Cat. 313

FLUXUS + HAPPENINGS

[#17243]

ACTIONS / AGITPOP / DE-COLLAGE / HAPPENING / EVENTS / ANTIART /L' AUTRISME / ART TOTAL / REFLUXUS

festival der neuen kunst - 20. Juli 1964 aachen th (= Technische Hochschule). 26 stencilled pages, plus one quarter-page and a green envelope (Vivograph by Tomas Schmitt, intact). Wrappers, 30 x 21 cm, side-stapled. Front-cover with 36 passport-photographs of the participating artists, back-cover blank. Note: This copy has an Original pencil drawing w. directions from the former owner on the This Way Brouwn page. An almost pristine copy of this important document. TOGETHER WITH Poster by (Wolf Vostell and) Nam June Paik. "I admire monkey. Ich ehre Affe". Aachen, 20. Juli 1964. Auditorium Maximum der TH. July 20, 1964. Printed in b/w on off-white stock, oblong (h/w) 59 x84,5 cm. With wear on the edges and somemarginal tears neatly repaired, six pin holes with regular intervals at about 5 cm from the top where the poster had apparently been affixed to a strip, two of which leaving a horizontal tear of ab. 1 cm.; overall still a good copy.

EUR 6,000.00

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COMBINATION of the Program and the Poster of this Event: - The PROGRAM: Ausgefuehrt von E. Andersen, Joseph Beuys, Bazon Brock, Stanley Brouwn, Henning Christiansen, Robert Filliou, Ludwig Gosewitz, Arthur Koepcke, Tomas Schmit, Ben Vautier, Wolf Vostell, Emmett Williams - Organisiert von Valdis Abolins u. Tomas Schmit - herausgegeben von Tomas Schmit und Wolf Vostell. Juli 1964. Program outlined on page 2, introductory texts by Valdis Abolins. Eric Andersen: comments in English by Dick Higgins and George Brecht. 2 pages by Joseph Beuys: (Lebenslauf, Werklauf); Bazon Brock; Stanley Brouwn; Henning Christansen; Robert Filliou; Ludwig Gosewitz; "Texte postal" f. Emmett Williams; Arthur Koepcke;Tomas Schmit: with intact envelope with printed instructions for a "do it yourself" artwork (VIVOGRAPH), in English and German, probably containing a piece of of carbonpaper and a piece of white paper. (This item is often missing as to complete the work the owner was to tear it out and wear it in pocket - it is present and unopened here; BEN Vautier; Wolf Vostell; Emmett Williams; the George Brecht: "motor vehicle sundown (event)" is not published (only on the program). This publication appeared on the occassion of a "Festival of New Art" staged at Aachen Technical University on the twentieth anniversary of the attempt to assassinate Hitler on 20 July 1944. The events started after Bazon Brock's talk on texts by Marx and Hegel "Philosophy is the world turned upside down" and gave his talk while standing on his head. Actions of the artists went on simultaneously, and when Beuys melted blocks of fat on a stove (action titled "Kukei/Akopee – nein!") gesturing with a copper rod tumult started: right-wing students came on the scene and Beuys was punched hard and his nose bled. The blood from Beuys' nose led to a famous photograph of the artist with a smudge that looked very like a "Hitler" moustache - Beuys made a Hitler salute for the camera. Police then ended the performances. - The POSTER was designed by (Wolf Vostell and) Nam June Paik. Reproduces several illustrations of Japanese torture scenes and some texts, as collage. Across the image lettering in b/w: - Actions Agit-Prop Dé/collage Happenings Events Anti Art lÁutrisme Art Total Refluxus-

[#20094]

AGORA STUDIO Maastricht

Various documents

Body Monuments Inc., 32 A-4 pages, stencilled, stapled in green cover with handwritten text- label on the front. Documentation on Raul Marroquin's Body Monuments project with introduction "You are able to become a sculpture" by Ulises Carrión, (pictures of Maastricht, Bonnefanten, Stedelijk Museum Amsterdam with correspondence , E. de Wilde, Raul Marroquin, Equipe Movimiento, with loosely inserted postcard of Equipo Movimiento at Bonnefantenmuseum.

EUR 1,200.00

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[#18435]

AGORA STUDIO Maastricht

Various documents

Collection of documents and invitations of the Agora Studio Maastricht from the period 1974-1979: Marjo Schumans, Raul Marroquin, Mad Enterprises, Rod Summers, etc.-

EUR 2,800.00

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- Traveling Exposition 1975. 36 pages in cover designed by Klaus Groh. 16x16 cm. Intro by Willem K.Coumans. Depicts on each page works with a brief Biography (each one page) by Peter van Beveren, Ernst Buchwalder, Michel Cardena, Ulises Carrion, Cavellini, Michael Gibbs, J. van Geluwen, Klaus Groh, Manja Krijn Herrboiut, Luc Deleum, Raul Marroquin, Yoshio Nakajima, Maurizio Nannucci, Marjo Schumans, Hans Seur, Ruedi Schill, Yves de Smet, Rod Summers, Nikolaus Urban, Wout Vercammen, Dick Wessels. - Original handwritten sheets, 4 pages red and black ink on tracing paper (fragile, frayed), announcing the upcoming programme of films and lectures at Jan van Eyck Akademie, 28 Februari 1974. Document, 3 pp. seems to be written by Marjo Schumans, one page by Michael Leggett. Extensive programme with films by Beuys, Michael Snow and lecture by the director of the Neue Galerie Aachen, Wolfgang Becker. - Sheet dated Feb.6[1974)] announcing programme changes, Sigurdur Gudmundsson's performance is rescheduled due to the artist being ill. Folded sheet, 41 x 21 cm. - 5 stencilled Agora programme announcements brochures for Winter 1973-74 (Klaus Groh), March-April 1974 (Thomas Niggl, Yves De Smet) , May-June 1974 (Michael Druks, Raul Marroquin), Summer 1974, October 1974 Agora/CAYC traveling show organised by Jorge Glusberg, Buenos Aires, Stapled sheets approx. 3 pp for each programme, some with added stamps. - 10 stencilled A-4 invitations/handouts for manifestations or exhibitions during 1977/1979. - Announcement for the performance by Anna Banana and Bill Gaglione on September 21 1978 and the exhibition/launch of the Fandangos Superb issue. 2 pp. One on pink paper with a neon orange sticker 'Quadrophonic Fandangos'which was also used on the magazine cover. - Stencilled booklet. 12 pp, edited by Piero Heliczer in Amsterdam 1981 (possibly in connection with Ins&Outs Press). - Outlines, by Marjo Schumans. Maastricht, Agora Studio, Spring 1974. 32.5 x 21 cm, 24 stencilled sheets in black wrapper, title handwritten in blue pencil. - Raul Marroquin and Marjo Schumans, The Adventures of Captain Morgan. Maastricht, selfpublished, 1974. 10.5 x 16.5 cm, 18 pp. Green exercise booklet, printed label on cover, all wrapped in protective tracing paper. Ils. with sikscreen and collages. One of the 50 numbered and signed copies, number 34/50. - Raul Marroquin and Anton Verhoeven, Changing Personalities. Maastricht, Mad Enterprises, 1974. 13.5 x 10.5 cm, 30 pp. Stapled booklet, offset printed. Dedicated to Ulises Carrion. - Raul Marroquin, Phonomimic Performances (1974-1975). Maastricht, Mad Enterprizes, 1975. 21.5 x 14 cm, 16 pp., stapled in white card. Photographs and text. Printed at Jan van Eyck Academy. Edition of 1000 copies.. - Madelon Hooykaas and Elsa Stansfield, 5 Video environments. 20,5 x 20,5 cm, 30 pp., in illustrated card wrappers. Maastricht, Agora Studio/White Bird,1979. Photographs and texts. Signed, 22/100 copies (total edition 500). - Two I.A.C. publications by Klaus Groh, Friedrichtsfehn. Includes No.46: Marjo Schumans-Supertop, March 1974. 10 x 7.5 cm. 16 pp. Plus No.47: Raul Marroquin, Quick as a Bunny. 9 x 7.5 cm, 16 pp. Small dog ears on right top. - Fandangos Extra, 4 pp. Stencilled, various hand added rubber stamps, ao with Agora address. Together with 10 invitations and programme leaflets for events at Agora by Rod Summers, Raul Marroquin, Hans Eijkelboom, Reindeer Werk, Michael Gibbs ao. - Fandangos Juan Maras Issue, edited by Marroquin. B/w printed sheet 61 x 43 cm, folded in 4.

[#19459]

ALFA-BETA

"Laboratorio di critica delle arti visive, di storia delll'arte".

Nos. 1-7/8 (all publ.). Milano, Edizioni Multhipla, Marzo 1975 - Autunno 1976. Original pictorial wrappers with very light wear, still an excellent set, rarely seen complete. 4to; fully illustrated.

EUR 2,000.00

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Directed by Gino di Maggio, edited by Pasquale Alferj, Giuseppe Galante, Ginannino Malossi, Marco Pesatori, Ginabattista Troppmann. Published by the Gally Multhipla, engaged with Fluxus and Concrete Art and Poetry Movements; contributors include George Brecht, Giannino Malossi, Marco Pesatori, Gianbattista Troppmann, poi anche Carlo Romano, Emina Cevro-Vukovic, Gianni Emilio Simonetti, Wolf Vostell, Pinni Galante, Hanne Bergius, Achille Bonito Oliva., Mirella Bandini, Achille Bonito Oliva, George Brecht, Giuseppe Chiari, Maciunas, Richter, Vaneigem.

[#17452]

ALMA

Nos. 1-2 (1er & 2eme trimestre 1967). Liège, 1967. All publ ? 75 pages, loose, in orig. plain portfolio (stamped AL MA on the front and HA HA on the back).

EUR 400.00

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Direction: Richard Tilian. Contribs.: Robert Filiou, Fredy Jacquet, Sodoyan, Joseph Houiz. "Rorschach" composition by P. J. Dunbar.

[#20146]

AMSTERDAMS BALLON GEZELSCHAP

- Amsterdam Balloon Company: 12 page glossy program, fully illustrated, outlining the aims and background of the Balloon Company, "Freiraum/Free Space-Espace Libre", the beginning of Ruigoord. - PSI: Journal, magazine for the good new times; 40 pages, in glossy wrappers, fully illustrated (no date). - A.B.G. Reizen. 18 pp. Stencilled pamphlet, sewn in the spine. Together with: -Amsterdams Ballon Gezelschap; Ballon Courant 1e jaargang nr. 1, de Volle Maan, 1979 72 pp. + covers, glued in the spine; mimeographed. Together with: - Reisverslagen (Travel accounts of the Ballon Company): together 4 volumes, one 1/2ouble and nos. 3,4,5. Together with: - De Keerkring,77; 72 pages, spine-cglued in illustrated wrappers. (Interesting survey of new thinking and creative living, Nicolaas Kroese, Grootveld, Hillenius, etc.).

EUR 600.00

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Interesting ensemble of Post-Provo developments: -The program has numerous photographs and published the program: ""…rooted in a long tradition of happenings by various groups from the magican cantre Amsterdam. From the tumultuous days of Provo onward a liberation of the mind and nature has been spread in words and deeds: Deskundologisch Laboratorium, Insktensekte, Comitee 2000, Bohemin Mystery school…"; Together with the magazine PSI- - The stencilled pamphlet announces the projected travel by balloon of a select group of travelers, the "Amsterdam Ballon Association", and prints with photographs and addresses the participiation fee receipts (varying from 10 to 25 guilders): a.o. Johannes van Dam, Hennie van der Louw, de familie Veldhoen, Hillenius, Louis Kley, Michel Stoopman,

[#18121]

ANNUAL NEW YORK AVANT GARDE FESTIVAL

Charlotte MOORMAN (organizer) & Jim McWILLIAMS (designer).

Complete set of 19 vintage posters, 1963-1980: one poster for each of the 15 Festivals, and one poster in a different version of Festivals 1, 2, 8 and 9 (together 19). 1-3: Judson Hall 4: Central Park 5: Staten Island Ferry 6: Central Park West 7: East River Island 8: Armory Lex.Av. 9: South Street Seaport 10: Penn Central/Grand Central 11: Shea Stadium 12: Gateway National Park 13: World Trade Center 14: Charles River Cambridge All posters in near mint condition.

EUR 1,500.00

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Between 1963 and 1980 the cellist Charlotte Moorman organised fifteen performance festivals in various locations of New York. Artists and performers include Allan Kaprow, Nam Jun Paik, Laurie Andersen John Cage, Yoko Ono, Allen Ginsberg, Al Hansen, Geoff Hendricks, etc.

[#15582]

ARTZIEN

A Monthly Review of Art in Amsterdam.

Nos. 1-28 (all publ.). Amsterdam, Nov.1978-Nov.1982. In original, pictorial wrappers. Illustrated.

EUR 1,400.00

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Edited by Michael Gibbs, associate editor: Harry Ruhé. Contributors include : General Idea, Vito Acconci, Reindeer Werk, Al Hansen, Milan Knizak, Lawrence Weiner, Vito Acconci, Davi Det Hompson , Marina Abramovic, Ulises Carrión,, Raul Marroquin, etc. A review on exhibitions, galleries, art events, performances, video showings, etc., paying special attention to innovative work of young artists and art galleries in the alternative scene. Michael Gibbs wrote in his introduction: "Artzien will provide a platform, not only for coverage of current exhibitions and events, but also for criticism and debate". No. 23/24 is a special issue Fluxfest. Initially numbered as vol. 1-3 no. 2 (together 22 issues), then continued as nos. 23/24-28. Most articles in English.Focussing particularly on the marginal and the new, written mostly by artists, : General Idea, Vito Acconci, Reindeer Werk, Al Hansen, Milan Knizak, Lawrence Weiner, Vito Acconci, Davi Det Hompson , Marina Abramovic, Ulises Carrión,, Raul Marroquin, etc. and featuring interviews with General Idea, Vito Acconci, Reindeer Werk, Al Hansen, Milan Knizak, and Lawrence Weiner.

[#17683]

ASPEKTE DER 60er JAHRE.

Bilder, Objekte, Filme, Poesie, Informationen.

Galerie Loehr, Frankfurt, 1979. Poster, 41x41 cm.; folded, with a loose sheet included ,mentioning the artists present.

EUR 250.00

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Artists: Leblanc, R.Long, Ad Dekkers, Dibbets, Hilgemann, Schoonhover, de Vries, Manzoni, Goepfert, Holweck, Luther, Mack, Piene, Wolgang Schmidt, Uecker and others.

[#18950]

ASPEN

The Magazine in a Box.

Nos. 1-10 (complete set) including no. 6A. New York, 1965- Winter/Spring 1971. All in the original boxes and portfolios. All inserts are present, also those for 6A, (with the original mailing envelop present, albeit damaged by the mail and roughly opened). - No 5/6 (the White box) unusually fresh and clean, complete with all the supplements, THE ORIGINAL FILM REEL , the flex-discs, etc.; - No. 7 (British Box) in fine condition (still flat and undamaged). - No. 10 (Oriental Box) the rarest number, still flat and undamaged as issued. TOGETHER with (the original edition and Precursor to Aspen Magazine No. 6A) - MANIPULATIONS. Editor: John Hendricks. New York, Judson Gallery, 1967. One of 500 copies . Loose materials laid into the original printed folder. A series of works edited by John Hendricks, intact printed envelope (26,5x18,5 cm, cover designed by Ralph Ortiz, in good condition, some wear and small tears on the opening side and lower edges).

EUR 12,000.00

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An exceptionally good set of he first three dimensional magazine, edited by Phyllis Johnson, inspired on the multi-media character of vanguard art of the 60's. A typical issue contains an assortment of booklets in various sizes and types, reproductions, broadsheets, film-reels, photographs, scrolls, and recordings on flex- discs kept in a box. Aspen is also multi-media in content, in that various arts are represented in each issue; it exemplifies the 1960's search for a total experience via a breakdown of traditional categories; it is an exuberant, pretentious magazine. Contributors Include John Cage Ed, Ruscha, Duchamp, Finlay, Paik, Burroughs, Oldenburg, John Lennon/Yoko Ono, etc.; each issue had another designer (such as Andy Warhol or Quentin Flore).The collation is difficult, and the content of the loose leaf advertising section differs in all sets. No. 1: designed by George Lois, Tom Courtos, Ralph Tuzzo (tiny scratch to the front) No. 2: design Frank Kirk. No. 3: the Fab-issue, designed by Andy Warhol & David Calton (tiny damage to the spine); No. 4: Marshall McLuhan-issue, designed by Quentin Fiore. (small clean repair to the spine) No. 5/6: Brian O'Doherty, David Dalton, Lynn Letterman; complete with the 5 flexidisks ( with Marcel Duchamp). This white box in unsual good, clean condition. Complete with the very rare film reel: Four Films by Four Artists. Reel of super-8 film, comprising four film clips: Hans Richter Rhythm 21. Laszlo Moholy-Nagy Lightplay (excerpt).Robert Morris and Stan VanDerBeek Site (excerpt) Robert Rauschenberg Linoleum (excerpt). No. 6A: The Judson Manipulations (this issue was distributed only to the subscribers in New York;contents kept in the mailing original mailing envelope. With wear of having been through the mail and opened on one side, but very rare). No. 7 : British Box. comp. by Mario Amaya, design John Kosh. This fragile box in unusual excellent condition, still flat the way it was mailed. No. 8: Art/Information/Science, ed. Dan Graham/design George Maciunas (one item in xerox). Light wear on the edges; No. 9: Dream Weapon, ed. Angus & Hetty MacLise (light soilage to edges) No. 10: Devoted to oriental art, design Nori Sinoto. The rarest volume. (this misses sections 13 (not published cf. the UBU-index, No 14 is an order form only,we have it in copy)

[#21121]

Peter van BEVEREN.

Beware, 1977. Original color photograph, 8.5 x 10.5 cm, mounted to a cardboard card, 21 x 15 cm. Artwork, edition of one copy, numbered 1/1 and signed recto on cardboard card at lower margin. In very good condition.

EUR 600.00

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[#21122]

Peter van BEVEREN.

A Peter van Beveren Special. Netherlands Antilles, Cabaron Press, 1978. Small perfume sample booklet including sample bottle (Farouche), containing two collaged thick white cards. One card printed with title and edition information. The other card has a rubber stamp of the editor, Cabaron Press di Korsow run by Dutch artist Hetty Huisman in Curacao, the date 1978 and an inscription in pencil 'For Ulises Carrion'. Unique work, edition of 1 numbered copy (1/1).

EUR 600.00

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[#20153]

Peter van BEVEREN.

The Archives. Art Information Centre Peter Van Beveren. Hasselt, Provinciaal Museum, 1981, (1),30,(1) lvs., 30 mounted or bound-in artists' contributions, published in 500 numb. copies (400), orig. giltlettered artificial leather, 4to.

EUR 1,000.00

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The Archives. Art Information Centre Peter Van Beveren. Hasselt, Provinciaal Museum, 1981, (1),30,(1) lvs., 30 mounted or bound-in artists' contributions, published in 500 numb. copies (400), orig. giltlettered artificial leather, 4to.

[#16422]

BLACK GATE

"A Newspaper Dedicated to World-wide Unity and Interest". New York City. April 1967: Number 1 ( all published). Folded as issued (28x21,5, folding out to a poster).

EUR 450.00

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Editors: Otto Piene and Aldo Tambellini. A poster-magazine published on occassion of the founding of The Black Gate (Theatre) announcing Program 1: The Proliferation of the Sun by Otto Piene and Blackout by Tambellini in March + April 1967 and future programs with Takahiko Limura, Kosugi and Nam June Paik. Two b+w circular photo portraits of Piene and Tambellini. Extensive biographies. Statement " Black Gate is an empty room a testing ground for radical experiences. Artists of all media are invited to use it for experimental purposes ..."

[#14599]

George BRECHT - Notebooks I-V

Verlag Walther König, Köln, 1991 - 1997. Notebook I. June - September 1958. pp. 106; Notebook II. October 1958 - April 1959. pp. 168; Notebook III. April 1959 - August 1959. pp. 168; Notebook IV. September 1959 - March 1960. pp. 250; Notebook V. March 1960 - November 1960. pp. 270; Size (h/w): 29,6 x 21,9 cm.

EUR 250.00

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Spiral-bound facsimiles of Fluxus artist George Brecht's notes and writings. Colaboration of Dieter Daniels, Hermann Braun, Includes first drafts of Chance Imagery, Project in Multiple Dimensions, etc.

[#21108]

DE-COLL/AGE

Bulletin aktueller Ideen.

Nos. 1-7 (all published, complete). Koeln, Wolf Vostell, June 1962 - 1969. Full run in fine to very fine condition, edited, designed & published by Wolf Vostell. Complete with all inserts, paper wraparound bands (when issued) and Josef Beuys' first multiple "Zwei Fräulein mit leuchtendem Brot' in exceptionally good condition. With IMPORTANT ADDITION: Dé-Coll/Age No.7, unique adorned copy of the last issue dated 1974. Composed of Dé-Coll/Age No.7, Elektronischer dé-coll/age, Happening Raum. Cologne, Typos Verlag 1969. The publication documents the creation of the ELEKTRONISCHER dé-coll/age HAPPENING RAUM (1959-1968), produced by Vostell at the invitation of the Institute of Modern Art in Nuremberg and exhibited at the Venice Biennale in 1968. The environment was made up of 6 TV sets equipped with auxiliary electro motors that move objects over a glass-strewn floor. Slides showing earlier happenings and works by Vostell were projected on the walls. Vostell made this copy of the book into a delightful artwork. The title page features a handwritten dedication to Inge (most probably Inge Baecker, Vostell's gallerist who initiated her gallery in 1970 with a show by Vostell), 'Für die bewundernswerte Inge mit guten Gerdanken', signed and dated 21.2.1974. Three black cord are taped to the title page by black electrical tape. Attached to the cords are a horn comb (in original plastic container), a BASF sound coil containing the sound of feet stepping on broken glass, and a roll of negatives with photos from Vostell. Added is a transparent plastic box, 19.5 x 19.5 cm, filled with fragmented glass. The plastic box has a crack on the lid, the book shows moderate rubbing on spine and small stains on second page, else in good condition.

EUR 30,000.00

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The best possible set of this epoch-making publication, eminently suitable for exhibition purposes because of the unusually fine state of conservation of this fragile ensemble. Fully collated it can be detailed as follows: - Number 1, June 1962: Incl. Arthur (Addi) Köpcke, George Maciunas, Benjamin Patterson, Nam June Paik, La Monte Young, Bostell & others. (28) pp. as 7 two-sided double-page foldouts. - Number 2, (numbered as 1b). Nov. 1962: Dick Higgins issue. 21 stapled mimeographed sheets plus paper front cover (issued without back cover); incl. the scarce wraparound band. - Number 3, Dec. 1962: Christo, Henry Flynt, Dick Higgins, György Ligeti, Nam June Paik, Jan Voss (the painter), Vestell & others, plus reviews & photos of the early European Fluxus concerts. (108) pp. as mostly-2-sided double-page foldouts + (12) pp. in a combination of offset, memeo, letterpress & screenprinting. Paper covers with screenprinted dust jacket. - Number 4, Jan. 1964: Happenings issue with George Brecht, Stanley Brouwn (a tipped-in rubber-stamped paper-bag multiple), Allan Kaprow, Higgins, Paik, Jean-Jacques Lebel, Tomas Schmit, Claes Oldenburg, Al Hansen a.o. (132) pp. as 33 mostly-2-sided double-page foldouts + (23) pp. Paper covers with dust jacket (4-page ad brochure laid in). - Number 5, Feb. 1966: "Happenings/Stücke/Partituren". Numbered edition of 500 copies. 22 printed works/multiples in a cardstock portfolio. Includes Joseph Beuys's first multiple, "Zwei Fraeulein mit leuchtendem brot", a block of painted chocolate on a long, printed scroll. The original chocolate after small restauration in fine condition. Hansjoachim Dietrich's multiple signed, Eckart Rahn's piece numbered, the Gerhard Ruehm & Henning Christiansen works hand-stamped with their names. In addition to the artists listed above, other contributors include: René Block, Claus Bremer, Ludwig Gosewitz, Higgins, Kaprow, Patterson, Ben Vautier, & members of the Zaj group. The Vostell multiple, powdered pigment & a printed sheet in a cellophane pouch is intact. The tip of the protruding plastic hook in Dietrich's "Aufhänger", which is frequently broken, is intact. - Number 6, July 1967: Higgins, Maciunas, Vostell, Gustav Metzger, Milan Knízák, Vautier, Hansen, Kaprow, Paik, Franz Mon, Daniel Spoerri, Charlotte Moorman, Lebel, Alison Knwles a.o.; plus Diter Rot's original blue-marker drawing on photographic paper, "das Blaue Geheul" laid in, as issued (174) pp; cardstock covers. - Number 7, 1969: Wolf Vostell "Elektronischer dé-coll/age Happening Raum 1959-1968", Einführung von F.W. Heubach, Typos-Verlag Frankfurt a. M. 1969. PLUS the adorned version as described above.

[#18051]

EGOZINE

Vol.1 no 1 and vol. 2 no 2 International Edition. Newby/ Hollywood, CA, (later San Geronimo, CA). Summer 1975- 1976. 29,5x13cm., stapled, unpaginated. Offset printing on glossy paper, with numerous photographs. Number 1 is signed by Lambert, numbered 68/1000, with a partly burned play money bill attached to the back cover. It seems that a third issue was published in 1979, of which we have no further record.

EUR 800.00

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Edited by J. Lambert., with /P-ORRIDGE, Genesis (aka Neil Megson)/COSSEY Fanny Tutti (aka Christine). -Vol. 1 Issue 1: The Cultural Camelion, Art Hoax, The Bon-Bon Era, Fashion: Fetish!, The Post Cultural Era. -Vol. 2 Issue 2: L.A. art scene magazine, includes 3 pages on the 1976 COUM Transmissions performance at L.A.I.C.A. with photos and a note from Genesis and Cosey. Also a page contributed by the avant-garde Chicano conceptual/performance art group Asco and letters from Cavellini, Jerry Dreva and John J. Baylin. Genesis P-Orridge, born Neil Andrew Megson and later known as Genesis Breyer P-Orridge, Cosey Fanni Tutti born Christine Newby,

[#20789]

THE FANATIC (Design Willem de Ridder)

--(No.1). The special cosmological issue from Bath. For the Restoration of Language Prophesy, "Un autre monde". 21.5 x 31 cm, 12 pages printed in black on white paper, with some red additions. Moderate age toning and bumped corners, else a fine copy. Titles include: The New Jerusalem; Tea at the Vatican; Toward cosmogenic sanity: The demolition of Darwin, Religeous Fanaticism from Bath. -- Scarce. No. 2: Special Low Mindedness Issue. Amsterdam, 1976. Tabloid format, 12 pp. (including covers). A very good copy with some minor foxing to extremities of cover, and slight fading along spine. Scarce.

EUR 800.00

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[#19643]

FILM CULTURE

(Later: America's Independent Film Magazine). Published every two months.

Number 30. Edited by Jonas Mekas. This issue devoted to a work by filmmaker Stan Brakhage entitled Metaphors on Vision. A very good copy in corrogated cardboard with very light staining. Obi present in good condition with a few small chips at edges, some light creasing to a few pages.

EUR 900.00

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Edited by Jonas Mekas. This issue devoted to a work by filmmaker Stan Brakhage entitled Metaphors on Vision. Covers designed by fluxus artist George Maciunas.

[#19040]

FILM CULTURE

(Later: America's Independent Film Magazine). Published every two months.

Number 45. NY: Film Culture (1967). Summer. sm 4to. [64 pp]. Crease to lower front corner,otherwise almost fine in illustrated wrappers. Guest-edited by Gerard Malanga, designed and produced by George Macunias. A Warhol-themed issue featuring film stills, interviews with members of his circle, and contributions by Mac Low, Wieners, Malanga, and many others.

EUR 400.00

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Guest-edited by Gerard Malanga, designed and produced by George Macunias. A Warhol-themed issue featuring film stills, interviews with members of his circle, and contributions by Andy Warhol, Jonas Mekas, Gerard Malanga, Jackson Maclow, Nico, Piero Heliczer, Jack Smith, E. Sedgwick

[#19454]

FLUXSHOE & Add end A

1972-1973 Devon, Beau Geste Press. 144p. 29,5:21 cm. Exhibition catalogue (in very fine condition) and largegreen card envelop (35,5:23,5 cm., very lightly bended at the corners but otherwise excellently preserved with addenda (30 items) to the exhibition.

EUR 500.00

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Catalog of the traveling show organised by David Mayor and Beau Geste Press. Nearly 100 artists contributed, in particular contributions by Joseph Beuys, George Brecht, Henri Chopin, Robert Filliou, Dick Higgins, Yoko Ono, Ben Vautier, Wolf Vostell, and others. The addenda was intended as a supplement to the catalogue. Includes the poster designed by Chris Webb, for the Fluxshoe show, and a reproduced American dollar bill.

[#20790]

FLUXUS- EUROPEAN MAIL ORDER HOUSE (Willem de Ridder)

(--First) Pricelist. Amsterdam, ±1965, 4 leaves stencilled pricelist, original light blue wrapper., 4to. Red stamp on first leaf (right upper corner): "our european flux shop". Central vertical fold; closed tear of ab 2 cm and small tears in outer margin --- Second Pricelist (no date) of the European Mail-Orderhouse. 6 stencilled sheets, printed recto on thick grey paper, 27x15,8 cm; loosely inserted in beige kraft portfolio; together with a loose brown information sheet, which is often missing. Design: Willem de Ridder

EUR 1,500.00

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= The European Mail-Order House was founded in the early sixties by Willem de Ridder "for organizing of concerts, radio and television programmes, fashion-shows, street-events, fancy-fairs, performances, lectures, exhibitions, etc. etc. in all European cities; for all magazines, publications, books, anthologies, boxes, objects, tapes, films, clothing, catalogues, kits, bags, scores, essays etc.; for the monthly newspaper cc VTRE edited and printed by the Fluxus editorial council, New York" (first leaf). Cf. Fluxus Codex p.231ff. The Flux-shop was reconstructed again with help of this photograph at the MOMA New York after the acquisition of the material in the collection of Gilbert and Lila Silverman. In the middle of the publications abd cartons a photo-cut-out of Dorothea Meijer. (Fluxus Codex p.18,168,233.)

[#20302]

FLUXUS- EXSTRA BLADET / POLITIKEN. Fluxus News Roll.

EXSTRA BLADET / POLITIKEN. Fluxus News Roll. Collected and published by G. Maciunas in 1963. The title Eksta Bladet is a Fluxus pun, being both the name of a Danish newspaper, meaning literally extra leaf. The "newspaper roll" is a montage of articles on Fluxus from diferent newspapers that appeared primarily in European newspapers between Sept. + Nov. 1962. The two-sided work is printed on newsprint, and was used to publicize the movement.

EUR 2,000.00

► detailed description

Maciunas had special instruction for wrapping the newsprint roll: (From a letter (Aug. 1963) by Maciunas "... wrap (the Fluxus Preview Roll) in the wide - newsprint roll / Ekstra Bladet / then paste edge on itself, so that when they get it... just read the headline "Politiken", they will think it is just wrapping and cut it.. and they will have the wide roll in 100 pieces, nice ? " This copy comes unpasted in 2 leaves, each 21 x 58.5 cm, printed recto + verso b+w on newsprint. Articles on LEAF 1 from Extra Bladet, Berlingske Tidende, The Telegraph Herald, Stern, Neue Presse, The Courier-Journal, Richmond Times-Dispatch and on LEAF 2 from Politiken, The Stars and Stripes (*), Bild, Mainzer Anzeiger, Wiesbadener Tagblatt, Deutsche Zeitung, Tiroler Tageszeitung, B.T., Der Mittag. Illustrations in b+w of Nam Jun Paik > Zen for Head (**) / Ben Patterson >Sextett for Waterkettles / G. Brecht "Drip Music" performed by D. Higgins / "Hommage à Adriano Olivetti" performed by Emmett Williams and Higgins /Destroyed piano remaining from the groups performance of "Piano activities" Reference > Fluxus Codex page 43 (illustrated) and 102 + 103 (letters to T. Schmit; Silverman # 543; Inventory Cat. Happening & Fluxus Köln #129. (*)-reference for the Stars & Stripes article in Fluxus Dacapo 1992 on p. 60 (illustr.) (**) -reference for "PAIK >Zen for Head" in Fluxus Dacapo 1992 on p. 36 (illustr.). Published most likely in advance of the PARIS EVENT on 9 October 1963 POESIE ET CETERA AMERICAINE". (and distriburted there)? An extremely rare document in very fine condition.

[#20304]

FLUXUS- FESTIVAL OF MISFITS

A) THE FESTIVAL OF MISFITS: GALLERY ONE; LONDON ( 23 Oct. – 8 Nov. 1962) Announcement card, 14 x 17, 4 cm. TOGETHER WITH: B) Gallery One. Ten Years. Group show at Gallery One. 19th August – 6th September 1963 Curator: Victor Musgrave. Catalog for this event. Glossy cardstock, 28 x 25 cm, stapled, 12 pp, b+w illust. Text in English. Very rare items. In very fine condition.

EUR 2,200.00

► detailed description

Rare Ephemera for this legendary event with R. Filliou, A. Koepke, Gustav Metzger, Robin Page, Ben Patterson, Daniel Spoerri, Per O. Utvelt, BEN Vautier, Emmett Williams. It was the second FLUXUS Festival after the first from 1st - 23 September 1962 at the Museum Wiesbaden named “Fluxus Internationale Festspiele Neuester Musik”. Under this title appeared for the FIRST time in England 1962 the activities of several leaders of the extreme international avant garde. In very fine condition.

[#20305]

FLUXUS- Galerie PARNASS 9 June 1962

FLUXUS: The very first time the term Fluxus was ever mentioned, on the invitation card for "Kleinen Sommerfest" Galerie Parnass, Wuppertal, 9 June, 1962. Announcement, white card 14,5 cm x 21 cm, vertical fold, printed text on one side only: "Apres John Cage"- George Maciunas (USA) Benjamin Patterson (USA - Paris). 1. Einfuhrung: Neo-dada in New York (Maciunas)- Chefredakteur der neuen Kunst- Zeitschrift FLUXUS. 2. Variation fur Kontrabass (Patterson). 3. Duo (Patterson), 4. Lippen-Musik (Maciunas)." On June 9, 1962 Maciunas held the first public manifestation of Fluxus at Rolf Jahrling's Galerie Parnass in Wuppertal, Germany .... The evening was called Kleinen Sommerfest - in the tradition of a European garden party. The guests were dressed accordingly, unsuspecting that this was to be the initiation of an important movement. Maciunas titled the events "Apres John Cage", and his lecure "Neo-Dada in the United States". Beneath his name on the program it said "Editor-in-chief of the new art magazine Fluxus" ...Fluxus was beginning. Maciunas' lecture, delivered in German by C. Caspari, stakes out the perimeters of the new phenomenon..." References > Happening + Fluxus, Cologne, 1970 (chronology 09.06.62 > illustrated on the second following page (bottom ill.) + > also, Fluxus Codex (1988) p. 23.>>Sediment. Heft 9 / 2005. Paiks frühe Jahre im Rheinland, (page 34 + 60 ); >>also "Treffpunkt Parnass, Cologne, 1980, p. 192 - 199 (reprod. of the invitation card (from Paik's collection!), plus many photos which proof that besides Maciunas and Patterson also William Pearson, Jed Curtis, Terry Riley and Nam June Paik, have been there. One photo shows Caspari reading out Macunias' lecture, standing in front of a very large diagram of Mac. on Time / Space / Art. <<<

EUR 3,200.00

► detailed description

References: Happening + Fluxus, Cologne, 1970 (chronology 09.06.62 illustrated on the second following page (bottom ill.); also, Fluxus Codex (1988) p. 23.; Sediment. Heft 9 / 2005. Paiks frühe Jahre im Rheinland, (page 34 + 60 ); also "Treffpunkt Parnass, Cologne, 1980, p. 192 - 199 (reprod. of the invitation card (from Paik's collection!), plus many photos which proof that besides Maciunas and Patterson also William Pearson, Jed Curtis, Terry Riley and Nam June Paik, have been there. One photo shows Caspari reading out Macunias' lecture, standing in front of a very large diagram of Mac. on Time / Space / Art.

[#20348]

FLUXUS PREVIEW REVIEW

N.p., Fluxus 1963. 165x10 Cm., Vertical scroll, printed in offset (both recto and verso) on three joined strips of glossy art paper, with text and 7 halftone photographic illus. Rolled as issued.

EUR 900.00

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FLUXUS: Editorial Commitee presided by George Maciunas. ‘Fluxus Preview Review,’ a preview of the ‘Review’ (Anthology) Fluxus, served as a kind of first Fluxus newspaper and propaganda vehicle. It contains a definition of the word FLUXUS, a list of the editorial committee, advertisements for Fluxus Yearboxes and Fluxus products, scores by a number of Fluxus artists and photographs of performances. George Maciunas edited and designed the work. Monte Young, Jackson Mac Low, Dick Higgins, Benjamin Patterson, Jonas Mekas, Daniel Spoerri, Jean Clarence Lambert, Henry Flynt, Toshi Ichiyanagi, Yoko Ono, Heinz-Klaus Metzger, Arthur Køpcke and others

[#17427]

FREIBORD

Zeitschrift für Literatur und Kunst.

Number 64: 25 Years Fluxus. Wien (A), 1988. 21x15 cm; 88 pp. Orig.wrappers.

EUR 150.00

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Edited by Gerrhard Jaschke.

[#18925]

FRONT

Vol. 1 No. 3, March 1976. San Francisco: La Mammelle. Tabloid size, 8 pages. Illustrated front page. (Stamp in red "sample")

EUR 350.00

► detailed description

Edited by C.E. Loeffler and Mary Stofflet. On page one text with photo describing Terry Fox's work "Timbre", performed at Mountais Theatre, Mt. Tamalpais, 3:00 PM March 13, 1976. Furthermore announcements of video works by Eleanor Antin, Paul Mccarthy, Robert Cumming, John Baldessari, William Wegman, Les Levine etc.

[#19974]

FRONT

Vol. 1 No. 4: Special Edition: International Rubber Stamp Exhibition San Francisco, C.,: 23. April 1976 La Mamelle Arts Center, San Francisco 23.April 1976. 12 unpag., 45x29 cm, Tabloid.

EUR 350.00

► detailed description

Edited by C.E. Loeffler and Mary Stofflet. Contributions by Ray Johnson, Hervé Fischer, Klaus Groh, E. M. Plunkett, C. Law, Ken Friedman,Georg Gugelberger, With the list of participants.

[#19396]

GRUPPO '70 Settanto

Firenze, Officie Grafiche Parretti [1965].

Poster (50x35 cm) b/w on newsprint. Manifesto del Terzo Festival del Gruppo'70 -gruppo fiorentino di poesia visiva- presso la Galleria La Vigna Nuova e la Galleria Numero. Maggio-Luglio 1965. Right and left upper corner missing. One horizontal and one vertical fold,lightly rubbed without loss of text, fragile paper, one tear of ab. 3 cm,repaired with tape,without loss of text, and one closed tear, also small marginal imperfections, without loss of text.

EUR 220.00

► detailed description

Manifest of the Florentine visual poetry group '70 "Gruppo '70 Settanto"which had its origins in 1963.. Richly illustrated with photogaphs. Participants: Gius.Chiari, Dick Higgins, Philip Corne, John Cage, Nam June Paik (Robot Opera), Wolf Vostell, Nanni Balestribni, Bazon Brock Yoko Ono,Achille Bonito Oliva, Lamnerto Pignotti, Ed.Snaguinetti, E.Isgro, Steliomaria Martin, Lucia Marcucci, Adriano Spatola etc.

[#19150]

HAPPENING -(POSTER)

Living Painting Peinture Vivante

Poster (96x63 cm) by Anton Kothuys & Simon Posthuma.(1964). Donderdagavond 16 Juli 9 uur, Galerie "Uit de Kunst" Amsterdam.Folded to 31x24cm. Printed in Red and Black on beige. In very good fresh condition, unused (only small closed tear to upper margin). Some slight offsetting of ink which must have occurred during the printing process.

EUR 1,500.00

► detailed description

Ravi Dhankar Appel Presley BoulezLittle Stevie Coltrane, Vinkenoog, De la Montagne, Beatles, Dolphy, Van Gasteren, Bach Fats Domino,Hitler,Rameau Coleman, etc.; Opname Lou van Gasteren; Genodigden: Paul Paulus V Prins Bernard etc.

[#20380]

HAPPENING NEWS

Number 3. - (Orange issue): UNUEBERTROFFENE ORIGINAL. 18 pages. 4to. (this issue with Yoshio Nakajima) mimeographed/photocopied in a very small edition, with original artwork stapled under plastic covers, produced and published in Antwerp October 1965 by Panamarenko, Hugo Heyrman, Wout Vercammen and occasionally Yoshio Nakajima.

EUR 1,200.00

► detailed description

Third issue (October 1965): 8pp. Xeroxed in black on white glossy paper (300 x 229 mm). Front page sprayed in orange (fluorescent). This issue has also a contribution by Thom Jaspers/Jasper Grootveld, with themes of Provo (Anti autocars, anti-war)

[#19097]

HAPPENING NEWS

The first number (of 6 published) mimeographed/photocopied in blue, in a very small edition, with original artwork stapled under plastic covers, produced and published in Antwerp September 1965 by Panamarenko, Hugo Heyrman, Wout Vercammen and occasionally Yoshio Nakajima, - (Blue issue): WHAT'S HAPPENING. 16 pages. 4to. Very rare.

EUR 800.00

► detailed description

Published by Panamarenko and others from the Antwerp Happening Scene. According to the Bibliography included in Happening & Fluxus, Materialien, Koelnischer Kunstverein 1970, there were 6 issues published, nos. 3-6 under a different title (Milkyways).

[#19262]

HAPPENING (POSTER)

CATASTROPHE

Expositions et manifestations organisés par Raymond Corder et Jacques Lebel, du 27 Nov. au 13 Dec. 1962, pour conjurer l'esprit de Catastrophe, vous êtes cordialement invités à assister au Happening. J. Gabriel, J.-Lebel et Ferró. Galérie Raymond Cordier. 71,5 x 46 cm., printed in red (CATASTROPHE) AND black on a beige background. Small damages to 3 corners, small closed tear on the top and bottom and a few small inobtrusive waterstains, otherwise in very good clean condition.

EUR 2,000.00

► detailed description

[#16988]

HIGH PERFORMANCE

The Performance Art Quarterly.

Nos. 1-76 (all publ.) Los Angeles / Santa Monica, 1978-97. With special issue The Verdict and the Violence, Summer 1992. Original pictorial wrappers. Only 3 issues in photocopy (see below). No. 29 without the flexidisk, otherwise all issues in good to excellent condition. No. 23 (The Record) is an Album of 2 LP records, in the original sleeve (sides a bit bumped).

EUR 2,500.00

► detailed description

Edited and published by Linda Frye Burnham. The oldest and most important magazine on performance (art & workshops), happenings, body art and feminist art activities (Lesbian Art Project, Feminist Art Workers, The Waitresses, etc.). With features on Rachel Rosenthal, Chris Burden, Bill Viola, John Cage, Diamanda Galas, Chris Burden, Laurie Anderson, David Wojnarowics, James Luna, Allen Kaprow and many others. Photography: Charles Christopher Hill, Francis Shishim, John Duncan, Barbara Smith, Paul Vellick, Megan Williams, a.o. Issue no. 23 is an album of 2 LP records; Issue 1 in partial photocopy. Issues 3 and 58/59 are in good quality photoreprint.

[#18847]

Bart HUGES

Suikergoed & marsepein. Amsterdam, Barbara Huges, 1968. 4to, (4), 24 pages, stencilled on recto only, original clothbacked wrappers of textured card, with mounted, handcoloured illustration and holograph title in handwritten lettering with a marker pen (very light soilage to the back wrapper) TOGETHER WITH: Another copy of this work, the second expanded edition with a typographically pinted frontcove in red, green and blue on textured card, taped spine, 34 pages, printed on recto only. (back cover lightly soiled).

EUR 1,000.00

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A self-published treatise on trepanation by a member of the Dutch Provo who had experienced the act firsthand. On January 6, 1965, Huges famously self-trepanated himself in a square in Amsterdam, drilling into his own head with a (Black & Decker ?) drill. Huges had studied as a medical student, where he developed the belief that since mankind began to walk upright our heads have been starved of oxygen; he believed that by trepanning, one could achieve a permanent high, bringing his actions into the psychedelic trajectory and influencing a select cadre of auto-trepanationists who have sought freedom from the boundaries of the skull. Very rare documents.

[#19409]

Bart HUGES

Brieven aan de Supermens. Stichting Onafhankelijk Denken. Amsterdam. 1982. 236 pp., Plain cover.

EUR 200.00

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[#19362]

Bart HUGES

"The Mechanism of Brainbloodvolume ('BBV')" (also known as "Homo Sapiens Correctus")

Rare ensemble of 5 copies (4 different versions) of the SCROLL OF BART HUGES : -The ORIGINAL VERSION IN DUTCH, together with translations: -The version in ENGLISH - The version in GERMAN (full size) - The reduced size version in GERMAN , as follows: a) Amsterdam / Antwerpen, Bart Huges. 1964, First Edition - Limited. Homo Sapiens Correctus: the So Called Scroll of Bart Huges.) in Dutch. 286 cm length, 41,5 cm width. - 10 drawings, handcoloured with feltpen by Huges. One long sheet of paper. This copy is SIGNED and numbered by Bart Huges: nummer 8 voor Toon Gallee (a physician, friend) of Huges in red felttippen. Scroll in parts waterstained and has light damages to the paper: 3 tears of ca 5 cm and a few minor ones. However on the top left side corner misses a 15 X 15 cm triangle infecting the first letters of the text. BUT TOGETHER with a perfect, unsigned copy of the scroll, which has only light waterstaining on the right of the lower part, and some light waterstaining on the bottom; one of the better copies we have encountered over the years. b) Bart Huges "Homo sapiens correctus" -(The Mechanism of brain Blood Volume). (Amsterdam, 1964), PUBLISHED IN THE FORM OF A SCROLL, text around 10 illustrations, titles in red felttippen, illustrations handcoloured in yellow, red and blue feltpen with text around the ilustrations, with signature at the lower end of the scroll: "Amsterdam, Bart Huges" and the notice "Made in prison. Copy rights fl.100.000,-" =================================== - c) Der Fall der Menschheit: Text in german translation. 2.54 x 38 cm. Small defect left upper corner, and left bottom. No Loss of text. At the bottom: No signature but printed: Copyright. Bart Huges, Nov. 1962, Amsterdam. - d) Das Ego. Der Grosse Mechanismus: abbreviated german text. Scroll: Size 1.16x 38 cm. Bart Huges, Copyright, Nov. 1965. Amsterdam.

EUR 8,000.00

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Famous document from the 1960s.'The Scroll of Bart Huges'. (The man who pierced his head with a dentist's drill, Huges advocates the creation of an altered state of mind concurrent with the use of LSD and marihuana.) His experiences after this psychedelic hallucinating experiment are recorded in this scroll, which is illustrated by 'scientific' images, which are handcoloured. The 'third eye' was revealed during a Happening "Stoned in the Streets' in Amsterdam, 1965. Hugo Bart Huges (also Hughes) (April 23, 1934 . September 12, 2004) was a Dutch librarian and proponent of trepanation. He attended medical school at the University of Amsterdam, but was refused a degree due to his advocacy of marijuana use. In 1964 he published "The Mechanism of Brainbloodvolume ('BBV')" (also known as "Homo Sapiens Correctus") a scroll in which he proposed that trepanation could be used to enhance brain functionality by balancing the proportion of blood and cerebral spinal fluid. Hughes believed that, when mankind began to walk upright, our brains drained of blood and that trepanation allowed the blood to better flow in and out of the brain, causing a permanent "high.". Using an electric drill, Huges drilled a hole in his skull on 6 January 1965.[ His experiences after this psychedelic hallucinating experiment are recorded in this scroll, which is illustrated by 'scientific' images, which are handcoloured. The 'third eye' was revealed during a Happening "Stoned in the Streets' in Amsterdam, 1965.

[#20014]

Bart HUGES

Book with the hole. Autobiography.

Translation and elaboration by Joe Mellen and Amanda Feilding. 1972. Amsterdam, F.I.T. (Foundation for Independent Thinking). 321 pages. 18,2x12 cm. Original edition.Front cover with a 5 cm closed tear, acros from the spine to the title, rge first pages loose from the spine but intact.. Front and back-covers somewhat soiled, corners a little bumped, but a complete copy including the unnumbered page 294 (Taboomaster) printed in colour.

EUR 1,500.00

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Pages 1-240: The Autobiography. P.241:Poem "If Nothing"; p. 250: The castle; p. 86: The Trial ; p. 309: The Congress.

[#18607]

IDENTITÉS

Nos. 1-14 (all published). Aix-en-Provence, Nice, juin 1962 - hiver-printemps 1966. Together 11 physical issues (3 double issues), 50x33 cm, varying from 4 to 10 pages, all in good condition (only no 5 light soilage and split spine). An extremely rare periodical,

EUR 4,000.00

► detailed description

Founded by the painter Marcel Alocco, with Régine Aizertin-Robin and lateron ollaborartion of BEN Vautier. . 1962 : 1, juin / 2, sept.-oct. / 3, nov.-déc.- 1963 : 4, avril-mai / 5, hiver.- 1964 : 6, printemps / 7-8, été-automne.- 1965 : 9, hiver / 10, printemps / 11-12, été-automne.- 1966 : 13-14, hiver-printemps. Title suggested by Aizertin, based on a poem by Eluard, dedicated to Dora Maar ("feministe"). Initially a predominantly literary journal (Jean-Pierre Charles, Daniel Biga, Richard Laszlo, Daniel Karm, on Robbe-Grillet, Jean Pastureau, Daniel Reynaud, Renaud Matignon, Serge Bec etc.) the interest and scope widens significantly after the transfer to Nice. In No. 7/8 begins the collaboration of BEN VAUTIER (Une lettre de Ben) and a full-page poster-like supplement, typographically designed wit Ben's handwriting in the middle"Je soussigné Ben Vautier, déclare authentique oeuvre d'art l'ABSENCE D'ART, 1/10/63": Ben's contribution from then on in all the issues and a general interest for FLUXUS. Robert Filiou,George Brecht, John Cage, Jean-Jacques Lebel, Wolf Vostell, Gius.Vhiari, Duick Higgins. No. 10 is devoted to the Beat Generation, contributing are Allen Ginsberg and J. J. Lebel, also François Maspero. It has a full page supplement (printed recto only), with 4 texts by Vautier ("Vers la fin cela devient cochon"). Also Arman,Ben,Gette Gilli, Le3 Clézio,Malaval, Raysse,Venet.No. 11/12 on the Ecole de Nice (drawing by Robert Malaval). A feature on "Lettrisme en 1965" (Isidore Isou). "Architecture dépaysée", Ernest Pigeon. An interest in Fluxus: George Brecht "Conversation avec Ben et Alocco". No. 13/14 devoted to "La musique de la Vie", with "l' Événement happening", with text by Jean-Jacques Lebel. Also contribution by John Cage (conversation with Michel Kirbyand Richard Stechner). A feature on the Young Japanese Poetry (Tajiro Amazawa, Takahido Okada, Makoto Oaka, and Robert Filiou ("Bruits montants de la Fginza"). Feature on Architecture in no 10 " l'Architecture dépaysée" and in no 13/14: Art Habitable by Ernest Pignon. Important contributions on the "Happening" by Ben Vautier, Al Hansen, Gius Chiari, J-J.Lebel, Milan Knizak, Dick Higgins.

[#8260]

INS AND OUTS

A Magazine of Awareness.

Nos. 1-4/5 (all publ.). Amsterdam, June 1978 - July 1980. Original pictorial wrappers; illustrations & photographs. Rare complete.

EUR 500.00

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Journal of the "Magic Amsterdam" 'avant-garde', edited. by Edward Woods, with assistance of, and guest-editorships by Ira Cohen, Mel Clay, Neeli Cherkovski, Hans Plomp, William Levy, a.o. Articles & photographs by Steef Davidson (on the Nieuwmarkt: Subway Culture in Amsterdam), Mel Clay (The Myth of the Male Orgasm. Window Shopping in Amsterdam Red Light District), Hans Plomp, Rachel Pollack, Ira Cohen, Simon Vinkenoog (on Magic Amsterdam). Marijke Mooy,, Steve Weiss, Jessie Gordon, Bruce Carpenter & Charlz Baba, Rachel Pollack, Magic Mike Taylor.Bert Schierbeek, Tajiri, Marpa, a.o.

[#16229]

INTERFUNKTIONEN

Zeitschrift fuer neue Arbeiten und Vorstellungen / Paper for New Visual and Verbal Works / Revue des Travaux Théoriques et Pratiques.

Nos. 3-12 (=last published). Cologne, 1969-1975. Together 10 vols., quarto (nos. 9 and 10 are octavo). Original wrappers, in very good condition (only tiny brown spot to cover of no 6 and no 11 without the glassine-paper cover).

EUR 2,800.00

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Edited by Fr. W. Heubach, and (after no 11): B.H.D. Buchloh. Central organ of the Happening Movement and Fluxus, with articles on and by Vito Acconci, Baumgarten, John Baldessari, Josef Beuys, Marcel Broodthaers, Günter Brus, Daniel Buren, Jan Dibbetts, Gilbert and George, Haacke, Richard Long, Bruce Nauman, Dennis Oppenheim, Panamarenko (Das Fluzeug,printed on acetate in No. 4) , Sigmar Polke (small orig.in No.9) , Rainer, Dieter Rot, Vostell. No. 12: Photography, filmography and filmscripts (Buren, Yvonne Rainer, Lamelas etc.).

[#18281]

KISS, DON'T KILL

GENERAL HERSHEYBAR. Den Haag (NL), Handicap Publications (1967). Only published issue: 28x21,5 cm., stapled, 128pp.

EUR 700.00

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General Hersheybar (aka Calypso Joe) is a satirical character of the Vietnam War-era protest movement, who parodied U.S. General Lewis B. Hershey, then Director of the Selective Service. He was usually seen partnered with General Waste More Land (aka Tom Dunphy), a parody of General William Westmoreland. The characters were common at street theater performances and demonstrations against U.S. military involvement in Vietnam. General Hersheybar would appear in a comical military uniform complete with a plastic toy fighter-jet attached to his "officer's cap" and hand out fliers promoting his satirical diatribe. In addition he self-published several monographs and booklets. A one shot underground magazine from the sixties from the eccentric anti-war hero. Profusely illustrated by collage, including clipping from other underground press magazines of the era. Scarce; oclc locates but three copies.

[#19326]

Theo KLEY (INSEKTEN SEKTE and DESKUNDOLOGIE)

Moeder, wat is er mis ..... met deze planeet? :

( Mother what is wrong with his Planet?..) Moeder, wat is er mis ..... met deze planeet? : een dozijn populair-wetenschappelijke projekten / van Theo Kley ; zoals verteld aan Ineke Jungschleger. [1969] Amsterdam : Thomas Rap, 150 unnumbered pages.Photographic illustrations. Original paper wrappers, slight wear.

EUR 350.00

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Kley founded In 1968 "Het Eksoties Kietsj Konservatorium" and in 1969 he was one of the founders of the " Insektensekte". In the same year he authored the TV-Opera " Moeder wat is er mis met deze planeet" . In 1971 he founded with Max Reneman and Robert Jasper Grootveld the "Deskundologies laboratorium ". They were the first in The Netherlands who focused on the ecological problems. They had a meeting with John Lennon and Yoko Ono at the Hilton Hotel during their Bed In there. 1969.

[#17912]

Billy KLUEVER

Record of interviews with artists participating in the Popular Image Exhibition.

Washington Gallery of Modern Art, April 18–June 2, 1963. 1963. 12˝ LP record. + 22 page booklet, illustrated. Cover with some shelf wear, edges somewhat rubbed and with a few occasional cracks; booklet with small creasing and a 2 cm tear at foot. Cover not carrying the catalogue design but being all white (not printed) with the vinyl’s printed labels pasted on. Condition very good over all.

EUR 800.00

► detailed description

Edited by Billy Klüver, Interviews by Billy Klüver, conducted in March 1963, with Jim Dine, George Brecht, Jasper Johns, Roy Lichtenstein, John Wesley, Robert Watts, Tom Wesselmann, Andy Warhol, Claes Oldenburg, Jim Rosenquist, and Robert Rauschenberg. The exhibition catalogue booklet with text by Alan R. Solomon. Very scarce.

[#17916]

Milan KNIZAK

"Ohne Titel." Mutiple. Eine zweifarbige Serigraphie. In orig cardboard box.

EUR 300.00

► detailed description

Milan Knízák,(1940-). Czech performance artist, sculptor, musician, installation artist, dissident, graphic artist, art theorist and pedagogue of art

[#20203]

MILAN KNIZAK

Zeremonien. AKTUAL (Czech FLUXUS) Remscheid: Vice-Versand, 1971. Octavo, unpaginated, (112 pages printed on different colored stock), illustrated throughout with photographs and drawings. Ringbound with red printed covers and protective acetate cover. Photographs by Zdena Zizkova, Peter Moore, Jan Maria Mach, Milan Knizak et al. - First edition. Numbered copy (#220). Fine condition.

EUR 600.00

► detailed description

Soon after Knizak created this book the Czechoslovakian police searched his home on the grounds that the artist was creating and distributing pornographic material. Knizak was imprisoned in Prague on three charges including, no. 1: that this book 'through its form and content [Knizak's artwork] intended to discredit the image of a Czechoslovakian abroad'; 2 because his works were seen to be pornographic 'in the eyes of the law of Czechoslovakia'; and 3 because 'the work of Milan Knizak is undesirable within the framework of Czechoslovakian cultural policy'. After public pressure, Knizak was released from prison (ref: Schmuck, Czechoslovakia issue 1974, p. 1).

[#19158]

Nicolaas KROESE (INSEKTEN SEKTE and DESKUNDOLOGIE)

The secret of 127. Choc des opinions- Amsterdam, in eigen beheer (self published by) Nicolaas Kroese Five Flies Anno 1627 (Quinta essentia), z.d. (ca. 1968), (67) sheets., 4to. Signed and dated on the frontwrapper.

EUR 800.00

► detailed description

Important Pre-Provo document. Collection of the pseudo-scientific ideas of Nicolaas Kroese (1939), the founder and owner of the famous restaurant "The Five Flies" (De Vijf Vliegen) near the Spui (which still exists). He was the maecenas of the Provo’s , and a fantasy-rich private philosopher. He has also supported the anti-smoke movement of Jasper Grootveld and offered him the location of the anti-smoke temple, which lateron went in flames.

[#18098]

LAICA - LOS ANGELES INSTITUTE OF CONTEMPORARY ART - JOURNAL

(Also entitled: Journal. A contemporary Art Magazine.)

Numbers 1-48 (all published). Los Angeles Institute of Contemporary Art (LAICA). Complete set June 1974 - February 1987. All original copies, most in fine condition (small shortcomings noted below).

EUR 4,800.00

► detailed description

Published initially simply as "Journal " (A contemporary Art Magazine), also as L.A.I.C.A . Journal (The Los Angeles Institute of Contemporary Art). Editors Fidel Danieli, Eleanor Antin,Julius Kaplan, Michael Auping, Barry Brennan, Bridget Johnson,Debra Burchett-Lere, Francis Colpitt, Michael Delgado, Cindy Berry, Douglas Blau, Jerry Dreva, Mareianna Ziotnick, Lane Reelya, Number 2 reports on the first LAICA General Membership Meeting, June 1974. Numbers 12-28 printed on a cheaper quality paper, mostly in b/w only, with occasional colour covers. From then on the magazine becomes more substantial and contains artists' pieces. No. 40 offers a survey of previous numbers. Featuring: John Baldessari, Eleanor Antin, Hans Burkhardt, Lorser Feitelson, Helen Lundeberg, Rachel Rosenthal, Allen Kaprow, Newton & Helen Harrison, Karl Benjamin, Ed Ruscha, John McLaughlin, Wallace Berman , Ruscha, Kaprow, Peter Krasnow, Rauschenberg, Charles & Ray Eames, Stan Brakhage, Erichard Prince, Boltanski, Richard Diebenkorn, Douglas Huebler, Number 28 is a very curious issue in which the entire publication is printed in mirror images, normal on the rectos and reversed on the preceding versos. From here on the magazine becomes much more substantial and contains many artists' pieces. Also various thematic issues(e.g.: Video art; Italian art; film, photography, Chicano art, Transatlantic artists, Transgressive phenomena, Music/Arty, Fluxus, Performance, Conceptualism, etc. Small shortcomings to condition: Number 2 (light cover soilage), Number 6 (small staple holes in the first 32 pages front edge), Number 10 ( ballpoint markings and address label on front cover), Number 14 (browning of front cover, small hole in right hand corner bottom), Number 22 (felt tip marking top left front cover), Number 24 (light cover soilage).

[#14794]

DER LOEWE

Eine kulturphilosophische Zeitschrift.

Nos. 1-9 (all published). Bern, Mai 1974-April 1976. Original wrappers; illustrated. Sm. 8vo. Added: Das Sofortbild Polaroid.

EUR 1,000.00

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Ed. by G.J. Lischka. Thematic issues: Aktionismus (Theater Environment, Happenings, Aktionismus, Body & Earth Works), Theorie Dialogue, "Realismus", Fotografie. Issues of 60-80 pp.; no. 6 entitled "Die Löwin". Artists featured include: Brus, Nitsch, Rainer, Muhl, Kaprow, Cage, Richter, Warhol, Boltanski, Kienholz, etc. Added : Das Sofortbild Polaroid. Hrsg.v. Gerhard Johann Lischka , Ausstellung Aktionsgalerie Bern,Oktober 1977. 126 pages. (Distributed by Der Löwe, contribs. Include Richard Hamilton, John Baldessari, Image Bank, Andy Warhol, Ulay, Jochen Gerz, etc.).

[#18043]

LOS RINOS

Art Total Grup Los Rinos (Barcelona 1985). Only published issue: 50x35 cm., unbound, unpaginated (12pp)., original rubber stamps, print, offset (the outside sheet on white artpaper with photographs).

EUR 700.00

► detailed description

Sergi Caballero, Pau Nubiola and Marcel.lÌ Antunez Rocca made up the collective Art Total Grup Los Rinos and their activities spanned many different fields. Initially the collective was mainly involved in graffiti. The group painted bullseyes in public places and the concentric black and white circles became their logo. The bullseye moved to other media, such as the bodies of animals, leading to the bullseyeing of sheep and goats. They also created a headpiece topped by a bullseye which the Rinos wore as they walked through the streets. Lastly they designed and made up their own Rino suits, using a fabric printed all over with bulleyes. All this work was recorded in a publication containing photos of the graffiti and all the actions related to the bullseyes as well as the Rinos' opinions about art. From 1987 onwards the Rinos' activities extended to other areas. In May of the same year they carried out a large-scale mural painting called Atlas, in conjunction with the collective Gegant. The mural was painted on the side of a building in Barcelona by means of hanging down from a balcony. (This action would be repeated in 1990 in Yokohama, Japan.) In spring 1987 they presented a video performance called Rinosacrifici portraying the Rino's crude and domestic vision of sacrifice. This is the only publication of this underground group containing photos of the graffiti, all the actions as well as the Rinos' opinions about art.

[#18074]

LA MAMELLE (ART CONTEMPORARY)

An alternative anthology of contemporary West Coast.

Vol. 1 no. 1 thru Vol. 7 no. 1 (complete as far as published as a print publication, also numbered as Nos. 1-25, but lacking no. 10. Continued as an electronic journal). San Francisco, Ca., 1975-1984. In the orig. wrappers or unbound as issued. Including rare No. 12: Newsstand Edition Art Contemporary August 1978, published as a special issue of Only Paper Today. All in good condition, only No. 18 has stained front cover. After 7 no 1 continued as an electronic journal.

EUR 2,000.00

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" Nourishing source: la mamelle. A space for art. " After no. 4 as LA MAMELLE MAGAZINE: ART CONTEMPORARY). Edited by Carl E. Loeffler. "Art Com, a medium for contemporary Art communications, is published on a quarterly basis by artists for artists and functions as a chronicle of contemporary new Art activity occurring in North America; Mexico, Canada, and the United states. Art Com presents information regarding telecommunications, performance, artists' spaces, conceptual and idea oriented work, videotapes, recordings, artists' books, Art periodicals, and marginal activity." - Volume 1 nos.1- 2 (Summer-Fall 1975. Berkeley, 1975. Orig. wrappers. 21,5x27,5cm (first issue with light wear, no 2 fine). Then changing to tabloid format 45x30 cm, on newsprint, folded once (with light wearon the fold): - Vol.1 no. 3 Special Video Issue; Vol.1 no 4 Special Performance Issue. Then changing to quarto format.no. 9: From Europe 1977.no. 12: Newsstand edition, Special issue of Only Paper Today; no. 13 Retrospective issue. (See Allen Artists'Magazines p 276).

[#15938]

MANIPULATIONS

MANIPULATIONS. Editor: John Hendricks. New York, Judson Gallery, 1967. Loose materials laid into the original printed folder. A series of works edited by John Hendricks, intact printed envelope (26,5x18,5 cm, cover designed by Ralph Ortiz, in good condition, some wear and small tears on the opening side and lower edges). (The original edition and Precursor to Aspen Magazine No. 6A. One of 500 copies.)

EUR 1,800.00

► detailed description

This original publication of Manipulations is partly different and contains -in addition to the content of the later re-edition in Aspen No. 6A - also 11 photographic images of the events and 12 objects of printed pieces. Loose sheets and object-multiples in paper form by B. Hendricks, J. Toche, A. Kaprow, A. Hansen, G. Hendricks, M. Goldstein, S. Rose, C. Schneemann, L. Picard, J. Yalkut, C. Moorman, K. Jacobs, K. Millet, N.J. Paik, and T. Limura and others. This (the original publication of Manipulations) is partly different and contains -in addition to the content of the later re-edition in Aspen No. 6A - also 11 photographic images of the events and 12 objects of printed pieces.

[#19566]

Raul MARROQUIN

How?. Beau Geste Press - Mad Ent. Inc, [print: Agora - Maastricht], 1974 , 20x15,7 cm, orig cover of light brown ondulated thin package-paper, stapled-bound in the spine (with a neat repair). 36 unnunbered pages, 2 original collages on front and on back cover. Printed in blue on white paper. . Libro d’artista collettivo interamente illustrato con disegni di Anton Verhoeveni e immagini fotografiche di Rod Summer, con testi didascalici in lingua inglese di Raul Marroquin. Design di Marjo Schumans. Edizione originale.

EUR 1,400.00

► detailed description

Artist book with drawings by Anton Verhoeven, photography Rod Summer, texts in English by Raul Marroquin (in typewriter writing), lay-out:Marjo Schumans. Fluxus-influenced : How to arm a fire brigade? Give them water pistols. How to make the public yell at a horror film? Explode a paper bag at the climax of the picture etc.

[#21042]

MAYTIME YAMTIME FESTIVAL CALENDER

Smolin Gallery NY 1963-

Double sided oversized flyer 56x21,5 cm, offset printed in duotone, folded to 11,5x21,5 cm. Design credited to George Brecht and Robert Watts.

EUR 1,800.00

► detailed description

Calender for Yam Festival events presented at Smolin Gallery, New York, May 1-31,1963. Text and ills. Listing the daily events taking place in the month of May. Participants included: Ben Patterson, Dick Higgins, John Cage, Robert Filiou, Ray Johnson, Alison Knowles, Arthur Kopckd, Takehosa Kosugi, Georges Maciunas, Yvonne Rainer,Tonas Schmitt, La Monte Young, and others.

[#20415]

NAM JUNE PAIK

NAM JUNE PAIK, Etude for Piano Forte, Studio of Mary Bauermeister, Cologne, October 6, 1960; photograph by Klaus Barisch, printed in 2019 on barite paper, 27 x 27 cm, 50 copies, signed and numbered (14/50) on the reverse by the photographer, in passepartout, in frame, 50 x 40 cm

EUR 1,200.00

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[#20416]

NAM JUNE PAIK

NAM JUNE PAIK and CHARLOTTE MOORMAN, Soirée, Moorman playing Human Cello, WDR Funkhaus, Cologne, September 26, 1980; photograph by Klaus Barisch, printed in 2019 on barite paper, 21 x 29.7 cm, 50 copies, signed and numbered (14/50) by the photographer on the reverse in passepartout, in frame, 50 x 40 cm

EUR 1,200.00

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[#20179]

NE COUPEZ PAS

Apériodique.

A set consisting of Nos. 1 ,3, 4, 5 and 6 (of 6 physical numbers published. [in fact numbering continued till no 506 imaginatively]. Selfpublished, 1968- 1969. - Numéro 1: Les étudiants d’Orléans. Journal réalisé par les membres de la Commission Culture occupant la bibliothèque universitaire : Claude Alliot, Michel Blandin, Monique Crespeau, Jack Gasperini, Claude Landre, Dominique Lepingle, Jean-Claude Moineau, André Rouchier. Orléans,Les auteurs, mai 1968. Fascicule [21,5x33,5 cm) 14 twosided stencilled stencilled sheets, stapled and folded.. - Numéro 3. Orléans, Jean-Claude Moineau, mai 1969. 29 two sided stencilled sheets, 21 x27 cm, with a sericgraphy in green on orange paper, one card, and a selfadhesive sticker, kept together as packaged in brown kraft paper with handwritten title label., With participation of Jean-Claude Moineau “A mots couverts” et reproductions d’oeuvres -entre autres- de Bernard Aubertin, Lygia Clark, Claude Landrà, John J. Sharkey, Gérald Rocher, Constantin Xénakis, Brian Lane, Jiri Valoch, J.F. Bory, Alain Arias-Misson, Henri Chopin, Tom Phillips, P.A. Gette, Bernard Heidsieck, Jochen Gerz. -No. 4. . Paris: Self published, novembre 1969. "vouz aussi pouvez faire votre journal". Folded poster, 55x43,5cm, containing approximately 45 lose pages. (different sizes,most 4to), Some browning towards the edges and folds of the poster, internally content is clean and untrimmed as issued. -Numbers: 5 and number 6 (to 506) Date / Year: 1970 Meta-Art series, Edition of 500 copies 21 cm x 27 cm,Roneotype on paper. Number 5: a single sheet, printed on one side, folded in four. Number 6: 2 sheets cream paper, printed on one side, folded in four. Numbers 5 and 6 are accompanied by the envelopes in which they were sent, stamped in Paris, dated July and August 1970 respectively, with the author's stamp "Meta Art and Ne coupe pas magazine" on the back and Fernando Millán's address on the front. On the second sheet of number 6 it is specified that it is number 7-8-9 ... and so on until number 506, with a circulation of 500 copies. Given the date, these issues of the magazine were made after leaving the University of Orleans (where the previous and best-known four were made), when the author was already transferred to the University of Paris. Although they have not the wealth of sheets and authors of those previous issues, these copies show us the conceptual approach of the author's "project of publication" not without an ironic sense (as if numbering is sufficient to make the journal exist without specifying the content). ADDED: Another copy of No. 4, plus Several stencilled sheets of Meta-Art texts. - Jean-Claude Moineau + Christiana Frougny. Textes a Tester -Meta Art. 12 sheets, stapled in the corner; texts and drawings. Plus several single sheets apparently designed to function in a panel or discussion. Plus a number of other Meta-Art related ehemera (i.a. a sheet of stickers with text in purole).

EUR 3,600.00

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Edited by Jean-Claude Moineau (Mathematics teacher at the Science Faculty of Orléans), who organised in May 1968 the occupation of the University Library. He starts an artistic revolutionary groupe GRRRR [Groupe de Recherche et de Réalisation d’une Réflexion Révolutionnaire] and this journal, which is devoted to political discussions, visual poetry and typographical and design experiments. Most of the pages by Jean-Claude Moineau, with numerous “meta-art” texts. Also contributions by Christiane Frougny, Joachim Branco & Flavio Almada; a postcard with text - ‘text capital’ and a ‘communiqué’ printed in red – don’t commune don’t communicate; a 16 pages catalogue – ‘livres meta-art’ + two postcards + a pink label with attached wire. As there is no table of contents it is impossible to check for completeness, but the impression is that the issues are complete as published under the original stapling.

[#19979]

THE NYCS WEEKLY BREEDER (NEW YORK CORRESPONDENCE SCHOOL Weekly Breeder).

Vol. 1 no. 1 ("Dada Sucks" stamped). New York, East Side Dada, 1978. 24 pp., original pictorial wrappers (with safety pin piercing intact.) 8vo. Signed by Buster Cleveland on inside front cover.

EUR 800.00

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ART GANGSTER, 1978. Edited by G. Keaton. Signed in pencil by Buster Cleveland and Tod Jorgensen on verso. Unpaginated [24 pages] Editor: Grover Keaton. Assistant Editors: Elmer Picasso, Dadaland, Dottie Duchantel. Xeroxed in black and white (+ two pages in color) with pictorial contributions (each on one page) by: Jerry Dreva, Cavellini, Ray J., Tod Jorgensen, Angelika Schmidt, Buster Cleveland, E. F. Higgins, Dadaland, Mancusi, Teddy, John Evans, Nicola Vanzetti, Pauline Smith, Genesis P. Orridge a.o.

[#19638]

OFF THE WALL

The Newsletter/Journal about Events, Posters & The Arts of Happenings.

Numbers 1-9 (all publ.), The Poster Project Ltd. 1991/1995. First six issues broadsheet, folded twice; last three tabloid, folded once. Each 8pp.-24pp. Color offset. Signed by W. Wilson on the first issue.

EUR 2,500.00

► detailed description

Edited by Wes Wilson. The Journal of Rock Art, Poetry and Creative Thought. The first journal devoted to the psychedelic poster artists "The Newsletter Journal for Event Posters and the Arts of Happenings", later issues subtitled: “The Newsletter/Journal About Events Posters & The Arts of Happenings”): Spectacular designs. The first journal devoted to the psychedelic poster artists und underground comics. Contributions by Wes Wilson, Eric King, Jacaeber Kastor, Walter Medeiros, Ben Edmonds, John Platt, Dick Wentworth, Paul Getchell, Robert Crumb, and others.

[#16793]

OPEN

Numéro 1, Février 1967. Nice, Marcel Alocco. 1967. Orig.paper covers (old price in pencil on front cover).

EUR 250.00

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Edited by Marcel Alocco. Texts by George Brecht, Emmet Williams, Jacques Lepage, Ben, Henri Chopin etc.

[#21104]

OPEN

Nos. 1-3 (all publ.). Nice, 1967-1968. Original wrappers, spine stapled. Very rare avant garde journal (not in Destribats).

EUR 1,000.00

► detailed description

Edited by Marcel Alocco, founded by Francis Merino in Monaco. Contributions by Marcel Alocco, Serge Béguier, Ben, Daniel Biga, Julien Blaine, George Brecht, Henri Chopin, Erik Dietmann, Robert Filliou, Paul-Armand Gette, Jacques Lepage, Ernest Pignon, Robert Pinget, Guy Rottier, John Sharkey, Emmett Williams, Jacques de la Villeglé, etc. Added: a prospectus and 2 envelopes adressed to Merino.

[#17813]

OTHER SCENES (JOHN WILCOX OTHER SCENES)

The International Newspaper

- A collection of 50 issues, from the start in 1967 till 1971 [Years 1-5] with erratic and often false or misleading numbering. Our description follows the publication dates and we offer as follows: - [First year]: Vol. 1 no 1; Vol. 1 no 2 (frayed along the edges); Vol. 1 no 3 (frayed along the edges); Vol. 1 no 4; Vol. 1 no 6; Followed by an undated issue: “Free issue June 1967” (this copy repaired with tape); Vol. 1 no 7 (bad condition); Vol. 1 no 9; Vol. 1 no 10, OZ ISSUE; Vol. 1 no 11 (paperspotted); Vol. 1 no 12; Vol. 1 no 13 (this entitled “Shinjuku Sutra”, in 2 versions, also Shinjuku Sutra # 2); Followed by an unnumbered issue dated January 1968 (published in Los Angeles). - [Second year]: First issue (of Other Scenes & The New York Seer), March 1968; Second issue, Vol. 2 no. 2, May 1968; Vol. 2 no. 3, June 1968; Vol. 2 no. 4 = VENICE BIENNALE), July 1968; Vol. 2 no. 5, August 1968; Followed by two unnumbered issues, both dated September 1968 with different content; - Then continued as: (Vol. 1, error should be) Vol. 2 no. 6, September 1968; (Vol. 1, error should be) Vol. 2 no. 7, October 1968; (Vol. 1, error should be) Vol. 2 no. 8, November 1968; (Vol. 1, error should be) Vol. 2 no. 9, December 1968 'The young Dylan' lightly damaged; Special Digest Issue Oct-Dec 1968; (Vol. 1, error should be Vol. 2 no. 10, January 1969. - [Third year]: 3rd year no. 2, February 1969; 3rd year no. 4, April 1969 incplt; Special Digest Issue, May 1969; 3rd year no. 6, June 1-14, 1969 (cover damaged); Vol. 3 no. 7, June 15-30, 1969; Vol. 3 no. 8, July 1-14, 1969; Vol. 3 no. 10, August 1, 1969; Vol. 3 no. 11, August 15, 1969 (including the Summer Rerun Section); Vol. 3 no. 12, September 1, 1969 (pencil on the cover); Vol. 3 no. 14, Sept. 30; Vol. 3 no. 15, October 15; Vol. 3 no. 16 (misnumbered, =17), December 1969 (spine damaged); Vol. 3 no. 18, Christmas 1969 (light damage); - [Fourth year]: Fourth year no. 2, February 1970; Fourth year no. 4, April 1970;. Fourth year no 5, May 1970; Fourth year no 8, October 1970; Fourth year no 10, December 1970; - [Fifth year]: Vol. 5 no. 1, Spring 1971; Vol. 5 no 3, Fall 1971; With: - Special issue dated June 22-30 (1969?), most of which consists of blank pages; details in Centerfold (= The Do It Yourself Newspaper Contest); - A Nation of Gamblers issue [not dated] (bad condition) - [Sixth year]: nos 1/2/3/ January 1972. (HongKong); An unnumbered issue published in the UK dated Sept. 1973.

EUR 12,000.00

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John Wilcock's Other Scenes, ostensibly a fortnightly gazette, appears 20 times a year (but appearance is not necessarily always in the same format or can be in another manifestation). " Wilcock was one of the pioneer-founders of the Underground press and closely connected to Andy Warhol. He was also the first printer of Andy Warhol's Interview. Other Scenes was his own publication. It emerged from a column by that name (which Wilcock wrote for the East Village Other) to a full-scale paper about the international underground scene. Amongst the very numerous and varied contributions (a mix of original work and contributions by the network of correspondents quoting from the international underground press) we find Ed Ruscha (logo's for nos. 4 and Newsletter 4). J.J. Lebel, Claes Oldenburg (Juxtapositions,1 no 8), Simon Vinkenoog (Amsterdam City on the Make), Simon Watson Taylor, Geldzaher (a.o. on Warhol), Bill Beckman, David Widgery, Nad Freedland, Robert Wolf, Alan Kaprow, Rosemary and Tim Leary, Billy Name, Shunk-Kender (photography), Tuli Kupferberg, Pete Young, Les Levine, Ania Steckel (Photography). Pictorials by Norman Rubington (drawings reminiscent to Max Ernst), Tony Azuth, Gerard Malanga, Mazaro Nahoki, Gilbert Skelton, Denis-Lebois-Quarez, Chis Pelletier, Sine, John Bruce Walker, John Webster, Allen Katzman, Neil Phillips, Bill Hughes, Ray Johnson, John Byan, John Lennon and the Peace Campaign, Cathe Cozzi (collages), Billy Name, Irwin Goldstein, etc. ; 1967 no 2: Poem for Warner Stringfellow by John Sinclair; nice photocomposition on frontpage; 1967 no. 3 with compositions of photographs of beat bands,by Derek Taylor; letter from jail; 1967 Newsletter: Love-In Inventory; L.A. Weekend with Andy Warhol; 1967 no.4 Underground Press Syndicate Members First Meeting; photographs of Tuli Kupferbarg, Art Kunkin (selling prototype of L.A.Free Press). 1967 no 6: Jean Jacques Lebel, Claes Oldenburg, Simon Vinkenoog. 1967 no.11 is printed in green, on larger size; unfolded it has a poster "Tanea"on the backside; deals with the regime in Greece and censorship. 1967 no. 13 was published in Tokyo, December, produced in conjunction with SHINJUKU-SUTRA, Japan's first underground paper (printed on better paper, 24 pages). Martin Cohen on "Vinyl" (first Andy Warhol film shown in Japan; New Face of Buddha by Schecter; poem by Mikhai Kashmarin, Haneda Riot, Karmiol with photographs of Nichigeki, and other Japanese underground issues). 2 no 4 is Venice Biennale Edition (Wallace Berman,Yoko Ono, Kaprow, Nam June Paik, Christo, Ruscha), 3 no 5 has supplement Underground Cinema Eroticism and Visual Poetry Supplement (Warhol, Brakhage), etc.

[#18857]

(Revue) OU - CINQUIEME SAISON

Complete collection of OU as published under this title (previously named Cinquieme Saison). OU Nos. 20/21-42/44 (=last). 1958-1974. Between nos. 20 and 34 it was published in Sceaux (France) then till no 42/4/44 (last)published at Ingatestone (Essex, Angleterre) where Chopin lived. This is an IMPROVED SET with some volumes in DE-LUXE EDITION AND SOME DEDICATED volumes -No. 23/24 is dedicated by Chopin to Man Ray; -- No. 33 is dedicated by Heidsieck and Dufr6ene to Freddy de Vree; -No. 34/35 is a copy H./C. signed by Chopin; -No. 36/37 signed by Bertini; - No. 38/39 is a de-luxe edition dedicated by Chopin to his wife (1 plate Janco misses); -No. 42/44 is signed by Chopin.

EUR 15,000.00

► detailed description

The period offered is the most important in the history of OU, when it became devoted exclusively to experimental visual and sound poetry and performance. Under Chopin’s editorship OU published original works by figures in the Dada, Surrealist, Lettriste, Fluxus and Beat Poetry movements as well as works by innovators in concrete poetry. Those contributing both articles, original artworks, prints and sound pieces to OU included Francois Dufrene, Bertini, Raymond Hains, William Burroughs, Byren Gyson, Ian Hamilton Finlay, Raoul Haismann, Bob Cobbing and many others as well as Chopin himself. After issue 33 of ‘Cinquième Saison’ Chopin often included records of new and old material and, in deluxe copies of the journal, also included signed artworks by the same contributors who created the music Chopin championed. It brought together international contemporary writers and artists such as Jiří Kolář, Ian Hamilton Finlay, Tom Phillips, Gysin, Burroughs, and many others, including representatives of Lettrism and Fluxus. Chopin also re-introduced the work of earlier generations, including by Raoul Hausmann, a founder of Berlin Dada. . - n°20/21. 1964 Couverture originale de Gianni Bertini. Dim : 27 x 27 cm. Contributions de Bertini, Guitet, Gysin, Dupuy, Janicot, Berthier. Inclu un disque 33 tours : face A : Heisieck Poème-partition et Gysin I am, Machine-Poem, face B : Gysin Machine-Poem et Chopin Vibrespace Audio Poème. Joint : Bulletin de souscription - n°22. s.l.n.d. [1964] Couverture originale de Paul-Armand Gette. Dim : 27 x 27 cm 1/380 exempl. numérotés. Nom de l'ancien propriétaire. Contributions de Berni, Sharkey, Furnival, Altmann, Houédard, Heidsieck, F. St.-Thibault, Chopin, Burka, Morgan, Pelieu, Finlay, Haussman. Joint : Bulletin de sousciption - n°23/24 . 1965 Couverture originale de Kosice. Dim : 27 x 27 cm Contributions de Man Ray (Rayograph), Bertini, J-L. Philippe, Rochber Gybduf (lire : ROtella, CHopin, BERtini, GYsin, B. heidsieck, DUFrêne), P.A. Gette, B. Heidsieck. Recueil (19 x 19 cm, 16 pp) : contributions de Caniaris, P. Clerc, P. de Vree, G. Foreau, Janicot, Lattanzi, Rotella. Disque 33 tours (25 cm), Face A : Dufrêne Crirythmes 1958 et 1964, Rotella 7 Poèmes phonétiques 1949 à 1963, Heidsieck Poème-partition "J" 1963, face B : Heidsieck Le Quatrième Plan 1963, Brion Gysin 3 Permutations 1960, Chopin Audio-poème "l'energie du sommeil" 1965. Dédicace de Chopin à Man Ray : "Pour Man Ray avec mon plaisir de le connaitre et surtout merci pour ce qu'il fait. Très cordialement". - n°25 . 1965 Couverture illustrée (auteur anonyme). Dim : 26 x 27 cm 1/475 exempl. numérotés. Ce numéro a été réalisé à l'occasion des Scéances de Poésies de la Quatrième Bienale de Paris. Contributions de Dufrêne, Ian Hamilton Finlay, Jean-J. Lévêque, Gabriel Paris, Dora Feilane, Chopin, Serge Béguier, Bertini, Fr. Saint-Thibault, Laura Sheleen, John Giorno, Brion Gysin, Heidsieck, Les Aëlys, P.A. Gette, Alain Jouffroy, Jean-Clarence Lambert, Rodolfo Krasno. Joint : Bulletin de souscription - n°26/27. 1965 Le homard Cosmographique. Couverture originale illustrée de Burka. Dim : 27 x 27 cm 1/525 exempl. numérotés. Nom de l'ancien propriétaire. Contributions de Edmund Alleyn, Roberto Altmann, Serge Béguier, Bertini, Jan Burka, Henri Chopin, John Furnival, Ilse et Pierre Garnier, Hirsal Grögereva, Jiri Kolar, Kosice, Hansjörg Mayer, Rancillac, C. Frederick, Reutersward, Rotella, Ben. Disque 45 tours (17 cm) face A : Raoul Hausmann Poèmes phonétiques 1918, Face B : Bernard Heidsieck Poèmes-partitions 65, Chopin Audio-poèmes 1962 et 1963. Joint : Carton d'invitation à la présentation de la revue à la Galerie Riquelme, Paris, du 19 avr. au 7 mai 1966. - n°28/29. 1966 Couverture originale illustrée de Henri Chopin. Dim : 27 x 27 cm 1/475 exempl. numérotés. Nom de l'ancien propriétaire. Contributions de François Dufrêne, Spacagna, Julien Blaine, Cozette De Charmoy, Melo e Castro (Objet poématique, Chopin raconte que l'artiste est venu les apporter lui-même pour éviter la censure), Adriano Spatola, Yaacov Agam, Alain Arias-Misson, Fr. Saint-Thibault, Laura Sheleen, Jean Boudet, F. Dufrêne, Paul de Vree. Disque 33 tours (25 cm), face A : Dufrêne 12'35. triptycrirythme 1966 et Paul de Vree veronika 1953, Face B : Paul de Vree Ogenblik 1948, Kleine Caroli 1963, Vertigo Gli 1963, Een Roos a Rose 1964 et Chopin Sol Air, ballet des espaces 1961. Joint : Carton d'invitation à la présentation de la revue à la Galerie Riquelme, Paris, du 14 dec. au 5 janv. 1967. - n°30-31. 1967 Couverture originale de Ben Vautier. Dim : 27 x 27 cm 1/475 exempl. numérotés. 9 poèmes + 1 badge poétique de Yaacov Agam, 1 dépliant-relief-objet de John Furnival (signé et daté 1967), 1 dessin d' Aude Jessemin, 1 graphie de Luc Peire, 2 poèmes futuristes polonais d'Anatol Stern, 1 poème graphique 2 couleurs de Luigi Ferro. Disque 33 tours (25 cm) de Chopin Le corps, 22' pour Vivre pour vivre II, 1957, enregistrement exclusivement vocal 1966. - n°32. 1967 6 pages agrafées publiées à l'occasion de l'exposition Lumière et Mouvement, de Dufrêne, Chopin et Wolman au Musée d'Art Moderne de la Ville de Paris. Dim : 21 x 27 cm Textes La Guerre - deux périodes de Blaine, Chopin et Muller, Crirythme en six de Dufrêne (correction manuscrite de Chopin), La Mégapneumie de Wolman. - n°33. 1968 Couverture originale de Bernard Aubertin. Dim : 19,5 x 19 cm. 36 pages. 1/969 exempl. numérotés. Contributions de Albert Birot La Grande Vie, Jean Claude Moineau Manifeste significations, Henri Chopin Lettre ouverte aux musiciens aphones. Disque 45 tours (17 cm), face A : B. Heidsieck : Biopsie V 66, Quel Age Avez-Vous?, Dufrêne : Crirythme 67 Dédié à H. Chopin, face B : Gil J. Wolman : Mégapneumes 67, La Mémoire, Chopin : Audio-poème 67, le Ventre de Bertini. Dédicace sur la couverture de Bernard Heidsieck et François Dufrêne à Freddy de Vree - n°34/35. 1969 Couverture originale cartonnée rouge estampée à froid de Gisiger. Dim : 27 x 27 cm Exempl. H.C. n°1 signé par Henri Chopin. Contributions de Balch, Burroughs, Gysin, Chopin, Bob Cobbing, P.A. Gette (affiche 68 Le mur - the wall, sur papier fort), Degottex (affiche en sérigraphie Il faut du noir pour sortir du rouge), Hugh Davies,Gomez de Liano, M. Seuphor. Disque 33 tours (25 cm), face A: Dufrêne Haut-satur 1967, face B : Bob Cobbing Marvo movie natter 1968, Spontaneous Appealinair Contemprate Apollinaire 1968, Chopin : Mes bronches 1966. Joint : 5 bulletins de souscription adressés à G. Bertini avec cette mention manuscrite de Chopin : "Fais-moi de la publicité à Milan. Suis fauché". - n°36/37. 1970 Couverture originale en plastique rouge de Gianni Bertini, ici signée et datée 1967/1970 Dim : 27 x 27 cm 1/475 exempl. numérotés. Contributions de Raoul Hausmann, Novak, Stefan Themerson, A. Hutchins, A. Lockwood. Posters de Tom Phillips, Paul Neuhuys, Moineau, Matusow, R. Hausmann, Paul de Vree, H. Chopin, Michel Seuphor, Brigitte Chopin (fille d'Henri). Disque 33 tours (25 cm), face A : Ladislas Novak La stucture phonétique de la langue tchèque 1969, Hugh Davies Shozyg 1 & 2, , face B : Sten Hanson Don't hesitate do it, do it right now - The glorious desertion 1969, Chopin Les grenouilles d'Aristophane 1967, Heidsieck Ravaillac, tu connais ? 1969. Petite déchirure sans manque sur la couverture. - n°38/39. 1971 Couverture originale de Henri Chopin. Dim : 27 x 27 cm 1/475 exempl. Contributions de Chopin (Affiche en sérigraphie sur un texte de Burroughs + Affiche en sérigraphie sur un texte de Phases), Cahn, Cozette de Charmoy, Jean Degottex (Affiche en sérigraphie Feu la culture), Gisiger, Raoul Hausmann, Marcel Janco, Marcel Mariën, Richard Orton. Disque 33 tours (25 cm), face A, Chopin : le rire est debout 1969, B.E. Johnson : (Among) II, 1970. Face B, Hanson : Railroad poem et Révolution 1970, J. Bekaert : The day after 1969. Dédicace de H. Chopin à sa femme : "Pour Jean avant toutes choses". - n°40/41. 1972 Couverture originale de plastique noire de Hansjörg Gisiger (Portrait d'Ernest). Dim : 27 x 27 cm 1/475 exempl. numérotés. Contributions de Lacasse, Gerz, Hutchins, Themerson, Norguet (signé), C. de Charmoy, Chopin (Ou et Quand) Disque 33 tours (25 cm), face A : da Silva Audio-poem 1971, William Burroughs Valentine Day Reading 1965, face B : Brion Gysin Poems 1960-62, Heidsieck Passe-Partout no 4 1970, Chopin Le soleil est mécanique. La planche de Norguet est signée. - n°42/43/44. 1974 Couverture originale de Axel Knipschild. Dim : 27 x 27 cm Exempl. H.C. signé et daté 1974 par Chopin. Contributions M. Corfou, T. Phillips, M. Janco, A. Lora-Totino, Chopin, N. Zurbrugg, Jo Verbrugghen, Henri Maccheroni, R. Aaron et l'Association. Le fac-similé de la lettre de Roussel annoncé au colophon n'est jamais paru dans aucun des tirages. Disque 33 tours (25 cm), face A : W. Burroughs Reading 1965, Ake Hodell Numro Ba Besch, 1970, face B : Amirkhanian Each 'LL 1971, Novak Two poems 1958-62, Rimbaud Le Vrai Sonnet des Voyelles, Chopin Les mandibules du "Déjeuner sur l'herbe"1971.

[#17885]

DE PANIEKZAAIER

No. 1-4. (Amst.), 1971-1972 (all published). 4 vols., ills., orig. wr., narrow 4to., Mimeographed/offset.

EUR 500.00

► detailed description

Provo and Kabouters-related publication. Contains contributions by i.a. Roel van Duyn and Bernard Holtrop ("WIllem"). Treats ecological issues, nuclear armament and other issues related to a new society. No. 1. Kabouters in paniek!; 2. Speciaal waternummer; 3. Bouwen aan de Toekomst; 4. Vrolijk nummer. Complete rather scarce.

[#19427]

PARADISO FOX (Later: FOX; later: THE DAILY LIAR)

Nos.1, 2, 3, 4, 5 (complete, all published). Amsterdam, n.d. (ca. 1970)-1971. 16-20 pages, colour printing, 42 x 30 cm; in very good, near mint condition. Complete set, scarce.

EUR 1,300.00

► detailed description

Elaborately produced pop and underground paper, initially published in the Amsterdam Popmusic and Hippie-Center "Paradiso", but number 4 published independently as FOX and number 5 as THE DAILY LIAR. Editor: J.V.Ricard Vesga, with Bob Rivera, Dennis Maguire, Lil Pehrsson, Dick Breebaart; contributions by Balthazar Venet, Hans Bruggeman, P.R.Lawson, Jan Swagerman, Eva Bouman, Brother Rap Lee, Michael Chapman, Jan Swagerman, Steve Fadidson, etc; No. 1, Year 1: Consciousness; No.2 publishes Declaration of Independence of Orange FreeState (Amsterdam Elfencity,1970). No.3: Full colour issue.the quality of the paper is better than rthe quality of the paper. 20 pages; No. 4: "Fozxhole". Fanny Fox Cookbook (Cannabis recipees); No. 5: "Fox Fux", The Great Rock N'Roll Rip Off; Kabouters National Liberation, Wet Dreams; Dolle Minas; Suburban Monastery Death, by D.A.Levy

[#17428]

PERFORMANCE ART / LIVE:Performance Art.

A periodical of Performance Arts Journal Publications

No. 1. 1979. Original wraps.

EUR 500.00

► detailed description

Includes writings by Robert Wilson, Ken Friedman, Laurie Anderson, Dick Higgins, Eric Bogosian, Joan Jonas, Robert Ashley,Charlie Morrow, Jean Dupuy, and Stuart Sherman. Features interviews with Carolee Schneemann, Ralston Farina, and an "auto-interview" with RichardForeman.

[#18100]

THE PERFORMANCE SPACE

Numbers 1-14 (all published). Strawberry Hills, Sydney, NSW, Australia, 1994-1997. Orig. pictorial wrappers, 22x21 cm.; small abrasion to front cover of no 9, otherwise all very good, near mint.

EUR 1,200.00

► detailed description

The Australian counterpart of 'High Performance', issues of ab. 26 pages each, fully illustrated. Edited by Billy Crawford, Angharad Wynne-Jones, Jonathan Parsons, Lynne Mitchell. Contribs. Ny John Baylis, Nigel Kellaway, Shelly Lasica, Derek Dreckler, a.o. ; apparently no sets in libraries outside Australia.

[#19306]

PIN UPS

Number 1 (all and only published, by TAJIRI SHINKICHI (1923-2009). Barlo (Limburg, The Netherlands) ), april 1968, 21x30 cm, portfolio consisting of 18 loose sheets, of which 14 photographically illustrated, 1 introductory text and 3 signed by Tajiri, contained in the original manilla envelope with 1 title-sheet superimposed on the front. l Number 58 of an edition of 250 handnumbered.

EUR 650.00

► detailed description

Colophon page signed by Tajiri (no 58), the photos are part of a series intended for a catalog of Tajiri's work at the Hamilton Galleries,London and Galerie 20 in Arnhem.

[#16977]

Ine POPPE

(Mothermilk cheese/ Moedermelkkaas)

Three photographs on baritepaper (photographs by Jetty Verhoeff). Signed by Ine Poppe, in cardboard mounts (each one out of 3 impressions). TOGETHER WITH: the artists book: 40 pages on 20 loose sheets, as issued. Booklet detailing and informing about the project, signed. Amsterdam, no date (ca. 1983)

EUR 2,000.00

► detailed description

The artist-journalist Ine Poppe becomes an international sensation because of her art-project "Mothermilk Cheese". She fabricated cheese from her own mothermilk and named it "Le Bébé Hollandais"., with designed packaging. This created considerable publicity in the local and international press, and it made it toJapanese television.

[#19020]

PRAXIS

Nos. 1-6 (all publ.). Chicago, Jackson Gray, 1979-80. A complete run, 6 issues published in various sizes, with numerous photographs of rock and punk music scenes, also design advertising.

EUR 3,000.00

► detailed description

A short-lived art, music, and design magazine with a New Wave and Punk aesthetic that came out of Chicago in 1979-80, and was hardly distributed outside. An experimental magazine publishing a mix between pop culture, high art, fashion, poetry and punk music. Articles and interviews on music groups. profiles on fashion designers Elio Fiorucci and Thierry Mugler, contributions from poets Jerome Sala, Elaine Equi, Gerard Malanga, and photographers Michael Weinstein, Bill Edmundson, Alan Bass, Jim Elliott, etc. Music groups include 8-Eyed Spy, Gang of Four, the Buzzcocks, B-52s, Roxy Music, Pere Ubu, the Cramps, Robert Fripp, Jonny III, Tuxedo Moon, Peter Murphy, etc There were only 6 issues, each one in a different format. -No. 1 June 1979 (30,5x30,5 cm) 50 pages, spine stapled in blue/red cover (very lightly shaven). b/w photographs. - No. 2 August/Sept. 1979. (25,5 x 25,5 cm) 60 pages, green cover, spine a bit worn, otherwise very good. - No. 3 Dec.1979. Oblong, 20x30,5 cm. 96 pages. Dark-red/green cover. With fexidisk (Robert Tripp) and with the original Small pouch of BLUE HAIR. Fine condition, still in the original plastic mailing pouch. - No. 4 Poster, printed in colour, recto/verso, 88x112 cm., folded to 28x22 cm., , with only very light wear over the folds, in excellent condition. Not dated but in the right corner is printed "Parxis 4, Decade Dispatch, Homewreckers Calender, Road Map to1980". - No. 5. March 1980. 35,5x27,5 cm. Red/yellow cover, 60 pages, with 4 loose sheets extra. Excellent condition. - No.6. Nobember 1980. A white card portfolio of 96 unbound sheets with 4 pages added (spine a bit worn); with a vinyl 45'record (Big Clock Music). It was not distributed outside of Chicago and print runs were relatively small, very rare.

[#19064]

PROVO- PHOTOGRAPHS- Henk J MEIER

Collection of 9 original b/w photographs, all 14,7 x 10,5 cm, of which 7 photographs of Provo actions and protests around the statue "Het Lieverdje" (Spui Amsterdam) and 2 of the Ant-Vietnam Protests on Dam square. All stamped on the backside "Copyright Candid Pix Press Service, Amsterdam" and each with handwritten explanatory texts by the journalist Henk J. Meier.

EUR 1,800.00

► detailed description

Explaining texts on th back of the photographs : - Provo's white bicycle happening - Striptease of Provo puber/painter - Provo pubers + retarded pubers painting bicyles with white paint - Provo assembly around "Het Lieverdje" chased by the police - Saturday night demonstration around "Het Lieverdje", coughing the Ugh-Ughe and carrying flowers - Fight with empty vegetable cans - Provo's (or "Nozems") marchuing with red Image banner - Picture of poster & pamphlet from the Provo riot, Roel van Duyns anarchists, 4 were arrested, and the "Klaus Pampflet", censored picture of Bernhard - 2 photographs of demonstration on Dam Square 6 Aug 1965 commemmorating 20-yers ago A-bombs on Japan,and commemoration meeting in Krasnapolsky (De Derde Weg; Kerk & Rede; Pacifist group Pax Crhtisti, Young Socialists", etc.

[#19405]

PROVO (MAGIES CENTRUM AMSTERDAM) - INSEKTEN SEKTE and DESKUNDOLOGIE

The Butterfly Opera recorded, together with recordings of pieces of music, poems, interviews, and other sounds by people who played a role in the 60’s Provo movement in Amsterdam. Collaborators were: Jasper Grootveld, Theo Kley, Max Reneman, Karel Alphenaar, Marte Benders, Zuster Clara, Else Krieg, Chaim Levano, Huub & Joost Mathijsen, Kunstspelpiano Steck.

EUR 1,200.00

► detailed description

Also collaboration of Het Amsterdams Ballongezelschap or de Nieuwe Zotten. f Comes in the original white paper sleeve. Contains the tracklist,and a 1930-photograph of the young Dutch queen Juliana and her husband Bernhard. Tracklist A1 Tsjaikowsky (Uit Everybodies Favourites) A2 Denkend Aan Holland A3 Phryasland A4 Amsterdam A5 L'Elisir D'Amore A6 Downtown Written By – Middleton A7 Milieu Verveling A8 Moeder Waar Zijn De Vlinders Henen B1 Er Was Een Tijd (Why Do You Cry Butterfly) B2 Indianola Written-By – Onivas*, Henry* B3 Zielkundologie B4 Doremi, D.D.T., Wit B5 Si Vous L'Aviez Compris Written-By – Denza* B6 Mother There Is Something Wrong (Moeder Wat Is Er Mis Met Deze Planeet) B7 Cavatine En Versjes Written-By – Raff* B8 Stars And Stripes Composed By – Souza*

[#18887]

PROVO (MAGIES CENTRUM AMSTERDAM) - INSEKTEN SEKTE and DESKUNDOLOGIE

INSEKTEN SEKTE (The Insect Sect); MAX RENEMAN: The Magical Provo. Initiator of the Insect Sect and the Expertology Lab. A collection of original documents and art work by Max Reneman.

EUR 10,000.00

► detailed description

A ) .The Butterfly Opera and the Insekten Sekte. Poster "Moeder, wat is er mis met deze Planeet ? Tentoonstelling georganiseerd door Werkgroep V.U…in de Biologische Faculteit der V.U. (Free University) 19 september-13 oktober 1969, with: Insectensecte: Vlinderopera, Resistentieorkest, etc. 62 x46 cm. In perfect condition, only small chip from right upper corner. B ) The text and musical score of the "Vlinder Opera", on 3 sheets stencilled on white paper, b/w. 4to size. Together with the VERY RARE recording: An LP inoriginal plain white sleeve, with enclosed a sheet of stationary of the Deskundologisch Laboratorium with the content of the disk (1 sheet, a few fold and a tiny closed tear at the bottom). The Butterfly Opera recorded, together with recordings of pieces of music, poems, interviews, and other sounds by people who played a role in the 60’s Provo movement in Amsterdam. Collaborators were: Jasper Grootveld, Theo Kley, Max Reneman, Karel Alphenaar, Marte Benders, Zuster Clara, Else Krieg, Chaim Levano, Huub & Joost Mathijsen, Kunstspelpiano Steck. Also collaboration of Het Amsterdams Ballongezelschap or de Nieuwe Zotten. f Comes in the original white paper sleeve. Contains the tracklist,and a 1930-photograph of the young Dutch queen Juliana and her husband Bernhard. C ) Sketchbook of Max Reneman. 32,3 x 23,5, stiff beige wrappers with spiral binding. Schetsbook printed in red, with several ink drawings of Butterflies and Dragonflies on the front and 5 full sheets with ink drawings still attached to the spiral-spine. With loosely inserted 6 other studies, drawings and watercolours ( 4 b/w and 2 colour). D) 5 WATERCOLOURS BY Max Reneman, - 1 study on a sheet of 65x50 cm, Iimage 32x20,5 in blue/white and greay, with ab. 20 times the original stamp of "insekten Sekte", - 1 full colour watercolour of a sitting man in a fantasy chair. Signed Max Reneman - 1 full colour watercolour on sheet 34 x 21.5 , with original stamp of "Insekten Sekte". - 1 full colour watercolour 50x40, depicting a Fantasy raft with chairs and an "Insect shaped sail ", clearly by Max Reneman, not signed. - 1 full colour watercolour, 23x31 cm, depicting a fantasy bird/insect, flying over a sea, with text in pencil "en zal dit beeld verdwijnen dan besta ik niet". E ) A sequence of 5 original photographs by Chiara (the artists daughter) showing how to rescue oneself: Typed text on stationary of "Deskundologisch Laboratorium" (The Expertology Lab.). "De Waalfiets. Gevonden op 1 januari 1972 op het Waalstrand bij Nieuwwaal aan de Waal: a large plastic bag as a raft, found near the river, nylon panties filled with styrofoam and a selfmade sail. Text handwritten in pencil experiment succeeded and another of the sunken raft, experiment failed. A loose photograph: " floating body and head". E) Deskundologie, Deel 1. Handboek der Deskundologie Deel I. Onder redactie van Jan Juffermans. Medewerkers o.a. Jan Willem Beunk, Robert Jasper Grootveld, Cor Jaring, Theo Kley, Max Reneman, Piet Holstein (106 pp.). Ex bibliotheek Akademie voor beeldende kunst Enschede, omslag geplastificeerd, stempels aan binnenzijde.

[#19063]

PROVO (MAGIES CENTRUM AMSTERDAM) - INSEKTEN SEKTE and DESKUNDOLOGIE

John Lennon en Yoko Ono: -Bed Peace, Hilton hotel. 2 b/w photographs.Later inkjet-prints on Fujicolor Crystal Archive Paper with blindstamp and signature of Nico Koster. Each 33 x 48 cm.

EUR 600.00

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[#17672]

P.S. PRIMARY SOURCES ON THE INTERNATIONAL PERFORMING ARTS

Numbers 1-7 (all publ.). London (UK), P.S. Publications Association 1979/81. Large tabloid folded in two, ca 25 pp each issue. Numerous illustrations/photographs, b/w.

EUR 1,000.00

► detailed description

Edited by Jean-Claude Masson, Roger Ely, David Dawson, Max Eastley. Magazine exploring and covering 'live art', 'performance art' and 'multi media' activities. Interview with Kenneth Williams, Jimi Hendrix Festival (Paradiso Amsterdam), Jail Warehouse, Whirled Music, Captain Beefheart, Semza Pozcu, Rose Garrard, Monty Python, Anemic Cinema, Eadward Muybridge, Gilbert & George, Geneis P. Orridge Suburband Relapse, Joseph Beuys in conversation with Rob Con, Mark Pauline, Adrian Henri, Performance Art (Jeff Nuttall), the I.O.U.Theatre, Jazz in Scandinavia, and much more.

[#20290]

REAKTION

Nos. 1 - 7. [All published]. Düsseldorf. Verlaggalerie Leaman. 1975 - 1983. Large 4to. 7 volumes. All contained in original printed plastic ring-binders. All seven annual volumes, edited by Milan Mölzer and published by the Verlaggalerie Leaman in Düsseldorf, presenting works by the avant-garde and Fluxus artists represented by the gallery . Each issue consists of photocopies, objects mounted on boards or contained in plastic slipcases, folded and manipulated papers, reproductions, and works in a variety of other media by well- and lesser- known figures. [Gwen Allen - Artists' Magazines. An alternative space for art, p. 290].

EUR 8,000.00

► detailed description

The complete set of these assemblages of visual poetry,original objects, photographs, collages, mixed-media. - Volume 1: Christian Megert, Milan Mölzer, André Thomkins, Günter Uecker, Ulises Carríon, Reiner Ruthenbeck, Leo Erb, Michael Gibbs. Düsseldorf: Verlaggalerie Leaman, 1975. 46 sheets and an envelope11x22 cm with content intact. - Volume 2: Adolf Luther, Hubertus Gojowcjk, Rolf Bendgens, Arnulf Rainer, Norbert Kricke, Franscisco Pino, George Brecht, Stephen Kukowski & Alan Czarnowski, Geza Perneczky, Vera Röhm. Düsseldorf: Verlaggalerie Leaman, 1976. 46 sheets of varying sizes and materials, plus a plastic bag containing a dried wax-like substance. - Volume 3: Sigurdur Gudmundsson, Helfried Hagenberg, Erwin Heerich,Alexander Schleber, Maurizio Nannucci, Alex Kayser, Daniel Spoerri,Fritz Schwegler, Zak & Kingbee. Düsseldorf: Verlaggalerie Leaman, 1978. 51 sheets and an envelope. - Volume 4: François Morellet, Jean-Pierre Bertrand, herman de vries, Ulrich Erben,Reinhard Omir, Claudio Parmiggiani, Paul van Dijk, Axel Heibel. Düsseldorf : Verlaggalerie Leaman, 1978. 58 sheets. - Volume 5: Boltanski, Voss, Filliou, Armleder, Saito, Monnier, Blank, KuliwieK, Fridfinson. Titelpage Franklin Berger (exact collation hardly possible due to unclear printing of section-titles, but likely complete). Düsseldorf: Verlaggalerie Leaman, 1980. - Volume 6: Nam June Paik, Alison Knowles, Trevor Winkfield, Bob Cobbing, Luciano Ori, Michael Druks,Ian Hamilton Finlay, Bill Griffiths, Gerhard Rühm, Robin Crozier, Endre Tót., Reaktion 6. (No colophon page). Alsbach: Verlaggalerie Leaman, 1981. 56 sheets. - Volume 7: John Furnival, Susan Hiller, Dick Higgins, Steve Wheatley, Rúrí, Gilbert & George, Jean-Luc Vilmouth, Jeff Nuttal, Agnes Denes, Arrigo Lora-Totino. Alsbach: Verlaggalerie Leaman, 1983. 57 sheets.

[#19094]

DIE REIHE

Periodical Devoted to Developments in Contemporary Music. Bryn Mawr:

Volumes (nos)1-8 ( all publ.). Theodore Presser in Association with Universal Edition, 1958-1968. 8vo, each volume an 8vo bound in printed wraps of varying colors, by the Austrian designer Willi Bahner. Spines a bit worn, with reading creases and some light chipping to paper, and creasing to the wraps, but otherwise a sturdy, very good set. Scarce complete.

EUR 2,000.00

► detailed description

The English language edition of one of the most important contemporary music periodicals , which began publication in German in 1954 out of the circle of composers which coalesced around the Nordwestdeutscher Rundfunk (NWDR). The covers are brilliantly and minimally designed by the important Austrian designer Willi Bahner. The contributors are largely European, though John Cage offers several important texts. The periodical was the most important English language source of information for European experimental and serial music, though this English language version was often contentiously received by English language readers. The periodical came to an end after a falling out between the two editors, with the epic issue no. 8. To the credit of the periodical, one of the most bitter attacks on the magazine was published in die Reihe itself, an attack on work by Stockhausen by the Dutch physicist Adriaan Fokker - a fitting coda to a provocative and contentious periodical. Each issue was devoted to articles on a particular theme. No. 1 - Electronic Music, No. 2 - Anton Webern, No. 3 - Musical Craftmanship, 4. Young Composers, 5. Reports Analyses, 6. Speech and Music, 7. Form-Space, and 8. Retrospective. More detailed contents on request.

[#20811]

WILLEM de RIDDER

The International Fanatic.

Published with the New York Post and the Washington Times. Amsterdam, Fr iday the 13th (1986). Tabloid size, 1 sheet, printed recto/verso.

EUR 150.00

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The Global Newspaper, Edited andPublished in Amsterdam and xeroxed everywhere. Sequel to The Fanatic.

[#20786]

WILLEM de RIDDER

Paper Constellation

A paper constellation (Papieren Constellatie) made in ab. 10 copies (each different), wrinkled paper, signed, kept inside the original tin-container with glass on top (round witrh diameter of ab.10 cm), signed by Willem de Ridder and marked "Papieren Konstellatie time", on the side of the container.

EUR 600.00

► detailed description

Multiple was made by de Ridder in 2012 in an edition of 10 in Wiesbaden (Germany)

[#19571]

WILLEM de RIDDER

Atom Club

Atom Club Magazine, CASSETTE EXPLOSION. One. Uitgave Willem Rietveld, Willem de Ridder a.o.;. Autumrn 1985. Atom Club, Prins Hendrikkade 142, Amsterdam. 88 pages., glued in the spine under glossy black covers. 13.4 x8,4 cm, heavily illustrated, english text. -Together with Atom Club Magazine, Number 1, 1985. William Levy, Geertjan Hobijn, Willem de Ridder. 18 pages, 21 x 13,5 cm. , stencilled sheets. -Together with a stencilled newsletter and a small handbill. - Also added a entry pass for the Atom Club, undated. Flyer, ,21 x 15 cm. stencilled black on white.

EUR 250.00

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The address was that of KOSMOS, Center for spiritual thought, workshops etc.

[#20798]

WILLEM de RIDDER

The Pontiac Review No. 2 'De Ridder Registraties. Amsterdam, Het Raadsel, undated, c. 1991. Comix drawings by Peter Pontiac with texts by De Ridder.

EUR 200.00

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[#19641]

WILLEM de RIDDER

De Ridder Retrospective. July-August 1983, Holland Festival Groninger Museum. Yellow ills. wrappers, 26 x 21 cm, 80 pages, Catalogue with inserted POSTER as issued: Holland Festival Presents, Willem de Ridder Populaire Kunstgeschiedenis. Print van Wulften. Pontiac Studios. Poster b/w, 91 x 68 cm, folded 6 times.

EUR 300.00

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Written & edited by William Levy and Willem de Ridder (contribs.Peter Pontiac; Anna Beeke).

[#20810]

WILLEM de RIDDER

Grote Nationale Salon voor Volksvlijt

- POSTER Nieuw-Sensatie-Opzienbarend. Breng een zelfgemaakte CASSETTE mee , 64.5 x 46.5 cm, printed black on white, folded 3 times. Announcement for an audience participatory event taking place in Amsterdam (Ijsbreker); Maastricht (Theatercafé), Rotterdam (Centrum Arena), Groningen (Grand Theatre), Nijmegen (Doornroosje), Eindhoven (Apollohuis). 4-18 mei (1983) . The audience presented instant visual and sound performances, which were broadcasted simultaneously on the radio. TOGETHER with Photograph b/w, 24 x 15 cm , featuring a performance at one of the venues for the Grote Nationale Salon voor Volksvlijt., and a blue announcement card, 10.5 s 15 cm, for a Walking Safari Live event by Willem de Ridder as part of the Festival a/d Werf in Utrecht, Participants were asked to bring their own radio to the gathering point at de Neude on May 28 1999.

EUR 400.00

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[#20794]

WILLEM de RIDDER

POSTER

Willem de Ridder. RETROSPECTIEF GRONINGER MUSEUM 8 Juli - 28 Augustus 1983. 83 x 30 cm.

EUR 250.00

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Poster in black, red and yellow on white paper. Drawings by Peter Pontiac.

[#20775]

WILLEM de RIDDER

INTERNATIONAL REFLECTIONS POST. Not published with the New York Post and the Washington Times. No. 1. Amst.erdam, 13 febr. 1987. Tabloid format. Illustr. b/w. 8 pp., folded once. Texts in Dutch. Edited and designed by Willem de Ridder. All published, Moderate agewear along the margins.

EUR 200.00

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The publication was designed by the Ridder as a promotional piece for an exclusive fashion store named Reflections, based at the luxury shopping hotspot PC Hooftstraat in Amsterdam (carrying brands like Comme des Garçons, Azzedine Alaia, Thierry Mugler, Romeo Gigli et al). It was meant to appear twice a year.

[#20791]

WILLEM de RIDDER

Album with 2 L.P. records, edited at Radio Art Studios, Amsterdam by Willem de Ridder & EXART Studios. All Chemix Radio Series. In fine condition; signed by Willem de Ridder on the backside of the sleeve in black marker.

EUR 120.00

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One of an edition of 300. Slowscan Vol. 49.

[#20795]

WILLEM de RIDDER

Varia

A group of 4 (four) magazine publications by or related to Wilem de Ridder. - Weekly Vol.4 Issue 50, 13-19 December 2007. Includes article 'The life Fantasion, Willem de Ridder trips out on his 1960s memories'. - HN Magazine,Yr 47 No.9, March 2 1991. Includes artucle 'De spiegelogie van Willem de Ridder'. - Index, Year 1 No.1 March/April 1991. Features an interview and lecture by De Ridder (in Dutch). - Stencilled brochure containing the text of lecture by Willem de Ridder held on January 4 1991 at PMV centrum Nijmegen, organised by Index, Nijmegen.

EUR 150.00

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[#20807]

WILLEM de RIDDER

Colour print of the original slide for the show with paper constellations (here in polyeathylene) at the RAI Congress Centre Amsterdam, 1964, 20,2x20,2 cm.; signed by Willem de Ridder in black marker on the image, at the lower right corner.

EUR 280.00

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(This photograph was used in onf the frontover of the book publication "The Adventures of Willem de Ridder". (Amsterdam 2017)

[#20532]

WILLEM de RIDDER.

STUDIO. Willem de Ridder edited the issue of, Studio Amsterdam, 3e jaargang 1991, nr 18, NYX Global Amsterdam, 1991, Tabloid folded in the center, 43 x 29 cm, 48 pp, numerous illustrations.

EUR 250.00

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Fictitiously dated. Tabloid on newsprint, designed by de Ridder, folded in the center, 43 x 29 cm, 48 pp, ill Rare, title story "Adolf Hitler was een vrouw" (Adolf Hitler was a Woman).

[#19140]

WILLEM de RIDDER

Stedelijk Museum Amsterdam. The Lost Artworks.

Show (2016) at the Stedelijk in Amsterdam. The complete set of all 8 versions and floor-plan (out of print and instantly sold-out) "De Verdwenen kunstwerken van Willem de Ridder." DVD with a film by Frank Herrebout, each with a signed artwork by Willem de Ridder and with a Paper Constellation / certificate.DVD's with signed artworks

EUR 2,000.00

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8 DVD’s, 8 framings or mountings, 8 ink stamped certificates crumpled into PK’s (Papier Konstellaties) series of 8 versions in various editions between 8 – 35 signed and numbered verso on the individual works published by Stichting Hai-Nun, Zaandam, The Netherlands VERSION 1: DVD with a tile in cardboard, and a list of works, ca. 26,5 x 16 cm, 55 numbered & signed copies VERSION 2: DVD on canvas on cardboard, ca. 24 x 30 cm, 20 numbered & signed copies VERSION 3: DVD on canvas, diameter ca. 20 cm, 10 numbered & signed copies VERSION 4: DVD on canvas, ca. 20 x 20 cm, 10 numbered & signed copies VERSION 5: DVD, framed, ca. 23 x 18 cm, 25 numbered & signed copies VERSION 6: DVD, framed (large), ca. 25 x 35 cm, 25 numbered & signed copies VERSION 7: DVD, framed in white, ca. 15 x 15 cm, 8 numbered & signed copies VERSION 8: DVD as part of an assemblage in black frame, ca. 23 x 19 cm, 7 numbered & signed copies Together with additions: WdR1997listofworks-plan_ WdR1997eightEditions-certificate

[#20772]

WILLEM de RIDDER & Emmett WILLIAMS

De Kleine Komedie, Amsterdam, December 18, 1963

[Fluxus Festival] Materials related to the Happening/ performance in the spirit of AFRINMOR-International, part of the International Program December 18,1963: "Internationaal Programma. Nieuwste Muziek, Nieuwste Theater, Nieuwste Literatuur." Algehele Leiding: (General Direction by:) Willem de Ridder, Tomas Schmit. Wim T. Schipper, Emmett Williams. [Theatre] De Kleine Komedie, Amsterdam, December 18, 1963; With works of : MESH /Moood Engineerung Society Holland, Fluxus-International, High Red Center Tokyo, Adynamical Works. - a) Announcement and PROGRAM for this performance Woensdag 18 December 14.30 uur Matinee, printed in black on beige stock 31 x 21.2 cm; 4 pages, folded once; ontwerp (design) K. Zedden, Franeker (Fr.) in fine condition. On page 3 the full proposed program - b) Original Photo by Dorine van der Klei of item 13 of the program: "13 Façons d’employer la crane de Emmett Williams", gelatin silver print, 40.6 x 30.5 cm, unique print, signed by De Ridder on the reverse, with the photographer’s copyright label, minimal imperfections, general condition good. - c) Duplicate of b/w press photograph of item 3 ("Fluitconcert") of the program Willem de Ridder "Whistling" ( Emmett Williams, Tomas SchmittWimT.Schippers). 17,,5x 23,8 cm. Signed by Willem de Ridder on the front - d ) Duplicate of b/w press photograph, another Head Covering of Emmett Williams of item 13 of the program. 17,5x23.8 cm. Signed by Willem de Ridder on front.

EUR 2,500.00

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(See: "The Lunatics are on the Loose". European Fluxus Festivals, p.281; this photograph serves as front cover for this publication. On the program: 16 items. Participants: Benjamin Patterson, Arthur Koepcke, AFSRINMOR. Robert Watt, Takehisa Kosugi (Tokyo), Jackson Mac Low, Willem de Ridder, Wmmett Williams, Ronin Page, George Brecht, La Monte Young, Robert Filliou,, Wim T. Schippers, AFSRINMOR C.230 La Foret Chante, Tomas Schmitt.

[#20793]

WILLEM de RIDDER (designer): ANNIE SPRINKLE

Annie Sprinkle's BOSOM BALLET. Copyright Annie Sprinkler 1991;Art Unlimited. Photo's by Leslie Barany. Photoprint, 60x60-cm'Signed on the blank verso by ANNIE SPRINKLE.

EUR 350.00

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[#16372]

SCHMUCK

(Editors: David Mayor & Felipe Ehrenberg). Cranleigh & Mexico, Beau Geste Press -Libro Accion Libre.

Complete set of this artist/Fluxus periodical by Beau Geste Press, edited by David Mayor and Felipe Ehrenberg. Composed of printed multiples, object-inserts & tipped-in pieces by the contributing authors and artists. Beau(tiful) Geste is a contamination with Gestetner, the brand of the stencil/multiplying machine the publisher used. Schmuck is the name given to this publication, meaning 'penis' in Yiddish and 'idiot'in American slang. Nos. (1)-8 (=last). Beau Geste Press/Libro Accion Libre, Devon, U.K. & Mexico, 1972- All in original pictorial wrappers, unpaginated; 29,5x21 cm (No. 1). Schmuck presents Real Schmuck. March 1972. 64 unnumbered pages, between illustrated wrappers, kept together in the spine with 1clamp, the second clamp replaced by tape. Includes several inserts and additional artwork, Mimeographed in various colours. Contributions include: Yael & Felipe Ehrenberg, Chris Welch, David Mayor,Jim Parker, Marc Chaimowicz, Hammond Guthrie, Richard Kriesche, Michael Gibbs, Carolee Schneeman (from Parts of a body house), Milan Kunz, etc.; (No. 2). Icelandic artists. July 1972, 50 unnumbered pages + collage. Paperbound in orig. wrappers. Mimeographed. Including photographs, artwork,etc.. Contributors including Kristjan and Sigurdur Gudmundsson, Hreinn Fridfinnsson, Hlif Svavarsdottir. (No. 3) Hungarian Schmuck, spine lightly damaged. March/April 1973. 78 unnumbered pages, including artwork, collage,cutouts. photographs, etc.; mimeographed in various colours. Contributors: Gabor Attalai, Imre Bak, Istvan Balint, Laszlo Beke, Peter Donatgh, Miklos Erdely, Peter Eötvös, Tibor Gayor, Béla Hap,Agnes Hay, Tamas Hencze, G.Jovanovicz, Gyula Konkolty, Peter Legendy, Peter Lajtai, Janos Major, Dora Maurer, Gyula Pauer, Geza Perneczy, Tamas Szentjoby, Endre Tót, Peter Türk, Janos Urban (No. 4). Aktual Czechoslovakia Schmuck. (1963-1972). 1974. 4to. Original wrappers. No. 5: 1975. General Schmuck! Typo-pictorial card wrappers designed by Takako Saito. Edition of 550 copies. No. 6: French Schmuck. November 1975. 4to. Pictorial wrappers, double bound, Mimeograph, offset, collages, etc. Edition of 550 copies. No. 7: Teutonic Schmuck. December 1975. 4to. Original wrappers. Edition of 400 copies. No. 8 (Final issue). Japanese Schmuck. Spring 1976. 4to. Original wrappers. Edition of 500 copies. Contributions by Saito, Shiomi, Takahashi, et al . Add: H. Yoshida, “1971.7.4:p.m. 2:00-4:00”.

EUR 10,000.00

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[#18444]

SEKIGUN

(The Red Army)

Pamphlet No. 3 (all and only published). Special issue, manifest poster-journal. Tokyo 1972 (Bureau of Pornography of the Kansaigakuin University). 1 sheet of off-white newsprin (56x42 cm), printed recto/verso in red. Text and illustrations, text in Japanese, with occasional english words in latin letters. Issued by Nagata Hiroko and Takita Osamu.

EUR 1,400.00

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In the 60's/70's the Kansaigakuin University was the breading ground for student activism of various directions: Zenkyôtô, Zenagakujichi, Seikyô and Sekigun (Red Army, which was the most active). At the culmination point of the struggles it seems that the Red Army students had pressed the editorial office of the University newspaper to print this parody with the logo of the Red Army replacing the official logo and to place the name of the Red Army in large print on the front page. This was similar to the logo of the journal of the Japanese communist party Akahata (The Red Standard). Special issue on Drugs, Mind Liberating Plants, Green Revolution. (On the front page in capitals: Drug Freegras). Marijuana and LSD were the keywords for mental freedom, and here a guide is offered how to cultivate and fabricate it, and they advocate free distribution all over Japan. The picture of the love-making couple placed over a large image of a marihuhana leaf on the front page went too far for the authorities, the partciipants were arrested and the journal was forbidden.

[#19169]

SOMETHING ELSE GALLERY- POSTERS

ANNOUNCEMENT POSTER: Announcing the Something Else Gallery, New York City. Poster on thick offwhite paper, 55,5 x 75,5 cm., folded to 18,5x 14 cm. Published by Something Else Press, Inc. "Object Poems" April 16th to April 27th, 1966. Opening: April 15th, 8:00 to 10:00 PM. Printed in green on lightly green tinted thick paper;very light soilaged and tiny chip to one corner, nevertheless a very good copy.

EUR 500.00

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With a listing of the artists: George Brecht, Robert Filliou, Ian Hamilton Finlay, Peter Green, Al Hansen, Dich Higgins, Diter Rot, Gertrunde Stein, Wolf vostell, Emmett Williams.

[#19095]

SOUNDINGS

Volumes 1-16 [Complete]. Sylmar, California : 1972-1990. First edition. 4to, various paginations. 16 numbers in 13 volumes. Some issues with individual titles. Title written ink to edge of text block of two issues, single small unobtrusive ink notation to the cover of one issue, but generally near fine to fine.

EUR 4,000.00

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Edited by Peter Garland, who started this following a workshop attended at California Arts Inst with Dick Higgins. Soundings was notable for reproducing scores, many from the composer's holograph. Number 13 is a special issue devoted to the music of James Tenney. With contributions across the numbers by Lou Harrison, Pauline Oliveros, Wolfgang Stoerchle, Harold Budd, James Tenney, Robert Ashley, Harry Partch, Dick Higgins, Philip Corner, Paul Bowles, Silvestre Revueltes, Guillermo Ceniceros, Steve Reich, and many others.

[#17927]

STEREO HEADPHONES

An occasional magazine of the new poetries.

Nos. 1 (in fine photocopy), 2/3,4, 5, 6, 7, 8/10 (all published). Kersey, 'Church Steps', Spring 1969 - 1982. Original (partly illustrated) wrappers (8vo, expanding to 4to). With the record to volume 8/10.Printed in a limited edition of 500 copies. Condition : very good/ near fine, some yellowing to covers, top corner of number 5 has a bump, contents & otherwise fine.

EUR 2,500.00

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One of the key journals of sound poetry, visual and concrete poetry, edited and published by Nicholas Zurbrugg. - No. 1: (in photocopy) (24 pages + wrapper). With contributions by Stephen Bann, Thomas A.Clark, Dick Higgins, Anselm Hollo, Robert Lax, Edwin Morgan, B.P.Nichol, Jiri Valoch, Charles Verey, Pedro Xisto, Nicholas Zurbrugg; - No. 2/3 (32 pp) 'the new french poetries - the death of concrete' (Ben, Julien Blaine, Jean-François Bory, Henri Chopin, Pierre Garnier, Jochen Gerz, Jean Claude-Moineau, Gérald Rocher, Jean-Marie Le Sidaner); - No. 4 (40 pp) 'the poetry of sound / the sound of poetry' (David Brier, Henri Chopin, Bob Cobbing, Raoul Hausmann, Benard Heidsieck, Paul de Vree etc.); - No. 5 (43, 9 pp) 'the new visual & photo poetries of Japan'.(with the Tokyo Manifesto for Spatialism:1968- Kitasono Katue, Takeshi Koike, Takahashi Shohachiro, Shimizu Toshishiko, Ito Motoyuki, Okazaki Katzuhiko, Seichi Niikuni, Yutaka Ishii, Shoji Yoshizawa). Other contributions by Charles Amirkhanian, Thomas A. Clark, Cobbing, Jandl, Lax, Maurizio Nannucci , a.o.; - No. 6 (70 pp) 'the treated text'. Contributions include.: David Briers, Lourdes Castro, Henri Chopin, Ian Hamilton Finlay, Pierre Garnier, Gomringer, Morgan, Cobbing, de Vree, Houdéard, Clark, Amirkhanian, Maurizio Nannucci, Raoul Hausmann, Tom Phillips, Ed Ruscha, Ben Vautier, Edgardo Antonio Vigo, Lawrence Weiner, Nicholas Zurbrugg, Paul Gette, a.o.; - No 7 (54 pages in wrappers). Contributions include Emil Antonucci, Kitasono Katué, Samuel Beckett, Avigdor Arikha, Lourdes Castro, Bryon Gysin, Raoul Hausmann, Heidsieckm Robart Lax, Franz Non, Franciszka & Stefan Themerson, John Christie, Hans Richetr, etc.;- No. 8/9/10: (80 pages in pictorial wrappers and with a 45 rpm Record). On the record: Canal Street Readings. Contributions include Samuel Beckett, David Briers, William Burroughs, Lourdes Castro, Henri Chopin, Bernard Heidsieck, Ernst Jandl, David Johnstone, Friedricke Mayröcker, Barry McCallion, Tom Phillips, etc.

[#18662]

STEREO HEADPHONES

An occasional magazine of the new poetries.

THE LIMITED EDITION: Nos. 1, 2/3, 4, 5, 6, 7, 8/10 (all published)., ALL (except no 1) in DE-LUXE EDITION OF 12 to15 COPIES (total edition was ab. 500). Kersey, 'Church Steps', Spring 1969 - 1982. Original (partly illustrated) wrappers (8vo, expanding to 4to). With the record to number 8/10. Added: 2 letters from the editor (laid into no. 1).

EUR 9,000.00

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- No. 1: (24 pages + wrapper). With contributions by Stephen Bann, Thomas A.Clark, Dick Higgins, Anselm Hollo, Robert Lax, Edwin Morgan, B.P.Nichol, Jiri Valoch, Charles Verey, Pedro Xisto, Nicholas Zurbrugg- - No.2 & 3.Spring 1970. The new french poetries-The death of concrete. In-8 [14,5 X 23 cm.] [36] pages and 2 horstexts (incl. cover) signed by Nicholas Zurbrugg. One of 12 copies on handmade paper, this Number 3. Wiith 2 original poems, signed and numbered by Henri Chopin and one by Edwin Morgan.mprimés sur “hand made paper” - No.4. Spring, 1971. The poetry of sound/The sound of poetry In-8 [15,5 X 25 cm.] [36] pages and 1 horstexte. Signed by Nicholas Zurbrugg on wrapper. One of 15 copies on hand made paper” with a signed and numbered serigraphy by Raoul Hausmann. Copy No.2. -No. 5. Winter 1971.The next visuel & photo poetries of Japan In-8 [19,5 X 26 cm.] [36] pages and 3 hors-textes. Cover illustrated by Okasaki Katsuhiko, signed and numbered on back cover by Nicholas Zurbrugg. -One of 15 copies printed on “hand made paper” including a reversible work by Dom Sylvester Houedard, a poem by Ernst Jandl, a lihographs by Maurizio Nannucci, signed and numbered by the artists. This copy No.7. -No. 6. Summer 1974. The treated text In-8 [20X 27 cm.] [70] pages and 3 horstextes. Cover illustrated by a metro ticket picked-up by Gérard Vargas, glued to the front cover. Cover signed by Nicholas Zurbrugg. One of 15 copies on “hand made paper” with a reversible artwork, embroidery by Lourdes Castro of plexiglass, a serigraphy by Hans Richter, a poem by Edgardo Antonio Vigo, signed and numbered by the artists.Copy No.12. -No. 7. Spring 1976 In-8 [18,7 X 25,5 cm.] [56] pages and 3 orig horstextes (incl. cover) Cover illustrated by a photopoem by Kitasono Katué, signed and numbered by Nicholas Zurbrugg on the cover. This one of 15 copies on handmade paper imprimés sur “hand made paper” containing a photo poem in colour by Kitasono Katué, a handwritten poem by Robert Lax, a serigraphy by John Furnival. Signed and numbered by the artists. This copy No.1. -no 8/10 in the DE-LUXE EDITION Numbered 2/15 on special paper, signed by Nicholas Zurbrugg and a signed cut-out color photograph of Lourdes Castro, a signed Humument etching by Tom Phillips and a signed silkscreen print by Barry McCallion.

[#19153]

SUCK

First European Sex Paper [PETER DE RIDDER]

Complete set, mint condition, geruild met Philippe, zijn set in Brussel, wij geleverd aan Rijksmuseum 11124 was Benjamins, als Jont Luiggi verkocht

Price on request

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Precize beschrijving nog vragen aan Philippe

[#17909]

TECHNE

A PROJECTS AND PROCESS PAPER. Published in New York.(Experiments in Art and Technology, E.A.T.)

Volume 1 Nos.1-2 (all publ.). New York, Experiments in Art and Technology, April 14, 1969 - November 6, 1970. 12 pp. each. Folded tabloïds. 39×27,5 cm. (12); (12) pp. Illustrated. First issue folded one additional time. Excellent copies.

EUR 1,000.00

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The only two issues published of this spin-off from E.A.T.’s exhibition activities. Published by Billy Klüver. Layout by Tom Gormley. Contributions include: "The Pavillion" by Billy Klüver, (on the Pepsi pavillion of Expo '70), Fujiko Nakay (Making of Fog or low-hanging stratus cloud) , Interview with Claes Oldenburg, Experiments in Art and Technology (Brooklyn Museum), Naum Gabo (Kinetic sculpture), Max Neuhaus and Ted Wolff Interview, Niels Young, and Project, Artists in India, etc. Rare complete.

[#18710]

THIS IS NOT HERE

Yoko ONO and JohnLENNON Guest Artists at Everson Museum of Art,

Syracuse: Everson Museum of Art, 1971. Tabloid size catalogue (42 x 55,2 cm), 12 pages, illustrated throughout. Design George Maciunas. Catalogue shaped as a newspaper. 1971 Syracus/NY. Everson Museum of Art. 55x42cm, folded once. Illustrated. 12 pp. Fine.

EUR 500.00

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Fluxus inspired exhibition catalog of Ono's works. Poster for the event on one cover. 1971. Catalogue of an exhibition held at the Everson Museum from October 9 – 27, 1971. Mostly reproducing newspaper clippings about exhibitions and reproducing exhibition announcements, small comics and drawings by Yoko Ono. The rear wrapper, which doubles as the exhibition poster, features a sequence where the couple’s faces were typographically morphed from one to the other, images that would later be used on the labels for “Happy Xmas (War is Over)” and “Some Time in New York City.” This retrospective exhibition at the Everson’s ‘was nearly closed when it was besieged by excited Beatles fans, who broke several of the art pieces and flooded the toilets.’

[#19375]

TOTAL METAL (TÖTAL METAL)

Artist’s publication. Curated by Richard Phillips. Publisher: Simon Watson, New York, NY. nd [1990] Black offset print on white and color paper. Staple bound. Very good condition. Two staple holes near top left binding. 11 x 8.5” Unpaginated [92 pages]

EUR 450.00

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…"...to examine the ways in which contemporary artists have used, or have been influenced by, the Heavy Metal industry."... Contributions by: A. Agerbeek, Axel, A. Bickerton, K. Burckhart, J. Currin, J. Decter, J. Diamond, C. Donegan, A. Perlstein, T. Henry III, M. Kelley, D. Kloster, D. Kraker, B. Krasner, D. Trebitz, S. Landers, R. Lee, D. Levine, Lip Service LA, K. Lum, P. Martori, A. Morgana, V. Muniz, P. Nagy, C. Ostendarp, K. Landers, J. Otterson, R. Pettibone, P. Pockock, R. Pruitt, J. Early, A. Rockman, G. Simmons, D. Stoller, J. Watchel, and C. Wilder.

[#17900]

Ben VAUTIER

L’objet du délit. No. 1, 2000 (all publ?). Nice [1999] 29,5×21 cm. (32) pp. Illustrated. Printed on newsprint, loose, not stapled. A very good copy

EUR 300.00

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[#19062]

Aat VELDHOEN (Bart HUGES)

Print Bart Huges.

Early rotaprint by Aad Veldhoen of BART HUGES with bandaged head with blood along his cheeks, after performing the self trepanation. 13,7x 167,3. Signed in pencil and numbered 2/10. RARE.

EUR 1,000.00

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[#19234]

Simon VINKENOOG - OPEN HET GRAF

Happening (December 1962) organised by Melvin CLAY, Frank STERN & Simon VINKENOOG

Vintage poster: Original poster on light-yellow paper of a higher grammage than used for the regular edition (which was printed on lighter paper and mostly folded to A4 size). This is probably a proofprint. 57,5x41 cm. Simon Vinkenoog used the backside to schedule the content of his book ‘Weergaloos’ (1968 Hilversum, Paul Brand) and mounted three pages typoscript – overworked with corrections in manuscript – on the backside (the third page has partly been ripped off). Unfolded, with minor tears and pinholes. TOGETHER WITH Original program booklet. Open het graf. A Homage (sic) to the Dead, A Warning to the Living.Wereld (world) Premiere Necrofilie Bi-lingual Multi-national Happening, Amsterdam 1962 (9 December 1962, Prinsengracht 146). 22p. 30:22 cm. Mimeographed on pink, green and white paper with blind front and back cover in gold card, stapled on topside with 3 staples (one still in place), Edition of 50 copies. With contributions by Simon Vinkenoog, Rijk van Bentum, Melvin Clay, Jan Cremer, Robert Jasper Grootveld, Bart Huges, Jean-Jacques Lebel (Ambassador of Catastrophe), Jean-Pierre Moulin, Frank Stern, Cornelis Bastiaan Vaandrager and Simon Vinkenoog. Stapled, with two out of three staples missing. Complete copy, including the publicity insert of ‘De Bezige Bij’. In very good condition.

EUR 6,000.00

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The poster accompanied by the PROGRAM: (Simon Vinkenoog) of this Happening. - Programme of Open het graf! 9.12.62. Stapled sheets with title in handwriting, complete: Title Open Het Graf: A Hommage to the Dead, a Warning to the Living: Wereld (world) Premiere Necrofilie Bi-lingual Multi-national Happening, Amsterdam 1962 (9 December 1962, Prinsengracht 146). Authors Simon Vinkenoog, Rik van Bentum, Melvin Clay, Frank Stern, Robert Jasper Grootveld, Bart Hugues, Bezige Bij G.A. Published 1962 Length 22 Pages: stencilled/mimeographed on one side on varying coloured paper, in gold-coated card, front and back cover present, but staples from the top removed (possibly after an exhibition to show all sheets individually.) On the top cover: title in pencil handwritten "Copyright Simon Vinkenoog 1962, voor de 3/4". - The Happening was a parody inspired by the charity event "Open het Dorp"by Mies Bouwman in junction with death of Princess Wilhelmina and the funeral in the Royal Tomb. There was an improvised art project with a shrine for Marilyn Monroe.

[#20351]

Wolf VOSTELL

"TPL. Tombeau de Pierre Larousse" / "Oreille pour un Tombeau" With Francois Dufrêne and Alain Jouffroy. Verlag der Kalender, Wuppertal, 1961. White cardcovers with printed dustjacket, 30 x 30 cm. 62 pages. Some wear to edges of dust-jacket and very light rubbing, otherwise a very good copy.

EUR 4,500.00

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A collaboration between the Nouveau Realiste artist and writer Francois Dufrêne and Wolf Vostell - both leading exponents of decollage. Wolf Vostell, who was not a member of the Nouveau Realist Group, also developed the process, having noticed the word "Decollage" in the news- paper 'Le Figaro' on 6 September 1954, where it was used to describe the simultaneous take-off and crash of an aeroplane. He appropriated the term to signify an aesthetic philosophy, applied also to the creation of live performances, by which the destructive, violent and erotic events of contemporary life were assembled and juxtaposed. [Ref.: Vomm - Wolf Vostell. Die Druckgrafik - pp.20-21]. 23 fullpage silkscreens of Vostell's Decollages in the Streets of Paris etc. in 1956 – 1961, "Oreille pour un Tombeau" (Ohr fuer ein Grab), printed in black, integrated with several pages with concrete poetry by Dufrêne, "TPL. Tombeau de Pierre Larousse", also of Vostell's design. Introduction by Alain Jouffroy. Texts in German + French. Though not stated, the edition was limited to 300 copies. Back fly page with a printed sheet mounted onto (at a later date) which shows an offset-photograph of Vostell painting some loafs of bread w. gold color. The image has been altered by Vostell with a drawing and is dedicated to the artist Franz Mon, handsigned "Wolf V.".

[#19452]

Wolf VOSTELL

Environments / Happenings 1958-1974. 1974 Paris, Editions du Chene, First edition, one of 500 numbered copies with a numbered and signed serigraphy by Vostell laid in, 276p. Oblong quarto. 25:31 cm. Original binding with dustcover. Fine.

EUR 850.00

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First edition, deluxe issue. One of five hundred numbered copies (No. 426 of 500) with an original serigraph by Vostell , signed and numbered by him in pencil. Based on the December 1974-January 1975 exhibition at Paris' Arc 2/Musee D'Art Moderne de la Ville.

[#20434]

Wolf VOSTELL

Permanente Realistische Demonstration. Cityrama 1. Galerie Schwarz, Milano invites for an exhibition of found art (destroyed posters, debris in ruins etc.) discovered by Vostell in the streets of Cologne on 15 Sept, 1961. Illustr. wrappers, stapled, 8vo. 12 pp. Text by Alain Jouffroy in German, Italian, French. 18 b+w photos of sites in the city to be looked at (with the exact addresses), plus several other b+w photos.

EUR 700.00

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Vostell's "Exhibition" did NOT take place in the space of Galleria Schwarz, Milano (Italy), as a regular exhibition, but this "Exhibition" was displayed on sites spread over Cologne (Germany). The Gallery published a "guide" for this event and mailed the booklet out as an invitation for a sightseeing of sites in Cologne. Very much in the tradition of the situationistic "Dérive" (= drifting in urban environments) and "détournement" (="mis"-appropriation of pre-existing aesthetic elements). In photographic examples for forms of a "Décollage" Vostell also cites a photo of the war-destroyed city of Cologne in 1945. [ Reference Happening + Fluxus, Koeln, 1970 - # 62; Vostell. Kestner Gesellschaft Hannover, 1977. p. 161. Vostell's 2nd solo catalog / artist's book) in fine condition.

[#20353]

Wolf VOSTELL & Benjamin PATTERSON

Vostell, Wolf & Benjamin Patterson: decollages, collages / situationen für 3 klaviere, duo für stimme und streicher, komposition für papier, decollages solo für wolf vostell (uraufführung). Sonntag, 14.5.1961, 20:15 Uhr. Haro Lauhus, Köln. Galerie Haro Lauhus. 1961. Printed sheet, 21 x 15 cm, folded as issued.

EUR 700.00

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Opening of Galerie Haro Lauhus and the FIRST exhibition of Vostell in Germany (from 15 – 28 May 1961). Also the first appearance in Cologne of Benjamin Patterson who performed during the opening with the assistence of Francis Coppieters, Dusko Gojkovic, Heidrun Klemencic, William Pearson and Wolf Vostell. The Gallery did not exist for very long and closed down already in September 1961. [Reference: Beuys – Brock – Vostell. Aktion, Demonstration, Partizipation 1949–1983; p. 29].