Catalog 300

NEW 2019. Rare Periodicals. Selected Titles

[#18110]

amBEATion

Zeitschrift für junge dichtung, grafik, kritik, versuch.

Nos. 0, 1/2, 3 (Sonderheft Niederländische und Flämische Lyrik und Prosa), 4, 5, 6 (Texte von Psychisch Kranken), 7/8 "Gegen den Krieg in Vietnam" (book, 88 pages, in smaller format, an anthology with 39 firstprints of german authors). Wanderup, Nov. 1963–1968. 4to. Original wrappers. Illustrated, with original graphics. Stencilled, stapled. Published in an edition varying from 72-200 copies.

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Nr. 0 (1963). With 3 signed linocuts by Jane Tech-Balsgaard Nr. 1/2 (1964), Marked on the cover as No. 1. With 3 Graphics (1 signed by Cloy (i. e. Klaus-Ove Kahrmann), Beilagen. Nr. 13 von 70 Ex. Nr. 3 (1964) - Sonderheft: Flämische und niederländische Lyrik und Prosa - bilingual. With graphic by Kahrmann and Beilagen. Nr. 155 von 200 Ex.small stain on front wrapper and first 6 pages, otherwise good condition Nr. 4 (1965). Grey cover with 2 unicate (pasted on top front cover and inside back cover) by Kahrmann, 1 Graphic of typewriter points by Timm Ulrichs, 3 additional pieces by Timm Ulrichs (2 Manifeste and an invitation of Galerie Patio, 1966). Nr. 101 von 150 Ex. (One missing page on the poems by Timm Ulrich added in fine photocopy) Nr. 5 (1966). With 2 signed graphics by Klaus-Ove Kahrmann, 1 signed graphic by Norbert Richter ("Im Untergrund") and 1 signed graphic by Astrid Kayser. Additionally on the impressum page a pasted in ornament drawing (Feltpen 1966, signed by R. Q. Tode). Nr. 42 von 150 Ex. Nr. 6 (1967) - Sonderheft: Texte von geistig kranken Menschen. Deckel with pasted on title graphic “amBEATion Nr. 6”, with pasted in autograph of one of the autors, and a large folded orig.(2 sided) drawing by Altermann (Pseudonym). (This was included only in nos. 1-35; this copy no. 12, but impressum page in copy) Nr. 7/8 (1968) -Book: Gegen den Krieg in Vietnam. Anthology with 39 Authors, most firstprints. Vorzugsaugabe with orig signed graphics by Klaus-Ove Kahrmann and signed by the editor. Nr. 58 of 200 Ex. Guter Zustand. - Plus: a few extra graphic prints and promotional material Re amBEATion. (together 15 pieces, different sizes).

[#19507]

AMENOPHIS

Périodique trimestriel (Revue sous Bandelettes).

A significant collection of 26 numbers between Nos 1 and 32, in 22 volumes (+ one special issue of nr. 5 with handwritten dedication ) published between 1968 and 1985. Various formats, printed in b/w and colour, richly illustrated. The following numbers are included: No. 1, 4, 5 ,5 special, 6, 7, 8, 9, 10, 11,+supplt, 12, 13, 14, 15 ,16, 17/18 ,19,20 , 21, 25, 26, 29/30, 31/32.

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Belgian artist periodical, (in total 38 numbers published). founded by André Morlain, directed by José Goemaere (Lot/Brabant, Belgique), with André Vandegeerde, Marie-Claire Gouat, Robert Kayser, André Morlain, contributions by Charles Autrand, Jean-François Bory, Pierre Boujut, Stanislas Defize, Pierre Gallissaires, José Goemaere, Marie-Claire Gouat, Horus, Robert Kayser, Théodore Koenig, Nefertiti, Lucifer, Jean-Marie Le Sidaner, André Miguel, Jean-Claude Moineau, André Morlain, Pierre-Yves, Christian Prigent, La tatane à toutoune, Albin Tzaut, Michel Vachey, Jean-Pierre Verheggen, Nicole Verheyden - Nr. 1. Bruxelles: self published, n.d. Small quarto, 34 pages, illustrated throughout. Wrappers illustrated by Gilbert Herreyns. - Nr. 4. AMemNOnPHIS fait une place aux Soleils. Bruxelles: self published, octobre 1969. Square quarto, 42 pages. illustrated throughout. Front cover by Jose Goemaere. - Nr. 5. Aménophis pour voir LEU mONdd à travers lev MONDD. Bruxelles: self published, janvier 1970. Square quarto, 44 pages, illustrated throughout + inserted photogravure by Francois Massal. Front cover by Robert Kayser. The sheet covering the image in place. - Special: Nr. 5. Aménophis pour voir LEU mONdd à travers lev MONDD. Another copy of issue 5 with only 22 pages loosely inserted in the original covers. The pages seem to be proof prints for issue 5. The cover of this issue with original (different) handwriting by the contributors being a presentation copy for Francois Di Dio: ‘Cet Exemplaire est une incarnation de L”ERREUR nous le DIDIONS a Francois du soleil NOIR. Art pour Art Pur. Notre pharaons reincarne sous l’angle (Noir)’ - Nr. 6. Mai 70. AMEnauFILS. Bruxelles/Paris: Amenophis/Charles Autrand, 1970. Square quarto, 38 pages, illustrated throughout, with original hand colored collage + tipped in thin plastic glove. Illustrated wrappers by Marie Claire Gouat. - Nr. 7. Bruxelles/Paris: Amenophis/ Charles Autrand, Jean-Francois Bory, Aout 1970. Illustrated portfolio illustrated by Robert Kayzer, containing 2 folded posters. Poster 1: ‘La Cocote des Arts’ (68 x 54 cm unfolded, printed in red) by Marie-Claire Gouat, Robert Kayzer, Nicolas Poster 2 (61 x 53 cm unfolded, printed in blue) ‘Trop Milles millions de milliards de trop pas de vis universel trop simple trop de O zeros” Texte Morlain Graph Kayzer. - Nr. 8. Poster. J.F.Bory;, printed in black on white paper, 56,5x45,5 cm. folded 3 times [septembre 1970) - Nr. 9. Bruxelles : Amenophis, octobre 1970. Square quarto, un paginated, 44 pages of which two fold-outs. - Contributions by Thierry Agullo, Charles Autrant, Gianni Bertini, Etienne Bertozzi, Daniel Biga, Robert Kayzer, Dr Leon, Werner Lambersy, André Miguel, Cécile Miguel, Norge, Clemente Padin, Michele Perfetti, Jean-Marie Le Sidaner, Christian Tobas, Jean-François Bory, Jochen Gerz, Roland Flexner, Marie-Claire Gouat, Jean-Claude Moineau, André Morlain, Jean-Pierre Verheggen, Chimele Vernon, Nicolas & Inconnu. - Nr. 10. Poster. Littérature Policière, Série Noire. J.C.Moineau; adressed and mailed to Gianni Bertini. 10 décembre 1970. (With two staple-holes; this has possibly been originally stapled to another piece, which we do not have) - Nr. 11. 2 Posters, Azerty, mars 1971 & C'Est une histoire..,Ivan Alechin. Together with: Supplément au n° 11. Rotterdam: Kunstcentrum ‘t Venster, September 1970. Bruxelles / Paris / Milano: Amenophis / Charles Autrand/ Jean Michel, 1970. Square quarto, 14 pages, illustrated throughout. Illustrated wrappers. . Published on the occasion of an art manifestation held in ‘t Venster (Rotterdam), from September 5 25, 1970. - Nr. 12. Made in Italy, 1971. Bruxelles: Amenophis, 1971. Yellow printed envelope containing 12 mimeographed contributions printed on different colored stock. - . Contributions by Salvatore Passarella, Sergio Dangelo, Nicolas, Besozzi and Emilio Cremonesi a.o. (This copy belonged to Gianni Bertini and was mailed to him) - Nr. 13. Decmbre 1971. One sheet, 61x43 cm., folded to 22x15,5 cm., b/w. Together with supplement: a brown envelope "Cette enveloppe contient des graines d;Utopie"; adressed to Gianni Berrtini - Nr. 14. Mars 1973. Bruxelles/ Paris: Amenophis, 1973. Tall quarto, un paginated, (42 pages), illustrated throughout. Illustrated wrappers. (portrait d’apres nature d’un enzyme glouton). Wrappers lightly foxed towards edges. - Nr. 15. Bruxelles: Amenophis, fevrier 76. Quarto, 44 pages, illustrated throughout. Illustrated wrappers by Eliane Maurissen. - Nr. 16. si ce héros ne vous plait pas Amenohis peut vous en offrir un autre. Bruxelles: Amenophis, decembre 76. Quarto, 60 pages (+ a 28 pages insert by Justine Envermer), illustrated throughout. Illustrated wrappers by R. Kayser. - Nrs. 17-18. Special Nourriture. Bruxelles: Amenophis, Mars 1979. Quarto, 96 pages, illustrated throughout. Illustrated wrappers (le saucisson utilize en couverture a ete grassement prete pa la firme Van den Bouf) - . - Nrs. 19. Le Pied. Bruxelles: Amenophis, novembre/ decembre, 1980. Quarto, 60 pages, illustrated throughout. Illustrated wrappers. - - Nr. 20. Autopsy I. Bruxelles: Amenophis, Juillet / Aout-Septembre, 1980. Quarto, 48 pages, illustrated throughout. Illustrated wrappers. - . - Nrs. 21. Autopsy II. Bruxelles: Amenophis, Juillet, 1980. Quarto, 66 pages, illustrated throughout. Illustrated wrappers. This issue with an original signed and numbered (77/100) lithograph by Pierre Pourbaix. - Nr. 25. On lui a tout pris et elle ne se révolte pas. Bruxelles: Amenophis, Juin, 1983. Quarto, 58 pages, illustrated throughout. Illustrated wrappers. Wrappers by Roland Topor. Second half of this volume damped and some waving pages toward the end.- - Nr. 26. Le hareng mystique. Bruxelles: Amenophis, novembre, 1983. Small quarto, 84 pages, Illustrated throughout + one original 'montagemanuel d'une bande magnetique' by Jean Francois Lacroix. Illustrated wrappers. - Nrs. 29-30. Le Trou. Bruxelles: Aménophis, mars - juin, 1985. Folio, 80 pages, illustrated throughout, Illustrated wrappers. - Nrs. 31-32. La dérive des continents. Bruxelles: Aménophis, 1985. Folio, 80 pages, illustrated throughout, Illustrated wrappers. Contributions by Arbizzani, Barzin, Bertola, Bragard, Burgaud, Chaty, Colaux, Collignon, Colot, Compere, Criel, Darbellay, De Taeye, Devil, Gasmi, Gouat, Joos, Kayser, Lefevre, Mastin, Mawet, Morlain, Nupi, Orester, Petchanatz, M&G Piqueray, Pochet, Puttemans, Reszohazy, Tania, Trentini, Vancluysen and Vinche. Added: Supplement A (no date) Poster "Oproject for the World"No 5. Tobas. - A more detailed list with the contributors to the individual issues on request.

[#15526]

ART INTERNATIONAL

Vol. 1 no 1 - vol. 27 no 4 (=last published). Lugano, Switzerland, 1956 - Sept / Nov. 1984. Set in the original illustrated wrappers with volume 13 no 3 in the regular and in the rare variant version. (Vol. 23 and 27 are partly bound) Overall condition good to very good, with only sporadic and unobtrusive library markings on the wrappers.

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An excellent, unbound set in ORIGINAL WRAPPERS. One of the best surveys of mainstreams in contemporary art'. Edited by James Fitzsimmons. Of Volume 1 (called 'European art today' ) we have in this set only 9 of the 12 issues (Nos.2 and 3 are missing). Otherwise all volumes/years are complete in original wrappers, except vols. 23 and 27 whch are partly bound.. The cover of vol. 13 no 3 designed by Mel Ramos is present in both versions, one with a gorilla and the scarcer one with a kangaroo.

[#15729]

ARTE FACTUM

Tijdschrift voor hedendaagse kunst in Europa.

Nos. 1-53 (all publ.). Antwerpen, 1983/84-1994. Original pictorial wrappers; 4to.

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Glossy magazine of contemporary art in Flanders characterised by increasing internationalisation and growing self-confidence, lso showing the expanding influence of the market. It balanced text with large, attractive illustrations, and its aim was to present the latest art to a broad readership of art-lovers and buyers with contribs. in English, French, German, Dutch, Italian. Edited by and contribs. of: Flor Bex, Leo v. Damme, Georges Roque, Saskia Bos, Wim v. Mulders, Catherine Strasser, a.o.

[#18799]

ARTPOLICE

(also as: Art Polic; Artpolice Magazine; Artpolice Newsletter; Artpolice Gazette; Artpolice Comics;Artpolice International).

Collection/archive of Artpolice titles, associated publications and related Frank Gaard ephemera: Art Police; Artpolice Magazine; Artpolice Newsletter; Artpolice Gazette; Artpolice Comics; etc., [nos. 1] (March 31, 1974) through Artpolice International (April 1994) (final issue). Sixty-four (64) variously numbered and titled fascicles of the artist’s serial, lacking only seven issues from the complete run of Artpolice and the numerous associated titles issued by Gaard and his conspirators over the publication's 20 year run. 16 mo to small tabloid. -ADDED: Eighteen (18) additional related items, including Man Bag, nos. 3 (1994) through 5 (1996); Losing Faith nos. 1 (1986) through 2 (1987); Sub-Art vol. 1, no. 1 (May 1979); Art Moves vol. 1, no. 2 (April1982) and a host of other Frank Gaard correspondence, exhibition invites, articles, etc. Very good to near fine.

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Edited by Frank Gaard. Art Police was an art zine collectively published by a dozen Minneapolis artists, including the painter Frank Gaard. The zine lasted from 1974-1994. It was known for a mixture of "low brow" humor and "high brow" sensibilities, with political cartoons appearing next to pictures of blowjobs. It is described extensively in Aarons/Roths "In Numbers" (publications by artists since 1955). The publication schedule was highly irregular, and our collation has been following the descriptions in this bibliography. The zine lasted from 1974-1994. Notable Zinesters who have contributed to Art Police were Frank Gaard, Andy Baird, Stuart Mead. Complete list of included ARTPOLICE titles (with issue counts) on request.

[#680]

BANANAS

The Literary Newspaper.

Nos. 1-26 (all publ.). London, Jan/Feb.1975-Apr.1981. Tabloïd size ; later 4to; original illustrated wrappers.

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Edited by Emma Tennant, from no. 12 onw. by Abigail Mozley. Tennant chose to name the magazine after the motion picture Bananas (1971), directed by Woody Allen; the size of the magazine was inspired by Allen's Interview. Includes special issues (Russia, South America, Spain, Germany). Contribs. inc. Sylvia Plath (previously unpubl.), William Burroughs, Harold Pinter, Ted Hughes, Alan Sillitoe, J.G. Ballard, Angela Carter, Williams, Bruce Chatwin, Claud Cockburn, Jon Silkin, Michael Horovitz, Thomas Disch, Brian Patten, Elaine Feinstein, Frances Horovitz, Marilyn Hacker. Rare complete set.

[#18932]

BIRTH

BIRTH PRESS COLLECTION: consisting of: - Announcement Flyer: Single sheet of colored 8 1/2 x 11 paper announcing the publication of Tuli Kupferberg's Birth #3 plus a new publication called SWING and another publication by Birth Press entitled YEAH. Sheet is a bit tanned with age, has a closed tear and has some faint folds. Overall very good condition of this rare piece of Birth Press ephemera., -Together with complete sets of the three periodicals from the announcement: - BIRTH. Nos. 1, 2, 3, (all publ.), in 4 parts. New York, 1958-1960. Original stapled photographic wrappers. The first near fine with a small corner crease to the front cover and a tiny ink price to first leaf, other issues fine. The third issue was published in two volumes. The second issue has two covers, and the original prospectus laid in. - SWING. Numbers 1, 2, 3 and 4 (all publ). New York, Birth Press, Winter 1960-Fall 1961.Spine stapled in original photographic wrappers. Spine of no. 4 lightly faded, otherwise all in excellent condition. Each ab. 40 pages. - YEAH. Numbers 1-10 (all publ). New York. Original stapled (collaged) wrappers. Together with: Fuck for Peace, single sheet, privately printed, n.d. (1965). (Faint stamp on front cover of no 2, otherwise good and clean set).December 1961-1962.( No. 10: Kill for Peace, together with the rare supplement Fuck for Peace. Very good collection, quite rare together.). Laid in No. 3 a prospectus of Birth Press publications.

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Published by "Birth Press", edited by Tuli Kupferberg, with Sylvia Topp, Stella Tohl, Bill Rice, James Frankfort, Ray Johnson, Norman Solomon. Roneotyped, with numerous illustrations and interesting lay-out. No.1: Tuli with Ray Johnson. "Notes towards a Theory of Bohemianism, drawing by Tuli and by Ray Johnson (the Art Editor); contributions by L. Jones and D. Di Prima; No. 2: Summer 1959. Children's Writings. Contributions from Anais Nin (childhood diaries), Walter Lowenfells, Barbara Moraff, Henry Miller's 16-year-old daughter, etc.; No. 3 (The Stimulants Issues) was published in 2 parts, both devoted to various drugs, from early Egyptian and Classical Greek to 1960's (Ginsberg Diary entries, Ted Joans first poem, 1940'4 anti-marijuana poster). SWING is a collection of children's writings, intermixed with woodcuts by Tuli Kupferberg and other artwork. Ostensively anthologies of children's writings, but all intermixed with antique woodcuts and Tuli's savage but gentle humor, YEAH Includes contributions by (i.a.): B. Brecht, Y.Yevtushenko, A.Sillitoe, C.Farllon, C.Forsberg, B.Shay, K.Herz, S.Morland, A.Kaye, K.Mayamoto, E.O'Brien, T.Kupferberg, etc. : No. 1: December 1961. Offset lithograph printed on one side,and mimeograph printed on the reverse, blue,red,black and white. (28,3 x 21,5 cm). Folded,. Back cover: L.Kotkovsky, rubber stamped. No. 2: A satyric excursion published at will (laid in: prospectus announcing no. 3); No. 3: The mild power subdues; No. 4: September 1962. Includes an authentic reproduction of KILLL! Magazine July 1962; No.5: Gala Xmas Number; No.6: A frigid wife ruined me; No.7: A look at the white problem; No. 8-9: True Professions 1 & 2; No. 10: Kill for Peace, together with the rare supplement Fuck for Peace. Very good collection, quite rare together. Laid in No. 3 a prospectus of Birth Press publications.

[#17918]

BIZARRE

(J.J. Pauvert, Paris).

Serie 1: Nos. 1-2 (all). Paris, 1953; Serie 2: Nos. 1-46 (all and last). Paris, 1955-1968. Unbd., in the original pictorial wrappers; 4to; numerous illustrations. Occasional spine damage and light discolorations but on the whole a nice set. No. 11/12: La Joconde, with two die-cut see-throughs in the front cover, in perfect condition.

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Artistic and literary periodical with strong surrealist tendency. Many issues dedicated to a special topic. Paris, Eric Losfeld (1re série), there after Jean-Jacques Pauvert (2e série), 1953-1968. Complete set of 48 issues of which 11 double in 37 volumes. Some important topical issues: Cent-cinquentenaire de J.J. Grandville, Les hétéroclites et les Fous littéraires, Dessins inavouables, Les Monstres, A-t-on lu Rimbaud?, Littérature illettrée ou la littérature à la lettre, Raymond Roussel, Les oiseaux sont des cons par Chaval, Les vies parallèles de Boris Vian, Romaine Brooks. Illustrations by: Siné, Folon, Topor, André François, Chaval, Wolinsky, Ylipe. Texts by: Jean Paulhan, Isidore Isou, Noël Arnaud, André Blavier, Raymond Queneau, Lise Deharme, Gisèle Prassinos, Pierre Bettencourt, Eugène Ionesco, Paul Gilson.

[#19685]

BIZARRE

"a fashion fantasia"

No. 1-26 (all published), in the original pictorial wrappers, stapled in the spine, together 25 volume (as 15/16 was double). , 8vo, 34-128pp each. Montreal / New York / Bizarre Publishing Company / 1946-1959 / Printed wraps(mostly b/w photographically illustrated with colour added on some covers). Numerous Black & White plates full page and in the text. Price stamped to some issues. All issues well preserved, most ,near mint, with only light wear to some volumes. Single issues of John Willie’s self published Bizarre are already uncommon but a complete run is extremely rare.

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Complete set of this fetish periodical founded and edited by legendary John Willie born John Alexander Scott Coutts [ 9 December 1902 Singapore Died 5 August 1962 (aged 59) England]. Photographer, artist, comic strip cartoonist, Editor of Bizarre Magazine (1946–1956) ,and the publisher of the first twenty issues of Bizarre. Willie is best known for his fetish illustration and bondage fantasy comics, specifically "Sweet Gwendoline," featuring the villain Sir Dystic d'Arcy. Coutts was able to avoid controversy in censorship through careful attention to guidelines and the use of humor. Though distributed underground, "Bizarre" magazine had a far-reaching impact on later fetish-themed publications and experienced a resurgence in popularity along with well-known fetish model, Bettie Page, starting in the 1970s. Though Willie was only directly responsible for the first 20 issues, all 26 published issues are present here. The first issue is curiously titled Vol.2 January 1946, because Willie wanted the publication to appear more established. So the first issues have erratic dating, (in fact copyrighted 1951) and the first ones state they are reprints of 1953. What is titled as issue 1 was published much later in 1954, and volume 15/16 are published in one volume. Early issues were sold primarily by mail order, with later issues being stocked in a small number of specialist outlets. It’s almost impossible to convey the importance, impact and place in the history of fetish publishing of Bizarre, the brainchild and private passion of Singapore Born John Alexander Coutts aka John Willie. His contribution and the quality of his work is amongst the most respected in the genre, obscured by his reclusiveness and the clandestine nature of his published output, which until some years after his death remained an exclusively underground phenomenon. Willie acted not only as editor, but also took almost all of the photographs (many featuring his wife Holly Anna Faram) and drew all of the illustrations. He sold Bizarre in 1956 and moved to Los Angeles where he continued his photographic work until he suffered a brain tumour after which he destroyed his work and archive and moved to England until his death in 1962. His combination of talent and inclination are quite unique and quite distinct from his peers, and his style seems to have accidentally become part of a common cultural lexicon, so much so that when classic fetish is referenced in a modern context, it almost always looks as if it was heavily influenced by the hand of Willie Himself. A few private holdings, one institutional holding declared, and 2 more which are known of. Most interesting advertising for "Achilles"footwear, high heels, "For slaves of Fashion, Theatrical Footwear", many photographs, footwear and lingerie designs.

[#19535]

BLOCNOTES

Art Contemporain.

Nos. 1-13 (all publ.) Paris, Automne 1992-sept/oct.1996. Original pictorial boards.; complete with No. 12 bis.

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Text in French & English. .Edited by Frank Perrin, Armelle Leturq, Fr.-Claire Prodhon, Jerôme Sans, Pascal Pique, Terry R. Myers. Thematic issues: No. 1: 'Stratégies d'Exposition'. No. 2: 'Epidemic'. No. 3: 'Dispositifs Contemporains'. No. 4: 'Champs d'Utopies'. No. 5: Dérives d'Hexagone'. No. 6: 'Économies & Système de l'Art. Contr. incl.: Larry Clarck, L. Cottingham, Thomas Wulffen, Robert Fleck, Roberto Ohrt, Philippe Régnier, René Viau, Luk Lambrecht, Sarah Rossiter, Vincent Labaume, a.o. " No. 7: Décalages/Discrepancies; No. 8: Des Laboratoires; No. 9:: Nouvelle Montricités'No. 10: Des Féminités. No. 11:Extreme Beautés; No. 12. Guérillas; No. 12 bis Moblilisation générale.No. 13: La Fête!. The Bloc is not concerned with groups, collectives and felicitous, amnesic congeries. Quite to the contrary, it offers a cross-fertilization of individuals and events, a certain notion of condensation. Nothing else than a sounding board for contemporary sensibiblity...".

[#16904]

BOA

Cuadernos internacionales de documentacion sobre la poesia y el arte de vanguardia.

No. 1-3 (= last published). Buenos Aires, May, June 1958 - July 1960. Original illustrated wrappers; 4to. Illustrated Together with: Catalogue- Exposition Boa-Phases. Confrontacion internacional de arte experimental. Museo Provincial de bellas artes Rosa Galisteo de Rodriguez, Santa Fe, 4-20 June 1959. Original wrappers. Together with: Announcement of an exposition: Grupo ­ BOA. Diez años después. Text by Julio Llinas. Sociedad Hebraica Argentina. Buenos Aires 1969, 4 pp. (14 x 12,2 cm). The first number in good condition, but for some soilage and marginal dampstains, lightly shaven and right-bottom corner dogeared; the second number and the Phases-Catalogue in excellent condition, the third number with light shaving on the back-cover, otherwise in excellent condition.

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Complete set of this Argentine avant-garde periodical of the Group BOA, close to 'Phases', directed by Julio Linás; covers illustrated by Kazuya Sakai, E. Scanavino, M. Peluffo, Karl-Otto Götz and Juan Langlois. Contributions include: J. Linas, E. Jaguer, O. Girondo, A. Pellegrini: "Wolfgang Paalen", G. Luea, E. Sanguineti, B. Rybak, G. Henein, Jacques Lacomblez: "A Wifredo Lam", S. Dangelo, R. Giguère, Ghérasim Luca, J. Hérold, L. Soederberg, J.J. Lebel, Jean Pierre Duprey, F. Madariaga, A. Porchia, F. Urondo, R. Alonso, M. Trejo, E. Bayley, M. de Lima Sousa etc. Reproducing work of Sakai, Chab, Borda Peluffo, Miguens, Gianni Bertini, Corneille, Y. Tabuchi, E. Schumacher, E. Baj a.o. [Lafleur, Provenzano, Alonso p. 245, 262]

[#19530]

BRAAK

Maandelijks Cahier voor proza, poëzie en critiek.

The complete series vols. 1-7 with all variants in deluxe red cloth box with black title piece by Bindery Phoenix. Braak. Amsterdam, 1950-1951. 4to. Original stapled pictorial wrappers. With text illustrations. The collection consists of: Vol. 1, numbered in pen and dated mei (stamp) 1950, p. 1-24 Vol. 2, numbered and dated in pen 'Juni' 1950, p. 25-48 Vol. 3, with cover illustration by Lucebert; Vol. 3 variant with cover illustration by Karel Appel (executed by Rudy Kousbroek!), numbered and dated in pen 'Juli' 1950, p. 49-76; with handcolouring by Lucebert on p. 53/55/56/57/58/62/65/66/67/68/69/70/73/76 and in both copies corrections by hand on p. 51; with separate proof of the cover of the edition by Appel printed on white paper from the collection of Bert Schierbeek Vol. 4 variant with cover illustration by Lucebert, and autograph addition 'ter recensie' (upper right) plus an uncut copy with the same cover. In these copies p. 80 and 101 have been swapped and printed upside down Vol. 5, p. 105-136, printed in black, green and red, with cover illustration by Lucebert; Vol. 5 variant with cover illustration by Karl-Otto Götz Vol. 6, p. 137-164, with cover illustration by Oscar Scheffel [= Lucebert]; Vol. 6 uncut variant with cover illustration by Hein Boekenoogen (printed in red) Vol. 7, p. 165-184, uncut, with cover illustration by Nico Lijsen. Finger-soiled and some staining, but overall in very good condition.

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CAMPERT, Remco (Dutch 1929); H.R. KOUSBROEK (Dutch 1929 - 2010) (red.). Very rare and complete set of this scarce periodical, one of the most elusive of the fifties. Literature: Hans Renders. Braak. Een kleine mooie revolutie tussen Cobra en Atonaal Provenance: Collection Gert Jan Hemmink, Amstelveen; Collection K. Lekkerkerker, Amsterdam Notes: With typed and signed postcard by Remco Campert to K. Lekkerkerker, dated Amsterdam 1 juni 1960 concerning the poem 'Gontrand' and about the address of his great-aunt Lucie Snoeck-Broedelet, with autograph card with the envelope from Lucie Snoeck-Broedelet to Lekkerkerker, dated 3 juni '60. Added: Hans Renders. Een kleine mooie revolutie tussen Cobra en Atonaal.

[#17729]

BRERA FLASH

Mensile di informazione culturale del Centro Internazionale di Brera/ Bimestrale di interventi a analisi del sistema culturale.

Numbers 1-10 ( also Anno 1-3, all published). Milano, Centro Internazionale di Brera, Milano (1-6). Editrice Brandini (7-10)., October 1976-1978. Unbound, folded and spine-stapled as issued, first 6 numbers 42x29,5cm, then becoming 29,5x21 cm. Pictorial (self)wrappers. In excellent condition.

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Direction: Alessandra Quaglia (1-6). Ugo La Pietra (7-10). Redazione: Cornelio Brandini, Nanni Cagnone, Francesco Casetti, Alberto Farassino, Pasquale Guadagnolo, Cini Liguori, Gianni Lo Scalzo, Franco Mazzuchelli, Ettore Pasculli. Contains the programs of the International Cultural Center and articles on progressive and countercultural aspects, discussions, avant-garde cinema, visual arts, theatre, music, etc. At first 8 folded pages on the large size, then becoming 32 pages stapled in pictorial wrappers.

[#19099]

C- MAGAZINE

A Journal of Poetry (+ Behind The Wheel)

Superbly preserved complete set, fine to almost mint: ("C" - A Journal of Poetry): - Nos. 1-14 (Complete, less No. 12 which was never published, but substituted by C-Comics No 1), including - BEHIND THE WHEEL ("C" No. 14, by Michael Brownstein). New York: Lorenz Gude and Ted Berrigan, 1963-1967. Side stapled mimeographed sheets with wrappers or selfwrappers (35,4x21,5 cm, except for no. 14 which is 28x21,2 cm). In near fine to mint condition, detailed condition of issues at the end of footnote. - TOGETHER WITH: C-COMICS 1-2 (cplt) C-Comics Number 1. New York, C-Press, June 1964; folio, mimeographed, stapled; together with: Number 2. New York, n.d. (ca. 1966), Boke Press. Sm.folio; pictorial wrappers, stapled in the spine. Both fine. This constitutes the complete appearance of both titles. Side stapled mimeographed sheets with wrappers or selfwrappers (35,4x21,5 cm, except for no. 14 which is 28x21,2 cm).

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Landmark Beat magazine, one of the cornerstones of the 1960's mimeo revolution and poetry scene. "C" was founded to replace the short-lived "Censored Review," which gathered work that had been banned from The Columbia Review. Edited by Ted Berrigan and Ron Padgett. "C" became the organ of 'Second-Generation New York School' (and served as a bridge between the older and younger branches of both The Beats and The New York School. Includes Ginsberg, Burroughs, O'Hara, Koch, Schuyler, Ashbery, Whalen, Orlovsky, Corso, Pagdett, Wieners, Elmslie, Lima, Rothenberg, Gysin, Saroyan,O'Hara, Koch, Schuyler, Ashbery and others. The very scarce No.4 was dedicated to Edwin Denby. The cover was designed by Andy Warhol and has on the covers the famed silk-screened images of Denby with Gerald Malanga. It marked the first time Warhol based a silkscreen on a poloroid, a technique that would become one of his defining methods in the 1970's. Most of the other covers are by Joe Brainard. The Brownstein (No. 14) was published in 200 copies. There was no Number 12. Jed Birmingham, co-editor of Mimeo Mimeo, has quoted Ron Padgett as suggesting that "C" Comics No. 1 was intended in the place of issue 12 of C-Magazine, which given format and timing makes sense. ("C" Comics No. 2, despite its title, was issued under the Boke Press imprint). - Detail of condition: No. 1. Fine; No. 2. Fine; No. 3 Light toning to verso of last sheet, else fine; No. 4 Touch of wear to fore-edge and spine, else fine. The Warhol cover about the best we have seen. the images on front and back cover clear and clean. The sheet on which the silkscreened polaroids were printed has shifted in the process, thus causing that the white stripe intended for the spine was displaced by a few cms to the front. Both images are identifiable, sharp and clear, in particular the kiss on the back cover. It is rare in this condition; No. 5 Fine; No. 6 Near fine; No. 7 One tiny tear to fore-edge, else fine; No. 8 Light bend to upper corner, else fine; No. 9 Front cover a bit soiled, else near fine; No. 10 A few pale spots to front cover, else near fine; No. 11 Fine; No. 13: Fine; No. 14 (Behind the Wheel): fine; C-Comics No. 1: Near fine; No. 2: Fine.

[#18851]

CABARET VOLTAIRE

SLUGGIN' FER JESUS [San Francisco]: Rough Trade. [1981] . Poster; 43x32,5. b/w, printed on recto only. Spectacular poster promoting this EP, issued originally in Belgium. Designated “Trade One 12” but it’s really 121.

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[#14540]

CAHIERS 333

Périodique littéraire et artistique d'avant-garde.

No. 1-3 (all publ.). Antwerp, April 1950 - Feb. 1951. Limited edition of 250. Original wrappers; light stain on fromntcover of no 1, otherwise in very good condition. Rare.

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With contributions by Paul van Ostaijen (translated into French), Paul Joostens, Ray van Goethem, Gova, Etienne Schoonhoven, Gust Gils,Philippe Marsault, a.o. Illustrations by Herman Denkens, Roger Kort, Roger Thijs, Jan Vaerten, Paul Joostens, Ray Gilles, Gust Gils, Pol Mara, Emile Panzer,and others.

[#16036]

CAMION

Rivista internazionale di Nuova Poesia.

Anno 1 nos. 1-2 (all publ.). Torino, gennaio-aprile 1980. 16 pp (incl. selfwrappers); 20 pp (incl.selfwrappers). 27x20 cm. Fully illustrated.

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Initiated and directed by Giulio Tedeschi, publishes international underground poetry. Editors in Torino, Milano and Amsterdam (Aldo Piromalli). Poetry (original or in Italian translation) by Roberto Aversa, Antonio Meo, Francesco Paolo Tanzi, Walter Tarello, Federico Ballarin, Pier Castrale, Franco Beltrametti, Meo Cataldo Dino, Paolo Cerrato, Walter Ferrari, Gianni Milano, Vincenzo Parrella, Giancarlo Pavanello, Aldo Piromalli, Antonio Rodriguez, Roberto Sanesi, Piero Verni, Simonka Toncy Violi, Giulio Tedeschi, Christian Cannstadt, Simon Winkenhoog (sic!), Lee Van der Zalm, Alex Holst, etc. Photography by Italo Bertolasi and Pietro Borsi.

[#1142]

CARTE SEGRETE

Rivista trimestrale di lettere e arti.

Nos. 1-41 (vols. 1-12). Roma, Jan/March 1967 - July/Sept. 1978. In the original cardboard wrappers, untrimmed. The corrugated cardboard covers very lightlydustsoiled, buth otherwise in excellent condition). Illustrated.

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A quarterly of contemporary and vanguard Italian and international art, literature, theatre, criticism, ed. by Filippo Maria Ferro, Claudio, Anna Salvatore, Paolo Russo, Marcello Avenali, Em. Greco, Filippo Panseca, Alb. Sughi (also ills. by these authors); issues of 200-220 pp each, bound in corrugated cardboard, different for each issue. Also articles on pre-war avantgarde (Futurism / Dada / Constructivism / Stijl), with examples of the works of A. Breton, S. Beckett, James Joyce, Fernando Pessoa, A. Blok, Th. van Doesburg, Alfred Jarry, Gramsci, F.T. Marinetti, Musil, D'Annunzio, Apollinaire, Klee, P. Neruda, G. Severini, O. Tamburi, Ferlinghetti, etc., etc. No. 2 is 'Il Manifesto dei Provos', No. 15 is 'Manifesto degli Scumidi (=Society for Cutting Up Men)'; one binding restaured, otherwise in good condition.

[#18078]

CIMAISE

Revue de l'Art actuel. Art et Architecture actuels / Presentday Art and Architecture.

Série 1: Nos. 1-8 cplt. (nov. 1953- juillet/août 1954); Série 2: Nos. 1-8 cplt; (sept/oct. 1954- juillet 1955); Série 3: Nos.1-8 cplt. (oct/nov .1955- juillet/août 1956); Série 4: nos. 1-6 cplt. (sept/oct. 1956-juillet/aout 1957); Série 5 Nos. 1-6 cplt. (sept/oct. 1957-juillet/sept.1958); Série 6 Nos. 1-5 cplt. (oct/nov. 1958-juin/août 1959); All in the original pictorial wrappers, in the first years with original lino- or lithographed covers (size of the first two years 21,9 x18,5 cm., then becoming 24,5 x19,8 cm.). (without série 2 no 5, avril 1955; série 6 no 4, 1959 2e trim.). A few spines lightly damaged, but otherwise a good clean set of the essential first 41 numbers. TOGETHER with 4 (of 5) issues of the precursor, Bulletin trimestriel, Janvier 1953-Juillet 1953. Original illustrated (lino/lithographed) wrappers.

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Five issues as Bulletin bimestriel, by Galerie Arnaud, preceeded the actual start in November 1953: No. 2: lino by R. Lapoujade, and by C. Maussion inside; No. 3: lino by Carrade on cover and by Koenig inside; contribs. by Seuphor, Max Ackermann, Le Corneur, Kalinowski; handwritten note on backcover; No. 4/5: lino by Bertini and by Navarro and Enard inside. Then the actual periodical started as 'Revue de l'art actuel': Directed by J. R. Arnaud. Articles, features and documentation on modern and avant-garde art movements (in particular lyrical- abstract) in France as well as in other European countries and in the United States (e.g. Special issue Regard sur l'art américain, nov./dec, 1956). Contributors include R.-V. Gindertael, Michel Ragon, Herta Wescher (reporting on German art), Dore Ashton (contacts with the USA), Michel Seuphor, Pierre Restany (in particular for Italy), Gilles Plazy, Daniel Abadie, Maiten Bouisset, Pierre Cabanne, Jean-Jacques Lévêque, André Wogenecky, etc. In the first years colourful linographed and lithographed (later serigraphy) covers with work of: Deyrolle, Edg. Pillet, Manolis Calliyannis, Schneider, Jean Milo, Hartung, Legrand, Dumitresco, Corneille, Prassinos, Sugai, Ben Nicholson, Arp, Bertrand, Olson, Goebel, Carrade, Fichet, Mathieu, etc.

[#19504]

CIRCLE

Nos. 2, 3, 4, 5, 6, 7/8, 9, 10 (out of 10 published). Berkeley, CA.1944-45 in orig. Pictorial wrappers, Rare: with the four cover variations for Issue 9 by Bezalel Schatz. Together 11 physical issues. Issue 7/8 is a double issue and includes a foldout "Map of Joyce's Life" by Bern Porter. Glue bindings with exception of issue 3 which is staple bound, Added: a 4-page illustrated prospectus for the magazine, laid in number 2.

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Edited by George Leite, Co-Editor Bern Porter. landmark Bay Area magazine of art and literature with ties to surrealism.. It preceded ARK, and was essentially the point of departure for the Beat generation. Contributors include Carrington, Patchen, Crews, Henry Miller, Anais Nin, Porter, Fowlie, Kees, E.E. Cummings, G. Ungaretti, Rexroth, R. Duncan, Durrell, Everson, Norse, Yvan Goll, and many others. Interesting typography and numerous illustrations and covers by Bern Porter, George Barrows (creative photography), Rexroth, Jean Varda (in a feature written by Henry Miller), Schatz, Edwin Ver Becke (prints), John & James Whitney (Audio-visual music), Jim Fitzsimons (Solarized Photography) Contributions by George Barrows, George Barrows, Leonora Carrington, Robert Duncan, Maya Deren, Ian Hugo, James Laughlin, Darius Milhaud, Henry Miller, Anais Nin, Bern Porter, Gil Orlovitz, Kenneth Patchen, Paul Radin, Kenneth Rexroth, Jean Varda, Oscar Williams, and others… Condition note: All copies have some shelf wear to covers and spines as wel as some discoloration inherent in publications from this period. Issue 3 (which is staple bound) has some damage to spine.

[#17623]

CIRCOLI

Rivista di poesia

Anno 1-11 (all published, except for the last 3 issues published in 1943). Change of name to "Raccolta" for the last 3 years. Genova, 1931-1934, Roma, 1935-1942. In the original paper wrappers with overlaying edges, partly untrimmed; occasional light foxing, but in overal excellent condition.

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Bi-monthly founded in Genova. Directed by Adriano Grande, editors: Angelo Barile, Guglielmo Bianchi, Giacomo Debenedetti, Eugenio Montale, Camillo Sbarbaro, Sergio Solmi.Transferred to Rome in 1935 with editorial change (Falqui, G.Ungaretti, M. Gallian.) Editorial change again in 1937 (I.Montanelli, S.Valitutti, G.Natoli), and after the name change to Raccolta it was directed by Guliemo Danzi. Reproductions of work by (a.o.) F.de Pisis, F. Messina, Longanesi, L.. Bartolini,Ph.Hasiasson, Soffici, A.Funi, G.Stradone, G.V.de Salvon. The journal had an international orientation. Vol. 3 no 6 was dedicated to "Moderna Poesia Nordamericana", with Emily Dickinson, WCWilliams, Elliot, Stevens, Ezra Pound, etc., translations a.o. by Prampolini. Also translations of work by Lagherkvist; James Joyce; Max Jacob; Tristan Tzara; Jean Cocteau, Morgenstern etc. Furthermore we find texts by Telesio Interlandi; Scipione; Gallian; Giuseppe Ungaretti; Mario Soldati; Angioletti; Indro Montanelli; Gianfranco Contini; Carlo Bo, Luigi Bartolini; Massimo Bontempelli; Enrico Pea; Giovanni Comisso; Alfonso Gatto; Angelo Barile; Alberto Savinio; Romano Bilenchi; Sandro Penna; Paola Masino; Anton Giulio Bragaglia; Carlo Carrà; Mario Praz; Giovanni Cavicchioli; Anna Maria Ortese; etc. After 1939 the journal became also politically oriented. Collaborators to Raccolta were: Ada Negri, Ciano, Tilgher, Titta Rosa, Malaparte, Sibilla Aleramo, Missiroli, Farinacci, Bragaglia, Lorenzo Viani, Cecchi, Govoni, Gallian, Valeri, Fabio Tombari, Alfonso Gatto, etc

[#19295]

CODE

Nos. 1-10 (all published). Amsterdam, 1983-1989. In the original illustrated wrappers, (with small burnhole to front cover of no. 2). 4to. (limited edition between 250/450 copies), Rare complete set with the original plates.

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Edited by Waling Boers, Martin van Vreden, Dirk van Weelden. Together with original serigraphies, some folding out, included in the issues, some unfolded. No. 1: folding screenprint b/w by Frank van den Broek (monogr.FB83) No. 2: screenprint in colour by Peer Veneman (monogr. PV 84),and photocopy by Rob van Koningsbruggen (RvK 84) No. 3: folding screenprint Martin van Vreden, and folding colour copy by Günther Forg (e.a.Forg,985) No. 4: folding screenprint, b/w, by Rob Scholte, entitled "Olympia", but title changed by the artist in "Utopia", signed Rob Scholte 1985 No. 5: screenprint in colour by René Daniels (monogr. RD 86) No. 6: screenprint in colour by Han Schuil, and folded poster by K.Michel. No. 7: screenprint b/w, signed by Jiri Dokoupil; No. 8: folding screenprint b/w, signed, by Ton van Summeren (+1 extra, not folded) No. 9: has no art supplement (which only appeared in a de-luxe version, by Peter Schuyff) No. 10: no art supplement was published.

[#19658]

COMMONPRESS

A collection of 29 issues: Commonpress is an Artist's magazine with a unique editorial premise. Every issue has a different editor. It grew out of mail art, and many of the editors were acrtive mail artists. At the time of it's seven-year retrospective in 1984 the magazine listed fifty-nine issues and editors (though a few issues had still to appear). Commonpress magazine began in Poland and subsequently spread geographically with the postal system from Brazil to Australia to the United States and beyond." (From: In Numbers). The numbering is verry erratic. See:Geza Pernecky,Assembling Magazines page 167 Between nos. 1 and 64 there were 15 never published

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- No. 1. Petasz, Pawel Location: Arriére-Garde Edition, Elbag, Polland. Dec., 1977 - No. 2. What Is The Difference Between Open and Closed? Organizer(s): Jonge, Ko deLocation: Key Art Edition, Middenburg, The Netherlands. : March, 1978 - No. 3. Eroticism and Art. : Below, Peter, Kitzingen, Germany. March, 1978 - No. 5. Box Boxing Boxers Organizer(s): Carrión, Ulises Amsterdam, 1978 - No. 6. Ideas on Wheels. Organizer(s): Carioca San Francisco, California, USA. 1978 - No. 7. was never published - No. 8. Positiv –Negativ. Hans Broeg, : Bergisch-Gladbach (Germany) 1978 - No. 11. Diary Pages :t. Mew. Mt. Berry, Georgia, USA 1978 Commonpress - No. 12. White Lies: Crozier, Robin: Sunderland, England 1979 - No. 15. Selfportraits Amsterdam, Stempelplaats, 15 September – 12 October, 1979. 59 cards illustrated by original stamps in various colours, of wich 2 are the titlepage and list of participants, and 57 numbered. Includes works by (a.o.): Anna Banana, Ulises Carrión, Vittore Baroni, Piotr Rypson, Johan Cornelissen, Bill Gaglione, Robin Crozier, Michael Perfetti, Nicola Frangione, Pavel Peta - No. 16. Artists’ Postage Stamps: Guy Schraenen: Antwerpen Belgium: 1979 -No. 18. Nudes on Stamps: E.F. Higgins III Location: Doo-Da Postage Works, New York, New York, USA. August, 1979 /// 120 color xerox artists’ postage stamps w. collage on cover, rubberstamped. Losely enclosed is a handsigned color-xerox stampsheet by Ed Higgins - No. 19. Pigeons of Freedom: Marx Vigo, G. E.: La Plata, Argentina: June, 1979 - No 22. “you can know more than you can tell”. Ed. Steve Durland, October 1979 - No. 23. Political Satire: Post Scriptu: Baroni, Vittore : Forte dei Marmi, 1979 - No. 25. Ruins - No. 26. Zen and Art: Frangione, Nicola (ed.): Armadio e Officina, Monza, Italy, 1980 - No. 28. Drawing Activity (= a POSTER): Wielgosz, Andrzej : Poznan, Poland, 1981 - No. 32: Artistic Fields. Herausgegeben von Wulle Konsumkunst. 1980 - No. 33. Meanwhile.: Butler, Russell : Gurdon, Arkansas, USA 1980 - No. 36. IDEA and Communication: Ruch, Günter : Switzerland 1980 - No. 39. Homosexuality: Christoph Machart: Witten / Germany 1978 - No. 46. Photoboothpictures. Schmidt, Angelika : Stuttgart, Germany : 198 - No. 47. Material Metamorphosis: Kid, Cracker Jack (Chuck Welch) Omaha, 1982 (Invitation Card to participate in the project (Postmarked). Note: It is not the issue. - No. 48. Selfexamination: Schmidt-Olsen, Carsten : Kiregardsvej, Denmark 1985 - No. 51. Hungary Organizer(s): Galántai, György – Budapest, Hungary 1984 - No. 53. The Dictionar: KP Fuerstenau: Frankfurt, Germany Date: 1984 - No. 55. Mail Art about Mail Art : John Held: Dallas, Texas / USA: 1984 - No. 56. Commonpress Retrospektive, Born To Survive / B.T.S.: Bleus, Guy Wellen, Belgium - Belgium 1984 - No. 64. Berliner im Pariser. Kalauer.: P. Kuestermann: Minden, Germany : 1985

[#18600]

CONTROL

(No. 3 onw. CONTROL MAGAZINE)

Nos. 1-20 (with a variant of No. 3). London, 1965-2018. (First 5 issues 34,5x 27 cm with screenprinted wrappers, then becoming 31x22,5cm.; also nos 6 and 13 with screenprinted wrappers, the others have printed pictorial wrappers). Complete collection of all issues thusfar published . Very light rubbing to the first ones, closed tear of 1 cm on cover of no 2, very light soilage to nos. 6 & 7, but as a set the condition is very good to near mint). Number 3 is present in TWO copies: both have a tipped-in envelope (with 3 Light modulators), and each a different ORIGINAL drawing by Peter Upward (one of 33,2x 52,5 cm, executed in green and pink wax-crayon over an aquamarine background, and the other 33,2x52,5 cm an abstract composition executed in blue, pink and orange wax-crayon on a white surface) and a moveable device (Poem Blanc/Blank Poem etc.), both have screenprinted covers in blue and pink (one a bit rubbed leaving light damage). Number 13 has a screenprint by Glenys Johnson "Agent Orange" and has the original artwork by Anish Kapoor in it (probably limited to 100 copies). Artist magazine self-published by Stephen Willats and with a full list of contents of all the issues.

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Published and edited by Stephen Willats. "The magazine is concerned with developing conceptual models". Control Magazine acts as a vehicle for proposals and explanations of art practice between artists seeking to create a meaningful engagement with contemporary society…....has documented the work of many artists, both from the UK and abroad and encouraged a wide discussion of artist’s practice". Contribs. include Logie Barrow, Roy Ascott, Mark Boyle, Anthony Benjamin, Peter Stroud, Joe Tilson, Victor Burgin, Derrick Woodham, Eric Brown, Adrian Berg, Douglas Sandle, Don Mason, Kevin Lole, John Stezaker, Peter Smith, Anish Kapoor, Tony Bevan, Mary Kelly, Lili Fischer, Dan Graham, Helen Chadwick, Martha Rosler, Lawrence Weiner, Les Levine, Michael Gibbs, Endre Tot, etc.; also collectives and galleries, special issues (e.g. Coginition Control, Midland Group Gallery, Norringham, 1972;No. 10: Extending the social function of art; No. 11: Self Organisation, the expression of counter consciousness; No.14: Symposium Art Creating Society Oxford, 1989; Art and intervention at Wilma Gold, London, 2003) . Further details on request.

[#19595]

COZMIC COMICS.

Nos.1-20 (all pulished). London: H. Bunch Associates, 1972-1975) Stapled wrps., unpaginated (32pp.-46pp.). Formats vary, mostly quarto or small quarto. All in excellent condition.

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More or less the successor to OZ-magazine. A rare comlete set of all twenty comics published by Felix Dennis's imprint, together with The Trials of Nasty Tales, co-published by H. Bunch "in league with the editors of Nasty Tales" in 1973. Cozmic Comics launched in 1972 and was given further impetus when Felix Dennis and his associate Dick Pountain began looking for new publishing opportunities following the closure of Oz magazine at the end of October 1973. In the beginning mostly reprints of American material but soon featuring the work of individual British artists, most notably Ed Barker, Mike Weller, Joe Petagno and William Rankin (aka Wyndham Raine), it created its own distinctive identity and established itself as most successful British 'underground' of the day.

[#19588]

EL DJARIDA

KUNST/MUSIKK/LITTERATUR 1985 – 1990.Numbers 1-8 (all publ.). Artists’ Magazine published by Idiot Press, Trondheim, Norway Folded “newspaper”, 41.5 x 25 cm, each 20 – 30 page. B+w and color offset. 8 issues:

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Interestingly illustrated mail art and graphic magazine.Texts in Norwegian, English, German. B+w and color offset. -1. PROOFNUMBER (very rare !!!), 2. ART ATTACK, 3. REALLY REAL SERIOUSNESS ARTBEAT , 4. PROPAGANDA, 5. MAIL ART MANIFES, T 6. THE WORDLESS MAGAZINE (encl. is a personal letter of the editor and a leaflet w. infos), 7. BURIAL ISSUE. Anthology about Mail Art. Theory + texts by: Monty Cantsin, Steve Perkins, M. Bloch, G. Bleus, Al Ackerman, H. Mittendorf, G. Perneczky and othersl). Loosely enclosed is a small paper multiple. 8. FLUXUS Performance Workbook. 1990. Together (in very fine condition). Ref. Perneczky.Magazine Network, Cologne, 1993. page 131, 146, 212, 233

[#16558]

DOCUMENTO SUD- (LINEA SUD)

Rassegna di Arte et di Cultura di Avanguardia.

Nos. 1-6 (all published). Napoli, n.d. (1959-1961). Size (h/w): 22,5 x 24,5 cm. Original pictorial wrappers. Continued as: - LINEA SUD. Nuova rassegna d'arte e di cultura d'avanguardia. Nos. 0,1,1 bis, 2, 3/4, 5/6. (all published). Napoli, Luca, 1963-1967. Original wrappers (tall narrow 4to; illustrated wrappers; first 2 issues on tabloïd size, folded twice, with light wear on the folds).

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Directed by Luca Luigi Castellano, published by Edizioni Sud-Arte. Contributions by Andriani, Biasi, Jaguer, Goncalvez, P. Jorre de Saint Jorre, I. Michiels, E. Sanguinetti, F.T. Marinetti, F. Picabia, M. Persico, Toniato von Holten, a.o. Illustrations after Baj, Mesens, di Bello, Man Ray, Picabia, Biasi, Bertini, Kalinowski, Fahlstroem, Sant'Elia, Persico, a.o. Cover ills.: G. Biasi, M. Persico, G. Moreau. Linea Sud Nos. 0 and 1 in tabloid size. ;Linea Sud No. 2: "PO IO RA MA -spatolaballestrinimiccinigiulianiportapediomatticarregapignottimartinitolagiorgipersicobuenoscgiariluicapoole" Linea Sud No. 3: "NUO VERE ALTADE LLAPIT TURA ANA POLI". Contribs.on Mimmo Paladino, Desidato, Morelli, Matarese, Rubino, Diodato. Linea Sud No. 5/6: Includes 2 loose inserted supplements with a poem by Ian Hamilton Finlay: 'Nets' (39 x 37,5 cm) & 'Sails' (59 x 37 cm), folded to fit the size of the issue.

[#17855]

DÉJÀ-VU

A Photography Quarterly

Nos. 1-20 (all published). Tokyo, Photo-Planete, 1990-1995. Large quarto, thick issues in stiff pictorial wrappers, mint condition.

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Edited by I(a.o.) Izawa Kohtaro, Sawada Yoko; art directors: Komagata Katsumi, Tsuchiya Naohisa, Kawahata Naomichi. Beautifully designed and impeccably produced Japanese photo magazine. No.1. Cover photo by Kurigami Kazumi. Theme: l'oeil de déjà-vu (Moriyama Daido a.o.). No.2. Cover photo by Tahara Keiichi. Theme: le théâtre de la mode (Jan Saudek a.o.). No.3. Theme: travel documents (Wim Wenders a.o.). No.4. Araki Nobuyoshi a.o. No.5. South (Minato Chihiro a.o.). No.6. Front and back covers: Kurata Seiji. Theme: Documentary Photography Today (Jane Evelyn Atwood, Martin Parr a.o.). No.7. Front cover: Emmet Gowin. Theme: Landscape and Silence (Emmet Gowin a.o.). No.8. Dedicated to Gocho Shigeo. No.9. Theme: Private Life (Nan Goldin a. o.). No.10 features Robert Mapplethorpe and Araki Nobuyoshi (Images of Girls). No.11 features Inose Kou and Frederick Sommer. No.12 features Yasui Nakaji and the 1930s, Touhami Ennadre. No.13 features Larry Clark and Sebastião Salgado. No.14 on The 'Provoke'Era; Anselm Kiefer. No.15. Tokyo Diaries, Philip-Lorca DiCorcia. No.16 Louis Faurer; Photography and Obscenity. No.17 Furuya Seiichi; August Sander. No.18 New Tokyo Photographers (Kasai Chikashi, Konno Kumiko, Kanemura Osamu, Yoshino Erika, Nagashima Yurie, Nomura Sakiko). No.19 Bauhaus Photography (Yamawaki Iwao a.o.). No.20 Araki Nobuyoshi and the 'I Novel'

[#19656]

EAU DE COLOGNE

Nos. 1-3 (all published). Köln, 1985-1989. 40x26 cm., (No. 3: 30x24,5 cm.), stapled, 76pp, 84pp and 108pp.

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Published by the Monika Sprüth Galerie in Cologne, which focussed strongly on female artists and feminist art. Edited by Monika Sprüth, Jutta Koether, Karen Marta, photography and illustrations in b/w and colour. Includes: Barbara Kruger, Annette Messager, Cindy Sherman, Susan Hiller, Ulrike Rosenbach, Nancy Spero, Meret Oppenheim, Rosemarie Trockel, Jenny Holzer, Dorine Mignot, Eva Meyer, Louise Bourgeois, Barbara Bloom, Hanne Darboven, Sophie Calle a.o.

[#19653]

ESOPUS

Vol. 1-25. NY: Esopus Foundation (2003-2018). In glossy illustrated wrappers with accompanying compact discs, inserted posters, and fold-out sheets. Excellent condition.

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Edited by Tod Lippy. Twice-yearly artist, film director, and musicians' mag. Includes artist's projects, critical writing, fiction, poetry, interviews and themes cd's of new music. Contributing artists include Richard Tuttle, Don Bachardy, Peter Seligman, Bruce Conner, Jenny Holzer, Ed Ruscha, Edward Misrach, Alex Katz, Allen Ruppersberg, Berend Strik (issue includes a multiple), Robert Therrien, and many others.

[#17468]

EXIT

Revue trimestrielle.

Nos. 1-12/13 (all publ.). Paris, déc. 1973 - automne 1977. Original pictorial wrappers, kept in a fine box designed by Pierre Mercier; numerous illustrations. Together with another copy of No. 1. déc. 1973: De-luxe, No. 36/100, with signed serigraphies by Bellegarde, Nave and Sandorfi.

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Edited by: Patrice Delbourg, Olivier Kaeppelin, Martine Cagnot, Raphaël Pividal, and with contributions of: William Burroughs, Brion Gysin, Jean-Marie Gibbal, Martine Cagnot, André Velter, Yves Buin, Mac Cullers, Georges Perec,a.o. Photography: Jacques Monory, Marisa Duhalde, Marie Breton, Luc Girard. Informative and well illustrated magazine featuring many contemporary artists (e.g. Bellegarde, Naves, Sandorfi, Gafgen, Messac, Schmosser, Stempfel, Gasiorowski, Kijno, Biasi, Monory, Aillaud, Delay, Babou, Van Velde, Bailly, Lüthi etc.).

[#16565]

EXTRA

(An Artists Magazine).

Numbers 1 - 5 (all publ.). Köln, Juli 1974 -1975. Quarto, original pictorial wrappers. Pictorial covers, a very nice set, as new. Rare complete.

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Edited by Werner Lippert, with original contributions by the artists. No.1 : Front cover courtesy Paula Cooper. Contributions by Hans HAACKE with text about the refusal of his project'74 'Manets Spargelstilleben' by the Wallraf-Richartz Museum, which was shown later in the gallery of Paul Maenz. Urs LÜTHI: 'The Numbergirl 1973', Daniel BUREN: 2 pages with vertical yellow bands printed on vellum. Duane MICHAELS: 'portrait of Andy Warhol, 1973'. Joseph KOSUTH: (Notizen) 'Über eine anthroplogisierte kunst' and Jean le GAC – ‘Les Anecdotes, 1974’. + loosely laid in one page text ‘Zusatz sur Projekt 74 Ausgabe'. - Number 2: Bernar VENET: Analysis of the graphic representation of the Function y =x etc.; Anne + Patrick POIRIER: Dodici Vedute etc. + Tempio C Dell' Acropoli etc.; A. DIAS: The Illustration of Art; Karl BLOSSFELD: 5 photographs; Art & Language, Joseph Kosuth, Iole de Freitas.- Number 3: Robert BARRY: 25 Words and 5 Blank Pages 1974; Terry ATKINSON: Article concerning Kosuth's Anthropologized Art"; Hanne DARBOVEN: Manuscript for a Film 1970-74; Ralph GIBSON: From Days at Sea 1974; Roman OPALKA: Details and Voyage Notes; Sol LEWITT: Drawings 1974. - Number 4: Devoted to David ASEKEVOLD: Complete Documentation of his Works 1968 - 1974. - Number 5: G. PENONE: Five pressures w. constant spatial characteristics etc…; Rune MIELDS: Line drawings on transparent sheets; Hans Peter FELDMANN: Pin Up Girls (photographs); Lewis BALTZ: Installations (photographs); G. ZORIO: Energy as Absence / Energy as Presence (photos on transparent sheets w. red line drawings).

[#15397]

EYE

The International Review of Graphic Design. Die Internationale Fachzeitschrift fuer Grafik-Design.

Nos. 1-58. London, 1990-2005. Original pictorial wrappers. Fine.

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Quarterly review of graphic design with an innovative typography, edited by Rick Poynor. Features (in English, French and German), on (e.g.): Blue Note designer Reid Miles & photographer Francis Wolff, Posters of Freedom, Flash Art!, Experiments in publishing, W.A.Dwiggins (The man who invented graphic design), Play-centre of the avant-garde (on London's Institute of Contemporary Arts), etc.

[#19316]

FILMLIGA

(Orgaan der Ned. Filmliga). Tijdschrift voor zelfstandige Filmkunst (after 1931 subtitle becomes: Onafhankelijk Maandblad voor Filmkunst).

Vol. 1-8 (all published. Amsterdam, J. Clausen (later: Rotterdam, Nijgh & v. Ditmar), 1927/28-1935, together with the continuation: FILMGIDS. Vol. 1 nos. 1-6 (last and all published, on orig. wrappers, light wear). Rotterdam, Jan.-June 1936). A complete collection, entirely in the original wrappers, in very good near fine condition.

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"Film League". Complete set of the only serious avant-garde film periodical published in the Netherlands; first year (nos. 1-12) entitled 'Orgaan der Ned. Filmliga', published monthly in relation to the programs shown by the league, with very serious articles on the films and their makers; in later years the contents become less strictly connected to the league's monthly program, but are not less serious. Editors: Menno ter Braak (till 1931), Joris Ivens (till 1930), L.J. Jordaan, H. Scholte, C. van Wessem, Knap, J.F. Otten. Contribs. include (apart from the editors, who gave an important share, especially ter Braak en Ivens): El G. de Roos, M.H.K. Franken, M. Sluizer, D.A.M. Binnendijk, N. Rost, A. Muller-Lehning, J. Lenauer, Lou Lichtveld, Jef Last, C.J. Graadt van Roggen, Math. Visser, Ch. Boost, Rico Bulthuis, and numerous important contributors from abroad (often publishing in German, French or English) e.g.: Cavalcanti, Marko Bardach, W. Ruttmann, Fr. Rosenfeld, Symon Gould, S. Silka, V. Huszar, Germaine Dulac, Eisenstein, D. Marion, Rene Clair, Moholy-Nagy, H. Richter, G. van Hecke, Mary Dressler, Ellen Kahn, Erika Mann, etc.; Illustrations include: woodcut by Mirowitch; potraits by Jordaan (Renée Clair, Cavalcanti, Lang, Bataloff); Mitry; photo's by Germaine Krull; photo composite by Paul Schuitema, Moholy-Nagy (Photogram), Man Ray; etc. etc.a few issues on a special theme (Hollywood, Disney, Dutch Cinematography, Film in the Netherlands). Two supplementary plates (by Cavalanti and Mirowitch, and photomontage by S. van Ravesteyn) are present. Year 1 (12 numbers), 1927-Aug.1928, with woodcuts by Cavalanti and Mirowitch in no.1; Photomontage by S.van Ravestein included in no 11in/bw,(same image as the cover which has red added;some repairs to the edges,but front cover in perfect condition). All typographical covers. Year 2 (10 numbers). Oct.1928-Oct.1929. White typographical covers, with (mostly) photograpical (Joris Ivens) or woodcut illustrations. Year 3 (10 numbers). Nov.1929-May 1930. White typographical covers, illustrated as Yr. 2. A small stain on the front cover of no 5 and no 9/10 with light damage to the right edge. Years 4 and 5 (12 numbers each). November 1931-Oct,1932. Covers in colour, designed by and with photomontages of Paul Schuitema.Two issues loose in the spine and 2 issues slightly stained, otherwise all excellent. Year 6 (12 numbers). November 1932-Dec,1933. Photo illustrated covers. Year 7 (12 numbers). January-December 1934. Covers photomontages by Cas Oorthuys. Year 8 (12 numbers). January-December 1935. Covers photomontages by Cas Oorthuys.

[#7722]

FORTUNE

Complete years Vol. 1 no 1, 1930 thru December1950. Chicago, Time Inc., 1930-1950, with Index 1930/37. Bound in library boards or cloth (WITH ORIGINAL PICTORIAL WRAPPERS PRESERVED) frequently with library stamp, but overall in good condition. An excellent set, rare.

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Complete set THRU 1950, INCLUDING THE IMPORTANT EARLY YEARS of this famous "magazine for the business-world and corporate America". Elaborately produced and lavishly illustrated with photographs (black and white & colour, fine colour printing) of wellknown photographers (Margaret Bourke-White, Ralph Steiner, Arthur Gerlach, Ansel Adams, Erich Salomon, Bernard Hoffman, Berenice Abbott, etc. . WALKER EVANS wrote and photographed for Fortune starting in 1934 (from 1945-1965 as staff-photographer and photo-editor). Of particular importance are also the beautifully illustrated covers, for which the magazine is famous (designs by Diego Rivero, Ant.Petrucelli, Herbert Bayer, Matthew Leibowitz, Paolo Garretto, Fernand Leger, etc.). The many advertisement-pages (all included in the set) give an important survey of the developments in graphic & advertising design. Illustrated articles give an overview of half a century's technical and industrial progress (Cars, aviation, steel, computers, business & finance, travel,traffic, film). Also attention to the visual arts (in 1941 no 6.Grosz, Dali, Chagall, Ernst, Tanguy, Masson etc.) and also contemporary American art. This set, fully collated and with very minor defects (detail on request) is ex-library, but in very good condition. If desired the set can be extended till the year 1990.

[#19482]

GABBA GABBA GAZETTE (La Mere Vipere)

Numbers 1-10 (1977 - 1979) All published, complete run of this pioneering punk fanzine from Chicago. R are complete, in particuler with number 1, which was 4 sheets only, stapled. Later issues expanding to 32 pages. Printed b/w only, with numerous graphics and photographs.

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The Gabba Gabba Gazette was produced in 1977 - 1979 by Mary Alice Ramel. This zine chronicled the early punk/new wave scene of La Mere Vipere. Staff: Mary Alice Ramel - Editor, Jeanne Bukowski - Assistant Editor, Noe Boudreau - Writer Gabba Gabba Gazette is thought to be the first punk zine to emerge in Chicago. It covered the Ramones and the scene surrounding the first punk club, LaMere Vipere.

[#19702]

GANDALF

Nos. 1-58 (all publ.). Amsterdam, 1964-1971. Original pictorial wrappers;all issues in the original imprint, well preserved set. Added: two copies of UIT GANDALF GOED VOOR U (Amsterdam 1968, 1st and 2nd edition., plates, orig. unif. wr. Frontwr. of second ed. sl. waterstained).

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Dutch countercultural magazine, inspired by the Hippies, the sexual revolution and the Provo movement, published monthly, issues of ab. 50/60 pp. each, with numerous (provo-cative) photographs and ills., very typical for the sixties' , edited by and with contribs. of: Peter Hamelink, Guus Dijkhuizen, S. Carmiggelt, J. v. Hattum, Jef Last, Heere Heeresma, D.H. van Proosdey (Dichterskring), J.W. Holsbergen, Ch.B. Timmer, R. Campert, Guus Vleugel, Bibeb, Willem, Michiel de Ruyter, J. Waasdorp, K. Soudijn, P. Andriesse, L.P. Boon, R. Chapkis, J.A. Deelder, P. Grijs, J.W. Holsbergen, F. Pointl, J. Waasdorp, J. Wolkers. W. Noordhoek, Bertrand. Photos by F. Laufer, P. Boersma, E. v. Moerkerken, D. v.d. Klei, Peter Dicampo, Arn. Steenkamp. Erotic and provocative photography, Ills. by Wolinski, Barbieri, Bertrand (erotic drawings) and many others.

[#16177]

GANDALF'S GARDEN

Nos. 1-6 (all published). Citadelle Press, London, May 1968 - 1969. Printed on various coloured stock, 30-34 pages per number, stapled into colourful pictorial wrappers; numerous ills. Mystical Scene Magazine. (Nos. 1-2: Fear Not- You are now entering Gandalf's Garden; No.3: A New World grows beneath the snows; No. 4: the inner zodiac wheels between the leaves; No. 5: beyond the brain& blown mind lies Gandal's Garden). Except for some very light soilage to covers in fine condition. Very rare. Added: CD: The complete Gandalf's Garden (signed by Muz Murray).

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Editors (Gandalf's Gardeners): Muz Murray. Field editor: Alex Lowsiewkee; Head Gardener: Gerry Snelling; Graphics: Pip Bassett, Francois Vasseur, June Cramer, Sue Soar, Ken Hayes, Geoffrey Carton, John Hurford, Carol Blain, Jay Amler, Pat Kyle, Steven Ridgeway, John Power, etc. ; Photography: Chris Ridley, Robin Chapman, Colin Bord, Andy Coventry, Selene, etc. Contributors include Peter Finch, John Mitchell, John Peel, Marc Bolan, Nicki Wood, Geoffrey Ashe, Barney Bubbles, Dave Cumliffe, Viv Broughton, etc. A monthly venture; later: Published as often as possible for people with love. And will appear again when the weather is right. It is the lifestyle of those who produce it. We hope it is yours. (The Voice of the Overground; Overground Free Press).

[#17598]

HIGH TIMES

The Magazine of High Society.

Numbers 1-76. Summer 1974 - December 1981. In the original coloured wrappers, overall condition is excellent with some issues "like new" and others with only minor reading wear. Front and back covers all intact and fine (except for a rubberstamp on no.16 and an old mailing label on no 55;small ink mark on no 60; one spine split). The first in the premiere edition, First state with $1.00 price and "premiere issue" on the cover (grey and blue-green colored pictorial wrappers) A very rare ongoing set of the earliest period.

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Editor: Ed Dwyer. From the announcement-letter (May 16, 1974): "The Trans-High Corporation of New York announced today the publication of a new magazine.... It offers extensive and sophisticated coverage of the pleasure and psychochemical culture.... articles ranging from the ecology of cannabis paper to an investigative report on a nine-ton pot bust. ...A regular feature of High Times is a comprehensive Wall Street Journal-type listing of psychochemical prices around the world (=in fact 'High Witness News'). ..Also featured are medical and legal columns written by leading experts as well as eclectic reviews of films, records and books. ... psychochemicals have become the cause of psychological and sociological problems; to alleviate these problems, the first step is to take a more thorough look. This is the purpose of High Times." Contribs. by Richard Ashley, Bruce Eisner, Albert Goldman, Michael Horowitz, Ron Rosenbaum, John Wilcock, Deanne Stillman, a.o. Also interviews with (o.a.) the Dalai Lama, Albert Hofmann, Dr. Norman Zinberg, Andy Warhol, Peter Beard, Fran Lebowitz, Keith Richard, Marianne Faithfull, etc. In addition to the controversial drug coverage and in-depth countercultural articles, there is a sizeable amount of early punk rock coverage thanks to Tom Forcade's early interest in the Sex Pistols and punk music as the "next big thing". Forcade even provided funding for John Holmstrom's Punk magazine at one point. While High Times continues to this day, the focus here was on music related coverage and therefore this particular run ends in 1981 where the musical interest also begins to taper off.

[#14458]

THE I.S.C.A. QUARTERLY

Journal of the International Society of Copier Artists, Ltd.

Vol. 1-21 no. 4 (= Final Issue; all published). New York, April 1982 - June 2003. Tog. 84 issues; sizes vary; spiral bound and in folder, or loose in special boxes for some issues. Tog. ca 2700 prints or items, all signed by the artist. Limited edition of 100 to 200 copies.

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The International Society of Copier Artists (I.S.C.A) was a non-profit group founded by Louise Neaderland in 1981, intended to promote the work of copier artists and to advocate for the recognition of copier art as a legitimate form. Complete set of this unique periodical of which each issue consists of an assemblage of photocopied-prints, turned into original artwork by various techniques (colouring, collage etc.), numbered and signed, by artists who use the photocopier as a creative tool, including colour copying. Directed by Louise Neaderland. Contribs.include Anne Gilman, Susan Gold, Ralph Neaderlan, Keiichi Nakamura, Eiichi Matsuhashi, Lisa Reichenberger, etc.; final issue: "War and Peace". The I.S.C.A. Quarterly was published from 1982-2003. Typically, issues were produced in limited editions of 200 copies, with an average of 45 pages of original copier art supplied by I.S.C.A. members. Over the years the form of the Quarterly mutated from a collection of unbound pages to a spiral bound journal with an Annual Bookworks Edition composed of a box of books made by I.S.C.A. members. The work produced for the Quarterly ranged widely in focus from social and political issues to personal and emotional themes. The final issue (Volume 21, #4) was published in June 2003.

[#18607]

IDENTITÉS

Nos. 1-14 (all published). Aix-en-Provence, Nice, juin 1962 - hiver-printemps 1966. Together 11 physical issues (3 double issues), 50x33 cm, varying from 4 to 10 pages, all in good condition (only no 5 light soilage and split spine). An extremely rare periodical,

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Founded by the painter Marcel Alocco, with Régine Aizertin-Robin. 1962 : 1, juin / 2, sept.-oct. / 3, nov.-déc.- 1963 : 4, avril-mai / 5, hiver.- 1964 : 6, printemps / 7-8, été-automne.- 1965 : 9, hiver / 10, printemps / 11-12, été-automne.- 1966 : 13-14, hiver-printemps. Title suggested by Aizertin, based on a poem by Eluard, dedicated to Dora Maar ("feministe"). Initially a predominantly literary journal (Jean-Pierre Charles, Daniel Biga, Richard Laszlo, Daniel Karm, on Robbe-Grillet, Jean Pastureau, Daniel Reynaud, Renaud Matignon, Serge Bec etc.) the interest and scope widens significantly after the transfer to Nice. In No. 7/8 begins the collaboration of BEN VAUTIER (Une lettre de Ben) and a full-page poster-like supplement, typographically designed wit Ben's handwriting in the middle"Je soussigné Ben Vautier, déclare authentique oeuvre d'art l'ABSENCE D'ART, 1/10/63": Ben's contribution from then on in all the issues and a general interest for FLUXUS. Robert Filiou,George Brecht, John Cage, Jean-Jacques Lebel, Wolf Vostell, Gius.Vhiari, Duick Higgins. No. 10 is devoted to the Beat Generation, contributing are Allen Ginsberg and J. J. Lebel, also François Maspero. It has a full page supplement (printed recto only), with 4 texts by Vautier ("Vers la fin cela devient cochon"). Also Arman,Ben,Gette Gilli, Le3 Clézio,Malaval, Raysse,Venet.No. 11/12 on the Ecole de Nice (drawing by Robert Malaval). A feature on "Lettrisme en 1965" (Isidore Isou). "Architecture dépaysée", Ernest Pigeon. An interest in Fluxus: George Brecht "Conversation avec Ben et Alocco". No. 13/14 devoted to "La musique de la Vie", with "l' Événement happening", with text by Jean-Jacques Lebel. Also contribution by John Cage (conversation with Michel Kirbyand Richard Stechner). A feature on the Young Japanese Poetry (Tajiro Amazawa, Takahido Okada, Makoto Oaka, and Robert Filiou ("Bruits montants de la Fginza"). Feature on Architecture in no 10 " l'Architecture dépaysée" and in no 13/14: Art Habitable by Ernest Pignon. Important contributions on the "Happening" by Ben Vautier, Al Hansen, Gius Chiari, J-J.Lebel, Milan Knizak, Dick Higgins.

[#17996]

IMAGO

Proposte per una nuova immagine.

Nos. 1-15 (all published, without No. 13 which was probably never published). Milano, Edizione della Bassoli Fotoincisioni, 1960-1968. Loose-leaf and/or in the original wrappers, kept in the original black cardboard slipcases, 31 x 25 cm. (Some of the slipcases rather worn at the edges; vols. 9,10,11,12 with the original wrap-around intact; only Vol. 3 without slipcase)

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Director: Raffaele Bassoli. Each volume contains contributions by contemporary Italian writers, artists, photographers, graphic designers, etc., in loose-leaf form and small booklets in various sizes, executed in different printing techniques by Bassoli Fotoincisioni. Included are publicity leaflets, typographical lay-outs, multiples, manifestos, posters, visual poetry, photographs, etc. Includes work by Bianconi, Bonfanti, E. Carmi, G. Confalonieri, S. Dangelo, S. Fiume, A. Gastaldi, M. Huber, H. Osterwalder (Studio Boggeri), B. Munari, M. Provinciali, F. Rognoni, L. Spacal, A. Testa, P. Tovaglia, E. Treccani, a.o. Texts by G. Arpino, C. Belloli, G. Bocca, A. Borlenghi, J.L. Borges, D. Buzzati, R. Carrieri, G. Celant, P. Chiara, R. De Grada, G. Dorfles, G. Ferrata, S. Fiume, T. Kezich, G. Pontiggia, a.o;Vol. 14: Numero speciale dedicato al caminetto ( Dedicated to the Fireplace), Vol. 15: Numero monografico di "Imago" (n. 15), dedicato alla automobile di stile (Dedicated to the designed autocar), realizzato in edizione speciale per la Pininfarina Spa. Bibliographic searches have not resulted in locating a copy of a Volume 13; the only sets offered in the trade are without vol. 13, and we may assume that this has never been published.

[#18381]

INK

The Other Newspaper.

Nos. 1-29 (all publ.). London, May 1971 - Feb. 1972. Tabloïd, unbound. On newsprint, with colour added; numerous photographs and illustrations (some small marginal tears and endemic browning, No. 26 has front cover damage, a small piece is missing).

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British Underground paper, at first weekly, then becoming irregular. With attacks on the government, police and society in general, with much avant-garde artwork. Supposedly financed by John Lennon, Yoko Ono and Germaine Greer. Published by Paul Bream. Critical against domestic politics, as well as foreign politics, particularly the war in Vietnam. Also pop music, film, sex, books, etc. Contributions by Alex. Trocchi, Richard Neville, Alex Mitchell, Felic Dennis, Andrew Fisher, Ed Victor, etc.; interviews with Eldridge Cleaver, James Baldwin, etc. No. 22 misnumbered as No. 21 (which appears twice in the numbering). Features including David Cooper on the family; Tim Souster on Stockhausen; "Ralph Nader for President?" by JG Ballard; Alexander Trocchi on the junkie scapegoat; the first appearance of "The Writer" by William Burroughs; Felix Dennis on John Lennon; interviews with Eldridge Cleaver, James Baldwin, and others; and news coverage of the Stoke Newington 8; the Prescott/Purdie, Angela Davis, Mangrove, and Oz trials; Gay Liberation; censorship etc.

[#19473]

INNERSPACE

The magazine of the psychedelic community.

Vol. 1 nos. 1- 5 (all published). New York, 1966-1967. Size (h/w): 28,5 x 26,7 cm. Stapled in original illustrated wrappers. (very mild soilage to all numbers, No. 1 frontcover with near invisibly repaired closed tear ; No. 3 backcover has small ad cut out.but otherwise quite good). Rare complete

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Edited by Linn House, managing editor: Peter Weinberg. Contributing ediotrs: Peter Stafford, Ira Einhorn. Staff artist: Linda Jarvis.I ssues of 24-32 pages, printed in offset in vartious colours, fully illustrated. Part of the Underground Press Syndicate. Number 5 is the "American Indian Issue" and contains a letter referring to issue no. 4. Contains articles and reports on drugs, be-ins, etc. with correspondents in San Francisco, Los Angeles, Beirut, Berkeley, Nashville, later also Bombay, Amsterdam, Cleveland, etc.

[#19668]

INTERNATIONAL ANTHEM:

NIHILIST NEWSPAPER FOR THE LIVING

Nos. 1-3 ( all published), New York, London, 1977-1980. Tabloid format, unbound, folded newsprint sheets offset printed in b&w [with red color added on the cover of no. 2]. Handwritten additions in red marker last pager of first number. On the front of no 1 remainder of old price sticker No 1: 20 pages light toning,fine; No. 2: Domestic Violence Issue. 16 pages, very small tears to right margin of the last pages, light toning, very good condition; No. 3: Anti War Issue 20 pages, slightly enlarged,better paper; light damage to righthand margin of front page and a few later papers, very good condition.(This number produced by ExitstencilPress, c/o Rough Trade,202 Kensington Pard Rd., London W11) ;

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Edited by Gee Vaucher, renowned political artist, known for her ‘radical creativity’, montages, and iconic record sleeve artwork for the famous anarchist-pacifist band Crass. Vaucher has always seen her work as a tool for social change, using surrealist styles and methods, and a DIY aesthetic to create powerful images exploring political and personal issues.Gee Vaucher, started in this magazine in New York in 1977. Related to the English anarchist punk band Crass she published this anarcho-punk newsletter with many very strong full- or double-page photo collages or reproductions of artwork by herself. Numbers 2 and 3 have the Crass-Logo on the front page. Number 2 has the famous "Soldier" with red lips on the front. Vaucher was a graphic designer working in New York, known for ther striking photocompositions on feminism and pacifism, and opposing consumer culture, violence and war. An important number of these remarkable collages are full page in this magazine. The periodical also included contributions from Crass members Penny Rimbaud and Eve Libertine.

[#8325]

INTERNATIONALE SITUATIONNISTE

Collection of 'Internationale Situationniste' and the corresponding international sections, as described below. Together 18 original issues. - INTERNATIONALE SITUATIONNISTE. Bulletin central édité par les sections de l'internationale situationiste. Nos. 1-12 (all publ.). Paris, juin 1958 - septembre 1969. 8vo; original wrappers (each in a different colour metallic board, No. 2 in the 2nd edition), kept in black cloth slipcase, with silver paper spine. - SITUATIONIST INTERNATIONAL. Review of the American section of the I.S. Number 1 (all publ.). New York, June 1969. Original cover, 48 pp. - INTERNAZIONALE SITUAZIONISTA. Rivista delle sezione italiana dell'I.S. Number 1. Milano, July 1969. Original green cover, ill., 144 pp. - DIVERSION. Number 1. Brooklyn, June 1973. Original salmon pink metallic cover, ill., 56 pp. - SITUATIONISTISK REVOLUTION. Centralorgan for den skandinaviske sektion af situationistisk internationale. No. 1. Copenhagen, Internationale Situationniste scandinavian section, October 1962. 40 pp. Original silver metallic cover. Illustrated. - DER DEUTSCHE GEDANKE. Organ der Situationistischen Internationale für Mittleuropa. No. 1. Brussels, Internationale Situationniste german section, April 1963. 40 pp. Original gold metallic cover. Illustrated. TOGETHER WITH: -- PLANKTON The Quarterly Bulletin of the Plankton Society/ Driemaandelijks tijdschrift van de Vereniging ter Bestudering van het Plankton/Revue trimestruielle de la Societe d'Etudes du Plancton. (Vol. 27, No. 3). Paris, 1969. Size: (h/w): 26 x 16,5 cm. 120 pp. Uncut. Original wrappers around the original text-pages of the August/September issue 1969 of the Paris Internat.Situationiste No. 12. - ADDED: POSTER: (Raoul Vaneigem, Bertrand, Gérard Joannes): Camarades ceci n'est qu'un commencement pour en avoir plus sur vous-même… Lisez la revue Internationale Situationiste. Le numéro 11 vient de paraitre. Boite Postal 30703, Paris. ; Imp. Les Presses du Marais, 5, rue Aubriot, Paris. Poster on thicker white paper, 37x55,5 cm., printed in black with red. Nice clean copy. .

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- Internationale Situationiste: Director: Guy Debord. Contributions by Mohamed Dahou, Asger Jorn, Gius, Pino-Gallizio, M. Wyckaert, H. Sturm, Kotanyi, Lausen, Vaneigem, Trocchi, Théo-Frey, Michèle Bernstein, Constant, a.o. - Situationist International: Editorial Committee: Robert Chasse, Bruce Elwell, Jonathan Horelick, Tony Verlaan. Articles: 'Certain Extraordinary Consideratoins Contributing to the Understanding of the Devolution of Capitalism and Bureaucratization of Existence', 'The Practice of Theory. The Situationist International', etc. - Internazionale Situazionista: Ed. by: Claudio Pavan, Paolo Salvadori, Gianfranco Sanguinetti. Articles: 'Il Ritorno della Rivoluzione Sociale', 'Banalità di Base', etc. - Diversion: Ed. by Jon Horelick. Articles: 'The Poverty of Ecology', 'News of Disalienation', 'The Shattering of Bureaucratic Power in Polan', 'The Practice of the Truth. The Crisis of the Situationist International', etc. - Situationisk Revolution . Edited by Michèle Bernstein, Guy Debord, Atilla Kotanyi, Uwe Lausen, J.V. Martin, Raoul Vaneigem, Alexander Trocchi. Director: Jeppesen Victor Martin. - Der Deutsche Gedanke: Brussels, Internationale Situationniste german section. Director: Raoul Vaneigem. - PLANKTON: Clandestinely published and distributed in the disguise of a scientific natural history journal ('Founded by the Fonds Neerlandais pour la Recherche scientifique, Nederlandse Organisatie van Zuiver-Wetenschappelijk Onderzoek'). Contents of the issue as printed on the front-cover consists of the following imaginary articles: Pr. Parvus "La métamorphose de la larve garnautine", E. Pouget "Le syndrome de Frei en deça des grandes profondeurs", M. Jacob "Dynamique des courants sous-jacents: 1) Monde & infra-monde abyssal (à suivre).", G. Van Vollenhoven "Gregarious behaviour in the I.C.O. zone: Answer to the first part of the communication delivered by M. Jacob: World & infra-world or/and life & infra-life". The back-cover of the issue contains the following curious information: "Un numéro spécial de notre revue paraîtra en février 1970 qui sera consacré au compte-rendu par l'équipe du Professeur Riseau-Lebel de l'expédition de recherches sur la fosse 74 de Meni-Montang (Indonésie). Nos abonnés recevront automatiquement ce numéro spécial." Very rare document of the Situationist movement.

[#16083]

INTERNAZIONALE SITUAZIONISTA

Voll. 1-3 (all publ.) Genova, E.C.A.T. Libri, 1975 - 1977 (maggio); Original pictorial wrappers, typed, mimeographed.

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The first Italian translation by Sergio Carlini. of the first 6 numbers of «Internationale Situationniste»: Vol. I (1975): 22,6x19,4 cm.,; Vol II (febbraio 1976): 22,4x19,4 cm. ; Vol. III (maggio 1977): 20x21 cm. Not more published after this.

[#8439]

JAN CREMER KRANT

Opgericht 1967.

Nos. 1-4 (all published), Amsterdam, 1 Maart 1967, December 1977-1978. Tabloid-size; Rare complete with the first issue which was confiscated and is extremely rare (No. 1 with some damage to spine, edges and over the centerfold.)

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Edited by Dutch artist/ writer Jan Cremer, at that time working in New York, published by Peter Loeb. This magazine is by and about Jan Cremer, depicting his work and publishing his texts. No. 1 Hoofdredacteur: Jan Cremer Produktie: Willem de Ridder Off-set, 44 × 31 Een uitgave van Jan Cremer & Hans Sleutelaar, Rotterdam No. 2 features his famous 'Dutch Landscapes' (Hollandse Landschappen, exhibited in Arnhem and Leeuwarden); No. 3 features his expedition in Greenland (photographs and film 'The Long White Trail'); No. 4: 'Jan Cremers Logboek', texts and photographs by and on 'Jan Cremer' and friend(s). The first issue was confiscated immediately upon publication charged with indecent assault by the writer Cees Nooteboom for the article 'Het Drama Liesbeth List'.

[#19465]

JAY'S JOURNAL OF ANOMALIES

Numbers 1-16 (Volumes 1-4). 16 Issues, The complete set plus related ephemera. Los Angeles: Ricky Jay / W & V Dailey, 1994-2000. First Edition. 4to. Self-wrappers. Letterpress printed by Patrick Reagh on Rives Heavyweight paper. Sixteen issues plus assorted related ephemera, including most of the original mailing envelopes. Fine condition.

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Complete run in the original imprint of Ricky Jay's exceptionally-produced periodical of "conjurers, cheats, hoaxters, pranksters, jokesters, impostors, pretenders, side-show showmen, armless calligraphers, mechanical marvels, [and] popular entertainments." bizzare, and eccentric individuals. The circus, the side shows, the freaks, the daredevils, the magicians, the London Fairs, Bartholomew Fair and their collection of off beat eccentrics. With the likes of P.T. Barnum and his collection of eccentrics, and the side shows, the Magicians, with the likes of Isaac Fawkes, Robert Houdin, Johann Nepomuk Hofzinser, the Herrmann's, Harry Houdini, etc. Profusely illustrated with drawings and posters, many in full color. A quarterly publication, written by Jay, drawn entirely from his own personal collection, and sumptuously printed by Patrick Reagh, JAY'S JOURNAL sought to be "[a]n anomaly devoted to anomalies." As he later wrote in the afterword to 2001 trade reprint of the journal: "The major catalyst [...] was the pursuit of a higher standard of illustration, type, and paper than the mainstream publishers of my earlier work were able to provide. I wished to do justice to materials collected over long years [...] The idea of a [...] fine-press book intrigued me less than a periodical with high production values - a magazine printed letterpress on mold-made paper, with tipped-in color illustrations" (163). A luxurious production devoted to the curious and issued in decidedly small runs, individual issues are uncommon and sets scarce. The provenance of this set would be the first original subscriber. The set includes annual renewal forms, original mailings envelopes, and an illustrated letterpress broadside announcement published by the Quantuck Lane Press of an exhibition of Jay's collection of magic-related broadsides from the 17th, 18th, and 19th centuries.

[#15398]

KAYAK

Nos. 1-64 (all publ.). Autumn 1964 - 1984. Original pictorial wrappers (nos. 49-64 with inobtrusive small library stamp).

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Ed. by George Hitchcock, with contribs. by Kenneth Rexroth, Gary Snyder, M. McClure, Robert Bly, W.S. Merwin, Ed. Roditi, Anne Sexton, Paul Blackburn, Antin, Atwood, Levine, Ammons, Merwin, Simic, Knott, Tate, Roditi, Berry, Pillin, Blazek, Carver, Valaoriti s, Beiles, Sexton, Snyder, "found poems" and translations. One of the major literary and artistic periodicals of the period. "…particularly hospitable to surrealist, imagist and political poems…… welcomes vehement or ribald articles on the subject of modern poetry…" See Anderson/Kinzie, p. 707; Secret location p. 283.

[#16848]

KRATER UND WOLKE

Band 1-7 (all published). Cologne, Galerie Michael Werner, 1982-1990. Original illustrated boards, size 30,5 x 24,5 cm., each volume containing ab. 120 unpaginated pages, including numerous original graphics, partly in colour, partly folding (by Baselitz, Immendorff, Kirkeby, Lüpertz, Penck), and 3 flex-discs.

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Complete set of this artist publication edited by Ralf Winkler (A.R.Penck) and Georg Baselitz (for volume 7). Published in a limited edition of 200 copies, each volume is dedicated to an artist and contains original work. (Vol. 1: Georg Baselitz; Vol. 2: Jörg Immendorf; Vol. 3: Markus Lüpertz; Vol. 4: devoted to Per Kirkeby; Vol. 5: devoted to James Lee Byars; Vol 6 entitled USA/Europa; Vol. 7: A.R.Penck. -- The discs record: Peter Kowald:KontrabassSolo; J.Immendorff:Die Vielleichtors und Cafe Deutschland; Penck (Drums) & Lüpertz (Vocals & piano): Das Springerkonzert 1983.

[#8752]

KWADRAAT-BLADEN / QUADRAT-PRINTS / FEUILLES-CADRAT / QUADRAT-BLAETTER

Edited by Pieter Brattinga.

Collection of all 35 pieces (complete and in unusual good condition) published by Steendrukkerij de Jong, Hilversum, between 1955 and 1974. Original wrappers, portfolio-wrappers, foldings, and one box. Sq. 4to., 25 x 25 Cm. Text in Dutch, English, French and German. comprising: all 27 proper Quadrat-Prints, plus 5 folding cards (text + image), the Sonsbeek folder and 2 anniversary volumes. Rare collection in absolutely excellent, near mint condition.

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A landmark of fine Dutch design. A series of publications initiated by Pieter Brattinga, focusing on printing-art and characterised by a great diversity in concept, design, context and typography. In 1955 the name ‘Kwadraatblad’ (Quadrat Prints) was introduced with the folded lithographs measuring 25x25 cm., by Cor Klaasen, Jan Sleper, Ed van der Elsken/Lucie Kurpershoek,Friso Henstra. These were followed by the famous ‘Clocks of Chagall’ an, original work by Marc Chagall illustrating a text by Bernard Majorick in November 1956. Also present is the rare Photolitho for Sonsbeek Pavillion by Rietveld and the 2 Anniversary Books of the Steendrukkerij (50th and 60th Anniversary). Brattinga assigned a cultural task to the quadrat prints: they were devoted to yechnologically much advenced experiments in the field of design, art, architecture, music and literature and evolved to a wellknown avant-garde annual journal. In 1974 the succesful series came to an end with ‘Typographic analysis’ by A. Magelhaes. The prints and booklets were available free of charge as promotional matter for clients and friends. Due to this only few complete sets have survived and have become quite rare, particularly in near mint condition as here, and with the added parts. This collection checked against the bibliography by Geneviève Waldmann: ‘The activities of Pieter Brattinga’ (‘s Gravenhage, 1989) comprises the following titles: - DE KLOKKEN VAN CHAGALL (The clocks of Chagall). Booklet. 1957. With a lithograph of Marc Chagall. Author B. Majorick; design Otto Treumann Plain cover, spine very lightly sunned - THE SICK LION AND THE FOX. 1957. With litho by Cees Timmer - BUCKMINSTER FULLER. Loose-leaf booklet. 1958. Together 4 leaves + wrapper, design Otto Treumann - NU XX (in the middle of the XXth century). Booklet. 1959. Text and design by W. Sandberg. 1959 - MART KEMPERS. Portfolio of 3 lithographs. ca. 1959 - MUZIEK EN TECHNIEK (Music and Technics). 1960. Text by the composer Ton de Leeuw. Design Harry Sierman / - PLAYING CARDS, looseleaf, 1960/61. By Anne H. Mulder, design: H.P. Doebele - SCHRIJF-TAAL (Written language). 1961. Portfolio of handwritten poems by international poets, loose-leaf. Ed.: Simon Vinkenoog; design Ton Raateland - GENESIS OF A COMPOSITION, booklet. 1961. With a reproduction of a mural painting (foldout) by Jan Bons; author B. Marjorick - ORGANICS. Booklet. 1961. Author William Katavolos; design Pieter Brattinga. 1961. The philosopher designer William Katavolos writes about “Organics” in design” - UNREADABLE BOOK, folded portfolio with loose-leaf. 1964. Design: Bruno Munari. 1964 (Note: This book folded in the original wrapping paper designed and imprinted by Brattinga; left bottom corner of the wrap has a minuscule defect, but otherwise near mint and the book itself mint, as is seldom seen) - SCHRIJF-TAAL ii (Written language ii). 1963. Portfolio containing 19 leaves. Ed. - S. Vinkenoog, design Ton Raateland - SCHRIJF-TAAL iii (Written language iii). No date. Portfolio with loose-leaf. Contemporary poetry collected by Simon Vinkenoog, with the handwriting of poets - DAILY MIRROR, portfolio with loose-leaf printed by Diter Rot on newsprint. 1965. Design Diter Rot. (the cardboard portfolio in good condition,with only the left overlaying flap neatly enforced from the inside, the printed pages inside internally mint) - PHILOMENE, book illustrated by Pim van Boxsel. 1966. Design Pieter Brattinga. (‘The marvelous adventures of Philomene’ told in drawings by Pim van Boxsel) - NEW ALPHABET. 1967. Booklet. Text and design by W. Crouwel. ‘Proposal for a new type that, more than the traditional types, is suited for the composing system with the CRT’ - COUNTERPROPOSAL by Gerard Unger in response to ‘New Alphabet’ 1967 - SCHRÖDER HOUSE. Booklet with foldouts. 1963. Text by G. Rietveld. Design and photography Pieter Brattinga. With architectural drawings and handwritten notes by Rietveld. - EXTRA SCHRIJFTAAL (Extra written language). 1967. Cover with double-page spread. With 3 lithographs by Henry Miller; design Pieter Brattinga / - NU 2. Booklet, edited and designed by W. Sandberg. 1968 - ALPHABET. Booklet. 1969. Author Thimoty Epps in response to ‘New Alphabet’. Design John Stegmeijer / - ALPHABET. Portfolio with looseleaf, by Anthon Beeke in response to ‘New Alphabet’. 1970. Photography by Geert Kooiman; on the inside cover a photo essay by Ed van der Elsken - WIM SPREEUWERS. Untitled. 1970. Folded portfolio with box constructions - MUSIC PAPER. Portfolio with loose-leaf ‘music-paper’, 1970. Text and design Paul v. Reeuwijk. - HOUSE. 1971. Booklet with photographs by Les Levine. Design Pieter Brattinga - CIJFER (Figure). 1971. Box with cash receipts, symbolising a trip around the world. Design Pieter Brattinga. (copy no. 0549) - A TOPOGRAPHIC ANALYSIS OF A PRINTED SURFACE. 1974. Concept Aloisio Magalhaes; design Pieter Brattinga. TOGETHER WITH: - Folder on white card (photolitho) for SONSBEEK PAVILLION BY GERRIT RIETVELD. 1956. Author: Jan Elburg; design Jurriaan Schrofer (format 21 x 25 Cm; a bit yellowed) with the book added. - All 5 folding cards (complete, 1955-1956) lithographed Cards (25 x 25 Cm) by: Mart Kempers (Uuur U, rare), Jan Sleper, Cor Klaassen, Friso Henstra, Lucie Kurpershoek-Visser) - TWO BOOKS published on the occasion of the 50th and 60th Anniversary of Steendrukkerij (the printer) De Jong. - 7 INVITATIONS (12,5x12,5 cm each, folding) to openings/vernissages of Exhibition in the Canteen of the Printshop: 23/1-4/3,1965 (Kelly):- 16/8-22/9, 1965 (Wim Schippers) 26/2-6/4,1966 (Colour abd Cube); 11/12-11/2,1966 (Vases); 11/6-30/8,1966 (Topor Panic); 18/6-30/7, 1971 Roland van den Berghe). -27/3/27/5,1965 (Ikko Tanaka).

[#19680]

KWY

Revue trimestrielle d'art actuel.

KWY: Lurdes Castro - Christo - Costa Pinheiro - Jose Escada - Rene Bertholo - Jan Voss - Joao Vieira - Goncalo Duarte. Exposicao grupo KWY subsidiada pela Fundacao Calouste Gulbenkian na Sociedade Nacional de Belas Artes de 11 a 20 de dezembro de 1960. - No. hors série, Lisbon, december 1960 (28 pp with tipped in illustrations,including 4 pages on thin red paper, stapled in the spine in typographical covers, red text on black card). Exposição grupo kwy subsidiada pela fundacção gulbenkian na Sociedad Nacional de Belas Artes,11 a 20 de dezembro de 1960. (The catalogue for the KWY exhibition in Lisboa which was repeated by the exhibition at the Galerie 'Le Soleil dans la Tête' in Paris. Text in Spanish and with tipped-in b/w reproductions.)

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The catalogue for the KWY exhibition in Lisboa which was repeated by the exhibition at the Galerie 'Le Soleil dans la Tête' in Paris. Text in Spanish and with tipped-in b/w reproduction, portraits of each aparticipating artist.

[#13831]

LOCUS SOLUS

Nos. 1-5 (all publ.) Lans-en-Vercors, France, Winter 1961-1962. Size (h/w): 18,2 x 12,4 cm. Original wrappers.

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Magazine for experimental poetry and prose in the early sixties, and an important Beat periodical. Edited by novelist Harry Mathews and poets John Ashbery, Kenneth Koch and Jimmy Schuyler, all of whom contributed to its pages. Other contributors were Frank O'Hara, LeRoi Jones, Edwin Denby, Diane DiPrima, Ted Berrigan, William Burroughs, Gerard Malanga, Barbara Guest and Daisy Aldan. Outstanding was a special issue devoted to the neglected art of literary collaboration, a historical survey which included translations of Japanese, Chinese, Provençal and French surrealist poets. Nos. 3/4 were combined to a double issue. No. 5 is extremely scarce.

[#16092]

MAINMISE

Organe québécois de la pensée magique, du rock international, et du gay sçavoir.

No. 1 [octobre 1970] thru No. 78 [Eté 1978]. Quebec, Mainmise, 1970-1978. Nos 1 à 20 and number 'Best of La dope'”, [1972], 21 numbers in-8 [11,5 X 18,5 cm] ab.224/240 pages,illustsrated, Nos 21 à 52, 32 numbers [20 X 27,5 cm.] comprising 64 pages each, illustrated,stapled; Nos. 53 à 78, 26 numbers [29 X 37 cm]. Each 48 pages, illustrated. All numbers with a different illustrated over. Added: Le petit supplément illustré” Nos 1- 9. 1975. [Complete ?] 9 numbers [36X 27cm.] 176 pp of comics with coninuing pagination.

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Founded by Jean Basile and Georges Khalm, member of the Underground Press Syndicate (publié par Pénélope, distribué par les Messageries du Jour). Complete collection of this periodical of the counter-culture movement of Quebec, advocating and reporting on alternative lifestyles and utopian ideology. Abundantly illustrated a.o. by Robert Crumb, R. Cobb, Guynard, M. Pouliot, Baloune etc, Articles and contributions by Pénélope & Linda Gaboriau, Christian Allegre, Jean Basile Bezroudnoff, Kenneth Chalk, Georges Kahl, Denis Vanier, Raymon Lavallée, Buckminster Fuller, Marshall McLuhan, L. Clark Steven, Timothy Leary, Alan Watts, a manifest of homosexual liberation (Carl Wittman), etc. Special issues on all the topics of the time: drugs, free sex, free schools, ecological issues, the media, womens liberation, etc. All in good condition except for some flaws to the covers of numbers 21-28-31-37-47-49 and 52 and ballpen mark on number 40. Number 4 has the folding Quebec-Marijuana-banner which was a supplement.

[#17474]

MARCATRE

Rivista di cultura contemporanea.

Numbers 1-64/65 (all publ.). Genova, Milano, GE-MI, 1963-1969. ( 'Marcatre / UTT' (issues 56-62 and 64/65) published by Ennesse Editrice in Rome). Original illustrated wrappers (in general good condition, with only light dustsoilage and rubbng to spines); (Nos. 1-5: 17 x 24 cm; then becoming 20 x 25 cm).

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Periodical of the famous "Gruppo 63", associated with Il Verri, dealing with literature, music, arhcitecture, the visual arts, mass culture, communication etc.. Editorial committee and contributors: Eugenio Battisti (founder), and Editor in chief: Magdalo Mussio, who also designed covers, many illustrations, lay-out, etc. Editors were responsible for various areas of interest, e.d. G.Dorfles, Edoardo Sanguinetti, Umberto Eco, Paolo Portoghesi. G. Delmetti, D. Carpitello, Enrico Crispolti, etc. Nos. 1-18 subtitled "Notiziario de Cultura Contemporanea"; nos. 56-62 as Marcatre/UTT, alternately numbered as 1-7. With progressive avant-garde spirit in the design and illustrations, some issues entirely printed in a colour (e.g. red, blue, purple), with fold-outs, etc. At first published in Genova by Edizioni Vittone, then in Milano by Lerici Editore. The revivals with other publishers in Milano and Rome were of a different style and character The last number published was 64/65, whereas no. 63 has never appeared. Complete very rare !

[#16254]

MAXIMUM ROCKNROLL (MAXIMUM ROCK'N'ROLL zine; Maximum Rock and Roll)

Bi-monthly.

Nos. 1-74. San Francisco, MRR, first number not dated (ca. Sept/October 1982) - July 1989. Unbound, as issued, 27,2 x 21 cm, about 56-124 pages/issue, printed on newsprint b/w, stapled in the spine. Endemic browning, some ragged edges and minor spine damage, a few numbers with closed tears, chipped corners. Altogether an excellent clean set with only minor damage to two numbers as detailed at the bottom of the footnote.

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Published (originally) by Jeff Bale, Jeff Berlin, Mark Berlin, Roseann Berlin, Jello Biafra, Bob Black, Booth, Eric Bradner, Mickey Creep, Peter Dimaria, Jim Donovan, Ray Farrell, Fletch, Henry Hample, Dave Rave (photographs) etc.; from the actual MRR website we quote: History of MRR- Maximumrocknroll is a widely distributed monthly fanzine dedicated to supporting the underground punk rock scene. MRR's 20-year plus history and large, obsessed all-volunteer staff has made its punk rock coverage the most consistently up-to-date and reliable around. Several major media conglomerates control most music produced today. In contrast, MRR reinforces the values of the punk underground by remaining independent and not-for-profit. Maximumrocknroll started in 1977 as a punk rock radio show - one of the first and best of all time. "Tim (Yo) and the Gang" played the latest punk and hardcore sounds from across the world, the U.S., and from their home in the bristling SF Bay Area punk scene. "The gang" included personalities like Jeff Bale, Ruth Schwartz, and Jello Biafra. Punk antiheroes regularly visited as guest DJs, and the roster of touring bands interviewed on the show reads like the track list on a classic old comp. The show was notable for the immediacy of the music, a dedication to international coverage (rare at the time), and for explicitly interjecting progressive politics into the dialogue of punk. The show became hugely successful in the underground, and eventually was broadcast from stations across the U.S. and abroad. Maximumrocknroll, in its zine form, first appeared in 1982 as the newsprint booklet in Not So Quiet On the Western Front, a comp LP released on then-Dead Kennedys' label Alternative Tentacles. The comp included 47 Nevada and Northern California bands, many of whom went on to ruin thousands of impressionable kids for productive civic life by releasing some of the best punk records ever….. The Maximumrocknroll columns section has served as the punk scene's gossipy party line for decades…. By remaining stable on the one hand, flipping the bird with the other, MRR's controversial personality has affected-or infected-the history of punk rock for all time. Added: Collectors Issue Number 8. Noted Damages: no 2 has a tear in first 2 pages without loss of text or image, no.10 has half of an inside page missing and a corner torn of another page.

[#19497]

DE MELKWEG

A collection of 54 weekly programs on music, films and theater published between 1976-1979 by Melkweg, together with: -Newsletter. Amsterdam (NL), Melkweg 1977. Jan.12/Jan.16: 295x210 mm., stapled, 8pp. Split fountain color printing, togethr with: -Program Poster. Amsterdam (NL), Melkweg (1977). 80x27,5 mm., color silkscreen.

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295x210 mm., recto/verso split fountain color printing and/or mimeographed (?).

[#18322]

DE METRO

Satyrisch tijdschrift (subtitle changes)

Complete collection of 35 issues published [comprising Nos. 1-34 plus extra Jan.1945., Amsterdam, D.A.V.I.D., 15 Nov. 1944 - 29 Juni] , as follows: - First year,nos. [1-3] illegally published with misleading numbering asYear 5 nos 7, 8, 9-12 (15 Nov.1944-22 Nov. 1944) followed by: - Extra Nummer, 20 Jan.1945 and - Year 6 no. 1-3. Amsterdam, 19 Jan. 1945- 21 April 1945 continued as; - Year 6 (New Series Year 1, Eerste Daglicht Nummer [First legally published]) Nos. 7-14; Amsterdam, 10 Mei 1945 - 24 Aug.1945 continued as: (Year. 2 ) Nos. 15-30 . 7 Sept.1945- 6 Mei 1946 (from 30 issues published) continued as: ( Year 3) Nos 1-4. 10 Mei 1946 -29 Juni 1946 (4 issues published to the end of publication) Set in the original issues as published, some light foxing or occasional dampstains due to the newsprint paper, some edgewear, but in general a very good set in the original issues, unbound. ADDED: rare compilation book "Metro Mozaïek". N.d., Uitgeverij David. With orig.wrapper (sl,damaged). .

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Extremely rare complete set. Edited by Jan-Gerhard and Marten Toonder. This rare satirical periodical published in The Netherlands during and immediately after the war, originated from the underground movement. Yr.6 no. 1 was still illegally published and no.7 (= Eerste daglicht-nummer) is the first "legal" issue, published after the liberation. Editor in chief was Jan Gerhard Toonder, and most important in Metro was the contribution of his brother Marten Toonder, with several full-page (and also smaller) politico-satirical drawings, satirizing the former underground-press, the internment politics, the military authorities, etc. Metro was founded in Oct.1944 by J.C. Pellicaan and D.D.B. van Veen, both former collaborators of the illegal "Vrij Nederland". To mislead the Germans but also "to irritate van Randwijk", the first number published had the faked numbering Year 5 no.7 (suggesting that it was founded even before "Vrij Nederland".) Publication went on till Yr.3 no.4. Apart from M.Toonder we also find drawings by H.G.Kresse, Fiep Westendorp, H.Kabos, René Zwartjes, a.o.; other collaborators were J.G.Toonder, P.Beihuizen, Geert Lubberhuizen. DAVID stands for "De Algemene Vrije Illegale Drukkerij". Winkel: 421.In total 35 issues were published. In the Index of the reprint another extra-number is included, which was never distributed officially, This is not included in the set offered. A few issues with small stamp "leesvereniging".

[#18601]

MOJO-NAVIGATOR

(Rock & Roll News)

Nos. 1-14 (all published, also numbered as Vol. 1 no. 1 - Vol. 2 no 2) . San Francisco, August 8,1966-August 1967. Mimeographed sheets in different colour and b/w printing on both sides, the last two issues printed offset (no. 9 and the last number with one colour added). Stapled in left upper corner (only no.2 has been re-stapled,others are all original staples). First issue is in colour photocopy, rest is in original issues as published, excellent condition and clean. ADDED: - a multicoloured psychedelic drawing (unsigned, by Geoff Evans?), - three other related ephemeral pieces, detail see below.

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The legendary "Mojo-Navigator Rock & Roll News" was a music zine by Greg Shaw and David Harris. Covers the local alternative music scene. Considered to be the precursor to later alternative journalism (Crawdaddy and Rolling Stone and later fanzines). Issues between 3 and 34 pages. The first issue was published August 8, 1966 as a mimeographed newssheet of two pages with concert announcements at the Matrix, Fillmore and Avalon. This issue in colour facsimile. ALL OTHERS ARE ORIGINAL FIRST PRINTS -No. 2, August 16, featured news of The Straight Theatre, and Jim Gurley, local musician from the band Big Brother & The Holding Co. -No. 3, August 23, is three sheets, with news of SF Oracle launch, band news, rumours and gossip, and record reviews (Bob Dyland etc) -No. 4, August 30, is now four sheets, and is mainly devoted to an interview with the Grateful Dead, plus a feature on Country Joe & The Fish by Greg Shaw. -No. 5, September 7, is given over to the second half of The Grateful Dead interview, and a response to the SF Oracle's unsympathetic article on the SF rock scene. - No. 6, September 18, is three sheets, reporting on record releases, New York radio, and upcoming concerts. Report of the publication of "The I.D. Band Book"; news that "the Velvet Underground has released a lousy single on Verve Records - Andy Warhol produced it, Nico sings (hah-hah) on it. It's the musical equivalent of a painted Brillo box which sells for $400"; a report on NY radio; record reviews (incl. "Sunshine Superman"); upcoming dates by The Byrds, Grateful Dead, etc. -No. 7, September 27 is four sheets, and features an interview with SF DJ Tommy Saunders, and Big Brother & The Holding Co., plus ads for upcoming concerts by Country Joe & The Fish, Takoma, and Freedom Highway. -No. 8, October 1966, is six mimeo'd sheets, and features an interview with Janis Joplin and Big Brother & The Holding Co. , plus news on The Doors, a review of The Seeds, and a full page ad "A Prophecy Of A Declaration Of Independence" for the "Love-Pageant" rally in the Haight-Ashbury (a psychedelic celebration held on Oct. 6 to coincide with the outlawing of LSD, and incl. Big Brother, the Dead, and Ken Kesey with his Prankster bus). - No. 9, October 17, is six sheets, and features a Jim Kweskin interview, Dootone Records, new, events, and an original Stanley Mouse handbill announcing The Daily Flash with Country Joe & The Fish at the Avalon, stapled in as last page.(scarcer yellow and grey colour variant). Mick Jagger photo front cover. 3pp. Jim Kweskin interview; Dootone Records; news, reviews, gossip, events. - No. 10, November 8, is nine sheets plus a printed photo cover. It incorporates an two colour Tom Weller handbill for Country Joe & The Fish at the Jabberworck, and a two colour Steve Renick-designed handbill for the 13th Floor Elevators and Moby Grape at the Avalon, and a photo of Jerry Garcia. Also featured was an interview with The Mystery Trend, and news of Bill Graham banning Mojo-Navigator editor Dave Harris from The Fillmore.terming the paper "a rag" and screaming "I'm not mad, you are beneath my anger"; full-page Stanley Mouse ad. for Big Brother & The Holding Co.'s first single on Mainstream Records; Jerry Garcia photo; record reviews - No. 11, November 22, is seven sheets and has part two of The Mystery Trend interview, and an interview with Country Joe & The Fish, who are also on the cover, plus a two colour Tom Weller-designed handbill for the band's upcoming show at the Jabberworck. As well, a photo of Bob Weir, and an Victor Moscoso-designed handill for Country Joe & The Fish, Bug Brother & The Holding Co, and Quicksilver Messenger Service at the Avalon, plus letters about the riot on Sunset Strip,the police heavy handedness, and the differences between the scenes in LA and SF. Correspondence between Bill Graham and Chet Helms; photo of Bob Weir - No. 12, December 22, is eight sheets, with a printed photo cover of Ed Saunders, incorporating two Victor Moscoso-designed colour handbills, with The Grateful Dead and Moby Grape at he Avalon, and Country Joe & The Fish at the California Hall. Featured ar ethe conclusions of the Country Joe & The Fish and The Mystery Trends interviews, and the article "The British Blues Scene" by David Harris. -No. 13, April 1967, is 30 page, black and white printed with cover photo of James Gurley from Big Brother & The Holding Co. Featured is a Blues Magoos interview, reviews by Greg Shaw and Gene Sculatti, editorial on the ris of new rock criticism, Mike Daly on Phil Spector, Rick Griffin psychedelic artwork, incorporating a photo by Gene Anthony of The Grateful Dead. - - No. 14, August 1967, is 38 pages, with cover photo of Jimi Hendrix, and an interview with The Doors, coverage of the Monterey festival, article of Eric Clapton, record reviews, news, and a Tom Weller designed psychedelic ad for Country Joe & The Fish. ADDED MATERIAL: 1) an original multi-coloured psychedelic drawing entitled "The Mojo Navigator" (27.5x21.5cm.), uncredited but probably by the magazine's artist, Geoff Evans (who hand-drew similar artwork on denim jackets worn by the editors); 2) a small card with a hand-drawn design by Greg Shaw in purple and green, possibly an early idea for the magazine's logo, stamped with his San Bruno address (thus pre-dating the first issue); 3) an early Mojo-Navigator flyer, featuring a b/w cartoon (Crime/Justice 4) a vintage 10x8 b/w photo of Brian Jones onstage in Cincinnati, 1965, sporting the look that Greg Shaw sought successfully to emulate (caption to verso written out in Shaw's hand).

[#15586]

MOVIMENTO ARTE CONCRETA.- DOCUMENTI

DOCUMENTI D'ARTE D'OGGI. Raccolta a cura del MAC

Vol. 3. Milano, Libreria A. Salto, Editrice, 1956/1957. Original pictorial wrappers (without the protective glassine), with only a thin vertical crease to the spine in very good clean condition. 152 pages; 32,5x32 cm.

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With original serigraphies, woodcuts, color lithographs etc. by Aagaard Andersen,Enrico Bordoni, Gilllo Dorfles, Carolrama, Capogrossi, Galliano Mazzon, Monnet (also an original collage with newsprint,carton, corrugated board, sandpaper), Munari (Lineography), Mario Nigro,Regina, Varisco, Luigi Veronesi, Mauro Reggiani, and many other reproductions of work and texts. Contents conform Maffei, MAC, p. 196.

[#15585]

MOVIMENTO ARTE CONCRETA.- DOCUMENTI

DOCUMENTI D'ARTE D'OGGI. Raccolta a cura del MAC

Vol. 2. Milano, Libreria A. Salto, Editrice,1955/1956. Original pictorial wrappers, 32,5x 23 cm; 139 pages. Wrappers intact for the collaged red paper strip, which was the intervention by Munari on the frontwrapper (rarely seen is that the original protective glassine is present, however damaged on the right bottom and left upper corner). Altogether a very good copy, with only light dustsoilage.

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► detailed description

With original woodcuts, color lithographs etc. by Mauro Reggiani, Carolrama, Bruno Munari, Lucio Fontana (2, with piercing holes), Luigi Veronesi, Simonetta Vigevani Jung, Enrico Baj, Joe Colombo,Gillo Dorfles,Vittorio Verga, Gianni Monnet, Enrico Bordoni, Nino Di Salvatore, Angelo Bozzola, etc., also important texts. Contents conform the description by Maffei, MAC p. 192.

[#18888]

NO MAGAZINE (No Mag)

No. 1 - [14/15] unnumbered double issue. Los Angeles: NO, 1978-1985. Complete run. [Title change as of fourth issue: "No Mag"]. In 15 physical issues, ca. 30-75 pp. each, two including flexi-disc sound recordings: no. 8 featuring Wild Kingdom; no. 9 featuring Geza X. Small folio. Newsprint. Very good. Illus. self wraps.

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Tabloid-style fanzine (later issues 34,5x27 cm) which chronicled the L.A. underground, with a particular emphasis on some of the more morbid aspects of the Hollywood punk/ underground scene, featuring the punk-rock bands and artists, as well as fashion and design. Published and edited by Bruce Kalberg. in homage to its predecessor in the LA punk scene, Slash. Kalberg says he intended to make his title somewhat edgier. NO MAG sought to be "the most evil, nihilistic magazine ever". Photo Editor: Frank Gargani. Contributors: Photography: Ed Colver, Bob Seidemann, Jules Bates, Will Shatter, Melanie Nissen, Rooh Steif, David Arnoff, Alison Brown, Ed Colver, Karen Filter, Peggy Photo, etc.; -- Graphics: Fred Tomaselli, Raymond Pettibon, May Zone, Mark Vallen, Bruce Kalberg, etc. ; -- Articles: Penelope Spheeris, Jill Young, Robert Lloyd, Mark Wheaton, Michael St.Pierre etc. Rare complete set in excellent condition.

[#16544]

NO NEWS (CONTINUATION OF : ZEITSCHRIFT FUER TIEGEL UND TUMULT -NO NEWS

Numbers 1-25 (all under this title). Kassel, 1986-1992. Continued as: NO NEWS. Numbers 26-40 and 1 'Extra-gabe' (together 41 vols, all and last published). Kassel, 1992-1998. In a great variety of presentations, originally in folders, lateron becoming an object periodical, with various ready-mades, objects and supplements. From an edition of originally 150 copies reduced to 60 or 75 for 'No News'.

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Edited by J. O. Olbrich and W. Luth. Each number/volume of this periodical was realised in cooperation with an artist, e.g.: Hainke, Stake, van Scooten, Jappe, Williams, Heckert, Heidsieck, Arts, Noel, Monro, Schnyder, Baroni, Norros, McLean, Koch, Resch, Böhmler, Die Zwei, Selg, Rindlichs bacher, Andryczuk, Ay-O, Dahn, Figueiredo, Franzobel, Hildebrandt, Spoerri and others. The numbers 16 and 25 with signed contributions by various artists. Detailed list of artists and contents of the issues on request.

[#19638]

OFF THE WALL

The Newsletter/Journal about Events, Posters & The Arts of Happenings.

Numbers 1-9 (all publ.), The Poster Project Ltd. 1991/1995. First six issues broadsheet, folded twice; last three tabloid, folded once. Each 8pp.-24pp. Color offset. Signed by W. Wilson on the first issue.

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Edited by Wes Wilson. The Journal of Rock Art, Poetry and Creative Thought. The first journal devoted to the psychedelic poster artists "The Newsletter Journal for Event Posters and the Arts of Happenings", later issues subtitled: “The Newsletter/Journal About Events Posters & The Arts of Happenings”): Sopectacular designs. The first journal devoted to the psychedelic poster artists und underground comics. Contributions by Wes Wilson, Eric King, Jacaeber Kastor, Walter Medeiros, Ben Edmonds, John Platt, Dick Wentworth, Paul Getchell, Robert Crumb, and others.

[#17372]

OPEN CITY (PRESS)

Weekly Review of the Los Angeles Renaissance.

Almost complete collection, comprising a total of 93 issues: - 8 (out of 15 published) are OPEN CITY PRESS appeared in San Francisco - 85 (out of 92 published) appeared in Los Angeles as OPEN CITY. The set includes 78 issues with Bukowski contributions (72 of which are his column, "Notes of a Dirty Old Man"). San Francisco and Los Angeles, 1961-1968. Printed on newsprint. All issues folded at least once, as issued, in generally good condition (normal endemic browning, a few issues with ragged edges, light damage or light dampstaining). Sizes: at first tabloid, printed in b/w with only occasionally colour added, after issue 52,May 1968, the size doubles to 57x44 cm., and most front and last pages are in colour.

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A substantial, nearly-complete, run of "Open City," (at first published as "Open City Press" in San Francisco). Underground weekly noted for its coverage of radical politics, rock music, psychedelic culture and the "Notes of a Dirty Old Man" column by Charles Bukowski, first published here. Editor and founder: John Bryan (whose signature is on 17 copies) with art director Joan Barr, and contributing editors Alex Apostolides, Bob Garcia, Robert Igriega, Bill Margolis, John Wilcock etc. Member of the Underground Press Syndicate. Many issues have spectacular lay-out, artwork and photocompositions. "John Charles Bryan (November 12, 1934 - February 1, 2007), was a journalist who quit the San Francisco Chronicle in 1964 to found the brief-lived San Francisco bohemian tabloid weekly Open City Press, publishing 15 issues from Nov. 18, 1964 to March 17-23, 1965. Open City Press was a local forerunner of the Berkeley Barb, providing coverage of the Free Speech Movement. It was a one-man operation. In the beginning Bryan bought a case of metal monotype and hand-set his own copy, pulling proofs to paste up for cheap offset reproduction." (cf: Wikipedia). Bukowski's contributions started in Vol. 1 no 6 with the story "If I could only be asleep". After closure of Open City Press Bryan relocated to Southern California. After a stint working for Art Kunkin as managing editor of the Los Angeles Free Press, he launched Open City in Los Angeles, starting the volume numbering with vol. 2, no. 1 (May 5-11, 1967). In March 1968 he was prosecuted on an obscenity charge for printing an image of a nude woman in a record company advertisement for Leon Russell. Six months later, in September 1968, there was a second obscenity bust over the short story "Skinny Dynamite" by Jack Micheline, about the sexual antics of an underage girl, in a literary supplement to Open City edited by Charles Bukowski. The cost of Bryan's legal defense and a $1000 fine on the first charge eventually put the shoestring operation out of business. Issues present in this collection are: "Open City Press." [San Francisco, 1964-1965, numbered as Volume 1 ]: The announcement for issue 1, and Vol. 1 issues 3-7, 10 and 11(published from November 1964-Feb.23.1965, out of the total number of 15 issues published). Then continued as "Open City". [Los Angeles, 1967 - 1968: Volume 2 ]: Issues 1-4, 6-20, 23-25, 27, 28, 30-33, 35-43, 45, 47, 49-50, 52-83, 87-91 [66 is mis-numbered 65 on cover; 90 is mis-numbered 89]. All (except no. 18) have Bukowski contributions. Number 20, First National Edition. The Pot Scene. Number 52, May 1968, is the "First Anniversary Issue", with Renaissance, first issue,included, (this copy signed by John Bryan), with contributions by Allen Ginsberg, William Burroughs, Charles Bukowski, Lenore Kandel, Anais Nin, Carol Berge, Anselm Hollow, Bob Kaufman, a.o. Other contributors were (a.o.): Simon Vinkenoog (on Provo), Phil Proctor, Liza Williams, Derek Taylor, R. Crumb, Robert Barrows (The Beard). Bill Spater, James Howell, etc.

[#19137]

(Revue) OU - CINQUIEME SAISON

(partly in DE-LUXE edition) A magnificent collection comprising Numbers 1-44 (in 32 physical units, as some were double or triple issues), founded and published by HENRI CHOPIN from 1958 till 1974, plus the concluding number 45 published in Bourges, 1979. This is the most important collection of Concrete and Visual Poetry ever published. Detailed as follows: - CINQUIEME SAISON: Nos. 1-19. Paris, printemps 1958 - automne 1963. Original illustrated wrappers (only lacking no 5). , 8vo, later sq. 8vo.; fine; complete with the gramophone record belonging to no 14/15. Together with All three Supplements 20 Octobre 1961, 20 Janvier 1962, 3 Mai 1963 (signification de l’art) - OU: Nos. 20-44 (= last published). Sceaux (France), from no 34 Ingatestone (Essex,Great Britain. 1964 - 1974. In the original illustrated and decorated wrappers and portfolios. THE NUMBERS 20/21, 22, 23/24, 25, 26/27, 33, 36/37, 38/39 are in the DE-LUXE EDITION and no. 34 is one of the lettered edition B-J. - and additional :13 letters and a postcard from Gianni Bertini to Chopin, dating 1974/75/76 concerning their works and collaboration. “

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Cinquième Saison” was at first edited Raymond Syte, after the first 2 numbers it was taken over by Henri Chopin and continued under his editorship. With contributions by Chopin, Syte (under various pseudonyms), Michel Seuphor, Pierre-Albert Birot, Guillevic, Jean Follain, Luc Estang, Saint-Helm, Jacques Spacagna, Bernard Heidsieck, Paul de Vree, Ime Pan, V. Feyder, M. Cahn, Arthur Petronio, etcetera. Artistical contributions by: Bertini, Key Sato, Chavignier, Paul Arma, Hundertwasser etc. - No. 1 (printemps 1958): Directeur: Raymond Syte, with Chopin (Petites Suites). - No. 2 (aout 1958): with Chopin (Vouloir) and Jacques Spacagna (Peu pressés). - No. 3 (décembre 1958, entitled 'La Poésie Jazzante') contains Chopin's first 'audio-poème' (La Pêche). - No. 4 (mars 1959) Henri Chopin becomes the sole responsible editor-in-chief. On white paper, untrimmed. - No. 5 (été 1959): Chopin Piece politique, Claude Pelieu, Gaston Puel. (This issue now missing) - No. 6 (Automne 1959) contains Poème-concret 'La Peur' pour trois voix et bandes magnétiques. - No. 7 (hiver 1959/60): Chopin adds Arthur Pétronio and Pierre-Albert Birot. - No. 8 (printemps 1960): 'Poésie ouverte' . - No. 9 (été 1960): the number of pages doubles; for lack of money Chopin published this and the next issue with cooperative support from his authors "Au plus près 1". - No. 10 (automne 1960): "Au plus près 2". First issue to contain illustrations (Rousselot, Pierre-Albert Birot, Edmond Humeau, Sain Helm, Michel Seuphor, Ernest Haumesser). Monogram of Arthur Petronio. - No. 11 (printemps 1961): Contains Jean-Jacques Lévêque: Labyrinthe. Mythologie personelle. With illustration by Hundertwasser; (Covers of nos. 11-13 and supplements designed by Ernest Haumesser). - No. 12 (été 1961): first issue with collaboration by Smadja; nos 11 & 12 contain first publications of Sol Air. - No. 13 (automne/hiver 1961): Chopin 'Sur-dada 1961'. Luc Peire, composition graphique. - No. 14/15 (printemps/été 1962): enlarged size (19 x 19 cm), cover by Luc Peire & Henri Chopin. Article by Chopin, Lovano and Seuphor: 'Introduction sur les arts nouveaux'. The first number to be published with a gramophone record ('Flutes de sang' by G. Murail & 'Mélismes' by M. Delannoy). - No. 16 (automne 1962): Cover by Key Sato & H. Chopin, reproducing works of various Japanese artist (Numéro franco-japonais). Stamp of Petronio. - No. 17 (hiver 1962-63): Cover by Chavignier. 'Numéro d'échange entre la Belgique et la France'. WithMonogram of Artur Petronio - No. 18 (printemps 1963): Cover by Léo Breuer. Dessins et textes de Gaston Chaissac; Michel Seuphor: L'éphémère est éternel (written and with stage settings by Piet Mondrian in 1926); etc. - No. 19 (été/automne 1963): Cover by S. Rodillon. Contributions by Paul de Vree, Jean Arp (unpublished poem 'Motus Motus'). De nouvelle dimensions sonores et visuelles (Hansjorg Gisiger; Tjerk Wicky/Luc Peire: Filme Pêche de Nuit; M. Arnould, etc. Monogram of Arthur Petronio, also inside. Together with: - Supplément (1) 20 oct. 1961: Poèmes-objets. - Supplément (2) 20 janvier 1962: Poésie objective. Exposition 'Galerie La Jeune Parque, Lyon' de J.J. Lévêque, G. Guillot, H. Chopin, J. Pérol.- and the very rare Supplement : Signification de l’art du xx.es. Mai 1962, by Seuphor and Chopin. From here onward with change of name: --OU Nos. 20-44. Sceaux/later Ingatestone. 1964-1974, partly in DE-LUXE with many additional supplements, as detailed below, and the No. 45 (last published) which is a reprospective published in Bourges,1979. -n°20/21. 1964 : DE-LUXE. Couverture originale de Gianni Bertini. Dim : 27 x 27 cm. 1/10 exempl. de luxe une gravure originale de Guitet (signée) et un bois de Bertini (signé) dans un étui-chemise gris. Contributions de Bertini, Guitet, Gysin, Dupuy, Janicot, Berthier. Inclu un disque 33 tours : face A : Heisieck Poème-partition et Gysin I am, Machine-Poem, face B : Gysin Machine-Poem et Chopin Vibrespace Audio Poème. De plus : - l'exempl. est signé par Chopin - Gysin et Heidsieck sour leur nom au colophon. - l'exempl. est dédicacé au libraire et éditeur Jean Petithory par Bertini avec un jeu de mots sur OU. Joint : Bulletin de souscription - n°22. s.l.n.d. [1964]: DE-LUXE. Couverture originale de Paul-Armand Gette. Dim : 27 x 27 cm 1/10 exempl. de luxe sur Arches avec une lithographie originale de Gette et une gravure originale de Berni dans un étui toile où est inscrit OU au pochoir. Contributions de Berni, Sharkey, Furnival, Altmann, Houédard, Heidsieck, F. St.-Thibault, Chopin, Burka, Morgan, Pelieu, Finlay, Haussman. Joint : Bulletin de sousciption - n°23/24 . 1965 : DE-LUXE. Couverture originale de Kosice. Dim : 27 x 27 cm 1/10 exempl. de luxe : Etui contenant l'exempl. + une suite contenant un photomontage original de Kocise et une lithographie signée de Rotella. Contributions de Man Ray (Rayograph), Bertini, J-L. Philippe, Rochber Gybduf (lire : ROtella, CHopin, BERtini, GYsin, B. heidsieck, DUFrêne), P.A. Gette, B. Heidsieck. Recueil (19 x 19 cm, 16 pp) : contributions de Caniaris, P. Clerc, P. de Vree, G. Foreau, Janicot, Lattanzi, Rotella. Disque 33 tours (25 cm), Face A : Dufrêne Crirythmes 1958 et 1964, Rotella 7 Poèmes phonétiques 1949 à 1963, Heidsieck Poème-partition "J" 1963, face B : Heidsieck Le Quatrième Plan 1963, Brion Gysin 3 Permutations 1960, Chopin Audio-poème "l'energie du sommeil" 1965. - n°25 . 1965 : DE-LUXE. Couverture illustrée (auteur anonyme). Dim : 26 x 27 cm 1/10 exempl. de luxe avec une lithographie originale de Chopin et une néo-gravure en relief de Krasno dans un étui toile. Ce numéro a été réalisé à l'occasion des Scéances de Poésies de la Quatrième Bienale de Paris. Contributions de Dufrêne, Ian Hamilton Finlay, Jean-J. Lévêque, Gabriel Paris, Dora Feilane, Chopin, Serge Béguier, Bertini, Fr. Saint-Thibault, Laura Sheleen, John Giorno, Brion Gysin, Heidsieck, Les Aëlys, P.A. Gette, Alain Jouffroy, Jean-Clarence Lambert, Rodolfo Krasno. - n°26/27. 1965 : DE-LUXE. Couverture originale illustrée de Burka. Dim : 27 x 27 cm Le homard Cosmographique. 1/10 exempl. de luxe dans un étui in 4 oblong sur lequel est collé une empreinte-photo de Béguier et contenant le n° sur Arches + la suite comprenant une aquatinte de Roberto Altmann et une sérigraphie de Furnival. Contributions de Edmund Alleyn, Roberto Altmann, Serge Béguier, Bertini, Jan Burka, Henri Chopin, John Furnival, Ilse et Pierre Garnier, Hirsal Grögereva, Jiri Kolar, Kosice, Hansjörg Mayer, Rancillac, C. Frederick, Reutersward, Rotella, Ben. Disque 45 tours (17 cm) face A : Raoul Hausmann Poèmes phonétiques 1918, Face B : Bernard Heidsieck Poèmes-partitions 65, Chopin Audio-poèmes 1962 et 1963. - n°28/29. 1966 : Couverture originale illustrée de Henri Chopin. Dim : 27 x 27 cm 1/475 exempl. numérotés. Contributions de François Dufrêne, Spacagna, Julien Blaine, Cozette De Charmoy, Melo e Castro (Objet poématique, Chopin raconte que l'artiste est venu les apporter lui-même pour éviter la censure), Adriano Spatola, Yaacov Agam, Alain Arias-Misson, Fr. Saint-Thibault, Laura Sheleen, Jean Boudet, F. Dufrêne, Paul de Vree. Disque 33 tours (25 cm), face A : Dufrêne 12'35. triptycrirythme 1966 et Paul de Vree veronika 1953, Face B : Paul de Vree Ogenblik 1948, Kleine Caroli 1963, Vertigo Gli 1963, Een Roos a Rose 1964 et Chopin Sol Air, ballet des espaces 1961. - n°30-31. 1967 : Couverture originale de Ben Vautier. Dim : 27 x 27 cm 1/475 exempl. numérotés. 9 poèmes + 1 badge poétique de Yaacov Agam, 1 dépliant-relief-objet de John Furnival (signé et daté 1967), 1 dessin d' Aude Jessemin, 1 graphie de Luc Peire, 2 poèmes futuristes polonais d'Anatol Stern, 1 poème graphique 2 couleurs de Luigi Ferro. + joint le bulletin de souscription. Disque 33 tours (25 cm) de Chopin Le corps, 22' pour Vivre pour vivre II, 1957, enregistrement exclusivement vocal 1966. - n°32. 1967 6 pages agrafées publiées à l'occasion de l'exposition Lumière et Mouvement, de Dufrêne, Chopin et Wolman au Musée d'Art Moderne de la Ville de Paris. Dim : 21 x 27 cm Textes La Guerre - deux périodes de Blaine, Chopin et Muller, Crirythme en six de Dufrêne (correction manuscrite de Chopin), La Mégapneumie de Wolman. - n°33. 1968 : DE-LUXE. Couverture originale de Bernard Aubertin. Dim : 19,5 x 19 cm. 36 pages. 1/10 exempl. de luxe sur Arches avec un dessous d'affiche de Dufrêsne, un collage d'Heidsieck, un poème graphique (dactylopoème) de Chopin, un scotch de Wolman dans une boite de toile noire. Contributions de Albert Birot La Grande Vie, Jean Claude Moineau Manifeste significations, Henri Chopin Lettre ouverte aux musiciens aphones. Disque 45 tours (17 cm), face A : B. Heidsieck : Biopsie V 66, Quel Age Avez-Vous?, Dufrêne : Crirythme 67 Dédié à H. Chopin, face B : Gil J. Wolman : Mégapneumes 67, La Mémoire, Chopin : Audio-poème 67, le Ventre de Bertini. Joint : Bulletin de souscription - n°34/35. 1969 : Edition 1/10. Couverture originale cartonnée rouge estampée à froid de Gisiger. Dim : 27 x 27 cm 1/10 exempl numérotés de B à J dans un étui de toile rouge avec en plus une gravure estampée à froid de Gisiger signée, l'offset de Balch-Burroughs-Gysin-Sommerville signé par Chopin et mis à part l'offset de Balch-Burroughs-Gysin-Sommerville et le poster de Degottex, tous les posters sont sur papier de luxe. Contributions de Balch, Burroughs, Gysin, Chopin, Bob Cobbing, P.A. Gette (affiche 68 Le mur - the wall, sur papier fort), Degottex (affiche en sérigraphie Il faut du noir pour sortir du rouge), Hugh Davies,Gomez de Liano, M. Seuphor. Disque 33 tours (25 cm), face A: Dufrêne Haut-satur 1967, face B : Bob Cobbing Marvo movie natter 1968, Spontaneous Appealinair Contemprate Apollinaire 1968, Chopin : Mes bronches 1966. Exempl. dédicacé et signé par Chopin. Joint : Bulletin de souscription - n°36/37. 1970 : DE-LUXE. Couverture originale en plastique rouge de Gianni Bertini Dim : 27 x 27 cm 1/10 exempl. de luxe avec une sculpture magnétique de Alice Hutchins et un chapeau sonore de Anna Lockwood conservé dans une boite de toile rouge avec une fenêtre laissant apparaitre un sein de la couverture sculpture de G. Bertini. De plus, les posters de Neuhuys, Moineau et Chopin sont sur papier de luxe. Contributions de Raoul Hausmann, Novak, Stefan Themerson, A. Hutchins, A. Lockwood, Tom Phillips, Paul Neuhuys, Moineau, Matusow, R. Hausmann, Paul de Vree, H. Chopin, Michel Seuphor, Brigitte Chopin (fille d'Henri). Disque 33 tours (25 cm), face A : Ladislas Novak La stucture phonétique de la langue tchèque 1969, Hugh Davies Shozyg 1 & 2, , face B : Sten Hanson Don't hesitate do it, do it right now - The glorious desertion 1969, Chopin Les grenouilles d'Aristophane 1967, Heidsieck Ravaillac, tu connais ? 1969. - n°38/39. 1971: . Couverture originale de Henri Chopin. Dim : 27 x 27 cm 1/10 exempl. de luxe comprenant une sérigraphie de Marcelle Cahn et une de Marcel Janco, le tout dans une boite noire avec un bois marqué review en rouge. Contributions de Chopin (Affiche en sérigraphie sur un texte de Burroughs + Affiche en sérigraphie sur un texte de Phases), Cahn, Cozette de Charmoy, Jean Degottex (Affiche en sérigraphie Feu la culture), Gisiger, Raoul Hausmann, Marcel Janco, Marcel Mariën, Richard Orton. Disque 33 tours (25 cm), face A, Chopin : le rire est debout 1969, B.E. Johnson : (Among) II, 1970. Face B, Hanson : Railroad poem et Révolution 1970, J. Bekaert : The day after 1969. - n°40/41. 1972 : Couverture originale de plastique noire de Hansjörg Gisiger (Portrait d'Ernest). Dim : 27 x 27 cm 1/475 exempl. numérotés. Contributions de Lacasse, Gerz, Hutchins, Themerson, Norguet, C. de Charmoy, Chopin. Disque 33 tours (25 cm), face A : da Silva Audio-poem 1971, William Burroughs Valentine Day Reading 1965, face B : Brion Gysin Poems 1960-62, Heidsieck Passe-Partout no 4 1970, Chopin Le soleil est mécanique. La couverture est un peu défraichie. - n°42/43/44. 1974 : Couverture originale de Axel Knipschild. Dim : 27 x 27 cm 1/10 exempl. de luxe avec un collage de Maccheroni (Sens interdits) et la suite de Tom Phillips sur beau papier signée et numérotée + objet en bois sur lequel est inscrit OU n°42/43/44 signé par Chopin le tout dans un étui de toile rouge. Contributions M. Corfou, T. Phillips, M. Janco, A. Lora-Totino, Chopin, N. Zurbrugg, Jo Verbrugghen, Henri Maccheron(affiche signée), R. Aaron et l'Association. Le fac-similé de la lettre de Roussel annoncé au colophon n'est jamais paru dans aucun des tirages. Disque 33 tours (25 cm), face A : W. Burroughs Reading 1965, Ake Hodell Numro Ba Besch, 1970, face B : Amirkhanian Each 'LL 1971, Novak Two poems 1958-62, Rimbaud Le Vrai Sonnet des Voyelles, Chopin Les mandibules du "Déjeuner sur l'herbe" 1971. Exempl. dédicacé au libraire et éditeur Jean Petithory. Joint : 5 sérigraphies de différentes tailles de Tom Phillips signées et dédicacées à Henri Chopin.

[#15094]

PANDERMA

Revue de la fin du monde.

Nos. 1-13 (all publ.). Basel, 1958-1977. Original pictorial wrappers, 4to & sq. 4to (front-cover no. 6 with browning on the right half). Otherwise all good or fine; the Hundertwasser in mint condition. With photographs, inserts and IMPORTANT ADDITIONAL MATERIALS: original graphic supplements, posters, programs, invitations etc., as detailed below.

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Edited by Carl Laszlo. Complete sets are rare due to the large intervals between publication dates. - No. 1: 1957, No. 2: 1958. - No. 3: "Hommage au Dalaï-Lama, incl. a large original 3-colour lithograph (28 x 117 cm) by Hundertwasser: "Die Flucht des Dalai Lama", colour lithograph, inscribed in the stone, dated Hundertwasser 1959, one of ca. 1.800 prints, cut in the middle and stuck together on the back, long version, 27,5 x 117,5 cm, stamp on the back, laid folded in the magazine Panderma 3. Revue de la fin de l'homme, Basel 1959, Mint condition. -.No. 5-6: Special issues on Schroeder-Sonnenstern and Vasarely incl. each a serigraph by the artist; -No. 7/8 incl. serigraphies by Vasarely, Müller-Brittnau and a lino-cut by Köth. -No. 9: :"Götterdämmerung". incl. lino-cuts by Van Dyken and Lalo(small closed tear at the lower end). - -No. 10/11: devoted to work of Grützke and Marcello Morandini, incl. a serigraphy by Morandini & an off-set print by Grützke (light wear to top) Both signed -No. 12: Special issue 'Freedom for Timothy Leary', incl. 2 photolithos by Gritzner and Bartha -No. 13: Special Issue "Eva Wipf". Contribs. incl. Arp, Man Ray, Cocteau, Hausmann, Picabia, and many other important names in modern art. ADDED: - 4 posters for Performances (Basler Surrealistengruppe, 30.Jan.1957, Albansaal; Ionesco/6 Einakter von C. Laszlo, 12.Juni 1957, Komödie Basel; Théatre Fauteuil; März/April, Alleyn etc.; Théatre Fauteuil, 29. April, Chansons Christian Sarrel; - 3 signed serigraphies, unidentified as to belonging to which of the issues; - 1 large folding poster b/w, with text (1954) and image by Vasarely - Publicity leaflets for Numbers 1, 2, 5 and the special issue for the Dalai-Lama, Hundertwasser - 4 printed Manifests by Laszlo (Manifest gegen den Avantgardismus; Gespenster; Linke Nazis gegen Zionismus; Bevor Neo-Dada war, war Dada da) - 8 invitations to (or programs of) Exhibitions and Manifestations (Festival de la Fin du Monde; Theatre Fauteuil,Musik des Mittelalters etc.; Ionesco, Cocteau, Laszlo; Des Geometers Hochzeit; etc.) - facsimile of letter to Lehmanns Verlag, 13.3.1966.

[#16849]

PARACHUTE

Art contemporain/Contemporary Art.

Nos. 1-125 (all published sofar, publication suspended). Montreal,1975 - January 2007. Original pictorial wrappers. Plus Duane Michels special issue. (No.55 frontcover and first pages waterdamaged, No. 3, 11 and 16 in xerox-copies).

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Parachute was founded by René Blouin and Chantal Pontbriand, who met at Véhicule, one of the first artist-run centres in Canada, (together with A Space and the Western Front) and the Research Group in Arts Administration. It became one of the leading journals on contemporary and modern art dealing with architecture, artists books, curating, music, painting, photography, artists projects, sculpture, theatre, video. Contribtions (in French and English) by: George Bogardi, Chantal Darcy, France Morin, Roland Poulin, Marc Dachy, Philip Fry, Robert Racine, Andrew Forster, Marine Meilleur, a.o.

[#15452]

LA PART DU SABLE

(Cahier de littérature appliquée, Art et Liberté))

(No. 1). Le Caire, n.d. (15 février 1947). 4to; original pictorial wrappers; illustrated. (No. 2). Le Caire, avril 1950, Original wrappers (17 x 24,5 cm); (Cahier de Littérature appliquée, 68 pp). [Destribats, 502] Together with: - Encore l'inconnu. Avril 1959. Le Caire (Imprimerie Alaa Eddine el Chiaty). 20 pages + illustrated wrappers (16,5 x 23,5 cm) with hors-texte (folding out) lithograph by Samy Ali. Numerous illustrations and photographs. Texts in French and in Arabic. - Hommage à Georges Henein. Dernier Cahier de littérature appliquée. La Part du Sabe, Le Caire, Juillet 1974. 130 pp and photograph; original wrappers.

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"Textes poétiques et critiques, achévé d'imprimer au Caire le 15 février 1947", edited by the movement 'Art et Liberté', directed by Georges Henein and Ramses Younane: periodical of the Surrealist Group in Egypt, with illustrations by Fouad Kamel, Samir Rafi, Hassan el Telmisani, Ramsès Younane; literary contribs. by Henein, Jabès, Luca, Lundkvist, Henri Michaux, Henri Pastoureau, etc. No. 2 Rédaction: Charles Lucet, Edmond Jabès, Yves Regnbier, Georges Henein, Jean Grenier, with texts by Ikbal e, Alaily, Roger Arnaldez, Yves Bonnefoy, René Char, Henri Michaux, etc. -Encore línconnu witrh frontipiece hgoto by Chafik Chammas. Texts (in French and Arabic) and illustrations ( many photographs) Sonia Younane, Khadiga Riaz, Ramses Younane, Georges Henein, Roland Vogel, Hamdi Khamis, Alexandre Hornstein,Kouad Kamel, Mounir Hafez, George Andrews (in English), Esther Ménaché, Hassan Hassan, Philippe dÁrschot, Serge Vandercam.

[#18073]

PERMANENT FOOD (Maurizio Cattelan)

Complete set of all 15 numbers published: Nos. 1-15 (all publ.). Milano, Dijon, Les Presses Du Reel. 1996-2007. All in the SPECIAL LIMITED edition of 50 copies for the complete set, each number signed, often inscribed, and numbered (6 issues limited to 50 copies, 7 issues limited to 70 copies and 2 issues limited to 95/100 copies). The cord tying the 2 issues of no 10 together is not present, otherwise the set in very fine condition.

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A full set IN THE SPECIAL LIMITED EDITION of the famous "cannibale" periodical, edited/published by Maurizio CATTELAN and Paolo Manfrin, with Dominique Gonzales-Foerster. Fully described in "In Numbers(Aarons/Roth)", where all the front-covers are reproduced. ... "Drawing its substance from images conscripted from an international stockpile of other magazines, P.F. has been generally devoid of explanation, except for a short declaration in which P.F. characterizes itself as 'a second generation magazine with a free copyright'. As a whole the magazine works on the principle that to put together two images makes the meaning of those images completely different". Brought together in each issue is a thoroughly bewildering,shocking, amusing and grotesque selection of images culled from anywhere, everywhere, and nowhere. The project began in 1996 as an outgrowth of Cattelan's participation in he group exhibition Moral Maze at Le Consortium in Dijon, with Pierre Huyghe and Dominique Gonzalez-Foerster. Contributors include Vanessa Beecroft, Angela Bulloch, Claude Closky, Anne Frémy, Liam Gillick, Carsten Höller, Maurizio Nannucci, Philippe Parreno, Wolfgang Tilmans, a.o. for the first number, and many anonymous contribution and images taken from the international glossy press. Aarons warns that listed contributors in his bibliography should be approched with skepticism, as identities may be concealed behind pseudonyms or misspellings (e.g. Batman, Roobin Hood, Superman,Mata Hari). The first few issues were published with financial support from Le Consortium. Gonzalez-Foerster departed after number one, and was replaced by Paola Manfrin, and McCann Erickson as artistic director. See extensively Aarons/Roth, In Numbers p.306-311) No. 1 - [August 1996]. 95 copies, with the printing blue-toned throughout, numbered on inside rear cover together with a little red heart. No. 2 - [March 1996]. 100 numbered copies, orange-toned throughout, and with "Diffidate delle Imitazioni" inscribed on inside back cover. No. 3 - [October 1996]. 50 numbered copies, green-toned, with "EXTRAFOOD" inscribed on first page. No. 4 - [1996]. 48 numbered copies, with the yellow printed off-register and "PERMANENT YELLOW" inscribed on inside back cover. No. 5 - [1997]. 50 numbered copies, with the cyan printed off-register and "PF" inscribed on the final page. No. 6 - [1998]. 50 numbered copies, with the cover and some pages printed in colour, the rest pale green. "PERMANENT FOOD" inscribed on final page (the 'O's of the word Food are replaced with hearts). No. 7 - [1998]. 50 numbered copies, with the pale green off-register, and "1 2 3 4 5 6 7" inscribed on inside back cover. No. 8 - [2000-1]. 50 numbered copies, with three holes punched through the entire issue, and with "What Would Jesus Say?" inscribed on the final page. No. 9 - [2003]. 70 numbered copies, with all the pages remaining uncut, and a peace sign and heart inscribed on the penultimate page. No. 10 - [2003]. 70 copies published in two complimentary, partially printed volumes tied together with cord. "Food Stuff All You Can Ingest $1.50" inscribed on one cover. Supplement to Vogue Italia - [2003] - extra number. 70 numbered copies, with the magazine sewn shut with pink thread along the fore-edge, and with a small swastika inscribed on rear cover. No. 11 - [2004]. 70 numbered copies, with the entire magazine cut in two horizontally across the middle, and the halves then pasted together. Inscribed with "11" within a star on front cover, numbered on rear cover. (No. 12) No. B - [2004]. Issue 12 was designated "issue B". 70 numbered copies, with an orange spine and "New!" stamp pasted to front cover. (Issue 13 was not published) No. 14 - [2005]. 70 numbered copies, with the covers inverted, and with "Permanent Food" handwritten across the top of the front cover. No. 15 - [2007]. 70 numbered copies, with a large hole drilled through the centre of the entire issue, and with the issue number hand-drawn around the hole.

[#19708]

PHASES

Complete collection, partly in DE-LUXE: Série 1: Nos. 1-11 (all). Paris, janvier 1954-mai 1967. Original illustrated wrappers roy. 8vo. Continued as: Série 2: Nos. 1-5 (all and last publ.). Paris, mai 1969-nov. 1975. Original illustrated wrappers; 4to. 15 issues of which 3 boxed (no 5/6 is a double-issue) and 6 of the issues are in the DE-LUXE edition

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The Groupe PHASES united artists and writers who considered themselves the continuation of the Surrealists and Cobra. Directed by Edouard Jaguer Texts by Scutenaire, Dotremont, Jaguer, Pansaers, Tarnaud, Tapié, Duprey, Giguère, Pastoureau, Aleschinsky, Guerasim Luca, Bryen, Dangelo, R. Hausmann, Gustafson, J.J. Lebel, J.C. Lambert, Jouffroy, Lacomblez, Viseaux, J. Pierre, G. Legrand, Brunius, Chavée, L. Carrington, Mayoux, Cortazar, Thiercelin, Meloux, Langlois, P. d'Arschot, Smejkal, K. Seligmann, L. Novak, Dupuy, A. Roussel, B. Atmani, C. Bernard, P. Joostens, Metton Roquefort, Cruzeiro-Seixas, M. Henry, Guillon, B. Jund, G. Ducornet, I. Serpan, P. Kral, M. Bullock... Illustrations by KO. Götz, C. Boumeister, Corneille, M. Ernst, Dangelo, Gillet, R. Haussmann, G. Bertini, P. Aleschinsky, A. Poujet, C. Bryen, Scanavino, P.A. Gette, J.C. Langlois, C. Viseux, R. Giguère, G. Leegrand, J. Lacomblez, J.H. Silva, Z. Marowski, H. Ginet, A. Dax, H.M. Petersen, G. Posada, J. Zimmermann, L. Novak, R. Martini, W. Lam, J.P. Vielfaure, E. Baj, F. Musika, Man Ray, U. Mariani, Pozzati, R. Frezin, C. Dotremont, C. van Breedam, W. Freddie, P. Bassard, F. Chiro, J.L. Glass, G. Gallizioli, C. Révilla, G. Ducornet, G. Vuillamy, P. Collage, R. Margonari, W. Appelbaum, Kraguly, Rikki, L. Zeller, J. Perahim, R. Lima, C. Sarthou, F. Rosemont... Première série : N°1 : Janvier 1954. Couv. illustré d'un dessin de la tribu Iba - Hors-texte de K.O. Götz - Hors-texte de Christine Boumeister manquant mais remplacé par un hors-texte de Jaguer N°2 : Mars 1955. Couv. de Max Ernst. Publié à l'occasion de l'exposition Phases de l'Art contemporain à la galerie R. Creuze à Paris. N°3 : Nov. 1956. Couv. de Raoul Hausmann. N°4 : Catalogue de l'exposition Phases au Stedelijk Museum d'Amsterdam du 10 mai au 10 juin 1957 N°5/6 : Janv. 1960. Couv. de Camille Bryen (trace de marque d'étiquette) N°7 : Mai 1961. Couv. de K.O. Götz - litho originale de Giguère - litho originale d'Aleschinsky N°8 : Janv. 1963. Couv. de Jacques Lacomblez - Litho originale de J.H. Silva - Litho originale de Corneille - Xylographie de Z. Marowski N°9 : Avril 1964. Couv. de Jean Langlois - 2 Gravures originales de Guadalupe Posada N°10 : Sept. 1965. Couv. de L. Novak - Bois original de R. Martini - Lithos de W. Lam et de J.P. Vielfaure 1/20 exemplaires du tirage de tête signés et numérotés par Jaguer et daté 65 comprenant : - Eau-forte collage signée de Enrico Baj - Litho signée de Wilfredo Lam - Litho signée de Jean-Pierre Vielfaure - Bois signé de Remo Martini 2 pages détachées en fin de volume. N°11 : Mai 1967. Couv. de Bin Kondo - Découpage de Wilfredo Lam - Litho-collage de Enrico Baj - Litho de Frantisek Muzika 1/20 exemplaires du tirage de tête signés et numérotés par Jaguer comprenant : - Rayogramme original signé au crayon de Man Ray avec le cachet de son atelier au dos - Découpage signé de Wilfredo Lam - Litho signée d'Enrico Baj - 3 lithos signées de Musika et datées 67 Seconde série : N°1 : Mai 1969. Couv. de Umberto Mariani 1/20 exempl. du tirage de tête signés par Jaguer comprenant : - Litho signée de Karl-Otto Gotz - Litho signée de Pozzati - Sérigraphie réhaussée de Roger Frézin : annoncée dans le colophon mais ne figure pas à l'exemplaire. - Collage de Paul Joostens (p. 79) : non annoncé dans le colophon N°2 : Mai 1970. Couv. de Roger Frézin - Litho d'Umberto Mariani - Linogravure de Camiel Van Breedam sur toile de jute - Découpage de Ladislav Novak 1/30 exemplaires de tête signés par Jaguer comprenant : - Litho de Wilhem Freddie signée et datée 69 - Eau-forte de Pierre Bassard signée - Découpage original signé par Novak - Lino de Van Breedam signée et datée 1970 - Shirographie rehaussée à la main de Flavio Shiro signée et datée 70 - Litho de Mariani signée et datée 70 N°3 : Nov. 1971. Couv. de Flavio Chiro - Chirographie de Jean-Luc Gass - Chirographie de Giuseppe Gallizioli - Chirographie de Juan-Carlos Langlois Rousseurs sur la 4ème de couverture N°4 : Dec. 1973. Couv. de Carlos Revilla - Chirographie de Guy Ducornet - Chirographie de Gérard Vuillamy : manquante Exemplaire n°1 signé par Jaguer ne comprenant pas les oeuvres indiquées au colophon mais celles indiquées pour les 30 exemplaires de luxe excepté la litho de Gérard Vuillamy manquante : - Chirographie de Guy Ducornet signée - Sérigraphie de Philippe Collage signée - Sérigraphie de Renzo Margonari signée N°5 : Nov. 1975. Couv. d'Enrico Baj - 4 Chirographies de Apellbaum, Kraguly, Rikki et Ducornet, Zeller Exemplaire n°1 signé par Jaguer un peu hétéroclite. Il reprend les oeuvres indiquées pour un des 30 exemplaires numérotés à savoir : - Litho en couleurs de Jules Perahim signée - Litho en couleurs de Rik Lima : manquante - Eau-forte de Rikki signée et datée 75 - Eau-forte de Claude Sarthou signée et datée 75 - Empreinte de W. Appellbaum signée et datée 74 - Jeu complet des 4 planches de timbres de S. Wald et L. Zeller - Chirographie de Rikki et Ducornet : manquante Seules 3 oeuvres sur 7 indiquées pour le n°1 sont présentes : - Collage original sur carton de Ludwig Zeller - Dessin original sur carton de Claude Sarthou - Jeu de dominos réalisé par Rikki et Guy Ducornet - Dessin original de Roure signé : en plus

[#15925]

PRESENÇA

Fôlha de arte e critica.

Series 1: Ano 1-11 (comprising nos. 1-53/54, all publ.) continued as: Series 2: Ano 12 (comprising nos.1-2, all publ.). Coimbra, Presença, 10 March 1927 - February 1940. First Series: Large folio (38.3 x 29.5 cm.); Second Series: (24 x 19 cm.). Bound in three grey full-cloth bindings with lettering in black on spine and front. The numbers of the first series in self covers; the two numbers of the second series in original printed wrappers. Slight soiling to covers and light browning to some leaves, but overall this set is in excellent condition. Printed on different types of luxury paper of varying colour, in black and white with occasionally colour added.

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Complete run of the most important periodical for Portuguese Modernism, succcessor to Orpheu. Directed by José Régio, João Gaspar Simões and Branquinho da Fonseca (lateron replaced by Casais Monteiro). With innovative avant-garde typography and page-make-up. Published works by the leading figures in Portuguese literature, including Mário Sá-Carneiro, Fernando Pessoa, José Régio, Casais Monteiro, João Gaspar Simões, António de Sousa, Saul Dias, Branquinho da Fonseca, Almada Negreiros, Raul Leal, Alberto de Serpa, Irene Lisboa, José Régio and Miguel Torga. It introduced Gide and Proust to Portuguese readers and started serious critical essays on cinema and contemporary music. It focused on the art of Cubists, Futurists, Primitivists and Expressionists. Graphic contributions by Almada Negreiros, Júlio, Mário Elói, Dórdio Gomes, João Carlos, Sara Afonso, Arlindo Vicente, Paulo, Ventura Porfírio and Bernardo Marques. (Cf.: Pires, Dicionário das revistas literárias do séc. XX, pp. 244-8; Dicionario da Imprensa periodica lit. Portuguesa do seculo XX); Revistas literárias do século XX em Portugal, pp. 382–437) .

[#19682]

PRO

Blätter für neue Literatur (later: Ein schriftlicher Vorgang); later:Jahrbuch für Mitteilungssysteme).

Heft 1-27 (all publ.). Bochum, Düsseldorf, Bulkowski, March 1966-1977. Unbd., original issues printed on various coloured stock , size 30 x 21 cm, later for numbers 13-20 changing to 21 x 15 cm.printed as Photocopies, Letterpress, Offset, Original works (collage etc). with all decorated original wrappers and supplements preserved, stapled in the spine or archival binders. Set in mint condition; illustrated.

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Complete set of this important example of the anarchist and leftist "mini-presses" of the sixties. Strong ties with Leftist movements worldwide, of which Bulkowski acted as the German language spokesman and reporter. Issues are usually around one topic:: No.5 Anarchie und Humor (Provo), No. 8 Texts of the Hippies ; No. 6 Beat-Beat with texts of the Beats; No. 10 Ideal Werbetext; No. 11/12 with orig. Plastic coloured artwork of Thomas Bayrle; No. 18 inspired on the Situationists; No 20 in orig.brown envelope. Numbers 13-21 on quarto size photocopied and combined together with original documents. They are interesting for content, typography and lay-out. Contributors include: Thomas Bayrle (Original color silkscreens on plastic foils), Horst Bingel, Paul Schallück, G. Zwerenz, Max v.d. Grün, N. Born, P. Faecke, D. Hoffmann, G. Kunert, K. Marti, Simon Vinkenoog (Provo), , Peter Chotjewitz, G. Guben, Reimar Lenz, Dietrich Albrecht (Fluxus), Hans-Peter Alvermann,Claus Boehmler, Rolf-Dieter Brinkmann, Stig Brogger, Stanley Brouwn, Henning Christiansen (Fluxus), Hans Peter Feldmann, Robert Filliou, Jochen Gerz, Ludwig Gosewitz (Fluxus), ans Imhoff , H. Kaminski, Tuli Kupferberg, F. Mayroecker + E. Jandl , Franz Mon , Maurizio Nannucci , A.R. Penck , J. Ploog , Chris Reinecke (LIDL) , Ralf-Reiner Rygulla, Wolfg. Schmidt, Tomas Schmit (Fluxus), Klaus Staeck / Eric Thygesen, Miroljub Todorovic , Vangelis Tsakiridis, Iannis Xenakis and numerous others.

[#19631]

PROFIL

Kunstmagazin

Nummer 1 - 10 (all publ., of which 6 numbers in De-Luxe edition). Düsseldorf. Profil und Galerie Kunst im Salon. 1978 - 1983. Orig. Pictorial wrappers. 21 x 15 cm. In very good condition, except for some occasion light toning and some browning on the spines. In this set 6 numbers are from the de-luxe, numbered 37/50 (the regular edition was 500 copies). The de-luxe numbers contain original signed graphics (as detailed below, all measuring approx. 20x15 cm or smaller). A ltogether there are 26 added originals, all signed by the artists and numbered 37/50. The set is composed as follows: Numbers 1 and 2 (regular editions) Number 3 (although not a numbered de-luxe edition contains on inside cover 3 an original signed pencil-drawing by Klaus Rinke). Number 4 (de-luxe 37/50) with 3 signed originals: Halina Jaworski (Polaroid), Mario Reis (Radierung in Pergamintüte), Yoshio Shirakawa (Stempel und Text in Wachskreide auf Abrissblatt); (Frontcover has a few spots in the right upper part). Number 5 (de-luxe 37/50) with 5 signed originals: Franco Campana (Radierung), Otto Piene (mit Filzstift ummalter Offsetdruck, 59/80), Klaus Ritterbusch (Kolorierter Offsetdruck), Keiji Uematsu (Blesitiftzeichnung und Offset), Van den Valentyn (Text), Number 6 (de luxe 37/50) with 3 signed originals: W. E. Herbst (Linolschnitt), Barbara Petri (Kolorierter Offsetdruck), Johannes Lenhart (Materialcollage), Number 7 (de luxe 37/50) with 2 originals: Christoph Ingenhoven(Siebdruck), Tomas Schmitt (Künstlerbuch); Number 8 (de luxe 37/50) with 6 originals: Heinz Scharbert (Radierung), Tatsuo Tsuda (Übermalte Materialcollage), Bernard Bazile (Foto), Wolfgang Döring (mit Wachskreide kolorierter Offsetdruck auf transparentem Pergamin), Hildegard Schöneck (Zeichnung, Buntstift), Erwin Heerich (Offsetdruck); Number 9 (de luxe 37/50) with 6 originals: Rüdiger Kramer (Radierung), Helmut Sundhaußen (Siebdruck), Hella Lütgen (kolorierter Offsetdruck), Johannes Erdmann (Radierung), Paul Wienand (Aquarell), Wolfgang Stickel (kolorierter Offsetdruck). Number 10 (regular edition). With contributions by Joseph Beuys, Theo Lambertin, Günther Uecker, Fritz Schwegler, Erika Kiffl.

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Edited by Hans Georg Ruckes, editorial board Fr.Becker, W.Döring, Harald K.Hülsmanb. Helga Meister,Stephan v.Wiese, With contributions by Joseph Beuys, Theo Lambertin, Günther Uecker, Fritz Schwegler, Erika Kiffl., Dubbick, Hülsmann, Piene, Uematsu, Petri, Ingenhofen, Döring, Kratzer, Lambertin, Winkler, Thiede, Klaus Rinke, Nishikawa, Overdiek, Peetzinka, Pesch and others. Number 4 is special: Kunstpomade. Haar-Scharf (Kunst im Salon).

[#19534]

PURPLE PROSE

Nos. 1-13 (Rare complete , forming Volume 1, all published before the publication split up into various other series). Paris, automne 1992-1998. Original pictorial wrappers.

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In 1992, Elein Fleiss and Olivier Zahm started the magazine Purple Prose as a reaction against the superficial glamour of the 1980’s; much as a part of the global counterculture at the time, inspired by magazines like Interview, Ray Gun, Nova, and Helmut Newton’s Illustrated, but with the aesthetics of what usually is referred to as anti-fashion". There were 13 issues published, which consitute "volume 1", and are offered here. Based on their personal interests and views Purple was, made much in the same spirit of the fanzine. The magazine quickly became associated with the "realism" of the new fashion photography of the 1990’s, with names like Juergen Teller, Terry Richardson, Wolfgang Tillmans, and Mario Sorrenti.Several other "Purple" magazines were published as offspring. Directrice de la Rédaction: Elein Fleiss .Contributors: A. Zittel, R. Bogwa, J. Avgikos, M. Kippenberger, (Courrier, mail from Vienna), P. Van Caeckenbergh (interview with Lieven Van Den Abeele), V. Glabel, J.-L.Vilmouth, D. Lerner, J. Koethe (Interview), J.-C. Menu, Havhivi Edgard Heep of Birds, P. Bouchitey, D. Robbins, Kitten, F. Roche, D. Blair, H. Bond, J. Decter, Inian Summer, (The Elephant Siam , interviews Jean-Luc Vilmouth) , D. Oletsijczuk, D. Jasiak, P. Flessig, Z. Veilhan and J. Rian. Texts in French and English Offered here is: Purple Prose volume 1 complete: 1, automne 1992- 2, hiver 1993, -3, été 1993, -4, automne 1993, - 5, hiver 1994, - 6, été 199- 7, automne1994- 8, hiver 1995- 9, été 1995-10, winter 1996-11, summer 1996 - 12, summer 1997 -13, winter 1998.

[#17963]

PUSS

Nos. 1-24 (all published), [Stockholm], Solna, Williamssons offset, respektive Sala, Ågren & Holmbergs boktr. AB. January 1968 - (October?) 1973. 29x21,5 cm, last 3 issues tabloid size. Printed in black and red; stapled in the spine. Added: [Prenumerationserbjudande]. (Solna?, ca 1968?, a 4 page coloured prospectus; and: Puss International (16 pages, not dated), probably a zero-number, ca. 1968.

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Complete set of this subversive satirical Swedish underground monthly. Edited by Lars Hillersberg (cartoonist), Karin Frostenson Johan de Geer (photographer, filmmaker), Ulf Rahmberg, Lena Svedberg, Arne Svensso, Chister Themptander and others. Issues varying in size from 16 to 28 pages/issue. The attacks are both on international and internal political issues, targeting the US presidents, sexual liberation, etc.

[#17896]

PUSS ALBUM

Puss album. Vett & villing, sex & spekulation, bluff & båg. Det bästa ur årg. 68-74. Cavefors [1974]. 29,5×21 cm. (128) pages, orig. Pictorial wrapper. (Spine with light damage, otherwise very good.

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Selection of "the best"from PUSS from 1968-1974. a subversive artist periodical, edited by Lars Hillersberg, Carl Johan De Geer, Lena Svedberg and Ulf Rahmberg (published between 1968-1973, 24 issues)

[#18477]

PÄNGGG

Alternativ Zeitung

No 1 (2 versions, orange and green cover), 2, 3. UPN-Sippe, Nürnberg 1970. 4to; numerous ills;ab. 16 pages per issue.

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Published by "Sippenpresse", a German countercultural hippie publishing venture. Promoting the use of marijuana, close to "Hotcha", and close to the Dutch Provos (" Holländische Provos stürmen leere Häuser") and the squatters movement. Kontakt-adresse die Kommune von Raymond Martin in Nürnberg. "Wir sind diejenigen vor denen uns unsere Eltern gewarnt haben". Am 13. Dezember 1972 fand in Jobstgreuth eine Hausdurchsuchung bei der Landkommune UPN-Sippe von circa 20 Kriminalbeamten statt. „Einen richterlichen Hausdurchsuchungsbefehl hatte man keinen, brauchte ihn auch nicht, da die Gefahr im Vorzug schien“.Beschlagnahmt wurden Kundenkarteien, Geschäftsbriefe, persönliche Korrespondenz und die Kommunemitglieder mussten eine körperliche Untersuchung über sich ergehen lassen. Nach der Meinung von Martin war diese Hausdurchsuchung „für die deutsche Untergrundpresse und Kommunebewegung (…) ein warnendes Zeichen“, da die Alternativpresse und die verschiedenen Lebensgemeinschaften Anfangs der 1970er Jahre im Aufbau begriffen und bei der Bevölkerung sowie staatlichen Behörden auf Unverständnis gestoßen waren.

[#18728]

RADAR

Die Zeitschrift zwischen Basel und New York.

Nos. 1-5/6 (all publ.). Basel, Edition C.L.A.G., 1982-1988. Size (h/w): 29,6 x 20,9 cm. With an original silverprint, copyrighted with a stamp on verso in each issue: Original blindstamped metallic wrappers, near mint condition.

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Edited by Carl Laszlo, René Matti and Michael Heitmann. With contributions by Allen Ginsberg, William S. Burroughs, Les Levine, Manon, Taylor Mead, Peter Orlovsky, Andy Warhol, Robert Mapplethorpe a.o. In each issue an original silverprint, copyrighted with a stamp on verso: -No. 1 portrait of William S. Burroughs by Robert Mapplethorpe; -No. 2 photograph by Manon; -No. 3 portrait of Taylor Mead, 1971 by Gerard Malanga; Texts in German, Malanga's writings are in English.The photo of Taylor Mead by Malanga inserted. Covering Malanga's extended works, his diary from 60's, poetry, portraits, nudes to voyeuristic photos, also incl. the Burroughs interview by Malanga -No. 4 portrait of William S. Burroughs by Victor Bockris; - No. 5/6 Eric H. Olson: Fotokomposition, 1985 in the Olson's Photokomposition (8 pages,partly colour)

[#18473]

RAKET.

Numbers 1-15 with supplements and posters (all published, with presursor and additions). Rotterdam, 1979-1983. -WITH:Precursor: Marcel Megawatt Blad -ADDED: De Avonturen van Red Rat (a continuation in the form of cartoon strips). All in generally good condition, some ragged edges, or light staining. -ADDED:Jubileum edition - K.K. Dubio en de Rondos - Ze zijn er weer ...Kom nou toch jongens, Facisme bestaat allang niet meer. Hitler is al jaren dood - Rotterdam, Raket, 1982 - 305 pp. - paper wrappers - 21 x 30 cm. With added poster "Toen en nu"(rare). -ADDED: unnumbered, undated number,30 pages,stamped kk.dubio.(An additional number (16?): Geis. 1 (?) together with - Geis gaat op Reis, 32 pages + wrappers. Details of the issues below.

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Dutch Anarchist-PUNK periodical, started as newsbulletin for the Rotterdam New Wave Groups, merely one sheet recto/verso. It soon grows out to a full-fledged periodical for Rotterdam Punk, and for Punk in The Netherlands. At first printed (mimeographed) on grey paper in black, soon with photographic illustrations,sometimes with colours in screenprint / stencil / spray technique added. Edited by (Kunst Kollektief) Dubio, and De Rondos, Geis, Aram, Chris de Wit, Teddy Boymans. With the rare precursor/poster: Marcel Megawatt Blad Magazine. Raket, Rotterdam. 1979. 41.9 x 58.5 Cm. Folds out to a two-sided printed poster. Folded in eight. No 6 in cooperation with Kaasee. Featuring: Rondo's ( "I don't like the Rastaman"), Toiletz, ZeroZero, Bunkers, Bunk Music. Donut Music, Filth, Stealer, Kobus van Lankeren, Suburban Punk,attention broadens to Punk outside Rotterdam (Amsterdam, Galerie Anus), Zaandam (sick productions, Gernevieve Van Hooghaut Jonghe, The Hague (Ketchup), Haarlem (World War Rockers), Ash-Tray, Jezus and the Gospelfuckers, Tändstickorshocks, RodeWig, Squats, Jules Deelder, coöperation with Kaasee (Gordelweg 117 Rotterdam). Details of the set: No. 1. 1979, April. One sheet. 62x46,5 cm. (Folded to 31,5x 23,5). -No. 2, 1979. May. One sheet 62x46,5 cm (folded to 31,5x23,5); -No. 3. 1979. Juni. One sheet 62x46,5 cm. (Folded to 31,5x 23,5). -No. 4. 1979. September. 29,5x21 cm. 20 pages, on grey paper, sidestapled. Together with the poster (black on yellow paper, depicting a human figure as target for shooting lessons;this copy has apparently been used for that purpose as there are numerous bullet holes. -No. 5. 1979 Oktober. 34 pages, sidestapled. Together with poster 60x41,5, folded twice; pin-holes in the four corners. - No. 6. 1980. Januari (sic!). 29,5x21 cm. 54 pages sidestapled , with the poster and Shell supplemented); . - No. 7. 1979 December. 29,5x21cm.46 pages sidestapled together with Supplement: Rock against Religion (RAR Organ des Zentralkomitees) 36 pages, sidestapled. POSTER: Rock against Religion. In samenwerking met Kaasee. 41x46,5 cm, folded twice. Photomontage of Nazi-soldiers, Priest, Businessman, falling church-buildings. (Some brown spotting over over middlefold, otherwise in very good condition). -No. 8: 1980. January. Together with the Poster b/w. 60x54 cm., folded twice. And with Bijlage: Marcel Megawat, 10 pp, stapled; -No. 9: Februari 1980 with Bijlage "Rotterdam Graffiti"1. ;-No. 10. 1980 Maart. 29,5x21 cm."Jubileum Raket" 70 pages + 1 loose sheet. Partly in colour.Plus: BijlageRotterdam Graffiti Deel 2. 30 pages. Partly in colour. Plus: Poster printed in red. 43x30,5 cm. (Het Bibelebonsche Rijk). Together with the original kraft mailing envelope, with illustration in black; a bit damaged -No. 11. April/Mei 1980. 29,5x21cm. 76 pages, sidestapled; +Bijlage 22 pages, with Orange Cover, "Verhaal in romanvorm: Trix = The Pix" with caricature of Princess Beatrix in the nude, with piggy policemen.;Ëindexamenskritpie SKA", "graffiti Den Haag" -No. 12. Juni 1980. 29,5x21 cm 100 pages, + Supplement,28 pages (Waarlijk helpe ons God almachtig) (Coronation of Beatrix issue) + 2 posters (42 x 29 cm each. "Schuldig aan"and "Gefallen für Deutschland"). Together with the kraft mailing envelope (a bit damaged) and with the puzzle and the flexidisk -No. 13. September 1980. 29,5x21 cm. With kraft envelope.108 pages. (on backpage: "Bericht van het Verkiezingsfront"). Includes the postcard/photograph "Pearls for the swines", and the poster and Dossier -No. 14. November 1980 (VerzetsRaket). 112 pages + Supplements: Jeugdcultuur & Punk&Verzet. 50 pages, sidestapled (the added badge is not present) + Supplement: De Avonturen van Red Rat. Deel éen.36 pages, sidestapled; + supplement: Over platen maken en hun verspreiding. 24 pages, sidestapled; + supplement: The selling of Limburg. 16 pages, sidestapled. (On the final page announcement: No Hope stops). Together with kraft mailing envelope, rather damaged. ADDED" Unnumbered and undated pamphlets and loose publications: -"The Rondos Song Texts". Printed on a poster, front red/white and blue, with Yellow Hammer and Sickle; Reverse side prints the texts of Rondos Songs. Folded to 8,5x28,5 cm. -"Een beetje vent wordt geen agent"(if you are only a bit of a man you do not become policeman), 40 pages, sidestapled. Not dated; signed Aram. - - Supplement Poster "De Westerse Beschaming,deel 9", Avonturen van Red Rat Addition 4: JUBILEUM-EDITION. Uitgave en copyright Raket, Rotterdam, 1982. oblong, 305 pages + 5 advertising pages; glued in the spine. Frontwrapper (probably)missing. - Vandaag of Morgen. Destroy Fascism.14 pages. - Poster "Which side will you be on", Fight back; White Power - TOGETHER WITH: DE AVONTUREN VAN Red Rat. Deel 1/2, deel 3/4, deel 5/6, deel 7/8, deel 9/10 (complete as published by Uitgeverij "lont", original opictorial wrappers; 1981-1983. Added: Deel 11/12. Revival, published by De Papieren Tijger. 2009. - Thus altogether a magnificent collection, Rare.A very complete offering.

[#17087]

RASSEGNA

Problemi di architettura dell'ambiente.

Nos. 1- 50. (Comprising Anno 1-14). Bologna: Editirice Cipia Srl, 1979- 1992. Quarto; original wrappers, some with light dust soilage, altogether a very good set.

Price on request

► detailed description

Large collection of this Important italian architectural and design quarterly, edited by Vittorio Gregotti. Number 50 is the general index to the previous ones. Each issue on a theme a.o.: 'I clienti de Le Corbusier'; 'Giuseppe Terragni 1904/43'; 'Vehicles 1909/47'; 'il campo della grafica italiana';"II disegno del mobile razionale in Italia 1928-1948", 'Architecture in the Avant-Garde Magazines'; 'Photographs of Architecture'; 'Venice: City of the Modern'; 'Materials of Design'. And many others. Articles usually with English, French & German summaries. A list of titles of the individual issues will be sent on demand.

[#19483]

RAW

The graphix magazine of postponed suicides (becoming: The graphic magazine for damned intellectuals; The graphic aspirin for war fever; The torn again graphix magazine; etc.).

(Vol. 1) Nos. 1-8 and Vol. 2 no 1-3 (all published, together 11 issues, complete set ). New York, 1980-1986, 1989-1991. Folio, unbound in the original full colour pictorial wrappers. (Vol. 2 nos1-3 smaller size 15,5 x 22,5 cm., Penguin Books). Together with: READ YOURSELF RAW. Pages From the Rare 3 Issues of the Comics Magazine for Damned Intellectuals ! New York, Pantheon Books, 1987, 360x270mm, 88p., original coloured pictorial wrappers. This copy SIGNED with a special dedication by Art Spiegelman and a SIGNED DRAWING in black ink: "For Bill Blackbeard w. thanks for your ongoing help to RAW and for your obsessions ! w. best wishes Art Spiegelman" [(William Elsworth Blackbeard (1926-2011), better known as Bill Blackbeard was a noted American specialist in cartoon books]. All in excellent condition.

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► detailed description

The famous ferocious large-folio comics journal, founded and edited by Art Spiegelman and F. Mouly, with magnificent colourful covers and depressing comic strips by Art Spiegelman and others. Included are enclosures with the first appearances of 'Maus, A Survivor's Tale'. the first four chapters of Maus in their original formats bound into issues 2-5. Number 4 contains a vinyl flexi-disc entitled "Reagan Speaks for Himself". All in excellent condition. Other contributors were: Gary Panter, Sue Coe, Fr. Mouly, Bill Griffith, Jacques Tardi, Mark Beyer, Charles Burns, Joost Swarte, Mariscal, Jerry Moriarty, Ever Meulen, Cathy Millet, Lynne Tillman, Scott Gillis, Mark Newgarden, Francoise Mouly, Winsor Mc Cay, a.o. Number 7 has a tear scross the wrapper as part of the design. The compilation of the first 3 issues contains contributions of Tardi, Mariscal, Bruno Richard, Kiki Picasso, Winsor McCay, Gary Panter, J. Swarte, Mark Beyer, Ch. Burns, Ever Meulen, entre autres. Complete with the two inserts: «Two-fisted Painters Action Adventures» (1980 Art Spiegelman), «City of Terror» - Trading Cards (1980 Marc Beyer).

[#18428]

REAKTION

Volumes 1-7 (all publ.).Verlaggalerie Leaman, Düsseldorf, 1975-1983. Original pictorial vinyl ringbinders, containing only original artworks by avant-garde artists of the Gallery, and also many Fluxus related artists. All are looseleaves arranged between dividers with the names of the artists. A few SIGNED in pen or pencil, see below. Contains works on paper, card, photographs or other materials (e.g. broken mirrors pieces, plastic objects, dried leaves, collages,photocopies etc, 32x26 cm. Some of the plastic binders a bit soiled by offsetting xerox-toner, internally very good and clean (except for incidental very light foxing due to paper quality). - At the end of volume 1, pasted onto the inside back cover, is a white sheet of paper (25,5x8,5 cm), with SIGNATURES in pen or pencil, of Uecker, Rainer Ruthenbeck, Megert, Mölzer, Thomkins, Michael Gibbs, Ulises Carrion, with a stamp 19/100. - Volume 3 in a special edition with an extra frontispiece photograph by alex kayser - zak & kingbee, SIGNED IN FELT by each participating artist (Schleber, Schwegler, Gudmunsson, Kayser, Heerich, Spoerri, Nannucci, Hagenberg). The set from an edition of 500 copies,later 1000.

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The complete set of these assemblages of visual poetry, objects, photographs, collages, mixed-media. Some SIGNED IN PEN OR PENCIL BY THE ARTISTS ( see below) -Vol. 1. (1975). Photographically illustrated inside cover with names of the artists: 44 leaves (unnumbered) of artworks by: Michael Gibbs, Leo Erb, Reiner Ruthenbeck, Christian Megert , Ulyses Carrion, Milan Mölzer, Günther Uecker. His contribution consists of 3 sheets of burlap and photofoil, SIGNED in pencil. Added an envelope with some small trimmed sheets of paper,11x22 cm, unopened, but artist not identified. On the inside back cover a white sheet of paper with the SIGNATURES of Uecker, Rainer Ruthenbeck, Megert, Mölzer, Thomkins, Michael Gibbs, Ulises Carrion -Vol. 2 (1976). Edited by Milan Mölzer. Title page by Arnulf Rainer. 46 sheets of varying sizes and materials, plus a plastic bag containing a dried wax-like substance. Contributors Francisco Pino, Adolf Luther, Norbert Kricke, George Brecht, Hubertus Gojowczyk, Alan Czarnowski, Stephan Kukowski, Vera Röhm, Rolf Bendgens, Geza Perneczky, Arnulf Rainer. -Vol. 3 (1977). Edited by Milan Mölzer. Titlepage by Alex Kayser. 54 unnumbered sheets with contributions by Alexander Schleber, Fritz Schwegler, S. Gudmundsson, Alex Kayser, Erwin Heerich, Daniel Spoerri, Maurizio Nannucci, Helfried Hagenberg. -Vol. 4 (1978). Edited by Milan Mölzer and Stephan Missmahl. Titlepage byAlex Kayser, 64 unnumbered sheets with contributions by Reinhard Omir, Ulrich Erben, Axel Heibel, Jean-Pierre Bertrand, Paul van Dijk, Francois Morellet, Hermann De Vries, Claudio Parmiggiani. An unidentified unsigned drawing on the colophon-page. -Vol. 5 (1980).Edited by Milan Mölzer. Title page byiFranklin Berger, 64 unnumbered sheets with contributions by Christian Boltanski, Emmett Williams, Jan Voss, Robert Filliou, John Armleder, Takako Saito, Jaqueline Monnier, Irma Blank, Hreinn Fridfinsson, Zofia Kulik & Przemys Kwiek. -Vol. 6 (1981). Edited by Milan Mölzer. Title page by Vera Rohem & Dieter Rohs, 59 unnumbered sheets with contributions byi Nam June Paik (SIGNED IN PEN BY THE ARTIST), Alison Knowles, Trevor Winkfield, Bob Cobbing, Luciano Ori, Michael Druks, Ian Hamilton Finlay, Bill Griffiths, Gerhard Rühm (one sheet with ADDED TEXT ("inzwischen verbessert") and SIGNATURE by the artist. -Vol. 7 (1983). Edited by Milan Mölzer. Title page by Gary Hincks, 56 unnumbered sheets with contributions by John Furnival, Sausan Hiller, Dick Higgins, Setve Wheatley, Rüri, Gilbert & George, Jean-Luc Vilmouth, Jeff Nuttal, Agnes Denes, Arrigo Lora Totino. (See: Gwen Allen - Artists' Magazines. An alternative space for art, p . 290].

[#19565]

RIPPER (SOUTH BAY RIPPER)

RIPPER fanzine. Numbers 1-8 (all publ.) . San Jose,Ca. 1980 - 1982. All eight issues including the impossible-to-find debut issue published as South Bay Ripper. Some foxing/spotting to cover of No. 1.

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Complete run of this short-lived and highly influential Bay Area punk magazine. Editor/publisher: Tim Tonooka, Contributors,art and photos: Camille Iguana, Thom Lukas, Kat, Scarlot Aroma, Kyn Rousseau, Andrew English, Janet Planet, Kevin Animal, Patty Anderson, Earnest Endeavors, Ruick Rabble, Phil Tiger, Tim Tonooka, John Crawford, and others. - Unter Tones, Kerry Loewen, Peter Bloom, Saucers, Black Flag, DOA Spectators, Social Untrets, The Undead, Maximum Rock'n'Roll, The Fix, Bad Brains, etc.

[#18695]

S.M.S.

Bi-monthly portfolio.

New York: The Letter Edged in Black Press, 1968. A set of Volume 1-6, in six 6 portfolios (all-issued) containing 73 artist's multiples, each housed in artist designed envelope, with each portfolio housed inside original cardboard mailing folder printed with the press address. Edited by William Copley. See: Gwen Allen, Artists'Magazines,p297 Note: Set is complete including the rare original reel to reel tapes by Terry Riley and La Monte Young and the Yoko Ono piece contains the original broken ceramic pieces.

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► detailed description

Six folders of 73 loose multiples and printed matter; each in artist designed envelope. Each envelope is housed inside original cardboard mailing folder printed with the press address. The contents are in very good to excellent shape, also the folders in fine condition, and the mailing folders in excellent condition (only small stain on outside of no2). Because many of the objects are printed pieces of paper of odd sizes that are often folded to fit into the folded artist designed envelope, some "condition problems" naturally occur. Often objects sit next to other odd materials, so some creasing, wrinkling, impressions, etc. were unavoidable. List of contents on demand.

[#17686]

SCRAP

New York's outrageous good fortune.

Nos. 1-8, (all published). December 9, 1960 - June 14, 1962. Unbound, as issued; endemic browning, but altogether in good condition. (No. 1 is 4 pp. on off-white paper, 35.5 x 28.1 cm; nos. 2-8 are 8 pp. each on pale gray paper with page size 30.5 x 22.9 cm,folded in quarters from sheets about 61 x 46 cm). In each issue a few illustrations. Added is a printed brown paper (mailing) envelope for the whole set that could well be the only one still extant. (The envelope lacks its flap and was opened roughly on one side with consequent tears and creases repaired with tape).

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Edited by Anita Ventura (critic and painter, designer of posters for Leo Castelli Gallery) and Sidney Geist (sculptor). (also as: the New York Sunday supplement, subtitle varies). Featuring and illustrating work of Brancusi, Matsumi Kamemitsu, Resnik Reinhardt, Mark Rothko, Cajori, Tom Doyle, Yves Klein, Milton Resnick, Arshile Gorky, Franz Kline, etc. No. 2 has excerpts from a WBAI interview with the editors, "Scrap's First Tape" [a pun on Samuel Beckett's great monologue "Krapp's Last Tape"]. In no. 3 Paul Brach writes on Rauschenberg, and Jasper Johns reviews the printed version of Duchamp's The Bride Stripped Bare by Her Bachelors, Even. No. 4 contains Sidney Geist, A Critique of Criticism, "moodily dare": IFP, and the essay written at the occasion of the Rothko Exhibition curated by Peter Selz (Museum of Modern Art).No. 7 includes a supplement on pink paper 'Pandemonium'. No. 8 features two reviews of Harold Rosenberg's Arshile Gorky: the Man, the Time, the Idea.

[#18766]

SEMINA (Berman, Wallace)

- No. 2. Booklet (21,5 x 14 cm) with light-brown cardboard covers and 28 pages of light-brown stock. Wallace Berman / Stone Brothers Printing, 1957. Slim octavo; brown sheets, with variously-sized hand-printed papers tipped-in, saddle-stapled into cardboard covers with printed photograph sheet applied to front wrapper (photograph in good condition except for some small closed tears on the left side). [28pp]; illus. Light wear along spine fold and extremities, faint stress creasing at right edge of rear wrapper, occasional light offsetting from applied papers onto each other, with author's statement lacking from rear panel, but supplied in fine facsimile. Poems and illustrations of varying sizes glued onto the pages. Photograph on the cover by Charles Brittin(this inscribed in handwriting on the inside backcover). Kept in a full-clothbox with perspex window in the front.

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► detailed description

Rare issue of the most fundamental and groundbreaking periodical in American art and literature of the post-war period, in particular Beat and Underground. It was published as an assemblage and distributed by the visual artist Wallace Berman (1926-1976). Its circulation never exceeded a few hundred copies, it was not for sale but sent to an inner circle of writers and artists which Berman considered his friends and the reflection of his personal identity. 'Semina was a cult magazine' (Robert Duncan); "the magazine depicts the emerging subculture's aesthetics and its values" (Rebecca Solnit). It was thus at the same time an early example of 'mail-art'. Berman himself contributed under the pseudonym Pantale Xantos. Contains: "The bead game" by Hermann Hesse, "Patience" by Paul Eluard, "Poem for Alice" by Jack Anderson, a poem by Mike McClure, a drawing by Jean Cocteau, a poem by Zack Walsh, "Incompatible" by Eric Cashen, a poem and, two photographs by Wallace Berman, "Its Living Now" by J.B. May, "Tomb Of A Cursed Poet" by Charles Baudelaire, "Does a ghost have thighs" by Judson Crews, "Poem" by John Reed, a photograph by Walter Hopps, "From "Cain's Book" 1957" by Alexander Trocchi, "Mine" by Charles Bukowski, a poem by Peder Carr, a drawing by J. Altoon (signed on verso), "Circus" by Marcia Jacobs, a poem by Lynn Trocchi, "Incident" by Idell T. Romero, a photo-composition ("night and day") by Lewis Carroll, a poem by David Meltzer, a poem by Marion Grogan, "The Sylph" by Paul Valery, "Excerpt from work in progress:" by Cameron, "His road" by Rabindranath Tagore, "Art is love is God" by Wallace Berman, "handset with miscellaneous available type & papers". Pasted onto back cover is a facsimile (replacing the missing original) of the manifesto, dated Los Angeles, Dec. 1957, by Wallace Berman on his arrest and conviction and the confiscation of Semina no. 1 because it "displayed lewd matter" in an exhibition at the Ferus Art Gallery. "I will continue to print Semina from locations other than this city of degenerate angels. "

[#19472]

SEMINA (Berman, Wallace)

- No. 6. "The Clown: A Poem" by David Meltzer. 335 copies printed. 14 un -numbered sheets,14,5x12 cm, handprinted in black and red on off-white stock, loose in interior pocket, inside white photostock front and back cover, Cover photo(s): Wallace Berman (5 round b/w photo-fragments). Larkspur,Calif.1960. Cover in good condition, very small stain in right margin, small bump in right bottom corner and lower spine lightly loosening,split of ab.3 cm. . On back cover in red: Art is Love is God. Inside front cover a stamp in purple of the American flag.

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► detailed description

Complete copy of the sixth issue of Berman's iconic assemblage zine, dedicated entirely to David Meltzer's 13-part poem "The Clown." Berman illustrated the title leaf and designed the photographic collage on the cover of the portfolio, featuring four images of his Larkspur landlady and Sausalito gallery owner Phyllis surrounding an image of the Semina Gallery. This copy has distinguished provenance, coming from Berman's inner circle, the estate of his close friend and fellow artist Ben Talbert, who died of an accidental overdose sometime in 1974. One can occasionally (meaning, maybe every 3-4 years) turn up a copy of any issue of Semina, but you almost never encounter issues owned by people within Berman's circle, which most of the time, is where a good many of the few issues produced ended up.

[#18867]

SMEGMA

The magazine

Nos. 1 (October 1978) through 4 (1981) (all published). New York: Smegmania Productions, Iglust Productions, etc., 1978 - 1981. A complete set in four issues, (No.1 :28 pages incl green cover; No. 2: 24 pages incl.cover in blue and red; No. 3: 28 pages incl.green wrappers, plus additions " Hot Dog, You Bet!" 45 rpm flexi-disc", an unpeeled set of "Smegma: the Magazine" stickers and paper Insert Hot Dog with Cavellini sticker; No 4: 24 pages, b/w cover wirth 2 additional paper inserts "Page torn from the Bible" and "Moot Point"). Accompanied by a complete set of supplemental Smegma-related print productions including: - A Supple Mint, nos. 1 (1978) through 3 (1980); - Smegma Calendars for 1979, 1980, 1981, and 1982; - eleven (11) Smegma flyers produced by Lust and Igloo between 1978 and 1981 to advertise forthcoming issues of the magazine; as well as - an extra dis-bound copy of the Smegmatronics "Hot Dog, You Bet!" 45 rpm flexi-disc and additional unpeeled set of "Smegma: the Magazine" stickers (both also present as called for in issue no. 3 of the magazine). Various sizes, 12 mo. to tall 4to. Near fine. Self wrappers, stapled. Three calendars ring-bound. Related print ephemera in fine condition. Most probably the complete set of all published.

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Neo-dada underground music and art magazine published by Smegmanagers: Torridzone Igloo (Alexander Hirka), Scarlatina Lust, Contributors were Jim Howley, John Potter, Lester Burg, Spaz Turner, Joan Scholvin, Tuli Kupferberg, Buster Cleveland, Bart Plantenga, Tod Jorgensen, disloKate Klammer, E.F.HiggingsIII, Joanne Mayhew-Young. One of the first montage-style punkzines. Includes some original drawings by Tuli Kupferberg (of the Fugs) etc., with collage and mail-art. The set is accompanied by a complete set of supplemental Smegma-related print productions consisting of: - A Supple Mint, nos. 1 (1978) through 3 (1980): [8; 12; 14 pages; 21,5x17,5 cm; photocopied with colour added by hand] ; - Smegma Calendars for 1979, 1980, 1981, and 1982 ; [24 pages, 21,5x17,5 cm; 13 pages, 35,5x21,5cm; 13 pages, 35.5x21,5cm; 13 pages,12x10 cm]. The Calender pages each month done by other one of the contributors, with sheets of different colour per month. held together by metal rings to allow to turn the monthly pages (last page of 1980 detached from one ring, but otherwise intact). - eleven (11) Smegma flyers produced by Lust and Igloo between 1978 and 1981 to advertise forthcoming issues of the magazine ; as well as an - extra dis-bound copy of the Smegatronics "Hot Dog, You Bet!" 45 rpm flexi-disc and additional unpeeled set of "Smegma: the Magazine" stickers (both also present as called for in issue no. 3 of the magazine). --Contributors were Jim Howley, John Potter, Lester Burg, Spaz Turner, Joan Scholvin, Tuli Kupferberg, Buster Cleveland, Bart Plantenga, Tod Jorgensen, disloKate Klammer, E.F.HiggingsIII, Joanne Mayhew-Young, a.o Rare. NOT in "In Numbers" and not in "Allen".

[#11017]

SPEKTRUM

Vierteljahresschrift für Dichtung und Graphik (also: Vierteljahresschrift für Originalgraphik und Dichtung).

Nos. 1-133 (=all publ.). Zürich, 1958-1992. Folio; original loose issues; nos 1-94 kept in 10 plain blck portfolios. Rare complete set.

Price on request

► detailed description

Ed. by S. Knebel & F. Rellstab; contains hundreds of original graphics by all the leading artists. Woodcuts a.o. by Faesi, Liemann, Vennekamp, Waldschmidt, Staeck, I. Reiner, Rössing, Fuchs, Rohse, Meckel, Grieshaber, and artists-issues no. 25 (Grieshaber, 8 woodcuts), 48 (Hansen-Bahia (12 woodcuts); 51 (Durer, with 7 woodcuts by Grieshaber); 58 (Griechenland, with 7 woodcuts by Grieshaber). Contribs. by Artmann, Bachmann, Celan, Eich, Dürrenmatt, Enzensberger, Walse, Kaschnitz, Bobrowski, Fuchs, Grass, Kunert, a.o.

[#19691]

STEMPELPLAATS (Amsterdam)

See entry RUBBER in this catalog.

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[#19481]

SUBURBAN RELAPSE

Numbers 1-13 (all publ.). Miami, FL. August 1981 - 1985. All issues 28x21,5 cm. (b/w), nos 2-5 in reduced size 21,5x18 cm. (b/w,wrappers coloured paper). Complete run of all 13 issues of this elusive Florida fanzine. The early issues, particularly issue #1, are elusive.

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Punk rag published by Barry Soltz (a/k/a Boz) covering the South Florida early punk scene on into hardcore and eventually national acts and filmmakers. Powered by SmugMug. Editor: Boz, contributors: Olivier, Wendle Holiday, Cathy Sheekey, Craig Snyder (also cover photo and Logos), Stillano, Adam Klein. Orig price sticker to no.8. "One of the longest-running punk zines to come out of Miami. Contents include interviews, reviews of local restaurants, shows, and albums."

[#18690]

TAKE IT !

Nos. 1-6 (all publ.). punk fanzine, Boston, 1981 - 1982 All six original issues of this short-lived, Boston-based punk mag! With one small exception (issue #1 has a 3" closed tear on the back cover), all issues have been stored in polypropylene sleeve and are in excellent condition complete with flexis.

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Set composed as follows: No.1: Psychedelic Furs, Slits, Snakefinger and Brian Brain plus a Trademarks flexi. No.2: Pete Shelly, NRBQ plus a Creamers/Moving Parts flexi. No.3: Willie "Loco" Alexander, Mission of Burma, Individuals, Eddie & the Hot Rods plus a Yellow/Renaldo & The Loaf flexi. No.4: 1/2 Japanese, Lyres, John Cale, Armand Schaubroeck, Richard Meltzer and Ira Kaplan plus a Mutants/Half Japanese flexi. No.5: Dead Kennedys with Flipper/Angry Samoans/DK's flexi. No.6: Flesh Eaters with Tex & The Horseheads/Meat Puppets/Flesh Eaters flexi.

[#19662]

TECHNE (Tèchne)

Vol. 1-10 (consisting of 7 physical volumes: 1, 2, 3/4, 5/6, 7/8, 9/10). Each volume is an assembling of loose contributions by various artists ,stapled twice in the left margin, with overlaying edges (ca. 34x25,4 cm.). Condition of this set is excellent. - Vol. 1: ottobre 1969. Antologia a cura di Eugenio Miccini,1969. Black front cover with the banderol stapled on; (condition near fine). - Vol. 2: dicembre 1969. Antologia a cura di Eugenio Miccini, 1969. Redazione: Pier Luigi Tazzi, Egidio Mucci, Gianni Broi. Red front cover, with the banderol; blank back cover. ( condition excellent ) - Vol. 3/4: Antologia a cura di Eugenio Miccini, 1970. Green front cover (detached from staples, with very small loss of paper), with the banderol printed, back cover blank;. Loose insert: large poster-size,folded 4 times: "Giuseppe Manigrosso,Techne 13 febbraio, Firenze, (a clean intact copyn with only some toning over the folds)"; and a signed contribution by De Vree; (condition very good) - Vol. 5/6: Antologia a cura di Eugenio Miccini, 1970. Yellow front cover, back cover printed in blue. With contribution Arcelli loosely laid in. Added: programma 'Arte per Arte', maggio/giugno 1970. (condition: excellent) - Vol. 7/8: Antologia a cura di Eugenio Miccini, 1970. Redazione: Pier Luigi Tazzi, Egidio Mucci, Gianni Broi, Giusi Coppini. Grey front cover, back cover printed in grey. With folded large size poster ("Montepulciano cripta del Gesu.etc"). And 4 other inserts (loose). (condition: back cover loosening from the staples, otherwise excellent) - Vol. 9/10: giugnio 1972. Antologia a cura di Eugenio Miccini, 1970. Violet front cover and blank back cover (pasted around stapled pages).(Condition excellent)

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► detailed description

TECHNÉ,an assembling published in Florence, was handmade from artists submissions (like "Geiger" which was published in Torino) , but with notably more political engagement. It was edited by Eugenio Miccini. Each number comprises ab. 60 sheets contributed by various artists and poets such as: Adriano Spatola, Sarenco, Bussotti, Gianni Bertini, Bernard Aubertin, Betto, Jean-François Bory, Giovanni Broi, John Cage, Luciano Caruso, Lino Centi, Gilo Dorfles, Josef M.FigueresWalter Fusi, Isgrò, Fabbio Mauri, Eugenio Miccini, Giovan Battista Nazzaro, Michele Perfetti, Oberto, Poggiali, Gabri Rossi, Renato Spagnoli, Giuseppe Chiari, Timm Ulrichs, Franco Vaccari, André Vandegeerd, Pierre Vandrepote, etc. There were 3 more volumes published (11/13, 14/16, 17/19), not offered here, in smaller size, and entirely printed (not containing loose contributions). These later volumes are offset printed,, sewn in card wrappers (22x16cm) and of less interest.

[#19515]

TERMINAL

Philadelphia's New Music Magazine.

Nos. 1-19 (all publ.) Philadelphia, PA. 1980 - 1985. ( 31x23 cm for nos. 1-7, then nos. 8-15 enlarging to 39x29 cm., later issues epanding to tabloids 43x 29. B/w printing, with colour red added starting no 15.) At first 20 pp/issue, expanding to 40 pp issue. Numerous photographs. Flexi-disks added to Nos. 15 and 18. The complete set, rare. Some occasional wear to newsprint issues but all complete including both flexi-discs

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► detailed description

Legendary Philadelphia Punk Magazine. Publisher: Steven Fritz, editor (s): Jason Keeh, Julian Kernes, Carol Schutzbank, Sandra Davis, Sanra Garcia., production mgr. Julian Kernes, Contributors: Dave Brookman (also Photography), Frank Chemielewski, Sean Dunnill, Ernie, Griffin a.o.'photography Judy Rosario, Helen Schwartz, Lisa Cortez, Ricky Ercoli, Lisa Haun, Debbi Holcombem Susan Carson, Gary Chun, Wayne Cozzilino, Les Flint, and others. No. 16/17 double Black Flag; No. 7 Punkfest.

[#19695]

TRANS/FORMATION

Arts, Communication, Environment; A World Review.

Vol. 1 no 1-3 (all published). New York: Wittenborn, Schulz, 1950-52. Original wrappers (covers slightly rubbed with light shaving of the colour). But altogether a very good set.

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► detailed description

Edited by Harry Holtzman. Early attempt at bridging the gap between art and science this publication includes contributors in many fields: S.I. Hayakawa, Alfred H. Barr Jr., Buckminster Fuller, Le Corbusier, Nicolas Calas, Bernard Rudofsky, Gyorgy Kepes, Werner Heisenberg, Albert Einstein, Sibyl Moholy-Nagy, John Cage (Feldman,Boulez,Wolff) , Willem de Kooning, Piet Mondrian, Nicolas Calas,Alberto Giacometti, Benjamin Péret. Each issue contains one of Ad Reinhardt's "comics" commenting on the art scene (Museum Landscape; Museum Racig Form; Art od Life of Art)

[#16249]

UNICORNIO (Bicórnio, Tricórnio,Tetracórnio, Pentacórnio)

Antologia de inéditos de autores portugueses contemporâneos, organizada por José–Augusto França.

Numbers 1-5 (each with changing title, subsequently: Unicórnio, Bicórnio, Tricórnio, Tetracórnio, Pentacórnio). Lisbon, Imprensa Libânio da Silva, May 1951- December 1956. Bound in blue morocco (binding signed Victor Santos), raised bands and gilt lettering on spine and front, top rouged, other edges untrimmed. (26 x 20 cm.). The very nice original illustrated front and back-wrappers of all issues bound in. Illustrations (lino- and woodcuts) in the text, 3 illustrations tipped into text and 9 hors-textes. The first number is duplicated with an untrimmed (lightly foxed) separate number containing the 3 hors-textes which were not included in the bound volume. This set belonged to Luiz Pacheco (Lisbon,1925-), and has several annotations by him. "Unicornio" includes extensive annotations with blue pencil, including a few designs in his hand. "Tetracórnio" is one of 30 copies on special paper, signed and numbered in blue ink "Nº 29 J–A França" in bottom margin of verso of title page. The bound volume is offered TOGETHER WITH additional de-luxe copies off numbers 2 and 3. Each issue 19 x 24 cm in illustrated covers, untrimmed and both in excellent condition as follows: No. 2: Bicornio, Lisboa, Abril 1952; Apparently one of the de-luxe edition limited to 30 copies. The cover is a jute-over-stiff cardboard wrapper, ornated on the front by a handmade silkscreened copy of an original painting by Fernando Lemos and illustrated by 3 hors-textes by Antonio Pedro and linocuts by Fernando Azevedo. No.3: Tricornio. Lisboa, 15 Nov. 1952; Cover is ornated by a handmade silkscreened copy of an original painting by Roberto de Araujo, 3 hors-textes by Almada Negreiros and vignettes by Fernando Lemos. The 3 hors-texts in number 1 are "Nu", fotografia de fernando Lemos; a drawing by F. Azevedo and a drawing by Vespeira.

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This journal, directed and edited by José-Augusto França, aimed at offering an anthology of Portuguese avant-garde, and had close ties to Surrealism. Complete sets are very rare. (No. 1: 64 pp, and 3 plates; No. 2: 64 pp.and 3 plates; No. 3: 64 pp. and 3 plates; No. 4: 72 pp.and 3 illustrations tipped into text; No. 5: 70 pp.) This periodical was privately printed in an unjustified edition of probably not more than 200 copies, in order to escape the attention of the censors as it included much material that would displease the Salazar regime. The aim of the editor was to unite prose, poetry and essayistic work of all avant-garde directions. The journal thus became a true anthology of Portuguese avant-gardes and its collaborators included modernists and postmodernists from the generation of Presença, as well as neo-realists, together with surrealists. Contributors included: Adolfo Casais Monteiro, António Pedro, José Augusto França, Fernando Azevedo, Jorge de Sena (among his several pieces is one on D.H. Lawrence, with a translation of the poem "Democracy"), Eduardo Lourenço, Alexandre O'Neill, and José Blanc de Portugal. There are also contributions by Sophia de Mello Breyner Andresen, António Sérgio, Delfim Santos, José Régio, Vitorino Nemésio, Almada Negreiros, Hernâni Cidade, Joel Serrão, Miguel Torga, Fernando Pessoa (a previously unpublished essay in Tricórnio, "O Orpheu e a literatura portuguesa"), David Mourão–Ferreira, Eugénio de Andrade, Fernando Namora, Ferreira de Castro, João Pedro de Andrade, José Osório de Oliveira, Luiz Francisco Rebello, Mário Dionísio, Tomás Ribas, Urbano Tavares Rodrigues, Ruy Cinatti, Tomás Kim, Fernando Lemos, Oscar Lopes, Alberto de Lacerda, and others. In the fifth number França wrote a final note announcing the termination of the review, saying that it had failed due to excessive ambition and lack of contributors. Artistically this review is significant with covers by Fernando Azevedo, Fernando Lemos (in particular nos. 2 and 3, which have extremely stunning silkscreened designs, as described above), Vespeira, also vignettes, woodcuts and linocuts by Almada Negreiros, Fernando Lemos, António Pedro, Roberto de Araujo, a.o. [Provenance: The bohemian critic, polemicist, writer of fiction and publisher Luiz Pacheco, collaborated in A afixação proibida, the first Portuguese surrealist manifesto. See Ana da Silva in Machado, Dicionário de literatura portuguesa; Jorge Colaço in Biblos, III, 1338–40; and Dicionário cronologico de autores portugueses, V, 42.]

[#17147]

UPPERCASE

Nos. 1-5 (all publ.). Whitefriars Press Ltd. London. 1958-1961. 8vo. Original printed wrappers; slight rubbing and staining to covers and creasing to spines (bottom of spine of no.2 damaged, and front cover beginning to split at hinge of no. 3). Altogether a good set.

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Journal of the graphic arts, edited by Theo Crosby, featuring the work of the artists of the Independent Group. - No. 1: 1958. Eduardo Paolozzi, Notes from a lecture at the Institute of Contemporary Arts, 1958. Also a contrib. by David Piper and features on John McHale & Magda Cordell. - No. 2: 1959. Featuring Edward Wright (issue designed with his collaboration); Richard Hamilton (on Duchap Green Box); Richard Matthews (on Kurt Schwitters). - No. 3. 1960. Architectural design of Alison and Peter Smithson; folding-out tabs.; photography of Nigel Henderson. - No. 4. 1960. Featuring William Turnbull, painter sculptor. Also Patricl George. - No. 5. 1961. Analysis of the work of Tomas Maldonado (Visual signs in operative and persuasive communication)and the Hochschule fur Gestaltung at Ulm, Walter Müller (A working procedure in Trade-mark Desigbn); Reproductions of Roger Mayne's photographic series of Southam Street in London. The editor Theo Crosby was architect at the studio of Pentagram, technical editor of Architectural Design magazine and editor of Architectural Review

[#19633]

UTOPIA

Tweemaandelijks tijdschrift voor wetenschappelijk amusement (Utopia. Bi-monthly for scientific entertainment),

A unique ensemble: COMPLETE SET . Numbers 1-10. 1975-1978 1975 - 1977. Together with the 2 Thematic supplements (all published). Variously produced issues in different formats and paper. Complete sets are quite rare because of the small edition of the first issues, TOGETHER WITH: The original DESIGNS for the issues 1, 3, 5, 6 and the special issue on J.M. JUJOL, together on ±55 lvs., mostly w. mounted letterpress articles, illustrations and original drawings. (Note:- Mounted letterpress articles partly loose(ning). = With numerous manuscript directions for the printer in blank margins. The original drawings comprise two comics and a drawing by CHIEL (VAN DER STELT) ("Mr. Fluxus comments...", "Fluxus heeft druk werk", "Utopia gaat gewoon door!", pen and felt-tip pen, 1x dated "'76"), an anonymous drawing "Maarten Pedroli's Tofplof automaat" and various designs of the frog that was used for the frontwrapper of Utopia 5.

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Redactie / edited by: Hans Oldewarris, Hans Kamphuis, Jan Pesman, Peter de Winter. Variously produced issues in various formats and paper. An important and very remarkable periodical on innovative and creative design. Nr. 1. "Various articles with supplement : Guitar with electronics" Oktober 1975. Edition: 300 Nr. 2. Stefan Schlesinger and Van Houten, 3-d.postcards, supplement "Een I.Q. kleurentelevisie" . Various articles. On the cover a bathing cap designed by architect H. Th. Wijdeveld in the 1920s. March 1976. Edition: 300 Nr. 3. Prijsvraag voor een restaurant in Peshawar, Pakistan. Op de omslag het winnende ontwerp van Jan Benthem / Competition for a restaurant in Peshawar, Pakistan. On the cover the winning entry by Jan Benthem. May 1976. Edition: 500 Nr. 4. From the archives of Hergé and Speer, Joe Colombo, Cthulhu-mythology. September 1976. With the cigarette-paperbook attached. Edfion: 500 N r. 5. Superimposed plates. January 1977. dition: 750 Nr. 6. Dutch pavilions at World Exhibitions, The car as ornament. Nr. 7. Water towers and solar energy. 1977. Edition of 1500 copies. Druk Twigt B.V. Gouda. In transparent plastic tube. (5 sheets of 30x90 cm,printed on one side in blue, rolled into the tube; later these were cut again and stapled together). Nr. 8. Schrijfmachines / Typewriters. Met bijdragen van / with contributions by W.F. Hermans, Rudy Kousbroek, Piet Grijs. Complete with the Samples of Carbon-paper (inside) and Correction-foil. Nr. 9. Televisie / Television. (With complete script of Utopia TV-program on the future developments of television. Nr. 10. (also numbered as Jrg. 3 ( september1978 American Paperback Cover Art. Met bijdragen van / with contributions by Hans Oldewarris, Mark Schaffer, Piet Schreuders, Ed Schilders, Thomas L. Bonn, Huib Opstal. Edition: 2000 ex. TOGETHER WITH: - Utopia - special. (1) Speciale uitgave Architekt JUJOL 1879 – 1949 Samenstelling / compiled by Rein Saariste, Dolf Dobbelaar, Joris molenaar, Paul de Vroom. bouwplaat / Cardbord model: Kees Christiaanse. Limited ed. in cardboard box. 500 copies.November 1976 - Utopia - special 2. DWL-brochure met voorstel tot het vestigen van een werkgemeenschap in het watertorencomplex op het voormalige Drinkwaterleidingterrein in Rotterdam /DWL-brochure with the proposal to set up a working community in the watertowercomplex in Rotterdam. Samenstelling / Compiled by Hans Oldewarris, Peter de Winter, Victor Mani, Hans Werlemann. (This volume very rare as it was only given to the town council members at that time in Rotterdam. Just 150 copies)

[#15860]

IL VERRI

Rivista di letteratura diretta da Luciano Anceschi.

(Series 1:) Anno 1-5 (complete in 26 numbers). Milano, Rusconi e Paolazzi Editori, 1956-1961. Continued as: (Series 2:) Nos. 1-40 (all publ.). Milano, Feltrinelli, 1962-1972. Continued as: (Series 3-9: ) Together 64 numbers (all and last published). Milano, edizioni del Verri; Mucchi editore. Marzo 1973 - settembre/dicembre 1995. All in the original pictorial wrappers, in perfect state of conservation. With Autograph dedication by Anceschi to Eugenio Montale on the inside cover of Number 1.

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Complete collection of this famous art and literary periodical founded in Milano by Luciano Anceshi (who died in 1995, after which the publication came to an end). Named after the café "verri"in Milano where young intellectuals like Nanni Balestrini, Antonio Porta, Giuseppe Pontiggia, Eduardo Sanguinetti, Elio Pagliarani, Alfredo Giusliani and others gathered. It became the organ of the 'neoavantgardia' of the sixties, and the exponent of the "Gruppo 63" (which was created after the conference in Palermo in 1963). An exceptional complete ensemble of all the various stages of this publication.

[#18018]

VERS UNIVERS

Tijdschrift voor spatialisme (Later: Tijdschrift voor evolutieve poëzie).

Nos. 1-6 (all publ.). Ed. F. Vanderlinde, Rotterdam, 1966-1967. Orig. wrappers (slight wear on the spines).

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Ed. by Frans Vanderlinde, journal for "evolutive poetry", concrete poetry etc.),roneotyped ,with orig. art supplements and graphics; illustrated covers designed by L. Peire, Jan Snoeck (silkscreens). Also numbered as Year 6 nos. 2-3 and Year 7 nos. 4 & 6, since the editor continued the numbering of the periodical "Kentering" (which he left after Year 5). Subtitle of no. 3 "Pour le souffle humain", Subtitle of no. 4 "Pour le soufle créateur". Contribs. include: Hansjörg Mayer, H. Clavin, H. Damen, P. Garnier, M. Seuphor, Paul de Vree, Ivo Vroom, Marcel Maele, Herman de Vries, Molitor, Ian Hamilton Finlay, Arthur Petronio, Frans Vanderline a.o.

[#19590]

Simon VINKENOOG

Collage by Ira Cohen

Collage with b/w photograph by Ira Cohen of a masked Simon Vinkenoog pasted on a fragment of an Amsterdam city-map and piece of cardboard. Signed and dated (August 1977) by Ira Cohen. 22:15 cm. TOGETHER WITH a complete set of INS AND OUTS. A Magazine of Awareness.Nos. 1-4/5 (all publ.). Amsterdam, June 1978 - July 1980. Original pictorial wrappers; illustrations & photographs.

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The photograph was used as header-image for Vinkenoogs’ column ‘Magic Amsterdam’ in ‘Ins and Outs. A Magazine of Awareness’ (1978-1980). Journal of the "Magic Amsterdam" 'avant-garde', edited by Edward Woods, with assistance of, and guest-editorships by Ira Cohen, Mel Clay, Neeli Cherkovski, Hans Plomp, William Levy, a.o. Articles & photographs by Steef Davidson (on the Nieuwmarkt: Subway Culture in Amsterdam), Mel Clay (The Myth of the Male Orgasm. Window Shopping in Amsterdam Red Light District), Hans Plomp, Rachel Pollack, Ira Cohen, Simon Vinkenoog (on Magic Amsterdam). Marijke Mooy,, Steve Weiss, Jessie Gordon, Bruce Carpenter & Charlz Baba, Rachel Pollack, Magic Mike Taylor.Bert Schierbeek, Tajiri, Marpa, a.o.

[#15844]

WALLPAPER

Nos. 1-5/6. New Paltz,NY / London. September-December 1974 -June 1976. Folio; original wrappers, made from heavy wallpaper, different for each number. (Ltd. ed. of 200 copies, resp. 260 copies ). Cover of no 4 lightly shaven,spine of no 1 with small defect and faint library stamp, otherwise in excellent condition.

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Rare (near) set: Artistic & literary quarterly, published co-operativerly by the contributings editors. First number compiled by Anthony Howell and Fiona Templeton, contibuting editors: Richard Bernas, Susan Bonvin, David Coxhead, Andrew Eden, Susan Hiller, Anthony Howell, Anthony McCall, Richard Quarrell, Bill Shephard, Amikam Toren, Susan Hiller, Anthony Howell, Anthony McCall, Richard Quarrell, Bill Shepherd, Amikam Toren, and John Welch. a.o. A variety of contributions e.g. Fiona Templeton; Lynne Tillman; Susan Hiller ("More excerpts from 'Dream Mapping' "); Carolee Schneemann ("Recent Work"); Carla Liss; John Sharkey; Anthony Howell ("Depression Poem"); Allen Fisher; Paul Buck; Annabel Nicolson; Daniel Dahl; Susan Bonvin; Harley Gabel (musical scores); Anthony McCall; and David Coxhead. As far as our information goes there was only a 7th number published. The ISSN is 0307-5834.

[#6871]

WET

The Magazine of Gourmet Bathing and Beyond.

Vol. 1 (no 5) - Vol. 6 (no 4, last published). (also numbered as Nos. 5-34, and no more published after that). Venice, Cal., Feb./March 1977 - Nov./Dec. 1981. 4to (enlarging to folio from nos. 16-25), unbound, in the original pictorial wrappers, numerous illustrations and photographs.

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A rare set of 29 issues (only no 17 is lacking) of this amazing California lifestyle magazine. Edited by Leonard Koren, the central topic was WATER and the art and delights of bathing: amazing colourful covers, abundant photographic illustrations and numerous advertisements made of this periodical a unique trendy/glossy/erotic publication: "Gourmet Bathing is a means for enjoying the world...It's a parody of all other enthusiasms...Then again, Gourmet Bathing is the willingness to be silly." (Charlie Haas). Always around the central topic 'gourmet bathing' the content is of a highly varied nature, with features and contributions on and by: Mud Mama. Interview with Rabyn Blake; Athena Tacha (The process of Aging & several other contribs.); Jack Nicholson; Ed Ruscha;Jane Gaskill (Bathroom Bondage); Bob & Bob; Henry Miller (On turning eighty); Priscilala Presley; Mick Jagger;Anthony Friedkin; Brian Hagiwara; Cheryl Lester; Linda Burnham; Timothy Leary; Candice Berger; Leonard Cohen; Iggy Pop; William Burroughs; Captain Beefheart; Brian Eno; Dennis Cooper (John Kennedy jr. Poems); David Hockney; Elvis Costello, etc.etc.; fine set of this highly desirable magazine, of which without doubt not many survived.

[#16430]

THE WORMWOOD REVIEW

Nos. 1 - 144 (complete). Storrs & Stockton: Wormwood Review Press ,1959 -1999. (also numbered as Vol 1, No 1 - Vol 37, Nos 1&2) . Size (h/w): 23 x 15 cm. Original illustrated wrappers.137 issues total (there were some double numbers and the first two numbers are in the original first edition).

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The complete set of this beat magazine, edited by Alexander Taylor and Marvin Malone. This publication provided an important early showcase for Bukowski, and many of these issues have Bukowski appearances or separate booklets by Bukowski bound in. Also many other notable contributors, Gregory Corso, Ian Hamilton Finlay, d.a.levy, Billy Collins a.o. Art editors: Robert de Voe, A. Sypher (=Malone).

[#16873]

YARDBIRD

Magazine (Zeitschrift für Jazz und Anderes. Hrsg. Galerie Seide)

YARDBIRD. Nos. 1-6. Hannover 1959-1961 (all under this title). In the original wrappers. Continued as: DER EGOIST. Nos. 7-17 (all publ.), Frankfurt, n.d. (1965?)-1970. In the original stiff wrappers. Continued as: DER NEUE EGOIST. Nos. 1-2 (all publ.). Frankfurt/Hannover, (n.d.,1975-1976). In gold-coloured orig. wrappers. Most issues, except No.17, in the edition with the graphic supplement, see detail below. The whole set in good condition for this fragile publication. All ca. 32,5 x 23,5 cm.

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An art and art promotional publication of Galerie Seide. Published almost single-handedly by the Gallerist Seide (resulting in numerous errors and anomalies in the numbering). Early issues handmade, lateron larger editions. Full set of these publications ,printed and produced under Seides supervision, mimeographed and printed in offset, at first in Hannover. After his move to Frankfurt the journal was produced in a larger, more commercial edition. The last issue (17) published by Melzer Verlag, but immediately there after publication was discontinued. We are not certain that the art supplement to this number was ever published. The first series (Yardbird) with orig. artwork on the covers and supplements (Zinklithografien) by Igael Tumarkin, Carl Buchheister, Günter Drehbusch, Helmut Scholz (loose in no. 4, signed), Raimund Girke (2 of 3 in no 5.) Arnulf Rainer (in no. 6, signed), Hermann Goepfert, Robert Michel. Thomas Bayrle, etc. Articles on contemporary art and artists, also on Jazz (Peter Kasten). The successor "Der Egoist" later "Neue Egoist" was printed in offset, and bound in white stiff card wrappers with an illustration - No. 7. 1965. 44 pp, in typographic wrappers. incl.several illustrated pages. With signed lithography (56/200) by Raimund Girke. Contribs. By Werner Schreib, HJ Precht, Peter Iden, J.A.Thwaites, etc. - No. 8. n.d. (1966). 32 + XX pages, in illustrated stiff wrappers. With graphic supplement by Ygael Tumarkin also monograph 8 on Tumarkin - No. 9 , 1966. 22 + XX pages. With graphic supplement by Hermann Goepfert (by Produktionsgruppe X Nummer 23/500 der I. Auflage, signed and with stamp on verso). - No. 10. n.d. (1967). 50 page in illustrated stiff wrappers. With montage by Robert Michel & Ella Bergmann. Egozentrisches Manifest by Timm Ulrichs. - - No. 11. März 1967. 3.Jahrgang Heft 1. With a serigraphy by Jef Verheyen - No. 12. September 1967. 3.Jahrgang Heft 2. Hommage à Albert Schulze Vellinghausen. With orig.serigraphy by Raimund Girke - No.13. Nov. 1967. Hommage à Lucio Fontana. Hrsg. Adam Seide. 7 pages in stiff boards. "Weiße Manifest" von L. Fontana with portrait; Contributions by Heinz Mack, Herman Goepfert, Wieland Schmied, Kurt Leonhard, Otto Piene, - No. 14. 1968 (1.Quartal, 4.Jahrgang, should be 9 th year). 46 pages in illustrated card wrappers. With Graphic supplement by Christian Megert. Devoted to art in Switzerland. Contribs.: J.A.Thwaites,Tuli Kupferberg, Peter Handke.Willoughby Sharp, etc. - No. 15.1968 (2.Quartal 1968). 50 pages in illustrated card wrappers. With Lithography by Herman de Vries. Issue devoted to Art in The Netherlands, contr.many important dutch authors in translation, Provo documentation, etc - No. 16. (1.Heft 10.Jahrgang). 30 pages in illustrated card wrappers. Mostly dedicated to Thomas Bayrle. With Lithography by Bayrle. - No. 17. (Heft 1/1970,11.Jahgang). 64 pages in illustrated card wrappers. Mostly dedicated to Werner Schreib (but the graphic supplement by him not present ,if published). The first commercially publishedissue (by Melzer Verlag), at the same time the last till continuation as - Neue Egoist No. 1 with signed lithograph by Leiv Warren Donnan - Neue Egoist No. 2 withsigned lithograph by Thomas Bayrle.

[#6956]

ZEITSCHRIFT FUER ALLES / REVIEW FOR EVERYTHING / TíMARIT FYRIR ALLT

Numbers 1-10A & 10B (= Beiheft), all publ. Stuttgart/Mols (Switzerland)/Basel, edition hansjörg mayer, Dieter Roth Verlag, 1975-1987. Paperbound, pictorial wrappers.

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Founded and edited by DIETER ROTH; the review "...will not only accept & print everything but will accept & print everything by everybody". Limited edition of 500 for the complete set. The issues are profusely illustrated and contain examples of concrete and visual poetry. Contribs. by Dieter Roth, J. Furnival, D.S. Houédard, K.B. Schäuffelen, F. Achleitner, H. Cibulka, D. Steiger, H. Eisendle, K. Renner, G. Brus, K. Riha, K. Bayer, B. Mattheus a.o. Covers designed by Uwe Lohrer. Number of pages varies strongly from 32 to 330 pages for the first 7 numbers and increases to 590 to 1252 pp. for the numbers 8-10. References: Archiv Sohm, p. 70, 156.