossip, events. - No. 10, November 8, is nine sheets plus a printed photo cover. It incorporates an two colour Tom Weller handbill for Country Joe & The Fish at the Jabberworck, and a two colour Steve Renick-designed handbill for the 13th Floor Elevators and Moby Grape at the Avalon, and a photo of Jerry Garcia. Also featured was an interview with The Mystery Trend, and news of Bill Graham banning Mojo-Navigator editor Dave Harris from The Fillmore.terming the paper "a rag" and screaming "I'm not mad, you are beneath my anger"; full-page Stanley Mouse ad. for Big Brother & The Holding Co.'s first single on Mainstream Records; Jerry Garcia photo; record reviews - No. 11, November 22, is seven sheets and has part two of The Mystery Trend interview, and an interview with Country Joe & The Fish, who are also on the cover, plus a two colour Tom Weller-designed handbill for the band's upcoming show at the Jabberworck. As well, a photo of Bob Weir, and an Victor Moscoso-designed handill for Country Joe & The Fish, Bug Brother & The Holding Co, and Quicksilver Messenger Service at the Avalon, plus letters about the riot on Sunset Strip,the police heavy handedness, and the differences between the scenes in LA and SF. Correspondence between Bill Graham and Chet Helms; photo of Bob Weir - No. 12, December 22, is eight sheets, with a printed photo cover of Ed Saunders, incorporating two Victor Moscoso-designed colour handbills, with The Grateful Dead and Moby Grape at he Avalon, and Country Joe & The Fish at the California Hall. Featured ar ethe conclusions of the Country Joe & The Fish and The Mystery Trends interviews, and the article "The British Blues Scene" by David Harris. -No. 13, April 1967, is 30 page, black and white printed with cover photo of James Gurley from Big Brother & The Holding Co. Featured is a Blues Magoos interview, reviews by Greg Shaw and Gene Sculatti, editorial on the ris of new rock criticism, Mike Daly on Phil Spector, Rick Griffin psychedelic artwork, incorporating a photo by Gene Anthony of The Grateful Dead. - - No. 14, August 1967, is 38 pages, with cover photo of Jimi Hendrix, and an interview with The Doors, coverage of the Monterey festival, article of Eric Clapton, record reviews, news, and a Tom Weller designed psychedelic ad for Country Joe & The Fish. ADDED MATERIAL: 1) an original multi-coloured psychedelic drawing entitled "The Mojo Navigator" (27.5x21.5cm.), uncredited but probably by the magazine's artist, Geoff Evans (who hand-drew similar artwork on denim jackets worn by the editors); 2) a small card with a hand-drawn design by Greg Shaw in purple and green, possibly an early idea for the magazine's logo, stamped with his San Bruno address (thus pre-dating the first issue); 3) an early Mojo-Navigator flyer, featuring a b/w cartoon (Crime/Justice 4) a vintage 10x8 b/w photo of Brian Jones onstage in Cincinnati, 1965, sporting the look that Greg Shaw sought successfully to emulate (caption to verso written out in Shaw's hand).

MR. CLEAN MAGAZINE

No. 1, New Orleans, 1969. Edited by Tommy Dorsey and Achilles Jones.

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The Astounding Demise of the Glenn Miller Story and Rebirth.

MY OWN MAG

Number 15 (np): Jeff Nuttall (April 1966). Ten leaves, stapled along the top edge. Near fine copy.

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Edited by Jeff Nuttall. With Editorial Bit (2 small leaves), and list of subscribers/stencilled, stapled to front page. Contains "Nut Note on the Column Cutup Thing", "WB Talking", "Quantities of the Gas Girls", and an untitled piece, all appearing in The Moving Times, a magazine edited by Burroughs that appears at the rear of this issue. Maynard & Miles C137. .Also: Bill Butler; Claude Pélieu; Jeff Nuttall.

MY OWN MAG

A group of 12 numbers comprising: Nos. 5 - 17 (out of 17 published, without no 8). Barnet, Herts., May 1964--Sept. 1966. Mimeographed sheets, foolscap stapled. Illustrated. Individually cut pages, with some issues featuring 'designed' stains, gaps cut into the text, see-through burns, and inserts.

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Edited by Jeff Nuttall. Amongst other things important for the collaboration of Burroughs, who introduced his own newspaper, called variously (The Burrough and The Moving Times) , also with Claude Pélieu and Carl Weissner. No.5 No date (May 1964). Contains the first appearance of The Moving Times, defined by Nuttall as Burroughs' "programmed assault on reality" via the cut-up method. Described as a 'Special Tangier Edition', the cover has a full-page drawing of Burroughs wearing a fez. (M&M C100). Also: Jeff Nuttall. Light staining, mostly on the blank back-page No. 6 No date (July 1964). The "Cut-Up Issue", with most pages having been cut into eight squares which are stapled at edges to backing sheet. Contains "Afternoon Ticker Tape" in The Burrough, appearing as the last two pages of My Own Mag. In "St. Louis Return" Burroughs refers to this magazine appearance, "an experiment in newspaper format…largely a rearrangement of phrases from the front page of The New York Times, September 17, 1899, cast in the form of code messages." (M&M C95). Also: B.S. Johnson; Anselm Hollo; Keith Musgrove; Jeff Nuttall. A bit stained, rusting on the staples No.7 No date (July 1964). Contains "Bring Your Problems to Lady Sutton Fix" and "Over the Last Skyscrapers a Silent Kite", in The Moving Times. (M&M C97). Also: Alden Van Buskirk (his first publication); Jeff Nuttall. The second burned cover, with see-through window. Staples sl. rusty, with a few staple-mark indentations. No.10 No date (Dec. 1964). All British number, featuring Bill Butler, Tom McGrath, Dave Cunliffe, and others. Very well preserved, clean.. No. 11 (Feb. 1965). Contains "Dec. 29: Tuesday was the Last Day for Singing Years", "Letter to Jeff Nuttall", and "Collage" in The Moving Times; plus letters and quotes from newsclippings on Dr. Dent's apomorphine treatment. (M&M C105-108). Also: Michael McClure; Jeff Nuttall; Anselm Hollo. Near Fine No. 12 (May 1965). Contains "The Last Words of Dutch Schultz" (first appearance) and "Letter to Sunday Times". (M&M C112-113). Also: Carl Weissner; Jeff Nuttall (on Sigma); Martin Bax. Staples sl. rusty, o/w Near Fine. No. 13 (Aug. 1965). "Dutch Schultz Special", containing "The Dead Star". One of 500 numbered copies in offset facsimile of the original manuscript. (M&M C122). Also: Jeff Nuttall. Wear to the righthand margin. No. 14 (Dec. 1965). Contains "Moving Times", being Burroughs quotes in collaged material by Carl Weissner. (M&M C131). Also: Charles Plymell; Brian Patten; Tom McGrath; Bill Butler; others. Near Fine. No. 15 (April 1966). With Editorial Bit (2 small leaves), and list of subscribers/stencilled, stapled to front page. Contains "Nut Note on the Column Cutup Thing", "WB Talking", "Quantities of the Gas Girls", and an untitled piece, all appearing in The Moving Times. (M&M C137-140). Also: Bill Butler; Claude Pélieu; Jeff Nuttall. Near Fine. No.16 (May 1966). Edited by Clifton DeBerry (c/o Better Books), ie. Nuttall, who only later discovered that the 'real' DeBerry was a black American Communist, former Wobbly and two-time Socialist Workers Party candidate for President of the United States. Near Fine. No. 17 (Sept. 1966). Contributors incl. Carl Weissner (a cut-up of a Burroughs text); Jim Haynes; Criton Tomazos; Wm. Wantling; Doug Blazek; Claude Pélieu; Charles Plymell; Jeff Nuttall. The last issue. (M&M C154). Near Fine.

NANAVESH

Throbbing Gristle. Music from the Death Factory.

Premier Issue. London: Dave Farmer, 1980. Staple-bound card wraps, 30x18,5cm, 12 pp. including covers. Light rubbing and spine creases to the wraps, interior is clean and bright

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Farmer, in the words of Genesis P-Orridge, was “a friend of Throbbing gristle who had worked for them at times and later published this zine.” The ‘zine which, began as a homage to Throbbing Gristle, lasted five issues and included other industrial groups before folding. Issue five (23 Drifts to Guestling, 1983) was issued on cassette. Despite the cut-and-paste and hand-written layout, the cover is surprisingly professional with a glossy red and black cover. Contents include a “basic A – Z of T.G.” with some history of the band, news clippings, and a couple of photos unique to this ‘zine.

NEWCOMERS

Magazine of New Literature

Numbers 1-8 (all publ.) Chicago, IL, Newcomer Publishing 1980/82. 28x22 cm., stapled (except 8: folded sheet), ca 20pp each. Illustrated zine with stories, comics, music reviews and more. No. 3 with the badge attached.

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Edited /published by Eric A. Newcome . Illustrated zine with stories, comics, music reviews and more. Like New Wave Music, New Literature represents a return to the basics of an art form. Contributions by Alexis Alger, Philips Reiss, Nathan George, etc.; photographs, band reviews, comics, poems, record reviews, etc.

No 1.

Amsterdam, ca. 1980. 21.5 x 30.5 cm. 11 pages,bound with 4 rivets in the left margin.

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Interestingly designed, produced partly in colour, Punk magazine from The Netherlands, Noïse in Holland, contact address Charly or Myriam, POB 2323. Cabaret Voltaire in Paradiso, Interviews J. Cooper Clark, Vice Versa, Suspect,Toilette, Richard Strange, Kreche; reviews: Holland Noise, Furious Pig etc.

NO FUN

5 issues (Numbers 9, 13-16) out of 18 published. July 1978 - April 1979 Zürich, Switzerland.

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No fun. (5 of a total of 18 nrs. published) Zurich: Self published, october 1977 - june 1980. ‘No fun’ was the first German language Punk-fanzine. Issues of 24-28 pages, quarto. -Nr. 9. July, 1978. Zurich: 1978. Rasta Revolution; sound check singles, Elvis Costello suicide, alternative tv, mothers ruin… + beilage: El Torrero Pjotr Kraska - Nr. 13. Dezember, 1978. The Rezillos; Die 3Genialen Alben von den Clash, Sham69 und X-Ray Spex; Die Wahnwitzige entertainer…;Ramones; Adam and the Ants; Ian Dury, Neon… - Nr. 14. Februar, 1979. TNT’s im hey; John Lydon; Clash; sound check; sperma; interview Sid Vicious; Reggea joe gibbs discographie; jimmy cliff… - Nr. 15. März, 1979. Bob Andrews; Generation X; Billy Idol/Bob Andrews; Adam & The Ants; Lurkers; Teds’n’ Punx united: shotgun Eddie & the Ravers…sperma…sick; teenage jeuse and the jerk - Nr. 16. April, 1979. Reggeae, Israel Vibration; Rudolph Dietrich; Die Fruhjahs kollektion, Wire; TNT; Mothers TuinBig Youth; Tapper Zukie; Sound check; Songs of Jah, Freddy Mackay; The Red Crayola..

NO MAGAZINE (No Mag)

No. 1 - [14/15] unnumbered double issue. Los Angeles: NO, 1978-1985. Complete run. [Title change as of fourth issue: "No Mag"]. In 15 physical issues, ca. 30-75 pp. each, two including flexi-disc sound recordings: no. 8 featuring Wild Kingdom; no. 9 featuring Geza X. Small folio. Newsprint. Very good. Illus. self wraps.

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Tabloid-style fanzine (later issues 34,5x27 cm) which chronicled the L.A. underground, with a particular emphasis on some of the more morbid aspects of the Hollywood punk/ underground scene, featuring the punk-rock bands and artists, as well as fashion and design. Published and edited by Bruce Kalberg. in homage to its predecessor in the LA punk scene, Slash. Kalberg says he intended to make his title somewhat edgier. NO MAG sought to be "the most evil, nihilistic magazine ever". Photo Editor: Frank Gargani. Contributors: Photography: Ed Colver, Bob Seidemann, Jules Bates, Will Shatter, Melanie Nissen, Rooh Steif, David Arnoff, Alison Brown, Ed Colver, Karen Filter, Peggy Photo, etc.; -- Graphics: Fred Tomaselli, Raymond Pettibon, May Zone, Mark Vallen, Bruce Kalberg, etc. ; -- Articles: Penelope Spheeris, Jill Young, Robert Lloyd, Mark Wheaton, Michael St.Pierre etc. Rare complete set in excellent condition.

NO MAGAZINE (No Mag)

Offered here are 2 early issues (unnumbered out of 14) of this important document: --[Issue 5]. Los Angeles: No Mag, nd [1980]. Large 4to. color stapled newsprint wrappers. Very good. Light edge-wear. Some soil here and there. Lacking Flexidisk. [36]pp. plus covers. Very good. Wraps. --[Issue 6]. Los Angeles: No Magazine, (1981). Large 4to. color stapled newsprint wrappers. Very good. Light edge-wear, creasing. Lacking Flexidisk. [36]pp. plus covers. Very good. Wraps.

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L.A. punk zine inspired by SEARCH & DESTROY and the demise of SLASH. A chronicle of the LA underground. Originally founded with Michael Gira (who soon left to form The Swans), NO MAG sought to be "the most evil, nihilistic magazine ever” according to the editor Bruce Kalberg. With a particular emphasis on some of the more morbid aspects of the Hollywood punk/ underground scene, featuring the punk-rock bands and artists, as well as fashion and design. Published and edited by Bruce Kalberg. Photo Editor: Frank Gargani. Contributors: Photography: Ed Colver, Bob Seidemann, Jules Bates, Will Shatter, Melanie Nissen, Rooh Steif, David Arnoff, Alison Brown, Ed Colver, Karen Filter, Peggy Photo, etc.; -- Graphics: Fred Tomaselli, Raymond Pettibon, May Zone, Mark Vallen, Bruce Kalberg, etc. No. 5. Shows Germs producer Geza X in close-up with cock in hand and a leather-clad Brian Gregory of The Cramps with a chubby and a python. No. 6 .Features Kalberg's own collages. Also includes full-page portraits of John Doe, Exene, Circle Jerks, BlackFlag, and others. An early interview with Phranc as well as an important interview with Darby Crashof The Germs recorded shortly before his death.

NO MORE FUN AND GAMES

A Journal of Female Liberation.

First issue, Somerville, MA. October 1968 [reprinted in December 1969]. Orig. pictorial wrappers.

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Editor not specified, collective. A reprint of the first (originally untitled) issue of No More Fun and Games, published coincident with number three. Number two was published as The Female State: A Journal of Female Liberation,and in total six numbers were published. Ellen O'Donnell, Roxanne Dunbar, Gail King, et al.

ONE INSTITUTE QUARTERLY: HOMOPHILE STUDIES.

Nos. 1-21 (=Vol. 1-7). Los Angeles, Spring 1958-1964. Original wrappers.

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Since its founding in 1955, the ONE Institute of Los Angeles has been a cornerstone institution for gay research. In 1956 the Institute offered the first college-level course on homosexuality from a gay-affirmative perspective on the premise that gay men and lesbians familiar with their group history, sociology, and anthropology could more effectively fight for their civil rights. Under the banner "homophile studies," the Institute's interdisciplinary curriculum challenged deeply embedded academic biases against homosexuality, laying the groundwork for present-day gay studies in universities across the country. One Incorporated. A non-political, non-sectarian organisation concerned with the interests of the millions of homosexual American men and women. Founded 1952Ed. by James Kepner, W. Dorr Legg, a.o.; articles on a wide range of topics related to male and female homosexuality, law and psychiatry, sociology, arts and letters. Winter 1960, vol. 3 no 1 is special issue "The Right of Association". ( Six case-studies concerning homosexuals and the law. prompted by the charges laid against Mary's First and Last Chance Bar in Oakland, California in 1956).

OOER

Numbers 1 and 2 (most likely all published). Edited by NICK (OOER) . Bradford (UK), 1987/88.): 21x15 cm., stapled, unpaginated (ca40pp). Stencilled or offset printed in red and blue and black

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Edited/published by Nick Oo er: Britain's only Turnipcore zine!

OPPOSE

Number 2. Amsterdam (?), 1980. 21 x 30 cm (A4) stapled. Page 14 is blank in this issue but a photocopy is supplied separately.

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Punk zine,. Berlinn Disco, Tröckener Kecks, Crisis in Amsterdam

DE OPSTOOT

No. Nul (zero) - 12 (13 issues). January - 28 July 1982. Published by Coöperative Vereniging De Opstoot u.a., Amsterdam. Newsprint, folded once. 12 - 16 pp per issue.

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Dutch - Belgian satirical fortnightly edited by Lex van Almelo, Jos Collingnon and Hans van Laarhoven. Contributions by Werry Crone, Theodoor Holman, Harrie Jekkers, Kamagurka, Pierre Kartner, Koos Meinderts, Len Munnik, Willem, Max Koot, Willem van Manen and many others. With illustrations. Rare complete with the zero number.

THE PANIC IN L.A.

Nos. 1-2 (all published), complete: quarto, mimeographed. No. 1. Los Angeles,June 1978 (24 pages). Corner stapled. No. 2. Los Angeles, 1980. (26 pages, inl. covers on yellow paper). Corner stapled. Both issues in excellent condition.

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Early Los Angeles punk fanzine. Editors Dinky Grant, Michelle Baer, covers Doug Norman, Dinky. With coverage of the most legendary bands including the Plugz, Germs, Middle Class and Gears along with key figures like Greg Shaw and Rodney Bingenheimer. No more than 100 copies printed of the first issue and likely the same for issue 2. Complete run of both issues, very rare. No. 1 interview with Darby Crash, Rodney Bingenheimer, Greg Shaw, Laurie Holland, Dim Dim, Johnny Nails, Blondie at the Starwood; No. 2 White Punks on Jones, Gears Interview, No Alternative, Don Bone Brake, Madness, The Germs, The middle class, Turn on the go home lights, The Cartwrights, etc.

PEROXIDE

A Fanzine for Modern Youth

Numbers 1 and 2 (all publ.). Surrey (UK), 1980. 30x21cm., stapled, unpaginated. Offset printing.

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Edited by Norman Cook (aka Fatboy Slim)/MCKAY, Ian (aka Ian Laidlaw). British punk zine. Most of the content was taken up with reviews and interviews, but no. 1 also included an article on how to shop a demo around, and no. 2, a useful zine review page acknowledging the help the fanzine received from fellow zines.

Raymond PETTIBON

Virgin Fears.

Lawndale, CA: SST, 1983. First Edition. 8vo. 21.6 x 14 cm. Original stapled pictorial wraps. Numbered 268 in red ink from an edition of 500 of which, supposedly, 400 were destroyed. Some mild toning to spine, else near fine.

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By Raymond PETTIBON, Scarce artist's book from the artist most associated with the American - and especially Southern California - punk rock scene and (aside from Wavy Gravy/New Wavy Gravy) the only title in Pettibon's long-running series to be issued serially. Pettibon's indelible black-and-white images graced LPs and fliers for the likes of the Circle Jerks, Dead Kennedy's, Descendents, Germs, Hüsker Dü, Meat Puppets, Minutemen, Ramones, Sonic Youth, Subhumans,Throbbing Gristle, and (most famously) Black Flag - whose name the artist coined. Pettibon's brother Greg Ginn was guitarist for the band and founder of SST Records, under whose auspices most of Pettibon's early books were published and distributed. They unfortunately didn't sell well and - according to the artist - he destroyed most of the remaining copies, leaving only a hundred or so copies of each issue extant. Pettibon (who's also worked under the names Raymond Pettibone, St. Pettibone, Chuck Higby, Raymond Ginn, and Ray Dylan) remains one of the most provocative and vital artists working today, and one whose influence has grown far past his cult beginnings. [28]pp, plus dittoed promotion insert. [Ohrt 11]. [Aarons and Roth 394-403].

PIN. Punk/New Waveblad

Nos. 9 (April/Mei 1979), 10/11 (Juni/Juli 1979; 12 (1979) and English Pin No. 3. Summer 1980.

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PIN UPS

Number 1 (all and only published, by TAJIRI SHINKICHI (1923-2009). Barlo (Limburg, The Netherlands) ), april 1968, 21x30 cm, portfolio consisting of 18 loose sheets, of which 14 photographically illustrated, 1 introductory text and 3 signed by Tajiri, contained in the original manilla envelope with 1 title-sheet superimposed on the front. l Number 58 of an edition of 250 handnumbered.

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Colophon page signed by Tajiri (no 58), the photos are part of a series intended for a catalog of Tajiri's work at the Hamilton Galleries,London and Galerie 20 in Arnhem.

PIONER

(In Cyrillic typefont)

No. 1 (Lector's item No. 1). December 9/"80 (4to). The Hague, 1980. 12 pages, selfwrappers, stapled (only very light soilage)

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Edited by Alfred van der Helm, artist periodical. With contributions by Robert Smith (The Cure), Stuart Moxham (Young Marble Giants), Wendy Smith, Vini Reilly (Durutti Column), Patrik Fitzgerald (Josef Garret), Jonathan Richman, Mark Beer, Paul Van Der Laan, Cor Grout. From a variety of very familiar postpunk and new wave bands, including three postcard poems by Robert Smith of The Cure, a poem by Stuart Moxham of Young Marble Giants, along with a drawing of YMB by Wendy Smith, A poem by Vini Reilly of Durutti Column entitled "A Tramp", a poem by Steve Miro, short stories and poems by Patrik Fitzgerals, and a reproduction of a letter and a signed Dutch bank note by Jonathan Richman. Additional illustrations are included from Paul van der Kaan, and additional poetry by Cor Grout.

PLEASURE

Vol. 1 No. 1 - 33, 37-44. Vol. 2 No. 1, 3-7. (Fuzzy Wuzzy Publications), March 28/April 10, 1969 - 1970 Tabloïd, 16-28 pages per issue, newsprint Mostly b/w with one or more colours added for the frontpage. Closed tear in the front cover of Vol. 1 No. 3, othewise fine.

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Important collection of a major New York pornzine, edited/ initiated by Larry Talbot, (business manager Mary Grafton). With Lee Shiffman, Tina Bellini, Den Mother, Kusama.. Photos by Stan Goldstein, Frank Dale, Mel, Big Sam, Joel Dynamite, Bob, Joel Cooper a.o. In good condition, except for some damage to number 1 and number 7.

PRIMATO

Lettere e arti d'Italia.

Vol. 1-4 no. 15/16 (all publ.). Verona/ Roma/ Atena, Marzo 1940 - Agosto 1943. Kept in four cloth-over-board slipcases with titles on the spine. Folio (37x25,6 cm.). Together 82 issues in good condition, some repairs, and some foxing on the covers.

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Founded by Giuseppe Bottai in an attempt to give voice to artists, writers and scholars in open dissent with the ideologies of the Fascist regime. Contribs. by P. Monelli, M. Alicata, C.E. Gadda, G. Piovene, E. Paci, G. Pintor, U. Spirito, G. Gentile, N.Valeri, G. Ferrata, G. Vigolo, G. Vigorelli, G. Contini, A. Benedetti, A.Bonsanti, F. De Pisis, V. Brancati, A. Gatto, V. Pratolini, C. Pavese, E. Montale, S. Quasimodo, L. Sinisgalli, C. Zavattini, a.o.

PROFUMO

Number 1 and number 2. (All published) . Hoevelaken, February-March 1971. Original pictorial wrappers; 44 and 50 pages, with illustrations.

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Artist periodical from The Netherlands, redaction Nico van Alphen. With contributions by Tim Krabbé, Hans Gruyters, Mensje van Keulen, Peter Andriesse, Anna Beeke (photographs), Willem (cartoons), Joop Troost (cover and cartoons), etc.

PRO.ME.THEE.US

The Eulenspiegel Society.

Number 4. 1974. New York City, Eulenspiegel Society. 48 pages, incl. wrapper;4to; with signed contribution by Allen Ginsberg.

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Sexual Minorities Report. Most contributions under pseudonyms (Terry,Leo Pat etc; Artists: Jock, Jon Davis, Dave Scott; photographers: Marilyn, Jack Jackson). A magazine devoted to S&M, published by the Eulenspiegel Society (supporting sexual liberation as a basic requirement of a truly free society). The contribution by Allen Ginsberg is entitled 'Please Master'; signed on the front cover by Ginsberg.

PUNCTURE (Puncture Magazine)

No. 11. San Francisco, etc., Spring 1986. 48 pages, b/w, illustrated, photographs.

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Published by Katherine Spielmann (editor), Patty Stirling (design) Photos: K. Spielman (SST, Camper van Beethoven, reports from New Zealand, San Francisco, Agitpop, etc.

PUNK ARTIST

No 3. Milano, Studioriga 1979. 40x29 Cm., loose leaves, unpaginated. Offset.

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PUNK MAGAZINE

Number 7. New York, 1977. Cover drawing Patti Smith by S.W.Taylor; drawings Lou Reed, letter from R.Crumb, Dead Boys, interview with Satan. Very good.

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PUNK MAGAZINE

Number 15. 1978. Mutant Monster Beach Party. (light marginal soiling).

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PUNK MAGAZINE

Number 8 . Drawing of Sex Pistols by S.W.Taylor, interview with Hitler, Ramones, etc. (lower portion of back wrapper soiled).

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PUNK MAGAZINE

Number 17. 1979. Cover by B. Carleton. Article on Destroy All Monsters, triple foldout of Niagara. Fine.

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PUNK MAGAZINE

Number 2. New York, 1976. Cover Patti Smith in performance. Fine.

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PUNK MAGAZINE

Number 1. New York: Punk Magazine, 1975. First edition. 4to. folded tabloid format illustrated with a color cover portrait of Lou Reed by John Holmstrom. The debut issue of the legendary punk zine, infamous for the truculent interview between Lou Reed and John Holmstrom.

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PUNK RULES

Number 5 (of total 7 issues published). February 1979. Bern, Self published, 1979. Quarto, un paginated (16 pages), illustrated throughout. Self wrappers.

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Edited: Paul Ott, Marco Repetto. Rock against Racism; Search & Destroy; Claptn on race again; Reading Rock ’78; jimmy cliff & oneness; Sid vicious benefit.. Steiger, Urs – Peter Preissle (ed.)

PUNK-TUALIA

Vilume 1, number 1. Zaandam, ca. 1979 Xerox, stapled. 21 x 29.5 cm. Mostly handwritten.

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Punk zine from Sick Productions (The Netherlands)

RAKET.

Numbers 1-15 with supplements and posters (all published, with presursor and additions). Rotterdam, 1979-1983. -WITH:Precursor: Marcel Megawatt Blad -ADDED: De Avonturen van Red Rat (a continuation in the form of cartoon strips). All in generally good condition, some ragged edges, or light staining. -ADDED:Jubileum edition - K.K. Dubio en de Rondos - Ze zijn er weer ...Kom nou toch jongens, Facisme bestaat allang niet meer. Hitler is al jaren dood - Rotterdam, Raket, 1982 - 305 pp. - paper wrappers - 21 x 30 cm. With added poster "Toen en nu"(rare). -ADDED: unnumbered, undated number,30 pages,stamped kk.dubio.(An additional number (16?): Geis. 1 (?) together with - Geis gaat op Reis, 32 pages + wrappers. Details of the issues below.

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Dutch Anarchist-PUNK periodical, started as newsbulletin for the Rotterdam New Wave Groups, merely one sheet recto/verso. It soon grows out to a full-fledged periodical for Rotterdam Punk, and for Punk in The Netherlands. At first printed (mimeographed) on grey paper in black, soon with photographic illustrations,sometimes with colours in screenprint / stencil / spray technique added. Edited by (Kunst Kollektief) Dubio, and De Rondos, Geis, Aram, Chris de Wit, Teddy Boymans. With the rare precursor/poster: Marcel Megawatt Blad Magazine. Raket, Rotterdam. 1979. 41.9 x 58.5 Cm. Folds out to a two-sided printed poster. Folded in eight. No 6 in cooperation with Kaasee. Featuring: Rondo's ( "I don't like the Rastaman"), Toiletz, ZeroZero, Bunkers, Bunk Music. Donut Music, Filth, Stealer, Kobus van Lankeren, Suburban Punk,attention broadens to Punk outside Rotterdam (Amsterdam, Galerie Anus), Zaandam (sick productions, Gernevieve Van Hooghaut Jonghe, The Hague (Ketchup), Haarlem (World War Rockers), Ash-Tray, Jezus and the Gospelfuckers, Tändstickorshocks, RodeWig, Squats, Jules Deelder, coöperation with Kaasee (Gordelweg 117 Rotterdam). Details of the set: No. 1. 1979, April. One sheet. 62x46,5 cm. (Folded to 31,5x 23,5). -No. 2, 1979. May. One sheet 62x46,5 cm (folded to 31,5x23,5); -No. 3. 1979. Juni. One sheet 62x46,5 cm. (Folded to 31,5x 23,5). -No. 4. 1979. September. 29,5x21 cm. 20 pages, on grey paper, sidestapled. Together with the poster (black on yellow paper, depicting a human figure as target for shooting lessons;this copy has apparently been used for that purpose as there are numerous bullet holes. -No. 5. 1979 Oktober. 34 pages, sidestapled. Together with poster 60x41,5, folded twice; pin-holes in the four corners. - No. 6. 1980. Januari (sic!). 29,5x21 cm. 54 pages sidestapled , with the poster and Shell supplemented); . - No. 7. 1979 December. 29,5x21cm.46 pages sidestapled together with Supplement: Rock against Religion (RAR Organ des Zentralkomitees) 36 pages, sidestapled. POSTER: Rock against Religion. In samenwerking met Kaasee. 41x46,5 cm, folded twice. Photomontage of Nazi-soldiers, Priest, Businessman, falling church-buildings. (Some brown spotting over over middlefold, otherwise in very good condition). -No. 8: 1980. January. Together with the Poster b/w. 60x54 cm., folded twice. And with Bijlage: Marcel Megawat, 10 pp, stapled; -No. 9: Februari 1980 with Bijlage "Rotterdam Graffiti"1. ;-No. 10. 1980 Maart. 29,5x21 cm."Jubileum Raket" 70 pages + 1 loose sheet. Partly in colour.Plus: BijlageRotterdam Graffiti Deel 2. 30 pages. Partly in colour. Plus: Poster printed in red. 43x30,5 cm. (Het Bibelebonsche Rijk). Together with the original kraft mailing envelope, with illustration in black; a bit damaged -No. 11. April/Mei 1980. 29,5x21cm. 76 pages, sidestapled; +Bijlage 22 pages, with Orange Cover, "Verhaal in romanvorm: Trix = The Pix" with caricature of Princess Beatrix in the nude, with piggy policemen.;Ëindexamenskritpie SKA", "graffiti Den Haag" -No. 12. Juni 1980. 29,5x21 cm 100 pages, + Supplement,28 pages (Waarlijk helpe ons God almachtig) (Coronation of Beatrix issue) + 2 posters (42 x 29 cm each. "Schuldig aan"and "Gefallen für Deutschland"). Together with the kraft mailing envelope (a bit damaged) and with the puzzle and the flexidisk -No. 13. September 1980. 29,5x21 cm. With kraft envelope.108 pages. (on backpage: "Bericht van het Verkiezingsfront"). Includes the postcard/photograph "Pearls for the swines", and the poster and Dossier -No. 14. November 1980 (VerzetsRaket). 112 pages + Supplements: Jeugdcultuur & Punk&Verzet. 50 pages, sidestapled (the added badge is not present) + Supplement: De Avonturen van Red Rat. Deel éen.36 pages, sidestapled; + supplement: Over platen maken en hun verspreiding. 24 pages, sidestapled; + supplement: The selling of Limburg. 16 pages, sidestapled. (On the final page announcement: No Hope stops). Together with kraft mailing envelope, rather damaged. ADDED" Unnumbered and undated pamphlets and loose publications: -"The Rondos Song Texts". Printed on a poster, front red/white and blue, with Yellow Hammer and Sickle; Reverse side prints the texts of Rondos Songs. Folded to 8,5x28,5 cm. -"Een beetje vent wordt geen agent"(if you are only a bit of a man you do not become policeman), 40 pages, sidestapled. Not dated; signed Aram. - - Supplement Poster "De Westerse Beschaming,deel 9", Avonturen van Red Rat Addition 4: JUBILEUM-EDITION. Uitgave en copyright Raket, Rotterdam, 1982. oblong, 305 pages + 5 advertising pages; glued in the spine. Frontwrapper (probably)missing. - Vandaag of Morgen. Destroy Fascism.14 pages. - Poster "Which side will you be on", Fight back; White Power - TOGETHER WITH: DE AVONTUREN VAN Red Rat. Deel 1/2, deel 3/4, deel 5/6, deel 7/8, deel 9/10 (complete as published by Uitgeverij "lont", original opictorial wrappers; 1981-1983. Added: Deel 11/12. Revival, published by De Papieren Tijger. 2009. - Thus altogether a magnificent collection, Rare.A very complete offering.

THE REALIST

Freethought criticism and satire.

Nos. 24/25, 27, 29-30, 32, 35, 40-41, 43, 47-48, 50, 53, 55, 57-58, 60, 64-84, 86-88, 90-93. New York, March/April 1961- August 1972. Size (h/w): 27 x 21 cm. Newspaper 24 pp. Added: 6 unnumbered issues of 4 pages each, published from Dec. 1968-June 1969, and 86 A-B, 4 pages each, Jan-April 1970. Very scarce.

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A collection comprising 57 nos. of this underground satirical journal, edited by Paul Krassner. Contributions by Ellen Sander, Larry Josephson, Robert Wolf, Saul Heller, Sandra Adickes, John Francis Putnam, Abbie Hoffman, Lenny Bruce (Obscenity, Narcotics & Me) a.o. Cartoons by Dick Guindon. Contains Impolite Interviews with Norman Mailer, Mort Sahl, Woody Allen, Timothy Leary , and an article on the arrest of Lenny Bruce. Nos. 91& 92 are published in 3 parts numbered as 91 A-C (July-Dec. 1971) and 92 A-C (Jan.-June 1972) of 8 pp. each. . Publication went on till 1974 (no.98)

REVOLUTION IN JEOPARDY

Section Francaise de l'Internationale Punk.

Nos 1 and 2 (all publ.) Ligne Rauque, 1984/85.: Folded sheet,s (30x21cm., Xerox printing).

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Edited by Bertrand Laidain. French punk and anarcho-punk fanzine put out by the project "Ligne Rauque". Text in French. No 1 includes an article on Maximumrocknroll, with portions of Crass's Yes Sir I Will translated into French. No 2 an article on Hardcore, and a piece on London.

Willem de RIDDER

The Long Weekend. World Altering,etc, UBS-Openings. Metro. Tate Modern. Programme Saturday 24th May -Monday 26 May. Newspaper, 12 pp. Tabloid-size. London, 2008. (Tate).

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With Fluxus Information published by Tate Modern. Includes information of De Ridder's European Mail-Order Warehouse and his ILLEGAL EXHIBITION. On the last page: A potted history og Fluxus (A-Z with UK slant, compiled by Adrien Glew, May 2008.

THE RIP OFF REVIEW

Numbers 1-3 (all publ.). San Francisco, CA, 1972. 28x21,5 cm., stapled in colourful covers, 64pp each. B&W and color. In good clean condition.

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Full title: The Ripp Off Review of Western Culture, produced by the Rip Off Press. Edited by J. David Moriaty. An underground comix magazine featuring articles, stories, photographs, illustrations and comic art. Contributors include artists S. Clay Wilson, Victor Moscoso (incl. the front cover of no. 2), Joel Beck, Jim Franklin, Gilbert Shelton, and Pat Ryan; writers Lewis McAdams and Tom Clark, Bruce Jackson, PJ O'Rourke, Ron Siegel, Lennart Bruce, and Frank Stack; and photographers William Irwin, Michael Heinichen, Richie Fiddler, Peter Gent, and Ike Baruch. "Uncle Sam Takes LSD" newsprint insert in first issue.

RIPPED & TORN

Number 9. November 1977. Rough Trade, Kensington Park, London. 20 pp. 21 x 30 cm, stapled together in the upper left corner.

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The most respected punk mag. Editor: Tony, Jem Gibbs, photographer. Sex Pistols, Dead Fingers Talk, The Weirdos. Tom Robison, 999,

RIPPED & TORN

Collection of 15 issues (from 18 published) . Glasgow: Ripped & Torn, 1976-1979. quarto issues; offset printed in black and white and in colors and left corner or side-stapled; ca.10-22pp; illus. Comprises the following issues: Nos.2-3, 5-13, 15-18. Light wear overall, with occasional dustiness, scattered soil, short tears and creases; issue no.16 with several small splash marks to covers; otherwise good, complete copies.

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Substantial run of one the most respected fanzines in the UK.. Published in Glasgow by Tony Drayton, Ripped & Torn included interviews with, or features on, most of the important bands of the period, but also devoted material to art, including a feature on Derek Jarman. Illustrated throughout with original photographs, and combined with its anarchic cut-and-paste aesthetic, it became one of the best printed records of the times, along with the equally important Sniffin' Glue. A total of 18 issues were produced, with the final issue edited by Vermilion Sands, a female biker, musician (fronting for the band Dick Envy), and writer for the American fanzine Search & Destroy. Tony D. left R&T and began publisging "Kill your own puppy", a similar fanzine.

RIPPER (SOUTH BAY RIPPER)

RIPPER fanzine. Numbers 1-8 (all publ.) . San Jose,Ca. 1980 - 1982. All eight issues including the impossible-to-find debut issue published as South Bay Ripper. Some foxing/spotting to cover of No. 1.

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Complete run of this short-lived and highly influential Bay Area punk magazine. Editor/publisher: Tim Tonooka, Contributors,art and photos: Camille Iguana, Thom Lukas, Kat, Scarlot Aroma, Kyn Rousseau, Andrew English, Janet Planet, Kevin Animal, Patty Anderson, Earnest Endeavors, Ruick Rabble, Phil Tiger, Tim Tonooka, John Crawford, and others. - Unter Tones, Kerry Loewen, Peter Bloom, Saucers, Black Flag, DOA Spectators, Social Untrets, The Undead, Maximum Rock'n'Roll, The Fix, Bad Brains, etc.

THE RUNNING MAN

Vol. 1 nos 1-5 (all publ.), The Running Man Publications, London, 1968. 4to. In the original pictorial wrappers.

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Edited by Christoper KYPREOS, contents include Vengeance Baby by William Rushton, Take it in the Face James Fox by Peter Menegas, and The Interior Landscape by Eva Figes. Number 2 contains Steadmans Nudes, for which the magazine was banned. Number 3/4/5 is "Running Man - Special Issue- Ecstatic Revolution" which appears to form part of the whole publication. Undated, but internal evidence suggests 1968. 112 pages on art paper heavily illustrated with photographs, drawings and graphic art.

SANSKARAS

Nos. 1-4 (complete run). Clark Township: Sanskaras, A Quarterly of Poetry, 1968-1969. Four issues, very good tol near fine in illustrated wrappers.

Price on request

Edited by William Matthews and Ronald Hobbs. Contributors: Anne Waldman, Schejeldahl, Torregian, Malanga, Warsh, Schiff, Crews, Lally, and others.

SEARCH AND DESTROY

New Wave Cultural Research;later: Rebel Youth Culture.

Numbers 1-11 (all publ.). San Francisco: Search & Destroy (1977-1979 ; number 11 numbered as Vol. 2 no 11. Tabloïds, on newsprint, fully illustrated with numerous photographs, folded, as issued. Each 12pp.-24pp. Illustrated throughout. All original printings, including both states of the first issue (the first state has red stamps to the front cover). Small Compendium Books price sticker to cover of second issue, otherwise all near fine. Vale, then working at City Lights, started work on Search & Destroy in January 1977 with the help of a few hundred dollars from Allen Ginsberg and Lawrence Ferlinghetti. His intention was to provide a voice for the punk movement (a "total cultural revolt") and the new freedoms opened up in its wake. Later, he told Jon Savage that he had been inspired by Finger, one of the further-flung outposts of porn publishing: "Finger magazine was a great inspiration to me with Search and Destroy. It was an incredible, reader-written magazine on newsprint, stapled, a classic. All these people sent in their photos and the kinkiest stories. The most incredible, accidental poetic language. They did a parody of Patty Hearst, with a slavey-looking girl posing as Patty with a fake Symbionese Liberation Army banner. They showed things like sex with amputees, animal sex, everything that was taboo, they presented it. That was the aesthetic" (quoted in England's Dreaming, p.440. Faber, 1991). The sixth issue prints Jon Savage's first interview with Genesis P-Orridge (2pp.)., conducted in P-Orridge and Cosey Fanni Tutti's house in Beck Road, and their Martello Street studio, in late 1977, around the time of the release of TG's first album. The interview is illustrated with a photo of TG by Fizzy Paet, and Cosey Fanni Tutti's "Sexual Transgressions No.5" photo (one of the images displayed at the ICA exhibition). Accompanied "by friend Sheila" [Rock], Savage's in-depth interview ranges over a variety of topics, including punk, violence, William Burroughs, and Image Bank. Other interviewees featured include: Crime; The Avengers; The Ramones; The Clash; Devo; Tom Verlaine; Alternative TV (including Alex Fegusson, later of PTV, with TG references by Mark Perry); The Damned; Blondie; The Weirdos; Iggy Pop; Jordan; Patti Smith; The Dead Boys; Metal Urbain; Helen Wheels; The Screamers; Nico; Suicide; Talking Heads; The Nuns; Negative Trend; Buzzcocks; Pere Ubu; The Mutants; The Sleepers; John Waters; DNA; Roky Erickson; The Zeros; The Dils; The Cramps; Siouxsie & The Banshees; Chrome; Patti Palladin; Syl Sylvain; Dead Kennedys; David Lynch; Steve Jones; Russ Meyer; William Burroughs; and JG Ballard. (12 items).

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San Francisco-based tabloid zine devoted to the nascent Punk Rock Scene. Edited by V.Vale. Issues of 16-28 pages. All fine, all FIRSTprintings including the very rare original edition 1978 of Number 10 (the Burroughs issue which was reprinted ten years later). All the important UK and US bands of the day represented (Sex Pistols, The Ramones, Pere Ubu, Crime, Dead Kennedys, Patti Smith, Iggy Pop, Screamers, Clash, Throbbing Gristle, Buzzcocks, Talking Heads, Devo, Weirdos, and Suicide. Search and Destroy also served as a bridge between the punk scene and the literary/visual artists who both influenced and were influenced by punk: Ginsberg, Burroughs, Ballard, Acker, John Waters, David Lynch, Bruce Conner, Russ Meyer, and Nico Ordway. Founded by Vale Hamanaka who worked at Lawrence Ferlinghetti's City Lights Bookstore and originally funded by Ferlinghetti and Allen Ginsberg. Named for the Stoogie's proto-punk anthem, SEARCH AND DESTROY remains one of the most important, vibrant, and influential documents to emerge from punk. Vale, then working at City Lights, started work on Search & Destroy in January 1977 with the help of a few hundred dollars from Allen Ginsberg and Lawrence Ferlinghetti. His intention was to provide a voice for the punk movement (a "total cultural revolt") and the new freedoms opened up in its wake. The sixth issue prints Jon Savage's first interview with Genesis P-Orridge (2pp.)., conducted in P-Orridge and Cosey Fanni Tutti's house in Beck Road, and their Martello Street studio, in late 1977, around the time of the release of TG's first album.

SEXUAL FREEDOM INTERNATIONAL

Journal of the San Francisco Sexual Freedom League.

Group of 8 issues: Numbers 2 (January 1970), 4 (1970), 6 (1971), 7 (1971), 8 (1971), 10 (1972). With: Sexual Freedom Newsletter, July 1970 and August 1970. San Francisco, Sexual Freedom League, 1970-1972. Original wrappers, folios, various formats. All in excellent condition.

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Published quarterly (or more frequently as circumstances permit) by members of the San Francisco Chapter of the Sexual Freedom League, a non-profit educational organization chartered by the State of California,. Issues of 40 or 24 large-size pages, b/w and one colour added. Editorial directors: Margo and Leo Frank, with Stephen L.W.Greene, Margo Rila. Illustrators; Susan Greene, Elisabeth Kabat, etc. Sexually explicit photographs and texts, advertisements. Vivid portrait of the sexual revolution. Articles on group love, homo-, bi and pan sexualities, birth control, communal love, and clearly important for the gay liberation and equality movements in San Francisco.

SILO

No. 8. Bennington, VT: Bennington College, Fall 1965. Size (h/w): 23 x 16,5 cm. Original wrappers. Handsomely produced, with overlapping covers, inserted original art work & musical score, etc. Cover edges chipped, otherwise fine. Uncut.

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SILO

No. 9. Bennington College, Bennington, Vermont, Spring 1966. Edited by Anne Waldman. Cover a bit sunned.

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SLASH

Complete set, of 30 issues composed as follows: Vol. 1 nos 1-12 ( Los Angeles, 5 May 1977-Aug.1978), plus "Give Away Issue", not dated "One Year Anniversary Special (14 pages)", continued as: Vol. 2 nos. 1-11 (Sept.1978-Dec. 1979), continued as: Vol. 3 nos 1-4 (Jan/Feb.1980- n.d.1980) + Vol. 3 no 5 (Undated thicker issue, "World Update" published by Robert Briggs (n.d., 1980), complete set, with special addition: New York Rocker-Issue Sept.1981 (including a "mini-Slash Issue"). Together 30 physical issues; newsprint with coloured covers, tabloïds. An almost pristine set with only very minimal flaws (detail on request).

Price on request

Groundbreaking LA magazine, the West Coast equivalent of NY Rocker because of the large format newsprint and amazing punk coverage. Edited by Steven Samiof and Melanie Nissen (Photo-editor and contributor of numerous photographs), senior editors Claude Bessy, Philomena. Issues ranging from 20 to 48 pages toward the end. Contributions by Paul Zacha, Kickbioy, Steven Lovejoy, Lou Beach, Richard Blyth, Nicole Walker, Gorilla Rose, Bud Scoppa, Gary Panter, photos bt (a.o.) Edwin Heaven, Rena Small, Jonathan Postal, Jules Bates; featuring punk-rock band and artists: The Vibrators, Blondie, Devo, Sex Pistols, Heartbreakers, Easter, Iggy Pop. The Weirdos, The Bags, Fear, The Police, etc. Much like "High Times" cross-promoted Punk magazine, NY Rocker included a "mini-Slash" issue after the magazine's untimely demise: "R.I.P. = Rest In Punk" on pages 15-25. Most of the Slash covers can be viewed on: http://www.slashmag.com/covers.htm

SNIFFIN' GLUE

And Other Rock'n'Roll Habits for a bunch of bleeding idiots (subtitles change)

Numbers 3-12 (=last published). November 1976 -n.d.(end of 1977). London.Quarto; offset printed recto and verso, and stapled at upper left corner. Some light edgewear, but altogether a wonderful well preserved document. Complete with the flexi-disk that came with No. 12.

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Important set of this rare UK Punk zine. Founded by Mark Perry, and aided by friends Danny Baker and Steve Micalef, Sniffin' glue was an alternative voice to the mainstream music papers, covering the punk music scene at a time when little else was available, running to a total of 12 issues. - No. 3. London, September 1976. 10 xeroxed sheets, printed on rectos, corner stapled, excellent condition with only some trivial wear and tiny spot on the back cover. Front cover photo of Bryan Jones of The Damned, interview with that group, also Iggy Pop, Sex Pistorls, partial interview with Johnny Rotten etc. - No. 4. London, October 1976. 10 xeroxed sheets, corner stapled.. Minor creasing and wear, very light shaving to front cover, most likely already occurred during the production process. Featuring The Clash, Buxxcocks, Saints, Patty Smith new LP, etc. - No. 5. November 1976. 10 pages, corner stapled. Eddie and the Hot Rods, The Subway Sect+ Chelsea, Anarchy in the singles!, Eddie and the Hot Rods. Cover photo of Barrie Masters by Michael Beal. Editor Mark P, (also layout), with Steve Mick, Michael Beal, Sheila Rock, Subway Sect (photos). - No.6. January 1977. 13 pages, corner stapled. Sex Pistols (the full version of an article by Perry published in Time Out magazine, photos), Eater, Generation X, Chelsea, Clash cover photo by Sheila Rock, other photos by Erica Echenberg, Harry T. Murlowski & Jill Furmanovsky, scene news and reviews - No. 7. February 1977. 14 pages, corner stapled. Photos: Harry T. Murlowski. The Adverts. The Gorillas, Roxy Club News, Dobn Letts interview, Erica's (Erica Echenberg) Hang Ups (Photos)The Damned. - No. 8. March 1977, 14 pages, corner stapled. Mark P. Editor; Harry T. Murlowsky, Photographer; Steve Mick, Bump and grind stories. New York Invasion ! Heartbreakers, Cherry Vanilla, Wayne County, Buzzcocks, The Jam, The Clash, Qwhite Riot, Brian James,Damned. - No.9. April/May 1977. 14 pp. Guest-edited by Steve Mick with contributions from Mark Perry, Harry T. Mulowski, Danny Baker, Erica Echenberg, Jill Furmanovsky & Caroline Coon. Features the Models, the Cortinas, The Damned,Joey Ramone drawing of Dee-Dee ('Don't Punk Out'), news, reviews including the Damned in Great Malvern and New York,The Clash, Johnny Moped, The Jam, The Saints, The Stranglers, Skrewdriver, Eddie & the Hot Rods, Elvis Costello, Blondie, and more - including several great period ads. including one from Shane MacGowan for a drummer in the Erect Nipples. - No.10. June - 1977. 14pp. No longer edited by Steve Mick, with significant input from Danny Baker as well as Perry. Chelsea, Johnny Moped, reviews incl. Clash / Buzzcocks / Subway Sect at the Rainbow, full page ad for Sex Pistols/God Save the Queen. Photos by Jill Furmanovsky, Erica Echenberg, Harry T. Murlowski, Caroline Coon & Michael Clifford. - No. 11. July 1977. London, 1977. 28 pages. Edited by Mark Perry and Danny Baker. Includes letter from Mick Jones and Robin Crocker of The Clash, article on Jonathan Richman, reviews, ads (New York Dolls, Squeeze, etc.), Erica's Hang-Up, Music from the dead factory, Speed London Press,. Get Funked, and more. - No. 12. [publisher: Rough Trade, London] Quarto; 14pp. stapled at upper left corner. Some light, general edgewear; final page is detached, though original staple is still intact; Together with Alternative TV's 'Love Lies Limp' flexi disc, unplayed, and still in the original insert sleeve; Fine. This final issue features a detailed history of Chiswick Records, show review of the Sham's at The Vortex, a nice Clash photo insert, a write-up on Generation X, and several articles. Perry stopped Sniffin' Glue with number 12, about the same time he suggested that punk had been assimilated into the music industry. A clean copy complete with the original flexi-disc that's usually missing.

SO WHAT

(Voorheen Pin !).

No. 1 (all publ.). 14 pages, sidestapled. N.d. (ca.1980)

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The continuation of PIN, same collaborators. (Ruts/Passions/Penetration/Bugs/Mo-Dettes, etc.).

SOILANT

Nos. 2, 4, 5 (out of probably 5 issues published). Zürich, Mai 1980- Mai 1981. Issues of 24 pages, mimeographed, stapled. (Nr.2 lightly soiled and small closed tear in the last page.

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Rare Swiss punk zine. Editor Christian Tschernitsch. Reports from the punk scenes in Holland, Switzerland, Germany, etc. Crass, Ayatollahs, Cockey Rejects, among many others. Text in german, with some english and french.

THE STAR

(Number 1, probably only published). New York, NY, J. 1970. Tabloid., loose leaves, unpaginated. Newsprint, light toning.

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Designed and published by Stanley Stellar and John Dowd, Contents include photographs, photomontages, stamp art and drawings, many featuring images of the Rolling Stones and the spectre of Brian Jones, one of them by Elisabeth Staal.

STEP

Number 1 (only published issue):, Step Enterprises, Enschede (NL)1982. 42 x30cm, stapled, unpaginated. Offset B&W and color.

Price on request

Published by R. Nijland, T.Loman, E.Westende. Fashion, Tattoos, Out, etc. in Dutch.

STOP ! (Preceded by Comical Funnies)

Magazine.

Nos. 1-9 (all publ.) New York, NY, 1982-1984. Original pictorial wrappers, spine stapled. 17,5x21 cm. Excellent condition. TOGETHER WITH: precursor: COMICAL FUNNIES. Nos. 1-3 (all publ.). New York,NY 1980-1981. Nos. 1 and 3: 28,5x21,5; second issue 43x29. Covers in colour, inside b/w.

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FOLLOW-UPS OF John Holmstroms PUNK. Comical Funnies was the immediate follow-up to Punk Magazine Holmstrom continued then in STOP!: Editor J.D.King, associate editor John Holmstrom, with Dale Ashmun, Peter Bagge, Bill Griffith. and Bruce Carleton. In the spirit of Holstroms Punk magazine. Featurs John Candy, The Honeymooners, Bull Winkle,3 Stooges, Punkxploitation, Hollywood eats Punks alive, Clay Wilson.

STRANGE THINGS ARE HAPPENING

Nos. 1-7 (all published). St,Albans (UK), Bam-Caruso Books, 1988-1990. Complete with the Vinyl record in no. 7), 29,5x21 cm., stapled in pictorial wrappers, each 48-52 pages.

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Glossy magazine for Pop- and Rock music, Editor: Brian Hogg, with Richard Norris, Phil Smee. Coverage of many groups and artists, incl.: The Kinks, Syd Barrett, Psychic TV, Robyn Hitchcock, Beach movies, Iggy & The Stooges, Wire, Richard Brautigan, Lowell George, Kathy Acker, Sgt. Bilko, Tiny Tim, Bruce Lee, Nirvana (UK), "Barbarella", Frank Zappa, Mike Bloomfield, Straight Records, The Soft Machine, Terry Riley, Dr. Who, The Grateful Dead, Daevid Allen, Van Morrison, the Man From U.N.C.L.E., The Go-Betweens, John Fahey, Moondog, Bob Dylan, Nick Drake, Kenneth Patchen, Kaleidoscope (UK), John Simon, detective pulps, The Oxford Sound, and more. A planned no 8 never actually appeared.

STRIKE

AGIT-PROP. London (UK), (1970). Number 0 (probably only published issue): 34,5x23,5 cm., loose leaves, unpaginated. Offset on newsprint, rather yellowed; light edgewear,

Price on request

THE STYLUS

Nos. 1-3 (all publ.). Richmond: The Stylus (1993-1997). Original illustrated wrappers, spine stapled.

Price on request

Edited by Roger Reus . Contributions by Joyce Fante, Bukowski, Marvin Malone and critical articles on John Fante, Henry Miller, Machen, Bukowsi, Fitzgerald, Dali, etc.

SUBMARINE

Fanzine de la bande dessidée

Numero Zero (0), Été 72. Paris 1972 (all published): 31,5x21,5 cm., stapled, 23pp. Offset black and sepia.

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Edited by M. Menant. Directeur F. Torti. Rédacteur en chef: Marc Minoustchine. Interview de C. Bretecher.

SUBURBAN VOICE

formerly SUBURBAN PUNK

Number 11. Lynn, Ma. N.d. 21.5 x 28 cm.

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Publisher and Editor: Al Quint. Contributions by Jane Simpkin, Chris Jones, Ziggy J., Tina Kohler, Lisa Putignano, Gubby, Benji, Brian Walsby, R. Knox, Cindy Mendes, Chris Corkum, Metal Head, Havie M.

SUNSHINE

NY: Alan Bernheimer, 1971. All and only published. 4to. [66 pp]. Some light toning to edges and light staining of front cover,, else near fine in side-stapled wrappers.

Price on request

Edited by Alan Bernheimer. Thanks to Larry Fagin, Merrill Gilfillan, Anne Waldman. Cover art by Merrill Gilfillan. Rebecca Wright, Michael Waltuch, Alex Smith, Arlene Ladden, Kit Robinson, Alan Bernheimer, Bill Zavatsky, Steve Benson, Roger Kamenetz, Pat Bizzell, Merrill Gilfillan, and Paul Violi.

SURPRISE

Tous les trois mois.

Nos. 1-5 (most probably all published, publication forbidden after no 5). Small 4to., ab 32 pages par issue; stapled in coloured pictorial wrappers, inside b/w. 32pp each issue, b&w contents, stapled into the original coloured illustrated paper wrappers. Paris, Éditions du Square, 1967-1976. In excellent condition and extremely rare.

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Editor in chief: WILLEM (Bernhard HOLTROP). Comic with French text by the notorious editor and illustrator, wellknown for his contributions to the Dutch Provo=magazin 'God, Nederland and Oranje', as well as to L'Enragé, Charlie Hebdo, Hara-Kiri Hebdo, etc. The editorial for number 5 notes that the Minister of the Interior, Michel Poniatoiwski, found Surpise number 4 to be "dangereuse pour la jeunesse.." and forbade sales to minors. The covers of the premier issue is by Joost Swarte. Contributors include Kim Deitch, Riri le Spermatozoide, Bill Griffith, la bande a Bazooka, Joost Swarte, Chlodwig Poth, Bananar, Loulou, Phil, Poth, Oscar de Wit, Chapi, Dom Willoughby, Cathy Millet, Ever Meulen, Dave Geiser, Albert Rainbow, Morimoto, Poth, Phil, Kamagurka.

SWEMPOEL

Number 6. Den Haag, no date ca.1970). Printed on different colour paper, innovartive lay-out

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Published by "De Swem", short for Werkgroep Eksperimentele Maatschappij: an initiative in The Hague to organize jobs and schooling, a not for profit iniative. Lay-out and contents considerably influenced by Punk.

TALENT Magazine.

Visueel Vakblad.

Nos. 1-4 (all publ.?). Amsterdam, Nov. 1978 - March 1980. Original illustrated wrappers; 4to.

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Mainly devoted to the study of comics (the editors: 'journal devoted to lines in the broadest sense..'). Edited by Evert Geradts, Har van Fulpen, Joosje Noordhoek, Piet Schreuders. Contribs, incl.: interview with Robert Crumb; article on the Fleischer brothers; the history of the drawn pin-up; Rodolphe Töpffer (article by Gerrit Komrij) and strips by Crumb, Kamagurka, Fred Hemmes, Emerson, Marc Smeets, Zorin, Gasquet, a.o.

TALES OF SEX AND DEATH

Numbers 1 and 2 (all publ.). Berkeley, CA, The Print Mint, 1971 and 1975. 25x17 cm., stapled, unpaginated. Very good condition.

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Underground comics, edited and covers drawn by Roger Brand. "Clean, wholesome, mellow, affectionate" . " Adult content". Comics by Roger Brand, Paul Rodgers, Kim Deitch, Bill Griffith, S,Clay Wilson, Justin Green.

THINGS

Nos. 1-3 (all publ.). New York, 1964-1966. Original illustrated wrappers.

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Edited by Emmet Jarrett, Richard Lourie, Ron Schreiber and David van Hoorn. Cover art on each issue. With a few drawings inside. Contributions by Babette Deutsch, Denise Levertov, Ben Shahn, Philip Whalen, Diane Wakoski. Thomas Clark, Jason Miller, Norman Porter a.o. The cover for no. 3 is an original signed serigraph by David Van Hoorn.

THIRD WAVE

Number 1. Fall 1978. Elizabeth, NJ, 3rd Wave Publications.Side stapled wraps, with a black and white photo of two members of the Dead Boys on the front . 30 pages. Minor staining to cover.

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Black and white photos throughout, as well as a sexy illustrated centerfold poster by Sharon Coben of Johansen and Thunders. The first issue of this New Jersey based fanzine, features an interview with the Sic Fucks members/founders Tish and Snooky Bellomo, members of Blondie, as well as founding the punk rock boutique, Manic Panic (Wikipedia). Also included are interviews with The Dead Boys and Robert Gordon (of Tuff Darts). Record reviews include one of Teenage Jesus and the Jerks, and Van Halen. Features also bands and musicians that would become associated with No Wave, the late 1970s New York based music movement.

THORA-ZINE

Issue 1. Houston: Thora-Zine, issue one, January 1993. Staple-bound wraps,28x21cm, not paginated (56 pp.). Excellent copy.

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Dubbing itself the “underground media monitor,” the premier issue of this magazine featured articles like “Fuck Rodney King” and “Malcolm X: Hate Preacher or Symbol of Peace” (the author decided on the latter), along with an interview with Lydia Lunch, show and ‘zine reviews, poetry, the article “Ain’t No Sense in Voting” (“I laugh at all you people who honestly think voting makes some kind of difference or means something or whatever. You are nothing but BRAINWASHED IDIOTS!” – Biff Steak), lots of ads, and a three-page spread on flyer art.

THRASHER

Skateboarding magazine: (LA Punk-Rock magazine)

Years 1-10 (131 issues) San Francisco (1981-1991) This set includes every issue from its most crucial period: the first 10 years spanning 1981 - 1991, with: "The best of Thrasher" Winter 1988. and with "10th Anniversary", published January 1992. A set of 131 issues in all including the early and extremely elusive large format issues. Overall condition is excellent with a few instances of minor wear on later issues, and a small defect to left upper corner of number 1.

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The most influential skateboarding magazine ever published. With its unique blend of skating and punk rock coverage it has been at the forefront ever since it started in 1981. Outside of Thrasher's own archives, a set of this scope has never been assembled or offered.

THE TRANSYLVANIAN

Rocky Horror News.

Vol. 1 No. 1. Premier National Issue. Philadelphia, 1978 (no more published ?) 4to; stapled in the spine, b/w and colour red added. Very light edgewear. (Insert Time Warp included).

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Edited by Robin Lipner. The Rocky Horror Fan Club in Association with Adam Sargis and Adam Sargis Associates., Philadelphia, PA. The first issue of a magazine focusing on the Rocky Horror Picture Show. 24 pages, some numbered. Illustrated, crossword puzzle, drawings, photos, black & white.

UNSOUND

Vol. 1 nos. 1-5 (all); Vol. 2 nos. 1-4 (all); Vol. 3 nos. 1-2 (all, no. 2 as "The Final Unsound"). Complete ,all published. San Francisco, Ca. 1983-1985. Original wrappers, stapled; 15-27 cm. The final issue is a folder in a plastic bag consisting of a tabloïd issue, two booklets and an audio cassette. (Small imperfection to frontcover of no. 1, otherwise all numbers in excellent condition).

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The complete set of this mixture of art, photography, music and other media, comprising 10 physical issues (vol. 2 no 3/4 is double) and the Final Issue. Editors: William S. Davenport, Christopher N. Rankin and Tamara F. ". . . Unsound was established as a venue for artists, groups and organisations, working within areas where promotional/exposure outlets were limited, or as in most cases, non-existent. Covers by D. Cremieux, H. Dekomposition, Mark Klee, Mary O'Neil, Paul H.O., T.M. Caldwell and others. Issues varying in length from 40 -65 pages. THE FINAL UNSOUND. Vol. 3 no 2.1985 consists of colophon, two booklets and an audio cassette in a folder enclosed in a plastic bag. Further details and list of contributors on the website or on request. Artists included: Culturcide, The L.A. Experiment, Electronic Underground, Birthday Party, P. Meyer, Whitehouse, Kommunity FK, Xerox Sutra Editions, Z'ev,P.I.L., Debt of Nature, P. Ratt, S.C. Hunt, R. Farrel, P. Edlund, W. Torphy, D. Banda, D. Cremieux, G. Helfand a.o,.

LA VEUVE JOYEUSE

Journal souterrain pour adulte eclaire.

Number Zero 0 (all published): Paris, 1970. 300x210 mm., stapled, unpaginated. (Spine damaged). Offset.

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Edited by Françoise Noel. Contributions by François Vitalis, Willem, Alain Viguier

WHITE STUFF

Numbers 1-5 (out of 8 published). London, Sandy Robertson, 1977, Original wrappers. Corner stapled at upper left. 29,8x21 cn. . Printed on rectos only. Illustrated (b&w). L ight corner creases over the staples to all issuesl ight wrinkles to back page of issue 1, Otherwise all in near fine condition. Each issue had a different subtitle and printed on different colour stock: Issue 1: A Rock N Roll Magazine for the Modern World (light blue); Issue 2: A Rock N Roll Magazine for Teen Aeshetes (pink); Issue 3: A Rock N Roll Magazine for Young Existentialists ( light green); Issue 4: A Rock N Roll Magazine for the New Romanticism (darks yellow); Issue 5: A Rock N Roll Magazine for international heroes (yellow stock).

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Edited by Sandy Robertson. A PATTI SMITH fanzine, the name being derived from lyrics to Smith's song 'Ain't It Strange.' Scottish writer Sandy Robertson was a Scottish writer.Patti Smith was the main focus, others were also featured (Sex Pistols, Lou Reed, Harry Crosby, Kim Fowley, Artaud, Wilhelm Reich, Todd Rundgren). Robertson states in issue 1: "I'm starting this magazine because I believe that I have interesting ideas and yet I can't get them published by the 'big' music papers. Mark P. of Sniffin' Glue apparently said that everyone shoud start their own paper and I fully agree." And later: "I called it 'White Stuff' because I like Patti's line (from the song Ain't It Strange), and also there are lots of black music papers, but few in this country exclusively devoted to the music of urban white kids." No.1: Vive L'Anarchie; Patti Smith, Lou Reed; Sex Pistols, and more No.2:Contents feature articles on Smith and The Runaways, reviews of Smith's singles, Snatch, and The Clash, as well as numerous photos of Smith and surrealist poetry by Hans Arp and Antonin Artaud. No.3: Featuering the Patti Todd rundgren connections;Patti in 1973;You can't say "Fuck"in Radio Free Amwerica No. 4: Contents feature an article comparing Smith and Wilhelm Reich, as well as five pages of verse by Smith, each coupled with a different photograph. Issues of 'White Stuff' - particularly the early ones - are scarce in commerce; OCLC locates incomplete holdings at 3 US institutions, with 2 more in the UK. [Winchester, VA, No.5: Article by Frank W. Letchford on the art of Austin Osman Spare, 'Notes on Holiday Inn' by Smith, and a fans' notes on Smith, The Rolling Stones, and Rimbaud. Issues of 'White Stuff' - are scarce; OCLC locates incomplete holdings at 3 US institutions, with 2 more in the UK.

WIRRWAHR

Number 1 (all publ.). Syke (BRD), Wirrwahr Verlag 1979. 29x21 cm, stapled, 46pp. Contrubutions by H. Lührs, D. Schmidt, L. Bickel, C. Russin, M. Lindon et al.

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Edited by Johann Luft and Hajo Lührs. Contributions by H. Lührs, D. Schmidt, L. Bickel, C. Russin, M. Lindon a.o..

WITZEND

Nos. 1-3 (all publ.). Amsterdam, 1966/67-1970. Original wrappers; 4to;

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Dutch language edition of Wallace Wood's New York 'Witzend', published by the 'Real Free Press' which had outlets in Amsterdam, Rotterdam and Antwerp. With contribs. by prominent American comics artists: Wallace Wood, Steve Ditko, Bill Pearson, Grass Green, Jaf, Warren Sattler, a.o.; with 4 page prospectus of 'The Real Free Press' (i.a. distributor of 'Provo' magazine in 1965).

YARROWSTALKS (Crumb)

Numbers (00) 1 and 2. Philadelphia, Brian Zahn, June-July 1967. (No.1 on newsprint, 42 x 28,5 cm., light wear to spine and edges; No. 2 on better paper, 41 x 17,8 cm. In fine condition except for very light soilage on the front cover).

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Published (initially monthly) by David Auten and Brian Zahn. Contributors: Steve Tilles, Phil Stilles, Bonny Williams, Paul Carlin, Lynn Coren, Timothy Leary, Robert Crumb. These first issues of Yarrowstalks represent some of the earliest R.Crumb Comics & Stories. Number one has the first appearance of his character "Mr. Natural" and "The Trip" a 20 panel psychedelic comic strip. The second issue features the first installment of "Head Comix" and other drawings by Crumb. Yarrowstalks was Philadelphia’s Oracle, one of the best of the underground papers;Yarrowstalks was a blend of artwork and creative writing. It was not radical politically, but rather a gently publication, with visually pleasing graphics and an easy editorial style. The first issue includes a 2 page interview with Timothy Leary, with photograph. The paper, following the lead of editor and publisher Brian Zahn, moved toward Eastern philosophies. Twelve issues of Yarrowstalks were published in Philadelphia from 1967 until 1975. Most of the activity was concentrated at the beginning of the period, in the heyday of underground press activity.

ZONE V.

Fanzine / Photozine.

Nos. 1 - 2 (All Published). (Wheaton, MD]:) Jim Saah, nd [ca. 1983]. 4to. Original self-wrappers. Issue one has corner of page 3 trimmed for ab.3x10 cm., otherwise perfect condition, clean. Issue two has highlighting to a few pages and a scuff to front cover.

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Visually interesting zine, and important hard core document, edited by Jim Saah. Issue one features a contribution by Thurston Moore as well as an interview with Henry Rollins. Heavily illustrated with B&W photos of the Circle Jerks, Government Issue, Black Flag, 2-page spread on Minor Threat, plus numerous others. Also includes 4-page spread on "The Minor Threat Family Tree." Issue two includes: Mission of Burma, Suicidal Tendencies, X, Necros, Youth Brigade, and others. Important harDCore document.