aaa. AZIONE OFF KULCHUR

Nos.1-3 ( All published). Milano, Tool, 1969 Unbound, as issued, varying sizes; an original mailing envelope added.

EUR 1,500.00

Published by "Tool Editoria clandestina" directed by Ugo Carrega and Mario Diacono as a sequel to the journal "Tool" (published from 1965-1967 in 6 issues). Concrete and visual poetry, with contributions by the editors and Vincenzo Accame, Luciano Caruso, C.F.Claus, Hans Clavin, Jan Hamilton Finlay, Rolando Mignani, Hidetocho Nagesawa, Joel Rabinowitz, Takahashi Shohachiro, Emilio Vila, etc. (see:Maffei/Peterlini. Riviste d’arte d’avanguardia. Milano, Bonnard, 2005. p.49)

ACME JOURNAL.

Vol. 1 Nos. 1-3 (all published). New York, NY, (J.C.J.Mecandler) , 1992/94. 20,5x20,5 cm., original wrappers, 105pp, 142pp. and 123pp; followed by BEING NOT WITHIN. Journal of Hijacked Pages. Vol. I no 1 ( in number 3). The complete set.

EUR 600.00

A critical, non-profit journal on the arts, devoted to multi-ideological perspectives, edited by Joshua Decter and John Miller. "each issue will develop a specific theme, providing a forum for investigations into the heterogeneity of contemporary culture..." : No. 1: Inspired by the contempt for what art criticism has become. -No. 2: Sites of Criticism symposium. -No. 3: Cultural permission. Contributors: A. Cueff, L. Nesbitt, N. Spector, M. Babias, I. Graw, B. Wallis, M. Corris, B. Weil, and many others.

ACTIONS / AGITPOP / DE-COLLAGE / HAPPENING / EVENTS / ANTIART /L' AUTRISME / ART TOTAL / REFLUXUS

COMBINATION of the Program and the Poster of this Event: festival der neuen kunst - 20. Juli 1964 aachen th (= Technische Hochschule). 26 stencilled pages, plus one quarter-page and a green envelope (Vivograph by Tomas Schmitt, intact). Wrappers, 30 x 21 cm, side-stapled. Front-cover with 36 passport-photographs of the participating artists, back-cover blank. Note: This copy has an Original pencil drawing w. directions from the former owner on the This Way Brouwn page. An almost pristine copy of this important document. TOGETHER WITH Poster by (Wolf Vostell and) Nam June Paik. "I admire monkey. Ich ehre Affe". Aachen, 20. Juli 1964. Auditorium Maximum der TH. July 20, 1964. Printed in b/w on off-white stock, oblong (h/w) 59 x84,5 cm. With wear on the edges and somemarginal tears neatly repaired, six pin holes with regular intervals at about 5 cm from the top where the poster had apparently been affixed to a strip, two of which leaving a horizontal tear of ab. 1 cm.; overall still a good copy.

EUR 4,000.00

- The PROGRAM: Ausgefuehrt von E. Andersen, Joseph Beuys, Bazon Brock, Stanley Brouwn, Henning Christiansen, Robert Filliou, Ludwig Gosewitz, Arthur Koepcke, Tomas Schmit, Ben Vautier, Wolf Vostell, Emmett Williams - Organisiert von Valdis Abolins u. Tomas Schmit - herausgegeben von Tomas Schmit und Wolf Vostell. Juli 1964. Program outlined on page 2, introductory texts by Valdis Abolins. Eric Andersen: comments in English by Dick Higgins and George Brecht. 2 pages by Joseph Beuys: (Lebenslauf, Werklauf); Bazon Brock; Stanley Brouwn; Henning Christansen; Robert Filliou; Ludwig Gosewitz; "Texte postal" f. Emmett Williams; Arthur Koepcke;Tomas Schmit: with intact envelope with printed instructions for a "do it yourself" artwork (VIVOGRAPH), in English and German, probably containing a piece of of carbonpaper and a piece of white paper. (This item is often missing as to complete the work the owner was to tear it out and wear it in pocket - it is present and unopened here; BEN Vautier; Wolf Vostell; Emmett Williams; the George Brecht: "motor vehicle sundown (event)" is not published (only on the program). This publication appeared on the occassion of a "Festival of New Art" staged at Aachen Technical University on the twentieth anniversary of the attempt to assassinate Hitler on 20 July 1944. The events started after Bazon Brock's talk on texts by Marx and Hegel "Philosophy is the world turned upside down" and gave his talk while standing on his head. Actions of the artists went on simultaneously, and when Beuys melted blocks of fat on a stove (action titled "Kukei/Akopee – nein!") gesturing with a copper rod tumult started: right-wing students came on the scene and Beuys was punched hard and his nose bled. The blood from Beuys' nose led to a famous photograph of the artist with a smudge that looked very like a "Hitler" moustache - Beuys made a Hitler salute for the camera. Police then ended the performances. - The POSTER designed by (Wolf Vostell and) Nam June Paik. Reproduces several illustrations of Japanese torture scenes and some texts, as collage. Across the image lettering in b/w: - Actions Agit-Prop Dé/collage Happenings Events Anti Art lÁutrisme Art Total Refluxus- Poster by (Wolf Vostell and) Nam June Paik. "I admire monkey. Ich ehre Affe". Aachen, 20. Juli 1964. Auditorium Maximum der TH. July 20, 1964. Printed in b/w on off-white stock, oblong (h/w) 59 x84,5 cm. With wear on the edges and somemarginal tears neatly repaired, six pin holes with regular intervals at about 5 cm from the top where the poster had apparently been affixed to a strip, two of which leaving a horizontal tear of ab. 1 cm.; overall still a good copy. (Image supplied on demand).

AGGIE WESTON'S

Numbers 1-21 (complete run). Belper: Stuart Mills (1973-1984). Twenty-one issues, all near fine or better in illustrated wrappers with the exception of #17, which has some rust to the staples, and #19, that has some faint foxing to the covers.

EUR 800.00

Conceptual artist and poetry magazine. The editor was Stuart Mills, who explains: "The name of the magazine comes indirectly from a work by Kurt Schwitters; 'A Small Home for Seamen'. I have been told that it was one Agnes Weston who founded the seamen's homes in this country and I hope that this magazine will likewise provide some sort of refuge." Complete set, with significant contributions by Thomas Mayer, Ian Hamilton Finlay, Simon Cutts, John Blakemore, Thomas A. Clark, Stuart Mills, Trevor Winkfield, Mick Sharp, Andrew Crozier, Gael Turnbull, John A. Davies, Richard Long, Jonathan Williams, and Robert Lax.

amBEATion

Zeitschrift für junge dichtung, grafik, kritik, versuch.

Complete set 1-8 as follows: Nos. 0, 1/2, 3 (Sonderheft Niederländische und Flämische Lyrik und Prosa), 4, 5, 6 (Texte von Psychisch Kranken), 7/8 last "Gegen den Krieg in Vietnam" (book, 88 pages, in smaller format, an anthology with 39 firstprints of german authors). Wanderup, Nov. 1963–1968. 4to. Original wrappers. Illustrated, with original graphics. Stencilled, stapled. Published in an edition varying from 72-200 copies. Added: some publicity leaflets of the publisher and Prospekt Verlag Ambeation (nur bis Nr. 27). Randlage, + 6 leaflets of the publishing company.

EUR 2,000.00

Nr. 0 (1963). With 3 signed linocuts by Jane Tech-Balsgaard Nr. 1/2 (1964), Marked on the cover as No. 1. With 3 Graphics (1 signed by Cloy (i. e. Klaus-Ove Kahrmann), Beilagen. Nr. 13 von 70 Ex. Nr. 3 (1964) - Sonderheft: Flämische und niederländische Lyrik und Prosa - bilingual. With graphic by Kahrmann and Beilagen. Nr. 155 von 200 Ex.small stain on front wrapper and first 6 pages, otherwise good condition Nr. 4 (1965). Grey cover with 2 unicate (pasted on top front cover and inside back cover) by Kahrmann, 1 Graphic of typewriter points by Timm Ulrichs, 3 additional pieces by Timm Ulrichs (2 Manifeste and an invitation of Galerie Patio, 1966). Nr. 101 von 150 Ex. (One missing page on the poems by Timm Ulrich added in fine photocopy) Nr. 5 (1966). With 2 signed graphics by Klaus-Ove Kahrmann, 1 signed graphic by Norbert Richter ("Im Untergrund") and 1 signed graphic by Astrid Kayser. Additionally on the impressum page a pasted in ornament drawing (Feltpen 1966, signed by R. Q. Tode). Nr. 42 von 150 Ex. Nr. 6 (1967) - Sonderheft: Texte von geistig kranken Menschen. Deckel with pasted on title graphic “amBEATion Nr. 6”, with pasted in autograph of one of the autors, and a large folded orig.(2 sided) drawing by Altermann (Pseudonym). (This was included only in nos. 1-35; this copy no. 12, but impressum page in copy) Nr. 7/8 (1968) -Book: Gegen den Krieg in Vietnam. Anthology with 39 Authors, most firstprints. Vorzugsaugabe with orig signed graphics by Klaus-Ove Kahrmann and signed by the editor. Nr. 58 of 200 Ex. Guter Zustand. - Plus: a few extra graphic prints and promotional material Re amBEATion. (together 15 pieces, different sizes).

AMERICANA (Alex. King, George Grosz)

(New series) Volume 1 nos. 1-12; Volume 2 no 1 (all published). New York, The American Group (November 1932-1933).Original pictorial wrappers, 4to. A rare complete set in very good/near mint condition.

EUR 6,000.00

Edited by Alexander KING, with George Grosz, Gilbert Seldes, Nathanael West, associates. Americana Contributions by George Grosz, e.e. cummings, Lynd Ward, William Steig, Joseph Mitchell, Bob Brown, S.J. Perelman, Nathanael West, James Thurber, Candell, Fred Nordling, Lyd Ward, William Steig, John Sloan, Austin Robinson, and many others. The editors were highly sensitive to what was going on in Europe, and there is much warning about the rise of fascism and Nazism. Preceded by an erratic first series of 4 numbers (issued February-July 1932), this New Series is complete.

ARK

The Journal of the Royal College of Art.

Nos. 1-54: cplt set, all published. London, Oct. 1950 - 1978. Original pictorial wrappers, obl. folio, later 4to.; numerous illustrations. Added: Index to volumes 1-48. Set overall in very good condition, with all illustrated colourful wrappers. The important numbers all in excellent condition: No. 10 (Len Deighton) No. 24 (Fontana), 25 (Brigitte Bardot cover and 3-page foldout), 26 and 31 (both in metallic wrappers), No 40 (embossed cover by Graham Percy). The set includes no. 51 in larger format (tatty at spine) and the rare December 1976 "blank cover" issue

EUR 3,200.00

Ed. by Jack Stafford, John E.Blake, Roger Coleman, o.a.; journal of avant-garde design and the fine arts, published three times per year by students of the Royal College of Art. ARK attracted international attention for its often bold and fast-changing design as well as the extraordinary cast of writers and artists who contributed to its pages, including Ralph Rumney, Lucio Fontana, Alison and Peter Smithson, Toni del Renzio and Reyner Banham, in addition to College students and staff.). Some numbers with lithos in colour; important for the current trends in avant-garde of the fifties and sixties of the postmodern and pop-art generation. Number 24 (has the original wrap around banderolle intact, laid in) is on the spatial Technical manifesto by Fontana and has a green cover after a design by Fontana (with handcrafted spatial holes). This issue (which contains The Technical Manifesto with commentary by Lawrance Alloway and several photographs in 4 pages) in excellent condition with only light soiling and a small stain in the right upper corner (Note: there also exists a variant of the cover in orange with the same design; we offer the green cover only). Nos. 26 & 31 have metallic covers (silver & gold, both excellent condition). Essays and other contributions by Henry Moore, Gordon Russell, Hugh Casson, Robert Leman,David Hockney a.o. ; spine of no 20 slightly damaged and front wrapper a bit frayed; No. 25 slight soilage and faint fold in front wrapper. Number 10 incl. Ark Supplement "Dove" no. 1; added few inserts related to Ark.

ARK

New York, Affinity, Reality, Communication Inc., 1968, (24)p., full-page photogr. ills., orig.selfwrappers, large folio. 58x42,5 cm.; newsprint, lightly toned. The issue has been folded in the middle, lightly abrased over the fold of the front page, spine damage to the first 4 pages without text or image-loss, otherwise in good condition for this fragile item. Very rare.

EUR 3,000.00

Photomagazine published as a newspaper on newsprint with only images ( no text) except copyright statements on each page; full-page photogaphs by Richard Avedon, Diane Arbus, Joseph Raffael, Steve Lawrence, Andy Warhol, John Chamberlain, Ed Leffingwell, Clyde Baines, Maxie Cravets (each photographer 2 full pages).

ART INTERNATIONAL

Vol. 1 no 1 - vol. 27 no 4 (=last published). Lugano, Switzerland, 1956 - Sept / Nov. 1984. Set in the original illustrated wrappers with volume 13 no 3 in the regular and in the rare variant version. (Vol. 23 and 27 are partly bound) Overall condition good to very good, with only sporadic and unobtrusive library markings on the wrappers.

EUR 3,500.00

Complete set with ORIGINAL WRAPPERS. One of the best surveys of mainstreams in contemporary art'. Edited by James Fitzsimmons. Of Volume 1 (called 'European art today' ) we have in this set only 9 of the 12 issues (Nos.2 and 3 are missing). Otherwise all volumes/years are complete in original wrappers, except vols. 23 and 27 whch are partly bound.. The cover of vol. 13 no 3 designed by Mel Ramos is present in both versions, one with a gorilla and the scarcer one with a kangaroo.

ART PRESS

Nos. 1-22 (all published of the first series). Paris, 1973-1975. Orig.pictorial wrappers. Each issue, 25 x 32.5 cm, text in French. Together with No. 1 of the New series, with change of name: ART PRESS INTERNATIONAL. (Nouvelle série) No. 1.Été 1976. Paris, Europrom. 32,5x25 cm., stapled, 59pp. (small tear in front cover).

EUR 1,500.00

Complete first series. Features b/w ills. and articles on the international minimal art and who's who of the time, such as Joseph Kosuth, Hans Haacke, Duchamp, Vito Acconci, George Brecht, Ad Reinhardt, Josef Albers, David Lamelas, John Cage, Eva Hesse. Bruce Naumann, Art-Language, Jedan Miró, Barroco, Hans Hartung, Roy Lichtenstein, Wols, Julia Kristeva, Raoul Hausmann, Dibbets, Robert Ryman, Matta, Pierre Guyotat, Robert Motherwell, Robert Rauschenberg, Andy Warhol; No. 20 is Special Biennale de Paris, No. 21 is Special Dada, No. 22 Pour la Pprnographie,Pasolini, César. New series:Edited by Louis Dalmas, Cathérine Millet. This number: American Connection. Interviews and features on Denis Roche, W. Burroughs, A. Ginsberg, J. Mekas, D. Bowie, Ben, J. Kristeva etc.

ASSEMBLING (Magazine)

Nos. 1-11 (all publ. but a Number 12 appeared later in 1986, see addition). Gnilbmessa Inc., Assembling Press, Brooklyn, 1970-1981. 4to. Original pictorial wrappers. Number 1 with signature of Kostelanetz on first page. Also: Includes "'Ecological' Rock" by Dan Graham and Ruscha's "Chocolate," a two-page piece consisting of a cover page followed by a unique smear of chocolate - consistent with his "Stains" portfolio and 1970 installation "Chocolate Room," in the United States Pavilion at the 35th Biennale Esposizione Internazionale dArte Venezia. - Added: Volume 12. 1986. Compiled by Charles Doria, Robin Middleman, Jude Schwendenwien and Leslie Hollis Soga. - Together with Precisely Nos. 1-16 (published in 6 issues of which 6/9 is identical to Assembling vol. 9)). New York, 1977. 8vo. Original illustrated wrappers - Together with: Assembling Assembling One issue. Brooklyn, 1978. 4to. Original wrappers.

EUR 4,000.00

Complete collection, with AssemblingAssembling and Precisely. Collective artist's landmark publication compiled by Henry Korn, Richard Kostelanetz and Mike Metz with original art-contributions by Vito Acconci, Elizabeth Ginsberg, Adele Aldridge, Alan Coleman, John Baldessari, Neil Baldwin, John Furnival, Shoichi Kiyokawa, Richard Meltzer, Jonathan Price, Ed Ruscha a.o. Together with Precisely edited by Richard Kostelanetz, Stephen Scobie, Sheldon Frank, Paul Zelevansky, Loris Essary, Dick Higgins and Karl Young. "Eighth/Assembling" appeared as two volumes, alphabetically divided. "Ninth Assembling" is at the same time "Precisely" No. 6/7/8/9. -Assembling 12 was collated and bound at the Douglass Campus of Rutgers University, New Brunswick, NJ, by members of the Mason Gross School of the Arts, Visual Arts Department.

AVALANCHE

Nos. 1-13 (all publ.). New York, Fall 1970 - Summer 1976. Unbound, original pictorial wrappers; sq.4to for the first 8 issues, then tabloid format; numerous illustrations and photographs. Composed as follows: - Nos. 1-8. New York, Fall 1970 - Summer/Fall 1973. In original wrappers, (with the green folder stapled in the middlespread of no 8 complete with contents). All in very good to fine condition. Then became: - Avalanche NEWSPAPER: - Nos. 9-13 (=last published). New York, NY: Center for New Art Activities.1974-Summer 1976. The set in extremely good to fine condition, both the first 8 square issue as the more fragile newspapers/tabloids nos. 9-13. Offered together with this complete set is a copy of the facsimile-edition, with introduction and extras (as described below).

EUR 4,000.00

Unusually well preserved complete set, Landmark conceptual art magazine, published by Willoughby Sharp, edited by Elizabeth Béar. At the time, Sharp was a New York-based art historian and independent curator and Béar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on 13 issues from 1970 to 1976. They both conducted the interviews and conversations with the artists. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with a radical new media format--probing interviews, extensive use of photography and dynamic layouts. For many artists, publication in Avalanche preceded a one-person gallery or museum show. - No. 1: Cover photograph of Joseph Beuys, interviews with Carl André, Jan Dibbets, a portrait of Joseph Beuys by Shunk-Kender, retrospective of Richard Long, Carl Andre, Jan Dibbets, Richard Long, Joseph Beuys, Heizer, Oppenheim. - No. 2: (Body Works). Cover photograph of Bruce Nauman with articles on him, and on Vito Acconci, Terry Fox, Yves Klein, Bruce Nauman, Dennis Oppenheim, Klaus Rinke, Richard Serra, Wm. Wegman, incl. a photo of Matta-Clark-installation and Bas Jan Ader: Fullpage b+w photo of 'Too sad to tell you' and text in the Rumble-section. No. 3: (Post-Studio Sculpture). Cover photograph of Barry Le Va. Interview with David Tremlett and features on Jacks (Gordon Matta-Clark), contributions by Italo Scanga, George Trakas and on Barry Le Va (his picture on the cover), Bill Beckley, Joel Fisher, Robert Morris and others - No. 4: (Conceptual Art). Cover photograph of Lawrence Weiner. Jackie Winsor (interview), Sol LeWitt; Howard Fried, Alice Aycock, Stanley Brouwn; Hanne Darboven; Walter De Maria; - No. 5: (Performance). Cover photograph of Yvonne Rainer. Contributions Braco Dimitrijevic; Joseph Beuys (talking at Documenta 5); Jannis Kounellis (interview); Phil Glass; Keith Sonnier; Yvonne Rainer (interview) - No 6: (Vito Acconci). Cover photograph of Vito Acconci and number devoted to him. - No.7: (Humor). Cover Man Ray (name of the dog, photo by William Wegman). Interview with General Idea. Edward Ruscha, Interview with Van Schley ("Different Strokes for Different Folks", which is a green folder, stapled in the middlespread, intact but without the postcard insert), Man Ray, Do you want to.. (interview with William Wegman by Liza Béar) - No. 8: (Sculpture & Performance). Cover Robert Smithson. Exchange '73; A Drinking Sculpture, Gilbert & George. Memorial issue for Robert Smithson. Features Robert Morris, Tina Girouard, Chris Burden and others. Continued in a changes format: --NEWSPAPERS: (Now Published by Center for New Art Activities, Inc., New York.) As detailed below, each issue has several pages of general information, messages, rumbles, films, publications, etc. as well as several pages of advertising and the more specific contents are: - No. 9: June 1974. Issue dedicated to video and performance art. Texts by Willoughby Sharp, William Wegman, Joseph Beuys (contains partial transcript of Joseph Beuys' first US peformance at the New School), Iincludes interviews with Vito Acconci, Keith Sonnier, Richard Serra, Robert Bell, Willoughby Sharp and Dennis Oppenheim, Boris Wall Gruphy. 36 pages. . - No. 10: December 1974. Cover photo Jack Smith. Contents: Hans Haacke, Manet Project '74; Daniel Buren, Kunst bleibt Politik; Simone Forti, Dancing at the fence; Stephen Laub, Projections, interview by Willoughby Sharp; Jack Smith, Fear Ritual of Shark Museum (Centerfold) ; Joel Fisher. As strong as a spiders web; Terry Fox: Children's Videotapes (interview); Gordon Matta-Clark: Splitting (interview); The Phil Glass Ensemble (interview by Willoughby Sharp after Music in Twelve Parts performance). 52 pages. - No. 11: Summer 1975. Cover photo Steve Paxton. Contents: Alan Saret. Installation for Man; Darcy Lange. Videography: Work; Joel Shapiro:Torquing; On Kawara: One Million Years (centerfold); Laurie Anderson. Confessions of a Street Talker; Contact Improvisation (Laura Chapman, Scott Jones, Annette La Rocque, Daniel Lepkoff, Steve Paxton, Karen Radler, David Woodbury; Steve Paxton: Like the Famous Tree (Dialogue with Liza Béar). 40 pages. - No. 12: Winter 1975. Cover Photo Barbara Dilley. Contents: Robin Winters: Fairly regular hours; Robert Wilson & Christopher Knowles: Because Why; Alexis Smith: Anteroom; Rita Myers: A remote intimacy; Michael McClard: Mumbo Jumbo; Barbara Dilley: In the 'Dancing Room'; Barbara Dilley Dancing, a picture autobiography. 40 pages. - No. 13:Summer 1976. Cover photo: "Trial Balance". This printed with colour red added. Contents: Fitzgibbon:Colleen; Jim Roche:Straight Razor; Reiner Ruthenbeck:Eclipse; Bas Jan Ader: In search of the miraculous; Meredith Monk: Invocation/Evocation; Diego Cortez: An obvious kind of eyesore. 48 pages. ADDED TO THIS SET AND INCLUDED IN THE PRICE: Facsimile boxed edition in a limited edition of 100 signed and numbered by Liza Béar and Willoughby Sharp. Produced by PRINTED MATTER. Number 29 of 100. This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single bound paperback. Accompanied by a certificate signed by both Liza Béar and Willoughby Sharp shortly before Sharp's death in December 2008. The publication is 1,016 pages and illustrated throughout; is housed in a heavy duty, laminated, archival box measuring 10.5 x 19.5 x 2.5 inches. The first eight issues measure 9.25 x 9.25 inches and are exact facsimiles of the originals; the subsequent five tabloid-sized issues, now bound as a single volume measuring 9.25 x 13.5 inches, have been reduced slightly in scale from the original format.

AVALANCHE

Facsimile boxed edition in a limited edition of 100 signed and numbered by Liza Béar and Willoughby Sharp. Produced by PRINTED MATTER. Number 29 of 100. This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single bound paperback. Limited edition copies are accompanied by a certificate signed by both Liza Béar and Willoughby Sharp shortly before Sharp's death in December 2008. The publication is 1,016 pages and illustrated throughout; is housed in a heavy duty, laminated, archival box measuring 10.5 x 19.5 x 2.5 inches. The first eight issues measure 9.25 x 9.25 inches and are exact facsimiles of the originals; the subsequent five tabloid-sized issues, now bound as a single volume measuring 9.25 x 13.5 inches, have been reduced slightly in scale from the original format. Toe te voegen aan de complete set. USD 350

EUR 400.00

Avalanche magazine was founded by Willoughby Sharp and Liza Béar shortly after they met in 1968. At the time, Sharp was a New York-based art historian and independent curator and Béar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on 13 issues from 1970 to 1976. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with a radical new media format--probing interviews, extensive use of photography and dynamic layouts. For many artists, publication in Avalanche preceded a one-person gallery or museum show. Aside from an eight-page news section, the editorial content included only interviews by Sharp and / or Béar, artists' texts and documents of art and art making, also functioning as an exhibition space in print. Fresh, incisive and unpretentious, the Avalanche interviews -- now landmarks -- illuminate the creative process and give clear voice to the specific issues that permeated the era. Among the featured artists were Vito Acconci, Joseph Beuys, Hanne Darboven, Walter De Maria, Jan Dibbets, Philip Glass, Barry Le Va, Sol LeWitt, Richard Long, Gordon Matta-Clark, Bruce Nauman, Dennis Oppenheim, Yvonne Rainer, Keith Sonnier, Richard Serra, Robert Smithson, William Wegman, Lawrence Weiner and Jackie Winsor.

AZ

Arte d'oggi. (First number subtitled "Mensile d'arte", No. 12: Arte d' Oggi + Estetica Industriale).

Nos. 1-12 (all published, also numbered as Anno 1- anno 3). Milano, 1 luglio 1949 - april/maggio 1952. Tabloid-size (50x 35cm); 4pp per issue. All issues were originally folded twice (for mailing) and the fragile paper shows moderate wear and discoloration over the folds, sometimes with very minor loss of text and image). This is in particular the case for No. 12. The first number has small loss of text on the folds and small inkstains. Altogether a good set of this very rare publication. TOGETHER WITH PRECURSOR: ARTE ASTRATTA IN ITALIA One sheet of newsprint, with text and reproductions in b/w on both sides, forming the Manifest and Catalogue of the Exhibition on Abstract art in Italy, Roma, ART CLUB, 1948. One sheet, 60x47, folded, with some toning and light wear over the folds and margins. With texts and illustrations of the leading figures.

EUR 3,000.00

The first Italian journal after the war to be exclusively engaged with avant-garde abstract art, modern architecture and music. Director: Mario Ballocco. Contributors include: George Braque, Aaron Copland, Eugenio Gentili, Bruno Munari, Pietro Reina, Luigi Pestalozza, Gianni Monnet, J. Belampo, Ignazio Gardella, Renato Righetti, Giorgio Dolfini, Carlo Perogalli, Luigi Veronesi, (No. 8 on the 25th Biennale di Venezia), etc.; numerous illustrations featuring Italian and foreign artists. Very rare complete set. "Arte astratta in Italia" opens with the text of the manifest starting with: "Dall'Impressionismo fino all Cubismo si è sviluppata una vera e propria rivoluzione contro quanto di metafisico e transcendente vi era nell'arte." - Comitato organizzativo: Perilli, Roma; Sottsass Jr., Milano e Torino; Pizzionato, Venezia. Comitatio d'onore: G.C.Argan, P. Bucarelli, G. de Angelis d'Ossat, G. Ginghirellui, C. Maltese, L. Marchiori, C. Sotgiú, E. Villa, L. Venturi. Exhibitors (with depicted works): Accardi, Attardi, Consagra, Dorazio, Dorfles, Dova, Fontana, Garau, Ghiringelli, Guerrini, Licini, Magnelli, Manisco, Massaglia, Mastroianni, Maugeri, Mazzon, Monnet, Munari, Perilli, Pizziano, Prampolini, Reggiani, Sagfilippo, Soldati, Sottsass Jr., Spazzapan, Turcato, Vedova, Viani. Critical and introductory texts, in Italian and some in French by J.Albers, M. Bill, G. Dorfles, G. Formaggio, W. Kandinsky, Le Corbusier, F. Léger, P. Mondrian, G. Morri, E. Sottsass Jr.

AZIMUTH

A cura di Enrico Castellani - Piero Manzoni.

Nos. 1-2 (all publ.). Milano, Editoriale periodici italiana, 1959-1960. 4to; 2 issues, (32),(24) pp., with many illustrations and photographs, full page serigraphy by Manzoni ,in no 1 a text by Gillo Dorfles ("Communicazione e Cosumo nell Arte d'Oggi") , A Metamatic plate by Tinguely and two "blues" (a large one in no 1 and a small one in no 2) by Yves Klein. Includes the original invite-leaflet for "La Nuova Concezione Artistica", exposition (4.1-7.2.1960)in Azimut Gallery. Original wrappers, stapled in the spine. Both issues in nice condition, only the cover of the second issue very lightly duststained and the spine of both very lightly rubbed (and trace of fold in left upper corner of no 1). .

EUR 4,000.00

The complete set of this periodical of the Galleria Azimuth, featuring work by avant-garde artists from Europe and America (including Zero). Texts in English, French and German by Pierre Manzoni, Castellani, Dorfles, Ballo, Yves Klein Second issue titled 'The New Artistic Conception' with the list of exhibitions at the Gallery in 1960.

BARBARBER

Tijdschrift voor teksten.

Nos. 1-91 (all published, nos-1-87 of the first series and nos 88-91 published later, see below).Amsterdam, 1958-1971 and 1989-1999/2019.. Original wrappers; tall narrow folio (no. 1, 8vo.); till no 35 stencilled.. No. 75 is the record by Jan Hanlo. All in (except no 9)in original first edition and in good condition (except some damage on lower part of front-cover of no. 7 (ab 4-7 cm torn from the right bottom corner, no loss of text) ,no 10 with some waterdamage and no 9,with insert, in photocopy) - ADDITIONS: - nr. 47B (= Gemeen Goed Uitgave nummer 3, december 1976; a small portfolio) - Barbarber 1968: Vouwblad met 3 gedichten. Folded sheet. Edited, numbered, and signed by the three poets: J. Bernlef, G. Brands, K. Schippers, in only 50 copies. -- nr. 47B. Foto's (Rott., 1976, photogr. ills. on plates, printed in 500 copies, loose as issued in paper portfolio, obl. 8vo)nr.(= Gemeen Goed Uitgave nummer 3, december 1976; a small portfolio) - Werkgroep Barbarber,2e j Nederlands mo/ Maart/April 1970; 40 pages in orig.stiff boards wrapepr; - Numbers 88 and 89 (Published 19 years later) Barbarber 88. Oude kuk Reinold Kuipers: c'est notre père. N.pl. (Amst.), J. Bernlef, G. Brands and K. Schippers, "26 augustus 1989", (4)p., linocut by P.Y. DE VRIES, printed by Ser J.L. Prop in 75 copies, orig. wr., sm. folio. = "Deze uitgave is gemaakt voor Reinold Kuipers, ter gelegenheid van zijn vijfenzeventigste verjaardag (...) Barbarber 89. N.pl. (Amst.), Barbarber, 1990, bottle of wine (Côtes du Ventoux, Domaine la Reynarde 1988) w. printed colophon label on the back. - Sm. scratch on front label. = Very rare, unopened bottle. "Barbarber 89 verschijnt in een oplage van 144 exemplaren in februari 1990. Elk nummer is door de redactie gesigneerd." Signed by J. BERNLEF, G. BRANDS and K. SCHIPPERS. - Prospectus for Algemen Tentoonstelling. juni 1`966. 4 pages, one folded sheet. - Together with No. 90 (Barbarber Alfabet). Amsterdam, Em.Querido,1990. 3975 pages, bound, with orig. wrapper: by J. Bernlef, G. Brands and K. Schippers; -No. 91. Barbarbar DVD. 1991. and extra edition: BBB-Extra Zending. Published by Demian at the occasion of the exhibition in Antwerp 2018/2019. Added: offprint VPROGids,Okt.1990 & Het Ook in 't Zeil , Year 3 bi 2 (about Barbarber).

EUR 4,000.00

Edited by J. Bernlef, G. Brands and K. Schippers. The most influential periodical of literary avant-garde and innovation in The Netherlands,after the Generation of the Fifties. Experimental and concrete poetry, ready-mades, by o.a. Buddingh, van Geel, Jan Hanlo, Jos Ruting, T.M.F. Steen, Campert, M. Stigter, Bert Voeten, E. Warries, a.o. Rare complete set (initially from an edition of 100 copies only

BIZARRE

(J.J. Pauvert, Paris).

Serie 1: Nos. 1-2 (all). Paris, 1953; Serie 2: Nos. 1-46 (all and last). Paris, 1955-1968. Unbd., in the original pictorial wrappers; 4to; numerous illustrations. Occasional spine damage and light discolorations but on the whole a nice set. No. 11/12: La Joconde, with two die-cut see-throughs in the front cover, in perfect condition.

EUR 500.00

Artistic and literary periodical with strong surrealist tendency. Many issues dedicated to a special topic. Paris, Eric Losfeld (1re série), there after Jean-Jacques Pauvert (2e série), 1953-1968. Complete set of 48 issues of which 11 double in 37 volumes. Some important topical issues: Cent-cinquentenaire de J.J. Grandville, Les hétéroclites et les Fous littéraires, Dessins inavouables, Les Monstres, A-t-on lu Rimbaud?, Littérature illettrée ou la littérature à la lettre, Raymond Roussel, Les oiseaux sont des cons par Chaval, Les vies parallèles de Boris Vian, Romaine Brooks. Illustrations by: Siné, Folon, Topor, André François, Chaval, Wolinsky, Ylipe. Texts by: Jean Paulhan, Isidore Isou, Noël Arnaud, André Blavier, Raymond Queneau, Lise Deharme, Gisèle Prassinos, Pierre Bettencourt, Eugène Ionesco, Paul Gilson.

BRERA FLASH

Mensile di informazione culturale del Centro Internazionale di Brera/ Bimestrale di interventi a analisi del sistema culturale.

Numbers 1-10 (also Anno 1-3, all published). Milano, Centro Internazionale di Brera, Milano (1-6). Editrice Brandini (7-10)., October 1976-1978. Unbound, folded and spine-stapled as issued, first 6 numbers 42x29,5 cm, then becoming 29,5x21 cm. Pictorial (self)wrappers. In excellent condition.

EUR 4,000.00

Direction: Alessandra Quaglia (1-6). Ugo La Pietra (7-10). Redazione: Cornelio Brandini, Nanni Cagnone, Francesco Casetti, Alberto Farassino, Pasquale Guadagnolo, Cini Liguori, Gianni Lo Scalzo, Franco Mazzuchelli, Ettore Pasculli. Contains the programs of the International Cultural Center and articles on progressive and countercultural aspects, discussions, avant-garde cinema, visual arts, theatre, music, etc. At first 8 folded pages on the large size, then becoming 32 pages stapled in pictorial wrappers.

CARTE SEGRETE

Rivista trimestrale di lettere e arti.

Nos. 1-41 (vols. 1-12). Roma, Jan/March 1967 - July/Sept. 1978. In the original cardboard wrappers, untrimmed. The corrugated cardboard covers lightly dustsoiled, otherwise in excellent condition).

EUR 1,000.00

A quarterly of contemporary and vanguard Italian and international art, literature, theatre, criticism, ed. by Filippo Maria Ferro, Claudio, Anna Salvatore, Paolo Russo, Marcello Avenali, Em. Greco, Filippo Panseca, Alb. Sughi (also ills. by these authors); issues of 200-220 pp each, bound in corrugated cardboard, different for each issue. Also articles on pre-war avantgarde (Futurism / Dada / Constructivism / Stijl), with examples of the works of A. Breton, S. Beckett, James Joyce, Fernando Pessoa, A. Blok, Th. van Doesburg, Alfred Jarry, Gramsci, F.T. Marinetti, Musil, D'Annunzio, Apollinaire, Klee, P. Neruda, G. Severini, O. Tamburi, Ferlinghetti, etc., etc. No. 2 is 'Il Manifesto dei Provos', No. 15 is 'Manifesto degli Scumidi (=Society for Cutting Up Men)'; one binding restaured, otherwise in good condition.

CERVO VOLANTE.

Pubblicazione mensile di poesia ed arte.

Nos. 1-18 (all published). Roma, Etrusculudens, 1981-1983. Original stiff (folding) marbled paper binding cases with titles pasted on the top board, each different. (Together 15 volumes, as 13/14, 15/16 and 17/18 were double). 8vo.

EUR 1,200.00

Artist production directed by Adriano Spatola, Achille Bonito Oliva and Edoardo Sanguineti. With numerous original lithographs and serigraphies, small booklets etc. by Giosetta Fioroni, Paolo Cotani, Giuliano Della Casa, Gianfranco Baruchello, Pietro & Tommaso Cascella, Pablo Echaurren, Giulio Turcato, Mimmo Paladino and others. Texts by Hans Arp, Nanni Balestrini, Toti Scialoja, Alfredo Giuliani, Corrado Costa, Franco Beltrametti, Julien Blaine, Antonio Porta and others. Texts in Italian and some in English.

CIMAISE

Revue de l'Art actuel. Art et Architecture actuels / Presentday Art and Architecture.

COLLECTION FROM 1953 TILL 1959 comprising 4 numbers (of 5) of the rare first five issues as Bulletin bimestriel, by Galerie Arnaud, (preceeded the actual start in November 1953) : - No. 2: lino by R. Lapoujade, and by C. Maussion inside; - No. 3: lino by Carrade on cover and by Koenig inside; contribs. by Seuphor, Max Ackermann, Le Corneur, Kalinowski; handwritten note on backcover; - No. 4/5: lino by Bertini and by Navarro and Enard inside. -Then the actual periodical started as 'Revue de l'art actuel': Série 1: Nos. 1-8 cplt. (nov. 1953- juillet/août 1954); Série 2: Nos. 1-8 cplt; (sept/oct. 1954- juillet 1955); Série 3: Nos.1-8 cplt. (oct/nov .1955- juillet/août 1956); Série 4: nos. 1-6 cplt. (sept/oct. 1956-juillet/aout 1957); Série 5 Nos. 1-6 cplt. (sept/oct. 1957-juillet/sept.1958); Série 6 Nos. 1-5 cplt. (oct/nov. 1958-juin/août 1959); All in the original pictorial wrappers, in the first years with original lino- or lithographed covers (size of the first two years 21,9 x18,5 cm., then becoming 24,5 x19,8 cm.). (without série 2 no 5, avril 1955; série 6 no 4, 1959 2e trim.). A few spines lightly damaged, but otherwise a good clean set of the essential first 41 numbers. TOGETHER with 4 (of 5) issues of the precursor, Bulletin trimestriel, Janvier 1953-Juillet 1953. Original illustrated (lino/lithographed) wrappers.

EUR 2,000.00

Directed by J. R. Arnaud. Articles, features and documentation on modern and avant-garde art movements (in particular lyrical- abstract) in France as well as in other European countries and in the United States (e.g. Special issue Regard sur l'art américain, nov./dec, 1956). Contributors include R.-V. Gindertael, Michel Ragon, Herta Wescher (reporting on German art), Dore Ashton (contacts with the USA), Michel Seuphor, Pierre Restany (in particular for Italy), Gilles Plazy, Daniel Abadie, Maiten Bouisset, Pierre Cabanne, Jean-Jacques Lévêque, André Wogenecky, etc. In the first years colourful linographed and lithographed (later serigraphy) covers with work of: Deyrolle, Edg. Pillet, Manolis Calliyannis, Schneider, Jean Milo, Hartung, Legrand, Dumitresco, Corneille, Prassinos, Sugai, Ben Nicholson, Arp, Bertrand, Olson, Goebel, Carrade, Fichet, Mathieu, etc.

CIRCLE

Nos. 2, 3, 4, 5, 6, 7/8, 9, 10 (out of 10 published). Berkeley, CA.1944-45 in orig. Pictorial wrappers, Rare: with the four cover variations for Issue 9 by Bezalel Schatz. Together 11 physical issues. Issue 7/8 is a double issue and includes a foldout "Map of Joyce's Life" by Bern Porter. Glue bindings with exception of issue 3 which is staple bound, Added: a 4-page illustrated prospectus for the magazine, laid in number 2.

EUR 1,000.00

Edited by George Leite, Co-Editor Bern Porter. landmark Bay Area magazine of art and literature with ties to surrealism.. It preceded ARK, and was essentially the point of departure for the Beat generation. Contributors include Carrington, Patchen, Crews, Henry Miller, Anais Nin, Porter, Fowlie, Kees, E.E. Cummings, G. Ungaretti, Rexroth, R. Duncan, Durrell, Everson, Norse, Yvan Goll, and many others. Interesting typography and numerous illustrations and covers by Bern Porter, George Barrows (creative photography), Rexroth, Jean Varda (in a feature written by Henry Miller), Schatz, Edwin Ver Becke (prints), John & James Whitney (Audio-visual music), Jim Fitzsimons (Solarized Photography) Contributions by George Barrows, George Barrows, Leonora Carrington, Robert Duncan, Maya Deren, Ian Hugo, James Laughlin, Darius Milhaud, Henry Miller, Anais Nin, Bern Porter, Gil Orlovitz, Kenneth Patchen, Paul Radin, Kenneth Rexroth, Jean Varda, Oscar Williams, and others… Condition note: All copies have some shelf wear to covers and spines as wel as some discoloration inherent in publications from this period. Issue 3 (which is staple bound) has some damage to spine. The first two issues are tape-bound quartos - the remaining issues were printed in bound octavo

CITY LIGHTS

Film Criticism, Short Stories, Poems.

Numbers 1, 2, 3, 4, 5 (complete, all published). San Francisco, July 1952 Oct.1952, Spring 1953, Fall 1953, Spring 1955. In original wrappers. A very good set with only light tanning to extremities of some covers (22x17,5 and 24,5x19,5 cm). Very rare complete.

EUR 1,800.00

The Backstory to City Lights: City Lights Magazine Cradle of the Beat Generation, where Lawrence Ferlinghetti had a partner named Peter D. Martin. The magazine was edited by Peter Martin, with Charles Polk, Norma Swain, Richard Miller, Wilder Bentley, Arthur Foff, Herbert Kaufman, Antoinette Wilson, MFM Pollack. Contributions by these and by Marjorie Farber, Hans Meyerhoff, V.S.di Suvero, Ken Kolb, George Herriman,Joseph Kostolefsky David Ri Bart Abbott, Philip Lamantia,Leslie Farber, Jack Spicer, etc.. Cover design Don Smith. Peter D. Martin came to San Francisco from New York in the 1940's to teach sociology. Inspired by the Chaplin film, City Lights, he started this literary magazine in 1952, publishing such key Bay Area writers as Philip Lamantia, Pauline Kael, Jack Spicer, Robert Duncan, and Lawrence Ferlinghetti, as "Lawrence Ferling." In 1953 Martin and Ferlinghetti founded City Lights bookstore, which has had a pretty good run. After two years Martin sold his interest and returned to New York and opened The New Yorker Bookstore. The inaugural issue opens with Robert Duncan's "Open Letter to City Light", and an an interesting review of San Francisco's, Newsvue Theatre at Market and Mason streets, a third-run movie house that, every Saturday and Sunday, was the city's only theatre featuring the Giant Cartoon Carnival offering 20 cartoons. Also, a wonderful ad for 12 Adler Place, the 'lower bar' for Tommy's restaurant on Broadway, now known as Specs. In Number 5 (The Television Issue)is a contribution by Lawrence Ferling (in fact Ferlinghetti).

CODE

Nos. 1-10 (all published). Amsterdam, 1983-1989. Softcover, 29.5 x 21 cm. Amsterdam based art magazine with a fresh presentation of upcoming artists in the 1980s. Edited by Waling Boers, Martin van Vreden and Dirk van Weelden. Ten issues were published between 1983 and 1989, in a limited edition between 250 to 450 copies, each (except for No.10) housing an original signed silkscreen supplement or photocopied artists’ contribution. This is a complete set of 10 magazines of which the issues below contain the original screenprints/colour copies: This set includes the following art supplements: No.2: Peer Veneman, colour silkscreen on yellow paper, small damage to side margins, monogrammed PV 84. Also includes a photocopy by Rob van Koningsbruggen (RvK 84). The frontcover contains a small cigarette burnhole. No.3: folding screenprint Martin van Vreden, and folding colour copy by Günther Forg (e.a. Forg, 1985) No.4: Rob Scholte, folding screenprint, b/w, entitled ‘Olympia’, but title changed by the artist in ‘Utopia’, signed Rob Scholte 1985. No.6: K.Michel, folded poster (missing the silkscreen by Han Schuil). No.8: Ton van Summeren, folding screenprint b/w, signed. Stamp of former owner on first page . The magazines and silkscreens are overall in fine condition, some with name or stamp of former owner on the first page (not obstrusive). The art supplement for No.9 by Peter Schuyff only appeared in a de-luxe version, no art supplement was published for No.10.

EUR 1,700.00

Amsterdam based art magazine with a fresh presentation of upcoming artists in the 1980s. Edited by Waling Boers, Martin van Vreden and Dirk van Weelden. Ten issues were published between 1983 and 1989, in a limited edition between 250 to 450 copies,numbers 1-8 housing an original signed silkscreen supplement or photocopied artists’ contribution. This set includes these original serigraphies, some folding out, included in the issues, some unfolded. No. 1: folding screenprint b/w by Frank van den Broek (monogr.FB83) No. 2: screenprint in colour by Peer Veneman (monogr. PV 84),and photocopy by Rob van Koningsbruggen (RvK 84) No. 3: folding screenprint Martin van Vreden, and folding colour copy by Günther Forg (e.a.Forg,985) No. 4: folding screenprint, b/w, by Rob Scholte, entitled "Olympia", but title changed by the artist in "Utopia", signed Rob Scholte 1985 No. 5: screenprint in colour by René Daniels (monogr. RD 86) No. 6: screenprint in colour by Han Schuil, and folded poster by K.Michel. No. 7: screenprint b/w, signed by Jiri Dokoupil; No. 8: folding screenprint b/w, signed, by Ton van Summeren (+1 extra, not folded) No. 9: has no art supplement (which only appeared in a de-luxe version, by Peter Schuyff) No. 10: no art supplement was published.

LE COUSIN PONS

Revue d'Art (later: Revue des collectionneurs et des curieux; ...des amateurs d'art et de la curiosite)

Année 1-11 (comprising nos. 1-120; last published). Mars 1916 - Juillet 1927, then: Nouvelle série: Nos. 1-3 (last and all published). Paris, Janvier - Mars 1928. Original wrappers. Illustrated. Incl. nos. 68bis & 70bis and Table des Matières 1916/17. Till no. 103 issues of 8 pp.; first 63 nos. in self-wrappers. A few issues a bit soiled, with creases and tears, only one issue (no. 44) with a tear at the top-corner and minor loss of text. Kept in 4 cloth-over boards boxes with title on the spine.

EUR 500.00

Very good set of this rare and highly informative publication, founded by Pierre Soulaine, to function as a neutral and unbiassed source of information on the art and antiques market for dealers and collectors. The set has an ongoing numbering and is lacking nos. 1-2, 51, 60-61, 64, 72, 74, 76, 80-82. Contributors include Rene Mauglas, L. Roger Miles, Arsene-Alexandre, Raymond Bouyer, Francis de Miomandre, F. de Mely. Bi-monthly, at first 8 pages per issue, then with wrappers added it includes arvertisements as well, and expands gradually to 24 pp./issue. Articles and features on collectors and museums (often in the United States), Salon, Exhibitions, dealers catalogues, comments on and results of sales at Drout, Christies, etc. The publication is named after Honore de Balzac's 'Cousin Pons'. In 1928 a new series began directed by Rene Borelly and Simon Arbellot. Only 3 issues appeared. No complete listing in Cat. Collectif des Périodiques.

Mirtha DERMISACHE

Diario.

Diario nº 1: Año 1. Dermisache, Mirtha Buenos Aires: Centro de Arte y Comunicación (CAyC), 1972. First edition. 36.5 x 47.5 cm (14.4 x 18.7") unbound newspaper consisting of two folded sheets printed in black and white. Unpaginated (8 pp.) Artists’ book in the form of an 8-page newspaper by Mirtha Dermisache, featuring her asemic writing consisting of illegible words which allow the reader to impart their significance. Dermisache’s graphisms democratize language and create intimate reading experiences without grammar or syntax. Words are turned into something abstract, which in turn examines the possibilities of language and the need for human communication. Published by Centro de Arte y Comunicación (CAyC) in Buenos Aires. Published by Centro de Arte y Comunicación (CAyC) in Buenos Aires. Scarce. Folded twice. Some age toning to sheet. Else near fine.

EUR 2,000.00

The first edition. Dermisache’s graphisms democratize language and create intimate reading experiences without grammar or syntax. Words are turned into something abstract, which in turn examines the possibilities of language and the need for human communication. Published by Centro de Arte y Comunicación (CAyC) in Buenos Aires. Published by Centro de Arte y Comunicación (CAyC) in Buenos Aires.

DOC(K)S

Nos. 1-86 (all published,complete set except for No.71/75 ), 1976-1987. Collection in the original illustrated card wrappers, some slight rubbings to the spines, but a set in generally excellent condition, composed as follows: No 1/4. juin 1976 No. 5/6. mars 1977 No. 7/8. juillet 1977 No. 9/11. déc. 1977 No. 12/14. été 1978 No. 15/18. juin 1979 No. 23/26. été 1980 No. 27/34. hiver 1980 No. 35/40. hiver 80(?) No. 41/45. Hiver 1981/82: Poemes & Art en Chine. Les "non-officiels". No. 46/49. ETE 1982. No. 50/53. AUTOMNE 1982. No. 54/ 59. 1983. No. 60/65. Hiver 1983/84: British DocksGrands Bretons. No. 66/70. Hiver 84. Les Quebecois. No. 71/75.1985 Italie. Lacking] No.76/79. 1986. Australie. No. 80-86 hiver 1987. Portugal. Added: Special Post Card (Décembre 1978) + Spécial Post Card: Destinataire Paris.

EUR 2,500.00

The first (and principal) series of this essential periodical on concrete and visual poetry, founded and directed in this period by Julien Blaine, succeeding the Carnets de l'Octeor, Approches and Robho. Volumes mostly dedicated to a geographical zone (Amérique Latine, Japon, Catalogne, Corse, Russie, etc) or a special theme: No. 27/34 "Grand Virage", panorama of the groups in France. Complete with the special Postcard numbers: - spécial Postcard de décembre 1978 : recueil de 120 cartes postales d'artistes comme Chopin, Cobbing, Dachy, Deisler, Hubaut, Nanucci, Sarenco, Le Sidaner, Spatola, etc. - Special Postcard "Destinataire Paris", Le Vert-Galant. A cardboard case with loose postcard included.

EXIT

Revue trimestrielle.

Nos. 1-12/13 (all publ.). Paris, déc. 1973 - automne 1977. Original pictorial wrappers, kept in a fine box designed by Pierre Mercier; numerous illustrations. Together with another copy of No. 1. déc. 1973: De-luxe, No. 36/100, with signed serigraphies by Bellegarde, Nave and Sandorfi.

EUR 1,800.00

Edited by: Patrice Delbourg, Olivier Kaeppelin, Martine Cagnot, Raphaël Pividal, and with contributions of: William Burroughs, Brion Gysin, Jean-Marie Gibbal, Martine Cagnot, André Velter, Yves Buin, Mac Cullers, Georges Perec,a.o. Photography: Jacques Monory, Marisa Duhalde, Marie Breton, Luc Girard. Informative and well illustrated magazine featuring many contemporary artists (e.g. Bellegarde, Naves, Sandorfi, Gafgen, Messac, Schmosser, Stempfel, Gasiorowski, Kijno, Biasi, Monory, Aillaud, Delay, Babou, Van Velde, Bailly, Lüthi etc.).

EXTRA

(An Artists Magazine).

Numbers 1 - 5 (all publ.). Köln, Juli 1974 -1975. Quarto, original pictorial wrappers. Pictorial covers, a very nice set, as new. Rare complete.

EUR 1,500.00

Edited by Werner Lippert, with original contributions by the artists. No.1 : Front cover courtesy Paula Cooper. Contributions by Hans HAACKE with text about the refusal of his project'74 'Manets Spargelstilleben' by the Wallraf-Richartz Museum, which was shown later in the gallery of Paul Maenz. Urs LÜTHI: 'The Numbergirl 1973', Daniel BUREN: 2 pages with vertical yellow bands printed on vellum. Duane MICHAELS: 'portrait of Andy Warhol, 1973'. Joseph KOSUTH: (Notizen) 'Über eine anthroplogisierte kunst' and Jean le GAC – ‘Les Anecdotes, 1974’. + loosely laid in one page text ‘Zusatz sur Projekt 74 Ausgabe'. - Number 2: Bernar VENET: Analysis of the graphic representation of the Function y =x etc.; Anne + Patrick POIRIER: Dodici Vedute etc. + Tempio C Dell' Acropoli etc.; A. DIAS: The Illustration of Art; Karl BLOSSFELD: 5 photographs; Art & Language, Joseph Kosuth, Iole de Freitas.- Number 3: Robert BARRY: 25 Words and 5 Blank Pages 1974; Terry ATKINSON: Article concerning Kosuth's Anthropologized Art"; Hanne DARBOVEN: Manuscript for a Film 1970-74; Ralph GIBSON: From Days at Sea 1974; Roman OPALKA: Details and Voyage Notes; Sol LEWITT: Drawings 1974. - Number 4: Devoted to David ASEKEVOLD: Complete Documentation of his Works 1968 - 1974. - Number 5: G. PENONE: Five pressures w. constant spatial characteristics etc…; Rune MIELDS: Line drawings on transparent sheets; Hans Peter FELDMANN: Pin Up Girls (photographs); Lewis BALTZ: Installations (photographs); G. ZORIO: Energy as Absence / Energy as Presence (photos on transparent sheets w. red line drawings).

FAÇADE

Mensuel.

Nos. 1-14 (all publ.). Paris, 1976-1979. L. folio 24,5x29 cm; original pictorial wrappers; with numerous illustrations & photographs. the number 13 was not published. In good condition, only some light wear to the spines of a few issues.

EUR 4,000.00

The French counterpart of Andy Warhol's Interview, founded and directed by Alain Benoist, with Laurent Laclos, Jean-Luc Maître, Hervé Pinard. Features on Salvador Dali, Sophia Loren, Jack Nicholson, Mick Jagger, Andy Warhol, Taooing & Piercing, Catherine Deneuve, Gina Lollobrigida, Gerard Depardieu, Jacques Monory, Gilles Roy, Keith Richard etc.; contains first publication of Pierre et Gilles (L'Idiot, a fantastic portrait of Iggy Pop). Collaboration by: Hervé Pinard, Yves Adrien Thierry Ardisson, Jean-Edern Hallier, Djemila Khelfa2 (sister of Farida Khelfa), Jean-Luc Maitre. Jean-Baptiste Mondino, Alain Pacadis, Pierre et Gilles, Philippe Starck.

FLASH ART (after no. 92/93 International / English Edition)

The International Arts Review.

Nos 15-17 and 19-43. ( 1968 till Dicembre/Gennaio 1973/1974.). Original issues as published, tabloïd size. Added: No. 7 (Marzo/Aprile 1968) Flash Art Information sheet, Edizione speciale ( 7 febbraio 1974) in occasione della mostra (The Opening of the Flash Art Information Center)

EUR 900.00

The Largest European Art Magazine' the most informative and influential review on modern art.

FORMA 1

Mensile di Arti Figurative.

Forma 1 (Numero 1), all published. Roma, marzo 1947. 8 pages. Tabloid size (34,7x24,6 cm), as published, printed b/w. Light toning of the newsprint paper, in particular extremities, a small closed tear to the right margin and light wear on the fold; small spine damage around the staple, with a little loss of paper in the margin only. Small stain in the margin of p.3. Altogether however in generally good condition. Very rare.

EUR 1,000.00

One of the seminal periodicals of the Italian avant-garde after the war. The group FORMA 1 was formed by Carla Accardi, Ugo Attardi, Pietro Consagra, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo, Giulio Turcato, a.o. Forma 1 published a Manifest, subscribed by these artists, which sought to bridge the gap between Abstract and Realist art in Italy in this period: "Noi ci proclamiamo FORMALISTI et MARXISTI, convinti che i termini marxismo e formalismo non sono INCONCIABILI, specialment oggi che gli elementi progressivi della nostra società debbono mantenere una posizione RIVOLUZIONARIA E AVANGUARDISTICA e non adagiarsi nell'equivoco di un realismo spenta e conformista che nelle sue più recenti esperienze in pittura e in scultura ha dimonstrato quale strada limitata ed angusta esso sia"…." Roma, quindici marzo 1947". Articles by Pietro Consagra (Teorema della scultura); Mino Guerrini (Perchè la pittura); Giulio Turcato ( Crisi della pintura); Musica moderna; Léo Gischia (Tendenza di rivoluzione); Piero Dorazio (Stile e tradizione); Achille Perilli (Gli espressionisti del secolo; Astrattisti a Milano). On page 3: " Una bella donna è una bella donna. Una bella statua è una bella Forma''). Work reproduced (b/w photographs) of Pietro Consagra, Mini Guerini, Giulio Turcato, Piero d'Orazion, Viani, Antonio Sanfilippo, Carla Accardi, Ugo Attardi.

FORTUNE (Magazine)

Complete years Vol. 1 no 1, 1930 thru December1950. Chicago, Time Inc., 1930-1950, with Index 1930/37. Bound in library boards or cloth (WITH all ORIGINAL PICTORIAL WRAPPERS PRESERVED) frequently with library stamp, but overall in very good condition. An excellent set, and rare nowadays, collections like this are rarely offered.

EUR 6,000.00

Complete set THRU 1950, INCLUDING THE IMPORTANT EARLY YEARS of this famous "magazine for the business-world and corporate America" (Henry R. Luce, editor). Elaborately produced and lavishly illustrated with photographs (black and white & colour, fine colour printing) of wellknown photographers (Margaret Bourke-White, Ralph Steiner, Arthur Gerlach, Ansel Adams, Erich Salomon, Bernard Hoffman, Berenice Abbott, etc. . WALKER EVANS wrote and photographed for Fortune starting in 1934 (from 1945-1965 as staff-photographer and photo-editor). Of particular importance are also the beautifully illustrated covers, for which the magazine is famous (designs by Diego Rivero, Ant.Petrucelli, Herbert Bayer, Matthew Leibowitz, Paolo Garretto, Fernand Leger, etc.). The many advertisement-pages (all included in the set) give an important survey of the developments in graphic & advertising design. Illustrated articles give an overview of half a century's technical and industrial progress (Cars, aviation, steel, computers, business & finance, travel,traffic, film). Also attention to the visual arts (in 1941 no 6.Grosz, Dali, Chagall, Ernst, Tanguy, Masson etc.) and also contemporary American art. This set, fully collated and with very minor flaws (detail on request) is ex-library, but in very good condition. If desired the set can be extended till the year 1990.

FRIENDS

Nos. 1-29 (all publ.). London, 1969-1971, continued as: FRENDZ. Nos. 1-35 (all publ.). London, May 1971-Sept. 1972. Tabloid, except no 2 which is 4to; newsprint; unbd. (also numbered :FRIENDS Nos. 1-28 (London: December 1969-May 3, 1971) / FRENDZ No. 1 (ie. No.29 of Friends) - No.35 all published). Printed in b./w with occasional colouring. (63 issues). Condition generally good to very good, only occasional light staining and discoloration of the paper.

EUR 2,500.00

Underground paper which started off as the British edition of Rolling Stone; No. 1 of 'Frendz' is identical to no. 29 of the precursor. Edited by Alan Marcuson, later by Jerome Burn and John May (includes the Great British Catalogue, which is equivalent to the U.S. Whole Earth Catalogue). Frendz was formed when Friends went into liquidation, and under Jerome Burne and John May it became known for its in-depth coverage of all aspects of the alternative society. It was a rival to IT and OZ. Extensive coverage of music (especially local heroes Hawkwind and the Pink Fairies, and the newly-burgeoning rock festivals they and others like them played at - Bath, Isle of Wight, Phun City, Glastonbury, Bickershaw, etc.), as well as all aspects of the drug culture; the Oz trial; the occult; ecology (including Whole Earth catalogue supplements); the Notting Hill scene (of which the paper formed an intrinsic part); the White Panthers; etc. Main contributors include David May, Barney Bubbles, Jonathon Green, Rosie Boycott, Pennie Smith, Heathcote Williams, Nick Kent, Stanislaw Demidjuk, Charles Radcliffe, David Widgery, Felix de Mendelssohn, Charles Bukowski, Michael Moorcock, Robert Calvert. Interviews with JG Ballard, William Burroughs, Wavy Gravy, John & Yoko, the MC5, AJ Weberman, Mo Tucker & Doug Yule, and Kate Millet.

FUCK YOU (Fuck You Press)

THE PLATONIC BLOW / Auden, W. H. New York: FUCK YOU PRESS, 1965. First edition. Softcover. Fine. First edition. Softcover. 8 1/2'\'''\'' X 6 15/16'\'''\''. Unpaginated. Stapled softcover. Trade edition of 300 copies. A fine copy of a..

EUR 300.00

FUCK YOU (Fuck You Press)

The Cantos of Ezra Pound. CX-CXVI (110-116) / (SANDERS, Ed and Joe Brainard) POUND, Ezra. New York: Fuck You Press, 1967. Softcover. Near Fine. Limited edition. Cover by Joe Brainard. Quarto. Mimeographed sheets printed rectos only in stiff stapled illustrated white wrappers.

EUR 250.00

FURORE

Nos. 1-24 (last publ.) Together with the four pre-publication issues which were numbered as Minus-numbers -5, -4, -3, and -1/-2. Amsterdam, 6 June 1975-Winter 2000-2019. Together 28 issues, in the original pictorial wrappers. (No.2 in second ed.)

EUR 1,200.00

Rare complete, Piet Schreuders production. Dutch avant-garde art & literary periodical, ed. by Aart Clerkx, Laurie Langenbach, Franka van der Loo, Piet Schreuders, important for its innovative design. Literary contribs. include W.F. Hermans (prepublication of 'Onder Professoren'), Campert, Heeresma, Komrij, Schippers, Carmiggelt. Design & ills. by A. Clerkx, Piet Schreuder, a.o.

GANDALF

Nos. 1-58 (all publ.). Amsterdam, 1964-1971. Original pictorial wrappers;all issues in the original imprint, well preserved set. Added: two copies of UIT GANDALF GOED VOOR U (Amsterdam 1968, 1st and 2nd edition., plates, orig. unif. wr. Frontwr. of second ed. sl. waterstained).

EUR 2,500.00

Dutch countercultural magazine, inspired by the Hippies, the sexual revolution and the Provo movement, published monthly, issues of ab. 50/60 pp. each, with numerous (provo-cative) photographs and ills., very typical for the sixties' , edited by and with contribs. of: Peter Hamelink, Guus Dijkhuizen, S. Carmiggelt, J. v. Hattum, Jef Last, Heere Heeresma, D.H. van Proosdey (Dichterskring), J.W. Holsbergen, Ch.B. Timmer, R. Campert, Guus Vleugel, Bibeb, Willem, Michiel de Ruyter, J. Waasdorp, K. Soudijn, P. Andriesse, L.P. Boon, R. Chapkis, J.A. Deelder, P. Grijs, J.W. Holsbergen, F. Pointl, J. Waasdorp, J. Wolkers. W. Noordhoek, Bertrand. Photos by F. Laufer, P. Boersma, E. v. Moerkerken, D. v.d. Klei, Peter Dicampo, Arn. Steenkamp. Erotic and provocative photography, Ills. by Wolinski, Barbieri, Bertrand (erotic drawings) and many others.

GANDALF'S GARDEN

Nos. 1-6 (all published). Citadelle Press, London, May 1968 - 1969. Printed on various coloured stock, 30-34 pages per number, stapled into colourful pictorial wrappers; numerous ills. Number 1 in two versions, one with the title overprinted in orange, the other in purple only. (Nos. 1-2: Fear Not- You are now entering Gandalf's Garden; No.3: A New World grows beneath the snows; No. 4: the inner zodiac wheels between the leaves; No. 5: beyond the brain& blown mind lies Gandal's Garden). Except for some very light soilage to covers in fine condition. Very rare. Added: CD: The complete Gandalf's Garden (signed by Muz Murray).

EUR 700.00

Editors (Gandalf's Gardeners): Muz Murray. Field editor: Alex Lowsiewkee; Head Gardener: Gerry Snelling; Graphics: Pip Bassett, Francois Vasseur, June Cramer, Sue Soar, Ken Hayes, Geoffrey Carton, John Hurford, Carol Blain, Jay Amler, Pat Kyle, Steven Ridgeway, John Power, etc. ; Photography: Chris Ridley, Robin Chapman, Colin Bord, Andy Coventry, Selene, etc. Contributors include Peter Finch, John Mitchell, John Peel, Marc Bolan, Nicki Wood, Geoffrey Ashe, Barney Bubbles, Dave Cumliffe, Viv Broughton, etc. A monthly venture; later: Published as often as possible for people with love. And will appear again when the weather is right. It is the lifestyle of those who produce it. We hope it is yours. (The Voice of the Overground; Overground Free Press).

GARD SIVIK

3-maandelijks (lateron: Tweemaandelijks) tijdschrift, uitg. door de Vereniging ter Bevordering van de Avant-Garde Kunst.

Nos. 1-33 (= all publ.). Brasschaat / Antwerpen / Rotterdam. Maart 1955-Feb. 1964. Original (partly) pictorial wrappers, well preserved set, only some sunning and light dustsoilage to a few covers. Number 12 with the rare orig.banderolle/ wraparound (slightly damaged). Tog. 29 physical issues. Complete with the pamphlet "DADA!" (= supplement to no. 12, ab. 25 x 40 cm, folded to 12,5 x 20 cm).

EUR 1,600.00

Quarterly ( lateron bimonthly) published by the "Society for the Promotion of Avant-Garde Art". Founded by Gust Gils, Hugues Pernath, Paul Snoek, Tone Brulin, Simon Vanloo, Herman Denkens; lateron including H. Sleutelaar, Armando, Cor B. Vaandrager, C. Buddingh, Simon Vinkenoog,a.o.; With contibutions (and /or illustrations) by Asger Jorn, Lucebert, Opland, Gust Gils, Maurice Wyckaert, Paul Snoek, Dan van Severen, Armando, Bob Coolen (vignets), Egbert Munks (photography) , W.F. Hermans, S. Vinkenoog, Remco Campert, Rudy Kousbroek, Heere Heeresma, Gerrit Kouwenaar, Hugo Raes, Sybren Polet, Jan Cremer, Jan Arends, Tone Brulin, Herman Denkens, Vic Estercam, Hugues C. Pernath, Willy Roggeman, Paul Snoek, Rudo Durant, René Gysen, Walter Korun, Serge Vandercam, Maurice Wyckaert, Chris Yperman, Claude Corban, Jan Hanlo, Hans Sleutelaar, Ben Klein, Maurice D`haese, Matta, Ellen Warmond, Hans Andreus, Cees Buddingh, Heere Heeresma, Theo Kemp, Korban, Rudy Kousbroek, Gerrit Kouwenaar, Mischa de Vreede, Hugo Raes, Sybren Polet, Walasse Ting, Paul Rodenko, Jan Walravens, Hans Pieter Verhagen, Freddy de Vree, Jan Arends, Heere Heeresma, Ruud Kuyper, Heinz Neudecker, Cornelis Bastiaan Vaandrager, Ewald Vanvugt, Jan van der Vegt, Hans Warren, Julien Weverbergh, Enno Develing, Nico Scheepmaker.etc. The "DADA" pamphlet, in a lay-out imitating DADA publications, is almost always lacking.It was intended as a protest against the Dada exhibition held at the Stedelijk Museum during Dec.-Feb.1958-59.

GET READY

Periodico alternativo di musica rock.

No. 0. Milano, 1971. Casa Editrice Lo Spinello, 1972. Printed in various colours and trimmed in the form of a "joint" (Marijuana Cigarette). Some pages are multi-panel foldouts. Tall narrow folio. Rare zero issue of this underground periodical which had 4 subsequent issues. Reasonable condition, light damage over the central fold and a small defect on the right margin. Still in bright colours and a rematkable production.

EUR 1,200.00

Edited by Marcello Baraghini. Contains texts from S.I.M.A. (Servizi Istituto Mass-media Art) inviting to use drugs and calling for legalization. Contribs.: B. Fornasetti, G. Cerquetti, L. Vassallo... Comics by R. Crumb, etc., Featuring Frank Zappa, Santana LP, Emerson,Lake e Palmer, Baba Ram Das, L.S.D., Vertigo, Rolling Stones, Jimi Hendrix, Miles Davis froup,

GRAMMA

Bolletino trimestrale di cultura contemporanea.

Nos. 1-4 (all published). Lecce, gennaio-giugnio/settembre 1971. Stapled mixed contents, 33x22 cm., assembling in the style (and editorially connected with) Techne in Florence.

EUR 1,200.00

Assembling, edited by the Centro Gramma in Lecce, directed Salvatore Vergari, editors: Giovanni Corallo, Francesco de Blasi, Salvatore Fanciano, Bruno Leo. Contains contributions by Lucio Fontana,J-C.Moineau, Euygenio Miccini, Giusi Coppini, Michele Perfetti, Enrico Baj, Ettore Colla, Gruppo Stanza, Vittorio Dimastrogiovanni,Renato Ranaldo, Francesco Pasca, Jochen Gerz, a.o. Maffei/Peterlinii p. 102 (Complete set in 3 physical numbers, 3/4 was a double issue).

HAPPENING NEWS (Panamarenko)

Numbers 1, 2 and 3 Plus The Subscription Flyer: Antwerp 1965: Published by Panamarenko and others from the Antwerp Happening Scene. According to the Bibliography included in Happening & Fluxus, Materialien, Koelnischer Kunstverein 1970, there were 6 issues published, nos. 4-6 under a different title (Milkyways). details see below:

EUR 3,000.00

-Number 1 - (Blue issue): WHAT'S HAPPENING. 16 pages. 4to. mimeographed/photocopied in blue, in a very small edition, with original artwork stapled under plastic covers, produced and published in Antwerp September 1965 by Panamarenko, Hugo Heyrman, Wout Vercammen and occasionally Yoshio Nakajima - Number 2: (White issue): NOISE AND SPACE TARGET. 18 pages. 4to.(October 1965) Xeroxed in black on white card, recto/verso (299 x 224 mm). This issue contains contributions byf Panamarenko, Wout Vercammen, Hugo Heyrman and Bernd Lohaus. Tony Rombouts and Jeroen Henneman both contributed with a single page composition/ poem. One composition by Hugo Heyrman bears the date '13 oktober 1965'. -Number 3. - (Orange issue): UNUEBERTROFFENE ORIGINAL. 18 pages. 4to. (this issue with Yoshio Nakajima) mimeographed/photocopied in a very small edition, with original artwork stapled under plastic covers, produced and published in Antwerp October 1965 by Panamarenko, Hugo Heyrman, Wout Vercammen and occasionally Yoshio Nakajima- -SUBSCRIPTION FLYER, PRINTED RECTO ONLY Antwerpen, The artist's, 1965. 7 x 13,7 cm ( Panamarenko, Wout Vercammen, Hugo Heyman en Yoshio Nakajima} Complete with the tear-off portion that was to be filled out and used by future subscribers. VERY RARE

HIGH TIMES

The Magazine of High Society.

Numbers 1-76. Summer 1974 - December 1981. In the original coloured wrappers, overall condition is excellent with some issues "like new" and others with only minor reading wear. Front and back covers all intact and fine (except for a rubberstamp on no.16 and an old mailing label on no 55;small ink mark on no 60; one spine split). The first in the premiere edition, First state with $1.00 price and "premiere issue" on the cover (grey and blue-green colored pictorial wrappers) A very rare ongoing set of the earliest period.

EUR 1,200.00

Editor: Ed Dwyer. From the announcement-letter (May 16, 1974): "The Trans-High Corporation of New York announced today the publication of a new magazine.... It offers extensive and sophisticated coverage of the pleasure and psychochemical culture.... articles ranging from the ecology of cannabis paper to an investigative report on a nine-ton pot bust. ...A regular feature of High Times is a comprehensive Wall Street Journal-type listing of psychochemical prices around the world (=in fact 'High Witness News'). ..Also featured are medical and legal columns written by leading experts as well as eclectic reviews of films, records and books. ... psychochemicals have become the cause of psychological and sociological problems; to alleviate these problems, the first step is to take a more thorough look. This is the purpose of High Times." Contribs. by Richard Ashley, Bruce Eisner, Albert Goldman, Michael Horowitz, Ron Rosenbaum, John Wilcock, Deanne Stillman, a.o. Also interviews with (o.a.) the Dalai Lama, Albert Hofmann, Dr. Norman Zinberg, Andy Warhol, Peter Beard, Fran Lebowitz, Keith Richard, Marianne Faithfull, etc. In addition to the controversial drug coverage and in-depth countercultural articles, there is a sizeable amount of early punk rock coverage thanks to Tom Forcade's early interest in the Sex Pistols and punk music as the "next big thing". Forcade even provided funding for John Holmstrom's Punk magazine at one point. While High Times continues to this day, the focus here was on music related coverage and therefore this particular run ends in 1981 where the musical interest also begins to taper off.

IDENTITÉS

Nos. 1-14 (all published). Aix-en-Provence, Nice, juin 1962 - hiver-printemps 1966. Together 11 physical issues (3 double issues), 50x33 cm, varying from 4 to 10 pages, all in good condition (only no 5 light soilage and split spine). An extremely rare periodical,

EUR 2,000.00

Founded by the painter Marcel Alocco, with Régine Aizertin-Robin and lateron collaborartion of BEN Vautier. . 1962 : 1, juin / 2, sept.-oct. / 3, nov.-déc.- 1963 : 4, avril-mai / 5, hiver.- 1964 : 6, printemps / 7-8, été-automne.- 1965 : 9, hiver / 10, printemps / 11-12, été-automne.- 1966 : 13-14, hiver-printemps. Title suggested by Aizertin, based on a poem by Eluard, dedicated to Dora Maar ("feministe"). Initially a predominantly literary journal (Jean-Pierre Charles, Daniel Biga, Richard Laszlo, Daniel Karm, on Robbe-Grillet, Jean Pastureau, Daniel Reynaud, Renaud Matignon, Serge Bec etc.) the interest and scope widens significantly after the transfer to Nice. In No. 7/8 begins the collaboration of BEN VAUTIER (Une lettre de Ben) and a full-page poster-like supplement, typographically designed wit Ben's handwriting in the middle"Je soussigné Ben Vautier, déclare authentique oeuvre d'art l'ABSENCE D'ART, 1/10/63": Ben's contribution from then on in all the issues and a general interest for FLUXUS. Robert Filiou,George Brecht, John Cage, Jean-Jacques Lebel, Wolf Vostell, Gius.Vhiari, Duick Higgins. No. 10 is devoted to the Beat Generation, contributing are Allen Ginsberg and J. J. Lebel, also François Maspero. It has a full page supplement (printed recto only), with 4 texts by Vautier ("Vers la fin cela devient cochon"). Also Arman,Ben,Gette Gilli, Le3 Clézio,Malaval, Raysse,Venet.No. 11/12 on the Ecole de Nice (drawing by Robert Malaval). A feature on "Lettrisme en 1965" (Isidore Isou). "Architecture dépaysée", Ernest Pigeon. An interest in Fluxus: George Brecht "Conversation avec Ben et Alocco". No. 13/14 devoted to "La musique de la Vie", with "l' Événement happening", with text by Jean-Jacques Lebel. Also contribution by John Cage (conversation with Michel Kirbyand Richard Stechner). A feature on the Young Japanese Poetry (Tajiro Amazawa, Takahido Okada, Makoto Oaka, and Robert Filiou ("Bruits montants de la Fginza"). Feature on Architecture in no 10 " l'Architecture dépaysée" and in no 13/14: Art Habitable by Ernest Pignon. Important contributions on the "Happening" by Ben Vautier, Al Hansen, Gius Chiari, J-J.Lebel, Milan Knizak, Dick Higgins.

IMAGO

Proposte per una nuova immagine.

Nos. 1-15 (all published, without No. 13 which was probably never published). Milano, Edizione della Bassoli Fotoincisioni, 1960-1968. Loose-leaf and/or in the original wrappers, kept in the original black cardboard slipcases, 31 x 25 cm. (Some of the slipcases rather worn at the edges; vols. 9,10,11,12 with the original wrap-around intact; only Vol. 3 without slipcase)

EUR 3,000.00

Director: Raffaele Bassoli. Each volume contains contributions by contemporary Italian writers, artists, photographers, graphic designers, etc., in loose-leaf form and small booklets in various sizes, executed in different printing techniques by Bassoli Fotoincisioni. Included are publicity leaflets, typographical lay-outs, multiples, manifestos, posters, visual poetry, photographs, etc. Includes work by Bianconi, Bonfanti, E. Carmi, G. Confalonieri, S. Dangelo, S. Fiume, A. Gastaldi, M. Huber, H. Osterwalder (Studio Boggeri), B. Munari, M. Provinciali, F. Rognoni, L. Spacal, A. Testa, P. Tovaglia, E. Treccani, a.o. Texts by G. Arpino, C. Belloli, G. Bocca, A. Borlenghi, J.L. Borges, D. Buzzati, R. Carrieri, G. Celant, P. Chiara, R. De Grada, G. Dorfles, G. Ferrata, S. Fiume, T. Kezich, G. Pontiggia, a.o;Vol. 14: Numero speciale dedicato al caminetto ( Dedicated to the Fireplace), Vol. 15: Numero monografico di "Imago" (n. 15), dedicato alla automobile di stile (Dedicated to the designed autocar), realizzato in edizione speciale per la Pininfarina Spa. Bibliographic searches have not resulted in locating a copy of a Volume 13; the only sets offered in the trade are without vol. 13, and we may assume that this has never been published.

INK

The Other Newspaper.

Nos. 1-29 (all publ.). London, May 1971 - Feb. 1972. Tabloïd, unbound. On newsprint, with colour added; numerous photographs and illustrations (some small marginal tears and endemic browning, No. 26 has front cover damage, a small piece is missing, but otherwise this isa very good set, quite rare).).

EUR 4,000.00

British Underground paper, at first weekly, then becoming irregular. With attacks on the government, police and society in general, with much avant-garde artwork. Supposedly financed by John Lennon, Yoko Ono and Germaine Greer. Published by Paul Bream. Critical against domestic politics, as well as foreign politics, particularly the war in Vietnam. Also pop music, film, sex, books, etc. Contributions by Alex. Trocchi, Richard Neville, Alex Mitchell, Felic Dennis, Andrew Fisher, Ed Victor, etc.; interviews with Eldridge Cleaver, James Baldwin, etc. No. 22 misnumbered as No. 21 (which appears twice in the numbering). Features including David Cooper on the family; Tim Souster on Stockhausen; "Ralph Nader for President?" by JG Ballard; Alexander Trocchi on the junkie scapegoat; the first appearance of "The Writer" by William Burroughs; Felix Dennis on John Lennon; interviews with Eldridge Cleaver, James Baldwin, and others; and news coverage of the Stoke Newington 8; the Prescott/Purdie, Angela Davis, Mangrove, and Oz trials; Gay Liberation; censorship etc.

INNERSPACE

The magazine of the psychedelic community.

Vol. 1 nos. 1- 5 (all published). New York, 1966-1967. Size (h/w): 28,5 x 26,7 cm. Stapled in original illustrated wrappers. (very mild soilage to all numbers, No. 1 frontcover with near invisibly repaired closed tear ; No. 3 backcover has small ad cut out.but otherwise quite good). Rare complete

EUR 1,600.00

Edited by Linn House, managing editor: Peter Weinberg. Contributing ediotrs: Peter Stafford, Ira Einhorn. Staff artist: Linda Jarvis.I ssues of 24-32 pages, printed in offset in vartious colours, fully illustrated. Part of the Underground Press Syndicate. Number 5 is the "American Indian Issue" and contains a letter referring to issue no. 4. Contains articles and reports on drugs, be-ins, etc. with correspondents in San Francisco, Los Angeles, Beirut, Berkeley, Nashville, later also Bombay, Amsterdam, Cleveland, etc.

IX

Hebdomadaire.

Nos. 1-5 (all publ.). Paris, vendredi 23 mai - 26 juin 1969. Large-folio; Unbound, fine.

EUR 400.00

Students rebellion, flower power, sexual revolution in France: this shortlived weekly (of 16 pp./issue) was directed by Alain Valtat, with contribs. by Jean Streff, Alain de la Haute-Maison, André Laude, Yves Lancelot, François Pagery, etc.; illustrations and satirical drawings by Vasco, Willem (Chez les métèques nos.2-5), Wolinski, Pétillon, etc.; numerous photographic ills.; articles featuring Johnny Halliday, Wilhelm Reich, Les Lycéens: La révolution ou la fesse, etc.

JOURNAL FOR THE PROTECTION OF ALL BEINGS

A Visionary & Revolutionary Review.

Number 1: Love-Shot Issue. San Francisco, City Lights Books, 1961; Number 2: On the barricades. Revolution and Repression (1968 Number 3: Green Flag (1969); Number 4: (1978) A commemorative issue published by The CoEvolution quarterly, issue no 19. (all published). San Francisco, City Lights Books, 1961-1969 (1978). cplt set of 4 issues, (No. 1 & 2: 30x 16,5cm,No. 3: 25x11,5 cm; No. 4: 27,3x 18,5 cm).; original wrappers (light foxing and staining, but altogether very good).

EUR 1,000.00

No. 1 Love Shot Issue. Editors: Michael McClure, Lawrence Ferlinghetti, David Meltzer. Other contribs. by Bertrand Russell (Statement of July 23), Gary Snyder, Antonin Artaud, Gregory Corso (Interview with Allen Ginsberg), Albert Camus, Michael McClure, Allen Ginsberg, Norman Mailer, etc.; A Photo Essay ("Death") by James Mitchell. - No. 2 is entirely devoted to the May 1968 uprisings in France, with an excellent photo documentation of Paris May. Photos by Caron, posters by students of the Ex-Beaux Arts, texts by Marcuse, etc. -No. 3 (Green Flag) is edited by Corrie, Sandra and Stine, Laura. People's Park Poetry. No. 4: (1978). Rebirth of City Lights' "A Visionary & Revolutionary Review" disguised as a CoEvolution Quarterly. Included: Artaud, Brecht, Creeley, Ginsberg, Kerouac, Ishmael Reed, Vachel Lindsay, Walt Whitman, Thoreau, Ben Shahn, Herbert Read, many others. Pages uniformly tanned, as expected, a hint of age-toning to the covers, else a fine, unread copy in illustrated cardstock covers.

KAMIKAZE

Revue d'information panique (et de Roman Cieslewicz).

Nos. 1-3 (all published). Paris, juin 1976 - octobre 1997. Large folio, printed on heavy white paper. With numerous photographs and illustrations. No.1 includes the four signed original graphics (limited to 120 copies); no hors-textes were published for the subsequent issues.

EUR 2,200.00

Magnificent publication, directed by Roman Cieslewicz (Christian Bourgeois for no. 1). Issues from 40 to 60 pages, with full-page illustration and photographs by Rodchenko, Christian Boltanski, Roland Topor, David Bayley, Mark Busse; No. 1: 1976. Entendre. Texte de F. Arraba. WITH FOUR SIGNED NUMBERED SERIGRAPHIS ON FULL PAGE BY ROLAND TOPOR, OLIVIER O.OLIVIER, OSCAR DE WIT, ROMAN CIESLEWICZ. No. 2: 1991. Voir. Text by Jean-Christope. Bailly. No. 3: Sentir. Text by Véronique Petit.

KAYAK

Nos. 1-64 (all publ.). Autumn 1964 - 1984. Original pictorial wrappers (nos. 49-64 with inobtrusive small library stamp).

EUR 2,200.00

Ed. by George Hitchcock, with contribs. by Kenneth Rexroth, Gary Snyder, M. McClure, Robert Bly, W.S. Merwin, Ed. Roditi, Anne Sexton, Paul Blackburn, Antin, Atwood, Levine, Ammons, Merwin, Simic, Knott, Tate, Roditi, Berry, Pillin, Blazek, Carver, Valaoriti s, Beiles, Sexton, Snyder, "found poems" and translations. One of the major literary and artistic periodicals of the period. "…particularly hospitable to surrealist, imagist and political poems…… welcomes vehement or ribald articles on the subject of modern poetry…" See Anderson/Kinzie, p. 707; Secret location p. 283.

KING KONG International

Periodico di cultura visiva. An electric magazine of visual culture.

Nos. 1-2 (all publ. ). Milano, Edizioni Galleria Breton. gennaio - giugno 1972. Large folio, printed in offset (each number 16 pages incl.selfwrappers, printed in blue and green on white stock, fully illustrated). Small closed tear on the top edge of no. 1,very light edgewear and very light soilage, but an excellent set of this rare periodical. Loosely inserted a leaflet 'Con ommaggio Flash Art".

EUR 1,500.00

Edited by Rara Bloom, Dante Goffetti, Bruno Sanguanini, Riccardo Scarbi, Mizio Turchet. Texts in Italian. Contribs.: Interview with John Cage (Intrapresa & caos); interview with Terry Riley; interview with Beuys; Artists videotape performance New York; "Questionnario" by UFO (C. Bachi, L. Binazzi, P. Cammeo, R. Foresi, V. Maschietto): "Elementi di Prossemica Territoriale". Situationist contribution 'Affinche il mondo cambi dalle basi bisogna cambiare le basi del mondo'; Contributors include Jacques Lacan, Philip Pilkington, Kingsley Widmer etc.; reports on exhibitions, Kassel , Venezia, Arakawa, Gastone Novelli, etc. (English summaries at the end of no. 2).

KONTEXTS

An occasional review of concrete / visual / experimental poetry.

Nos. 2, 3, 4, 5, 6/7, 8, 9/10 (=last published). Leamington Spa, Exeter, Amsterdam, Summer 1970-1977. 8vo., 4to. and tabloid. Original illustrated wrappers. Summer 1970 - winter 76/77. Good condition.

EUR 2,000.00

Key Concrete Poetry journal, edited by Michael Gibbs, "occasional review" of visual/concrete/experimental poetry and language art. No. 2. Summer 1970. Leamington Spa, Warwickshire: Michael Gibbs. 4to, 17 leaves (mimeographed on one side) stapled wrappers. 1 of 250 copies. With contributions by Bob Cobbing, Andrew Lloyd, Peter Mayer, Alan Riddell, Gerald Rocher, Paul de Vree, Nicholas Zurbrugg, a.o. Light wear to extremities. No. 3. Summer 1971. (32 pp), limited edition of 200 copies on colored paper. With contribs. by Adler, Finch, Gibbs, Mann, Meyer, de Rook, Todorovik, Ulrichs, Vigo, Zurbrugg; cover by Bob Cobbing ('found sound poem'). No. 4. Winter 72/73, limited ed. of 250 copies on yellow and white paper. (36 pp + wrapper). Printed at the Beau Geste Press. With contribs. by Richard Kostelanetz, Dan Graham, Hammond Guthrie, Ken Friedman, Robert Lax, John Giorno, Linda Bandt, Wally Depew, Amelia Etlinger, Michael J. Phillips. No. 5. Exeter,Devon, Michael Gibbs, n.d., printed by Beau Geste Press. Oblong, 15 x 20,7 cm. 42 unnumbered pages, printed in b/w and 1 colour, on white and violet stock, stapled in pictorial wrappers. Contents: 4 e. european poets (Jiri Valoch, Karel Adamus, Toth Gabor, J.H.Kocman), also Peter Finch, Bob Cobbing, Jochen Gerz, Ulisses Carion, Michael Gibbs etc; cover art: Clemente Padi; back cover photo: Graham Keen. No. 6/7. 1975. (48 pp); limited edition of 400 copies. With contribs. by o.a: Clavin, Gibbs, Hutchins, John Liggins, Betty Radin, Stephen Williams; cover ills. 'Grambling' by J.C. v. Schagen. 'Kontextsound', published on the occasion of Sound festival Amsterdam, contains o.a. interviews with Sten Hanson, Bob Cobbing. No. 8. Amsterdam: Spring 1976. Ed. Michael Gibbs & Ulises Carrion. Tabloid newspaper format. 18pp., illus. Contributors incl. Jackson Mac Low; Henri Chopin; Arrigo Lora-Totino; and others, together with a report from Le Colloque de Tanger, plus extracts from an interview with William Burroughs by Gerald Minkoff, a photograph by Anne Nordmann of Burroughs looking into a Dream Machine, and two full-page b/w photos of two collages from "The Third Mind". Nos. 9/10. (=last publ.). Amsterdam: Winter 1976/77. Ed. Michael Gibbs. 4to. Wrps. Contributors incl. Dick Higgins; bp Nichol; Peter Mayer; Bill Bissett; Ulises Carrion; Robin Crozier; Ladislav Novak; Nicholas Zurbrugg a.o

KRATER UND WOLKE

Nos.1-7 (all published). Cologne, Michael Werner, 1982- 1990. Original stiff illustrated boards, mint condition, kept in the original publisher's cardboard protection cases. Size 30,5 x 24,5 cm., each volume containing approx. 120 unpaginated pages, including numerous original graphics, partly in colour, partly folding (by Baselitz, Immendorff, Kirkeby, Lüpertz, Penck), and 2 flexi-discs. Full set of this artist publication edited by Ralf Winkler (A.R.Penck) and Georg Baselitz (for volume 7), with 25 (of 27) original prints and 2 (of 3) flexidiscs. Published in a limited edition of 200-300 copies, each volume is dedicated to an artist. (Vol. 1: Georg Baselitz; Vol. 2: Jörg Immendorf; Vol. 3: Markus Lüpertz; Vol. 4: devoted to Per Kirkeby; Vol. 5: devoted to James Lee Byars; Vol 6 entitled A/Europa; Vol. 7:A.R.Penck.)

EUR 5,000.00

The complete set with all graphics and flexidisks. Detail on request.

Nicolaas KROESE

Poster/Pamphlets

Two rare early pamphlets of Nicolaas Kroese (1905-19071), owner of the restaurant "D'Vijff Vlieghen", occultist and maecenas of Provo ("Nicolaas van Amsterdam"). - De Wet der Kosmische Harmonie. 1963. 54x30 cm; printed in black on orange stock. - De kosmische Christus-Boeddha-Kerk-Ultimo Ratio. 1960. 56x31 cm; printed in black on orange stock.

EUR 200.00

KUNST

Maandblad voor Kunst en Letteren.

Year 1-2. Brugge, 1897-1898. Folio; wrappers. Ills.

EUR 300.00

Illustrated Flemish magazine on art and letters; first year monthly, second year two issues per month. Issues of 8 pages each with contributions by Em. v. Meerdonck, Hendrik de Marez, Vincent Lefere, E. Bouchot, E. Dubois, H. de Zeine, Jakob Lambrecht, L. Verbrugghe, Jef Gielis. Wrappers of the first year brittle (wrapper of no 6 damaged). Set lacks Year 1 no 4; 2 musical supplements (in no 6 & 7); Year 2 lacks one supplement ("Jubellied" in no 6) and 1 plate hors-texte (by Karel de Flou).

KUNST-ZEITSCHRIFTEN DER WELT

(ART PERIODICALS OF THE WORLD). Edited by Paul Silke and Erwin Stegentritt. (July) 1973. Printed cover, loose sheets, 30 x 21 cm, bound w. metal bolts under plastic foil. Ca. 150 pages. Plus SUPPLEMENT 1974 / 75. Printed cover 30 x 21 cm, bound w. metal bolts. Approx. 50 pages. Together 2 volumes, complete.

EUR 1,000.00

Importantand historically interesting contemporary survey of periodicals, magazines and journals from all over the world, including many non-mainstream titles and concrete-art and avant-garde publications. Includes descriptions of the periodicals, editors, frequency, addresses. Each title with a short introduction and a reproduction of the covers. The publication was based on the exhibitions "Im Augenladen" Mannheim and the 7th Produzentengalerie Berlin. A full list of included titles can be provided.

KWADRAAT-BLADEN / QUADRAT-PRINTS / FEUILLES-CADRAT / QUADRAT-BLAETTER

Edited by Pieter Brattinga.

FULL Collection of all 35 pieces (complete and in unusual good condition) published by Steendrukkerij de Jong, Hilversum, between 1955 and 1974. Original wrappers, portfolio-wrappers, foldings, and one box. Sq. 4to., 25 x 25 Cm. Text in Dutch, English, French and German. comprising: all 27 proper Quadrat-Prints, plus 5 folding cards (text + image), the Sonsbeek folder and 2 anniversary volumes. Rare collection in absolutely excellent, near mint condition.

EUR 4,500.00

Complete set of 35 volumes (= ALL published) Hilversum, Steendrukkerij De Jong, 1955 - 1974. All original wrappers. All items about 25 x 25 cm. The items in this set are: No. 1 - Cor Klaassen: Stad op steen (1955); 2 - Jan Sleper: Litho (1955); 3 - Uur U (fragment) Mart Kempers (a 4-page booklet) 4 - Sonsbeek Paviljoen (1955); 5 - Ed van der Elsken: Kunstkaart, Schrijf ik (1955); 6 - Friso Henstra: Gebeeldhouwde litho (1956); 7 - B.Majorick/Chagall: De klokken van Chagall (1956); 8 - Cees Timmers: La Fontaine - Le lion & le renard (1957); 9 - Otto Treuman: Buckminster Fuller (1958); 10 - Sandberg: NU I, in het midden van de 20e eeuw (1959); 11 - Mart Kempers: 3 litho's (1959); 12 - Ton de Leeuw: Muziek en Techniek (1960); 13 - Simon Vinkenoog (ed.): Schrijftaal 1 (1961); 14 - B. Majorick: Genenis van een compositie (1961); 15 - Katavolos: Organics (1961); 16 - Bruno Munari: Onleesbaar kwadraat-blad (1964; RARE); e 17 - W. Gerard Wernars: '50' Jublieum de Jong & Co. - (1961); 18 - Mulder/Doebele/Wernars: Vijf speelkaarten - Dames en Heren! (1960/61); 19 - Rietveld: Schröderhuis (1963); 20 - Simon Vinkenoog (ed.): Schrijftaal II (1963); 21 - Diter Rot: Daily Mirror (1964); 22 - Pim van Boxsel: Philomene (1966); 23 - Wim Crouwel: New Alphabet (1967); 24 - Gerard Unger: Een tegenvoorstel (1967); 25 - Henry Miller: Extra Zending Schrijftaal (1967); 26 - Sandberg: NU 2 (1968); 27 - Timothy Epps; Alphabet (1970); 28 - Alphabet, Anthon Beeke. Fotografiert von Geert Kooiman. Produktion von Anna Beeke. Reportage von Ed van der Elsken. - 1970 29 - Wim Spreeuwers: 16 kubussen en een speelveld (1970); 30 - Van Reeuwijk: Muziekpapier (1970); 31- Gerard Wernars (ed.): Liber Amicorum (1970/71); 32 - Pieter Brattinga: Cijfer, kassabonnen (1971); 33 - Les Levine: House (1971); 34 - Simon Vinkenoog: Schrijftaal III (1974); 35 - Aloisio Magelhaes: Topografische analyse (1974). ALL items except the Munari item are in condition FINE / AS NEW. The wrappers of the weak Munari item are repaired. Edited by Pieter Brattinga, the series was primarily published by de Jong & Co. as a form of advertising or self-promotion, but was issued free. Each of the publications in the series was printed in an edition of 2,000 copies in four languages - Dutch, English, French and German as in the series title - and was available on application to de Jong while stock remained. Extremely high production quality is demonstrated throughout and the choice of material, subject, illustration and format is enormously varied, innovative and capricious. Among the subjects chosen, a mixture of art, typography, linguistics, architecture, poetry and so on, often taking the form of a correspondence between Brattinga and the subject, we have Buckminster Fuller, Henry Miller, Bruno Munari, Diter Rot (in his no ‘e’ or ‘h’ in his name phase), the poet Simon Vinkenoog, Chagall, Les Levine,Willem Sandberg and many others. The form of correspondence continued with the design of each issue, the paper chosen, the format and the whole series exhibits an extraordinary range, featuring games, scientific analyses, artist’s books, monographs, collections of poetry, multiples and, indeed, close to the whole gamut of what can be achieved with print. Due to the ephemeral and non-commercial nature of the series, complete sets are rare. ‘The Quadrat-Prints are a series of experiments in printing ranging over the fields of graphic design, the plastic arts, literature, architecture music. They are edited by Pieter Brattinga and are not for sale.’ (Taken from the multi-language text printed in each issue). The complete set Euro 4500,oo

LAICA - LOS ANGELES INSTITUTE OF CONTEMPORARY ART - JOURNAL

(Also entitled: Journal. A contemporary Art Magazine.)

Numbers 1-48 (all published). Los Angeles Institute of Contemporary Art (LAICA). Complete set June 1974 - February 1987. All original copies, most in fine condition (small shortcomings noted below).

EUR 2,500.00

Published initially simply as "Journal " (A contemporary Art Magazine), also as L.A.I.C.A . Journal (The Los Angeles Institute of Contemporary Art). Editors Fidel Danieli, Eleanor Antin,Julius Kaplan, Michael Auping, Barry Brennan, Bridget Johnson,Debra Burchett-Lere, Francis Colpitt, Michael Delgado, Cindy Berry, Douglas Blau, Jerry Dreva, Mareianna Ziotnick, Lane Reelya, Number 2 reports on the first LAICA General Membership Meeting, June 1974. Numbers 12-28 printed on a cheaper quality paper, mostly in b/w only, with occasional colour covers. From then on the magazine becomes more substantial and contains artists' pieces. No. 40 offers a survey of previous numbers. Featuring: John Baldessari, Eleanor Antin, Hans Burkhardt, Lorser Feitelson, Helen Lundeberg, Rachel Rosenthal, Allen Kaprow, Newton & Helen Harrison, Karl Benjamin, Ed Ruscha, John McLaughlin, Wallace Berman , Ruscha, Kaprow, Peter Krasnow, Rauschenberg, Charles & Ray Eames, Stan Brakhage, Erichard Prince, Boltanski, Richard Diebenkorn, Douglas Huebler, Number 28 is a very curious issue in which the entire publication is printed in mirror images, normal on the rectos and reversed on the preceding versos. From here on the magazine becomes much more substantial and contains many artists' pieces. Also various thematic issues(e.g.: Video art; Italian art; film, photography, Chicano art, Transatlantic artists, Transgressive phenomena, Music/Arty, Fluxus, Performance, Conceptualism, etc. Small shortcomings to condition: Number 2 (light cover soilage), Number 6 (small staple holes in the first 32 pages front edge), Number 10 ( ballpoint markings and address label on front cover), Number 14 (browning of front cover, small hole in right hand corner bottom), Number 22 (felt tip marking top left front cover), Number 24 (light cover soilage).

THE LAST TIMES

Nos. 1-2 (All published). San Francisco: Vortex Printers / The Last Times, 1967-1968. Two tabloid issues; Illustrated wrappers; [16], [14]pp; illus. Issue 1 with light dust soil to front wrapper and a few small creases, near fine. Issue 2 is the orange and red variant; faint horizontal fold at center, with a few small stains to front wrapper.

EUR 2,000.00

Edited by Charles Plymell, Claude Pelieu, Doug BlazeK, Dennis Mazer. Complete run of one of the most beautiful magazines of the sixties. Contributions by Doug Blazek, Bob Kaufman, Carl Solomon, Herbert Huncke, Charles Plymell, Claude Pelieu, Carl Weissner. d.a. levy, Charles Bukowski (Notes of a Dirty Old Man), William S. Burroughs (Day the Records Went Up), and Allen Ginsberg (Television Baby Crawling Toward That Death Chamber). No.1 contains an early piece by R. Crumb.

THE LITTLE REVIEW

A Quarterly Journal of Art and Letters/ Literature, drama, music, art.

Vol. 1 no 1 (March 1914) - Vol. 12 no 2 (May 1929, Final number). Chicago, New York, Paris, 1914-1929. Complete set in unusually good condition. Most issues are very good to near fine. When financial constraints made it necessary to use cheaper paper this inevitably caused that a few numbers (mostly around vols. 4-5, 1918) are weak and occasionally lightly damaged. Many numbers (in particular the important special numbers on larger size, starting with vol. 8) are near mint. The whole is housed in 7 uniform custom slipcases. An exceptional set.

EUR 70,000.00

Key journal for MODERNISM: "Making no compromise with the public taste" was the motto of this avant-garde periodical, edited by Margaret Anderson, later on joined by Ezra Pound as European editor. Together they turned the "Little Review" into a truly international vanguard publication for the arts and letters. A magazine that featured a wide variety of transatlantic modernists and cultivated many early examples of experimental writing and art. Contributors were American, British, Irish and French Modernists. In addition to publishing a variety of international literature, the Little Review printed early examples of Surrealist artwork and Dadaism. It showed sympathy to feminism and anarchism (Emma Goldman collaborated and raised a scandal with the May 1914 issue). Anderson looked out for such controversial work but for lack of sufficient material published in 1916 a Blank Pages issue as a "Want Ad". The journal has become best known for the first serialized appearance of James Joyce’s "Ulysses", of which Episodes 1-14 are consecutively contained in the issues between 1918-1920. This resulted in a (second) trial for obscenity and helped to establish the journal’ reputation. A first obscenity trial occurred some years earlier when the Post Master refused distribution of the October 1917 issue for a story by Wyndham Lewis. In its history the journal was often criticized and threatened in its existence, such as for the sexually explicit writings of Baroness Elsa von Freytag-Loringhoven (her photograph Sept/Dec 1920 by Man Ray). There were a number of special issues, such as 'A study of french modern poets', 'An American Number' and issues dedicated to Henry James (with essays about him by Ezra Pound, T.S. Eliot a.o.), Remy de Gourmont, W.H. Hudson. In 1923 the editors travelled to Paris, and between 1925 and 1929 Heap became the new editor. Then the journal started to publish more art in addition to literature (2 expositions organised: Machine Age and Intl.Theatre Exposition in NY). There were elaborately produced important special numbers in this period (which are in particularly very good condition contained in the set): Special issue: Brancusi, Picabia, Joseph Stella, Exiles (the Paris avant-garde), Juan Gris, an issue for Van Doesburg/I.K.Bonset, American and the Frernch Surrealists a.o. Work of the following artists is reproduced: Stanislaw Szukalski, William Saphier, Osip Zadkine, Jean de Bosschere, Stuart Davies, Man Ray (various photographs), Hans Arp, Atkinson, de Bosschere, Duchamp, Max Erst, Léger, Joseph Stella,and others. Literary contributions and essays by: James Joyce, Tristan Tzara, Francis Picabia, Apollinaire, Ezra Pound, Gertrude Stein, Conrad Aiken, Malcolm Cowley, Louis Lozowick, Jean de Bossschere, Arthur Winthrop, Dorothy Richardson, Marianna Moore, William Butler Yeats, Ribemont Dessaignes, T.S. Elliot, Margaret Anderson,Helen Hoyt, Lupo de Braila, sherwood Anderson, Marjory Siefert, Alexander Kaun, Arthur Symons, Eunice Tietjens,Emma Crane, Hart Crane, Wyndham Lewis, Maxwell Bodenheim, William C. Williams, Giovanni Papini, Emannuel Carnevali a.o. Drawings by Stuart Davies, Max Weber, Jerome Blum, Marie Laurencin, De Segonzac, et al. The final issue of this controversial and notorious literary magazine contained confessions and letters from 62 leading writers and artists of the period, including James Joyce, Ernest Hemingway, Sherwood Anderson, Jean Cocteau, T. S. Eliot, Havelock Ellis, Ford Madox Ford, Andre Gide, Emma Goldman, Ben Hecht, Moholy-Nagy, Ezra Pound, Edith Sitwell, Gertrude Stein, William Carlos Williams, a.o., the questions were criticised with Tristan Tzara replying "What the fuck are you doing ?" Publication sequence as follows: Vol.1, Nos.1-11 (March-December, 1914, and January-February, 1915); Vol.2, Nos.1-10 (March-December, 1915, and January-February, 1916); Vol.3, Nos.1-10 (March-November, 1916, and January-April, 1917); Vol.4, Nos.1-8 (May-December, 1917); [Vol. 5-6]January-December, 1918...erroneously numbered]; [January-December, 1919...erroneously numbered]; Vol.6, Nos.9-11 (January, March-April, 1920); Vol.7, Nos.1-4 (May-June, July-August, September-December, 1920, and January-March, 1921); Vol.8, Nos.1-2 (Autumn, 1921 & Spring, 1922); Vol.9, Nos.1-4 (Autumn & Winter, 1922 & Spring and Autumn-Winter, 1923); Vol.10, Nos.1-2 (Spring-Summer, 1924 & Autumn-Winter, 1924-25); Vol.11, Nos.1-2 (Spring & Winter, 1925); Vol.12, Nos.1-2 (Spring-Summer, 1926 & Spring [May], 1929 - the Final Number) . There has been a supplement to this last number (but not included in the set) as an Editorial by Margaret Anderson and tentatively numbered as 12 No.3 (May 1929).

LOST AND FOUND TIMES

Nos. 1-54 (all publ.). Columbus, OH, Luna Bisonte Productions 1975-2005. 21,5x14 cm., stapled. Nos. 1 and 2 single DIN A4 sheets.no. 21,5x17,5 cm. and no. 6/7: 20 DINA4 sheet in envelope). Offset printing and xerox..

EUR 1,200.00

Editor: John M. Bennett. Conceptual art publication Contributions by D. Higgins, B. Porter, R. Johnson, S. Hitchcock, O.Nations, J. Blaine, P. Petasz and others. No. 26 complete with the tape.

MAIO

International Poetry Magazine.

Number 1 (all publ.). London, Alberto de Lacerda, 1973. Original printed wrappers (title in English on the front- and 8in Portuguese on the back-cover). Stapled (very light soilage to the spine, but otherwise very good). 8vo., 92 pp.

EUR 7,400.00

Founded and edited by the poet [Carlos] Alberto [Portugal Correia] de Lacerda (born Moçambique Island, 1928, died London 2007), with a subsidy from Boston University. All of the contents are originals and previously unpublished. There are texts in Portuguese, Spanish, French and English. Included are extracts from the novella Titânia by Mário Cesariny [first published in book form in 1977], with an illustration by Cruzeiro Seixas, poems by Octavio Paz, Júlio Pomar (the first published poem by this important Portuguese painter), Augusto de Campos, Luís Amorim de Sousa, Jorge Guillén, and Murilo Mendes. Also contributions by Anne Beresford, Ben Norwood, Celia Gilbert, Claude Royet–Journoud, David Steiling, David Wevill, Dominique Fourcade, and Ruth Lepson.

MANDRIL

Maandblad voor mensen.

Years 1-4 (5) (all publ.). Amsterdam, Jules Perel, oct. 1948 - jan. 1953. Tog. 44 issues, in the coloured illustrated wrappers, 4to. Profusely illustrated. Scarce! Added: commemoration number: Mandril Tijdboekschrift voor Mensen. Zo was het toevallig ook nog 's een keer. 1987. Edited by Peter Dicampos.

EUR 1,500.00

The most significant periodical of the post-war period in the Netherlands (the so-called 'Vijftigers'). It was designed as a Dutch version of "The New Yorker". Editors were C. Boost, E. Elias, Henri Knap, F.v.d. Molen, H. Jans, E. Messer, A. Duif, B.J.F. Steinmetz, C.B. Zijlstra; covers designed by Wim Bijmoer, Doeve, Hugh Jans, Wim Heesen, Ducro (=J.B. Kuijper), a.o.; The very important list of contributors includes : Remco Campert, H. Andreus, H.v.d. Bergh, G. den Brabander, H. Brugsma, S. Carmiggelt, L.P.J. Braat, Anna Blaman, M. Dendermonde, Alex Cohen, J. Gans, E. Hoornik, M. van Loggem, Marga Minco, H. Mulisch, Ad. Morriën, H. van Norden, M. v.d. Plas, G.K. van het Reve, Annie M.G. Schmidt, B. Voeten, E. Warmond, etc. etc.; Important illustrators: Lucebert, P. Citroen, J. Bieruma-Oosting, W. Bijmoer, , Melle, Opland, Ted Schaap, Fiep Westendorp, J.P. Vroom, etc.

MARCATRE

Rivista di cultura contemporanea.

Numbers 1-64/65 (all publ.). Genova, Milano, GE-MI, 1963-1969. ( 'Marcatre / UTT' (issues 56-62 and 64/65) published by Ennesse Editrice in Rome). Original illustrated wrappers (in general good condition, with only light dustsoilage and rubbing to spines); (Nos. 1-5: 17 x 24 cm; then becoming 20 x 25 cm).

EUR 2,200.00

Periodical of the neoavanguardia "Gruppo 63", associated with Il Verri, dealing with literature, music, arhcitecture, the visual arts, mass culture, communication etc.. Editorial committee and contributors: Eugenio Battisti (founder), and Editor in chief: Magdalo Mussio, who also designed covers, many illustrations, lay-out, etc. Editors were responsible for various areas of interest, e.d. G.Dorfles, Edoardo Sanguinetti, Umberto Eco, Paolo Portoghesi. G. Delmetti, D. Carpitello, Enrico Crispolti, etc. Nos. 1-18 subtitled "Notiziario de Cultura Contemporanea"; nos. 56-62 as Marcatre/UTT, alternately numbered as 1-7. With progressive avant-garde spirit in the design and illustrations, some issues entirely printed in a colour (e.g. red, blue, purple), with fold-outs, etc. At first published in Genova by Edizioni Vittone, then in Milano by Lerici Editore. No.26/27/28/29 (Dic.1966) contrib by Patrizia Vicinelli (a/AA), with flexidisc. The revivals with other publishers in Milano and Rome were of a different style and character. The last number published was 64/65, whereas no. 63 has never appeared. Complete very rare !

MAXIMUM ROCKNROLL (MAXIMUM ROCK'N'ROLL zine; Maximum Rock and Roll)

Bi-monthly.

Nos. 1-74. San Francisco, MRR, first number not dated (ca. Sept/October 1982) - July 1989. Unbound, as issued, 27,2 x 21 cm, about 56-124 pages/issue, printed on newsprint b/w, stapled in the spine. Endemic browning, some ragged edges and minor spine damage, a few numbers with closed tears, chipped corners. Altogether an excellent clean set with only minor damage to two numbers as detailed at the bottom of the footnote.

EUR 4,000.00

Published (originally) by Jeff Bale, Jeff Berlin, Mark Berlin, Roseann Berlin, Jello Biafra, Bob Black, Booth, Eric Bradner, Mickey Creep, Peter Dimaria, Jim Donovan, Ray Farrell, Fletch, Henry Hample, Dave Rave (photographs) etc.; from the actual MRR website we quote: History of MRR- Maximumrocknroll is a widely distributed monthly fanzine dedicated to supporting the underground punk rock scene. MRR's 20-year plus history and large, obsessed all-volunteer staff has made its punk rock coverage the most consistently up-to-date and reliable around. Several major media conglomerates control most music produced today. In contrast, MRR reinforces the values of the punk underground by remaining independent and not-for-profit. Maximumrocknroll started in 1977 as a punk rock radio show - one of the first and best of all time. "Tim (Yo) and the Gang" played the latest punk and hardcore sounds from across the world, the U.S., and from their home in the bristling SF Bay Area punk scene. "The gang" included personalities like Jeff Bale, Ruth Schwartz, and Jello Biafra. Punk antiheroes regularly visited as guest DJs, and the roster of touring bands interviewed on the show reads like the track list on a classic old comp. The show was notable for the immediacy of the music, a dedication to international coverage (rare at the time), and for explicitly interjecting progressive politics into the dialogue of punk. The show became hugely successful in the underground, and eventually was broadcast from stations across the U.S. and abroad. Maximumrocknroll, in its zine form, first appeared in 1982 as the newsprint booklet in Not So Quiet On the Western Front, a comp LP released on then-Dead Kennedys' label Alternative Tentacles. The comp included 47 Nevada and Northern California bands, many of whom went on to ruin thousands of impressionable kids for productive civic life by releasing some of the best punk records ever….. The Maximumrocknroll columns section has served as the punk scene's gossipy party line for decades…. By remaining stable on the one hand, flipping the bird with the other, MRR's controversial personality has affected-or infected-the history of punk rock for all time. Added: Collectors Issue Number 8. Noted Damages: no 2 has a tear in first 2 pages without loss of text or image, no.10 has half of an inside page missing and a corner torn of another page.

Henk J. MEIER

Publications edited and published by Henk J.Meier: during 1957/1958. -DE VRIJBUITER. Vlugschrift nummer 1 (all) Dec. 1957. 7 pp. Gestencild, eigen beheer -FEATURE.- Volume 1, number 1. Ed. Hank Jack Meijer, Amsterdam, 1957. Featuring Niels Augustin. 14 pp. Handgetekende/ gestencilde en geplakte oerversie en de uitgave zelf - Vol 1, nr. 2 (=last publ) - PLEIN Nummers. 1 (?) en 2 t/m 4. Met o.a. werk van Apie Prins, Bouke Jagt, Henk J. Meier (out of 5 nos pubished) -MANUSCRIPT. Henk J. Meier. 1957. Gestencild, eigen beheer (all publ.) - CONTACT. Nos.1-3. 1958. (all publ). Gestencilled, eigen beheer (nr. 1 met opschrift 'Ex H.J. Meier').-

EUR 3,000.00

Henk J. MEIER

De Ontbijtkrant. The International Breakfast Courier"& "Der Algemeine Deutsch-Schweizerische Frühstück und Dejeuner Kurier".

DE ONTBIJTKRANT -No. 1, 1969 till No. 6, 1970. Uitgave van de Ontbijtklub "Vroeg uit de Veren..." van het Gezelschap ter Bevordering van het grote Feest onderafd. van de Sociaal-Economische Bond. Redactie: Henk J. Meier. Abonnementsprijs: f 1.31 per jaar of meer. Met artikelen over o.a. Insektensekte. Auteurs o.a. Nicolaas Kroese, Henk J. Meier. Redactiefotograaf Cor Jaring. . Nr. 1 (printed recto only 1 p.); - Nr. 2 De stadseditie 18-12-1969 (= nr. 2?), 10 p. Nr.3. 3till 6 incl . Complete set.-

EUR 1,500.00

Rare publication, close to Provo and The Insect Sect, also with Nicolaas Kroese: publication of "The Breakfast Club". "Op 8 oktober (1969) werd door de heren Stammeshaus, Jaring (Cor), Kley (Theo), Mathijsen (Huub) en Meier (Henk J.) in het hotel De Roode Leeuw staande de bijeenkomst opgericht: De ontbijtklub." This copy from the archive of Henk J.Meier. Not in NCC.

NABUCHODONOSOR

(Une revue affiche)

Nos. 1-36 (all publ.?). Bellevue, février 1969-avril 1972. Lacks No. 26. Large posters, mostly printed on one side only. Incudes the supplements to issues 8 & 14.

EUR 700.00

Printed by Jean Marcille. Edited by Renée Boullier. Each issue with a different lay-out, on white paper. Some reproductions: Gaston Chaissac, Jean Hélion, Picabia, Filiberti, M. Gimond, Marcelle Cahn... Litt. contr.: Renée Boullier, Picabia (Manifeste du Bon Goût), M. Arland, Jouhandeau, Pierre Albert-Birot, Gaston Chaissac. Issue No. 36 'NABUDADA' (Tzara, Picabia...).

NEUE MUSIK.

Kunst- und gesellschaftskritische Beiträge

Heft 1-6 (all published). Münchener Jugendkulturwerk. Jeunesse Musicales. Studio für Neue Musik München. (1961). In original issues 20,5x15 cm, each varying from 12-22 pages; illustrated selfwrappers, printed on glossy paper, lightly toned, but otherwise in excellent condition. Loosely laid in: invitations to 2 performances in Munich at the T.H. and Hochschule für Musik (15 Nov.1960/12 March 1961; 3 Feb. 1961). Very rare.

EUR 400.00

Contributions by G. Ligeti, M. Kagel, W. Rosenberg, H. Schwimmer, K. Stockhausen, D. Schnebel u.a Reproductions of artwork by E. Cimiotti, F. Thieler, F. Kriwet, H. Platschek, E. Schumacher, J. Mitchell, J. Bissier, K.O. Götz, G. Deppe, P. Brüning, L. Fischer, W. Wessel, H. Claus, P. Dorazio, O. Piene, A. Tapies, A. Saura, M.Cuixart, G. Hoehme, K.R.H. Sonderborg, Cesar, L. Fontana a.o.

OFFICINA

Series 1: Nos. 1-12 (all publ.); Series 2: Nos. 1-2 (all and last published). Bologna, Arte Grafiche Calderini; then Bompiani. Maggio 1955-Maggio/Giugnio 1959. The complete set, in 14 issues, in stiff card wrappers, mint condition, untrimmed.

EUR 4,000.00

Printed in a small edition and very rare as Number 2 of the second series was seized by the authorities on account of a contribution by Pier Paol PASOLINI against the Pope (this issue was received by only a small number of subscribers). Editors: Francesco Leonetti; Pier Paolo Pasolini and Roberto Roversi, with Gianni Scalia, Franco Fortini, Angelo Romano (editors of the second series). The magazine focused on the definition of a "new ideology of poetry." Officina was a real breaking point in the Italian cultural debate. Original contributions by the editors and by Gadda, Calvino, Penna, Ungaretti, Bertolucci, Luzi, Caproni, Arbasino, Sanguineti, Pagliarani, Rondi, Ferretti and others. The seized (censored) series 2 no 1 contains the famous epigram written by Pasolini against Pius XII, which caused great embarrassment to the publisherr (Bompiani), who not only decided to seize and pulp the edition but also stopped the collaboration with the Bolognese group. Surviving copies, very few in number, where those which the publisher had failed to obtain and then destroy. Altoghether produced in a very small edition because of difficulties with the printer who did not like the stiff card that was chosen for the wrappers.

OPEN

Nos. 1-3 (all publ.). Nice, 1967-1968. Original wrappers, spine stapled.

EUR 800.00

Edited by Marcel Alocco, founded by Francis Merino in Monaco. Contributions by Marcel Alocco, Serge Béguier, Ben, Daniel Biga, Julien Blaine, George Brecht, Henri Chopin, Erik Dietmann, Robert Filliou, Paul-Armand Gette, Jacques Lepage, Ernest Pignon, Robert Pinget, Guy Rottier, John Sharkey, Emmett Williams, Jacques de la Villeglé, etc. Added: a prospectus and 2 envelopes adressed to Merino.

OPEN CITY (PRESS)

Weekly Review of the Los Angeles Renaissance.

A substantial, nearly-complete collection comprising a total of 93 issues from the 107 that were published. - 8 (out of 15) are OPEN CITY PRESS, appeared in San Francisco - 85 (out of 92) are OPEN CITY, appeared in Los Angeles. The set includes 78 issues with Bukowski contributions (72 of which are his column, "Notes of a Dirty Old Man"). San Francisco and Los Angeles, 1961-1968. Printed on newsprint. All issues folded at least once, as issued, in generally good condition (normal endemic browning, a few issues with ragged edges, light damage or light dampstaining). Sizes: at first tabloid, printed in b/w with only occasionally colour added, after issue 52,May 1968, the size doubles to 57x44 cm., and most front and last pages are in colour.

EUR 3,000.00

Underground weekly, noted for its coverage of radical politics, rock music, psychedelic culture and the "Notes of a Dirty Old Man" column by Charles Bukowski, first published here. Editor and founder: John Bryan (whose signature is on 17 copies) with art director Joan Barr, and contributing editors Alex Apostolides, Bob Garcia, Robert Igriega, Bill Margolis, John Wilcock etc. Member of the Underground Press Syndicate. Many issues have spectacular lay-out, artwork and photocompositions. "John Charles Bryan (November 12, 1934 - February 1, 2007), was a journalist who quit the San Francisco Chronicle in 1964 to found the brief-lived San Francisco bohemian tabloid weekly Open City Press, publishing 15 issues from Nov. 18, 1964 to March 17-23, 1965. Open City Press was a local forerunner of the Berkeley Barb, providing coverage of the Free Speech Movement. It was a one-man operation. In the beginning Bryan bought a case of metal monotype and hand-set his own copy, pulling proofs to paste up for cheap offset reproduction." (cf: Wikipedia). Bukowski's contributions started in Vol. 1 no 6 with the story "If I could only be asleep". After closure of Open City Press Bryan relocated to Southern California. After a stint working for Art Kunkin as managing editor of the Los Angeles Free Press, he launched Open City in Los Angeles, starting the volume numbering with vol. 2, no. 1 (May 5-11, 1967). In March 1968 he was prosecuted on an obscenity charge for printing an image of a nude woman in a record company advertisement for Leon Russell. Six months later, in September 1968, there was a second obscenity bust over the short story "Skinny Dynamite" by Jack Micheline, about the sexual antics of an underage girl, in a literary supplement to Open City edited by Charles Bukowski. The cost of Bryan's legal defense and a $1000 fine on the first charge eventually put the shoestring operation out of business. Issues present in this collection are: "Open City Press." [San Francisco, 1964-1965, numbered as Volume 1 ]: The announcement for issue 1, and Vol. 1 issues 3-7, 10 and 11(published from November 1964-Feb.23.1965, out of the total number of 15 issues published). Then continued as "Open City". [Los Angeles, 1967 - 1968: Volume 2 ]: Issues 1-4, 6-20, 23-25, 27, 28, 30-33, 35-43, 45, 47, 49-50, 52-83, 87-91 [66 is mis-numbered 65 on cover; 90 is mis-numbered 89]. All (except no. 18) have Bukowski contributions. Number 20, First National Edition. The Pot Scene. Number 52, May 1968, is the "First Anniversary Issue", with Renaissance, first issue,included, (this copy signed by John Bryan), with contributions by Allen Ginsberg, William Burroughs, Charles Bukowski, Lenore Kandel, Anais Nin, Carol Berge, Anselm Hollow, Bob Kaufman, a.o. Other contributors were (a.o.): Simon Vinkenoog (on Provo), Phil Proctor, Liza Williams, Derek Taylor, R. Crumb, Robert Barrows (The Beard). Bill Spater, James Howell, etc.

ORIGIN

A Quarterly for the Creative.

The complete collection of all 5 series, 80 numbers/volumes, complete rare; conditions varies, on the whole an excellent collection (near fine/fine, with exceptions noted below) Series 1: Nos. 1-20 (all publ.). spring 1951 - winter 1957. Series 2: Nos. 1-14 (all publ.) April 1961-July 1964. Series 3: Nos. 1-20 (all publ.).April 1966-June 1971. Series 4: Nos. 1 -20 (all publ.)., October 1977-July 1982. Series 5: Nos. 1-6 (all and last publ.). Fall 1983 - Spring 1985.

EUR 3,000.00

Poetry review started and edited by Cid (Sidney) Corman (June 29, 1924 – March 12, 2004. Corman was an American poet, translator and editor, most notably of Origin. A key figure and journal in the history of American poetry in the second half of the 20th century. ORIGIN: series one, spring 1951 - winter 1957. 1. Charles Olson 2. Robert Creeley 3. William Bronk & Samuel French Morse 4. New Foreign Poetry 5. Wallace Stevens (small dampstain near base of spine and top edges) 6. Robert Duncan & William Carlos Williams 7. Gottfried Benn, Theodore Enslin & Cid Corman (staples pulled a little) 8. Charles Olson. In Cold Hell in Thicket. (two small stains to front cover) 9. Harold Dicker, Denise Levertov, John Hay (a few ink marks to cover) 10. New German Poetry (small tear at base of spine, repaired) 11. Antonin Artaud & New French Poetry (short tear at crown of spine) 12. Larry Eigner & Paul Carroll 13. David Galler 14. Irving Layton 15. David Blackburn & Paul Donahoe 16. Artaud, Michaux, Char (seven corrections in RD's hand) 17. Denise Levertov, Robert Creeley, Irving Layton 18. New Canadian Poetry. 19. Astrid Claes 20. Margaret Avison (two sticker marks on rear cover) [Number 8 is Charles Olson's IN COLD HELL IN THICKET, and is the first publication of this title. Printed by the Divers Press, handset in a square format with dust jacket, breaking with the uniform issues, printed in Palma de Mallorca,1953; this copy with two light stains on the front; laid in Prospectus for Nos. 1-8]. Origin: second series. April 1961 - July 1964 (complete in 14) Light sunning to spines of some issues, else near fine or better. 1. Louis Zukofksy. 2. Gary Snyder 3. The Noh of Zeami Yashima 4. Margaret Avison 5. Robert Kelly (offsetting to two leaves due to publisher-inserted notice) 6. Ian Hamilton Finlay 7. Gael Turnbull 8. Cid Corman (again, offsetting from an errata to correct a poem in #7) 9. Post-War Italian Poetry (offsetting from a prospectus) 10. featuring excerpts from The Day Book of Robert Duncan 11. Ponge, Perse, Dadelsen 12. Frank Samperi 13. Roberto Sanesi. Tipped-on signed stoneprint by Will Petersen present 14. Basho's Oku-no hosomichi ORIGIN: third series. April 1966 - January 1971 (complete in 20) Aside to light sunning along spines, all are near fine or better in stapled wrappers (+ defects noted). 1. Cid Corman 2. Lorine Niedecker (two light beverage rings to cover) 3. André du Bouchet 4. Kusano Shimpei 5. William Bronk 6. Douglas Woolf 7. Seymour Faust 8. Josef Albers (light crease to lower front cover) 9. Francis Ponge 10. René Daumal 11. Chuang-Tzu's Autumn Flood 12. Denis Goacher 13. Jean Daive 14. John Taggart 15. Paul Celan 16. Daphne Marlatt 17. Philippe Jaccottet 18. Jonathan Greene 19. Frank Samperi 20. Hitomaro ORIGIN: fourth series. October 1977 - July 1982 (complete in 20). Light sunning to spine of some issues, else all near fine or better in wrappers. 1. Frank Samperi 2. Brian McInerney 3. André Du Bouchet 4. Clive Faust 5. Cid Corman 6. Mark Karlins 7. Horrah Pornoff 8. David Miller 9. Michael Heller 10. Philippe Denis 11. John Perlman 12. George Evans 13. Kusano Shimpei 14. Andy Echavarria 15. Armand Schwerner 16. Lorine Niedecker 17. Graham Lindsay 18. Bruce McClelland 19. Ted Pearson 20. Gil Ott and John Levy ORIGIN: fifth series. Fall 1983 - Spring 1985 (complete in 6). All fine in printed wrappers. 1. George Evans 2. Roger Laporte 3. M.J. Bender 4. Lyle Glazier 5. Pascal Quignard 6. Guiseppe Ungaretti

PANDERMA

Revue de la fin du monde.

Nos. 1-13 (all publ.). Basel, 1958-1977. Original pictorial wrappers, 4to & sq. 4to (front-cover no. 6 with browning on the right half). Otherwise all good or fine; the Hundertwasser in mint condition. With photographs, inserts and IMPORTANT ADDITIONAL MATERIALS: original graphic supplements, posters, programs, invitations etc., as detailed below.

EUR 1,800.00

Edited by Carl Laszlo. - No. 1: 1957 - No. 2: 1958. - No. 3: "Hommage au Dalaï-Lama, incl. a large original 3-colour lithograph (28 x 117 cm) by Hundertwasser: "Die Flucht des Dalai Lama", colour lithograph, inscribed in the stone, dated Hundertwasser 1959, one of ca. 1.800 prints, cut in the middle and stuck together on the back, long version, 27,5 x 117,5 cm, stamp on the back, laid folded in the magazine Panderma 3. Revue de la fin de l'homme, Basel 1959, Mint condition. - No. 5-6: Special issues on Schroeder-Sonnenstern and Vasarely incl. each a serigraph by the artist; - No. 7/8 incl. serigraphies by Vasarely, Müller-Brittnau and a lino-cut by Köth. - No. 9: "Götterdämmerung". incl. lino-cuts by Van Dyken and Lalo(small closed tear at the lower end). - No. 10/11: devoted to work of Grützke and Marcello Morandini, incl. a serigraphy by Morandini & an off-set print by Grützke (light wear to top) Both signed - No. 12: Special issue 'Freedom for Timothy Leary', incl. 2 photolithos by Gritzner and Bartha - No. 13: Special Issue "Eva Wipf". Contribs. incl. Arp, Man Ray, Cocteau, Hausmann, Picabia, and many other important names in modern art. ADDED: - 4 posters for Performances (Basler Surrealistengruppe, 30.Jan.1957, Albansaal; Ionesco/6 Einakter von C. Laszlo, 12. Juni 1957, Komödie Basel; Théatre Fauteuil; März/April, Alleyn etc.; Théatre Fauteuil, 29. April, Chansons Christian Sarrel; - 3 signed serigraphies, unidentified as to belonging to which of the issues; - 1 large folding poster b/w, with text (1954) and image by Vasarely - Publicity leaflets for Numbers 1, 2, 5 and the special issue for the Dalai-Lama, Hundertwasser - 4 printed Manifests by Laszlo (Manifest gegen den Avantgardismus; Gespenster; Linke Nazis gegen Zionismus; Bevor Neo-Dada war, war Dada da) - 8 invitations to (or programs of) Exhibitions and Manifestations (Festival de la Fin du Monde; Theatre Fauteuil,Musik des Mittelalters etc.; Ionesco, Cocteau, Laszlo; Des Geometers Hochzeit; etc.) - facsimile of letter to Lehmanns Verlag, 13.3.1966.

PARACHUTE

Art contemporain/Contemporary Art.

Nos. 1-125 (all published sofar, publication suspended). Montreal,1975 - January 2007. Original pictorial wrappers. Plus Duane Michels special issue. (No.55 frontcover and first pages waterdamaged, No. 3, 11 and 16 in xerox-copies).

EUR 500.00

Parachute was founded by René Blouin and Chantal Pontbriand, who met at Véhicule, one of the first artist-run centres in Canada, (together with A Space and the Western Front) and the Research Group in Arts Administration. It became one of the leading journals on contemporary and modern art dealing with architecture, artists books, curating, music, painting, photography, artists projects, sculpture, theatre, video. Contributions (in French and English) by: George Bogardi, Chantal Darcy, France Morin, Roland Poulin, Marc Dachy, Philip Fry, Robert Racine, Andrew Forster, Marine Meilleur, a.o.

THE PARIS REVIEW

Published Quarterly.

Nos. 1-204. Paris, New York, 1953-2002. Orig. pictorial wrappers. Complete set in original wrappers, unbound, untrimmed. Except for slight wear on spines of some of the early issues this set in very fine condition throughout.

EUR 4,500.00

Long ongoing set, complete for this period and starting from the origin, of this important magazine edited by George A. Plimpton & others. Later affiliated with "La Table Ronde". Fiction, poetry, essays, interviews, features, art. Contribs. incl.: Jack Kerouac, Henry Miller, Gary Snyder, Peter Handke, E.L. Doctorow, Milosz, Philip Roth, v.h. Reve, Beckett, Mailer, and many others. Interviews with o.a. Hemingway, Boris Pasternak, De Beauvoir, Arthur Miller, Vladimir Nabokow, Updike, Kurt Vonnegut, Garcia Marquez, Brodsky, Caldwell, M. Kundera, Irving, Murdoch, Kingsley Amis, Charles Olson, A. Moravia, George Simenon, Dorothy Parker, etc. Also articles (with illustrations) on important artists o.a. Kokoschka, Christo, Picasso, Chagall, Giacometti, Hélion. No. 9 contains Self-Portraits by 16 European Artists.; No 20 is first appearance of Philip Roth's Goodbye Columbus; No. 87 contaions Basquiat "Tuxedo".

PERMANENT FOOD (Maurizio Cattelan)

Maurizio Cattelan, Permanent Food Nos. 1-15 (all published) 1996-2007- Complete set of 14 magazines edited by Maurizio Cattelan, Paola Manfrin and Dominique Gonzalez-Foerster, published by L’association des temps libérés, Paris, Les Presses du Reel, Dijon and Fondazione Pitti Discovery, Florence. The famous‘cannibale’periodical is an assembling magazine of found images from other magazines sent in by various contributors around the world. Permanent Food characterizes itself as‘a second generation magazine with a free copyright’, working on the principle that the combination of two pictures from different sources alters the original meaning of the images. Softcover, ill. covers, different dimensions, from 11.5 x 17 cm to 27.5 x 21 cm, various unnumbered pp. No.13 was never published. No.6 has water staining on the lower right side (approx. 11 x 2 cm along spine). All other magazines show mild shelf wear, but are generally in very good condition. The early issues of PF are scarce, this is a rare complete set of the regular edition. (total 15)

EUR 3,000.00

PRO

Blätter für neue Literatur (later: Ein schriftlicher Vorgang); later:Jahrbuch für Mitteilungssysteme).

Heft 1-27 (all publ.). Bochum, Düsseldorf, Bulkowski, March 1966-1977. Unbd., original issues printed on various coloured stock , size 30 x 21 cm, later for numbers 13-20 changing to 21 x 15 cm.printed as Photocopies, Letterpress, Offset, Original works (collage etc). with all decorated original wrappers and supplements preserved, stapled in the spine or archival binders. Set in mint condition; illustrated.

EUR 600.00

The most important of the "mini-presses" of the sixties. Strong ties with Leftist movements worldwide, of which Bulkowski acted as the German language spokesman and reporter. Issues are usually around one topic: No.5 Anarchie und Humor (Provo), No. 8 Texts of the Hippies ; No. 6 Beat-Beat with texts of the Beats; No. 10 Ideal Werbetext; No. 11/12 with orig. Plastic coloured artwork of Thomas Bayrle; No. 18 inspired on the Situationists; No 20 in orig.brown envelope. Numbers 13-21 on quarto size photocopied and combined together with original documents. They are interesting for content, typography and lay-out. Contributors include: Thomas Bayrle (Original color silkscreens on plastic foils), Horst Bingel, Paul Schallück, G. Zwerenz, Max v.d. Grün, N. Born, P. Faecke, D. Hoffmann, G. Kunert, K. Marti, Simon Vinkenoog (Provo), , Peter Chotjewitz, G. Guben, Reimar Lenz, Dietrich Albrecht (Fluxus), Hans-Peter Alvermann,Claus Boehmler, Rolf-Dieter Brinkmann, Stig Brogger, Stanley Brouwn, Henning Christiansen (Fluxus), Hans Peter Feldmann, Robert Filliou, Jochen Gerz, Ludwig Gosewitz (Fluxus), ans Imhoff , H. Kaminski, Tuli Kupferberg, F. Mayroecker + E. Jandl , Franz Mon , Maurizio Nannucci , A.R. Penck , J. Ploog , Chris Reinecke (LIDL) , Ralf-Reiner Rygulla, Wolfg. Schmidt, Tomas Schmit (Fluxus), Klaus Staeck / Eric Thygesen, Miroljub Todorovic , Vangelis Tsakiridis, Iannis Xenakis and numerous others.

PROFIL

Kunstmagazin

Nummer 1 - 10 (all publ., of which 6 numbers in De-Luxe edition). Düsseldorf. Profil und Galerie Kunst im Salon. 1978 - 1983. Orig. Pictorial wrappers. 21 x 15 cm. In very good condition, except for some occasion light toning and some browning on the spines. In this set 6 numbers are from the de-luxe, numbered 37/50 (the regular edition was 500 copies). The de-luxe numbers contain original signed graphics (as detailed below, all measuring approx. 20x15 cm or smaller). A ltogether there are 26 added originals, all signed by the artists and numbered 37/50. The set is composed as follows: Numbers 1 and 2 (regular editions) Number 3 (although not a numbered de-luxe edition contains on inside cover 3 an original signed pencil-drawing by Klaus Rinke). Number 4 (de-luxe 37/50) with 3 signed originals: Halina Jaworski (Polaroid), Mario Reis (Radierung in Pergamintüte), Yoshio Shirakawa (Stempel und Text in Wachskreide auf Abrissblatt); (Frontcover has a few spots in the right upper part). Number 5 (de-luxe 37/50) with 5 signed originals: Franco Campana (Radierung), Otto Piene (mit Filzstift ummalter Offsetdruck, 59/80), Klaus Ritterbusch (Kolorierter Offsetdruck), Keiji Uematsu (Blesitiftzeichnung und Offset), Van den Valentyn (Text), Number 6 (de luxe 37/50) with 3 signed originals: W. E. Herbst (Linolschnitt), Barbara Petri (Kolorierter Offsetdruck), Johannes Lenhart (Materialcollage), Number 7 (de luxe 37/50) with 2 originals: Christoph Ingenhoven(Siebdruck), Tomas Schmitt (Künstlerbuch); Number 8 (de luxe 37/50) with 6 originals: Heinz Scharbert (Radierung), Tatsuo Tsuda (Übermalte Materialcollage), Bernard Bazile (Foto), Wolfgang Döring (mit Wachskreide kolorierter Offsetdruck auf transparentem Pergamin), Hildegard Schöneck (Zeichnung, Buntstift), Erwin Heerich (Offsetdruck); Number 9 (de luxe 37/50) with 6 originals: Rüdiger Kramer (Radierung), Helmut Sundhaußen (Siebdruck), Hella Lütgen (kolorierter Offsetdruck), Johannes Erdmann (Radierung), Paul Wienand (Aquarell), Wolfgang Stickel (kolorierter Offsetdruck). Number 10 (regular edition). With contributions by Joseph Beuys, Theo Lambertin, Günther Uecker, Fritz Schwegler, Erika Kiffl.

EUR 1,000.00

Edited by Hans Georg Ruckes, editorial board Fr.Becker, W.Döring, Harald K.Hülsmanb. Helga Meister,Stephan v.Wiese, With contributions by Joseph Beuys, Theo Lambertin, Günther Uecker, Fritz Schwegler, Erika Kiffl., Dubbick, Hülsmann, Piene, Uematsu, Petri, Ingenhofen, Döring, Kratzer, Lambertin, Winkler, Thiede, Klaus Rinke, Nishikawa, Overdiek, Peetzinka, Pesch and others. Number 4 is special: Kunstpomade. Haar-Scharf (Kunst im Salon).

PROP

Artists Magazine/ The Basic Magazine of Marginal Desires.

Together 10 issues: Nos. 1, 1/12, 2 - 8 and 12. Joachim Frank, Workspace Loft, Albany, NY, USA. 1979 – 1984. Added: TEN (10) PROP-magazine-Newsletter and WORLSPACE LOFT (=editor of PROP)-Newletters each is a folded sheet w. infos and some with illustrations. Issues 1977 - 1980,plus two orig. postmarked envelopes and a signed letter by Joachim Frank. Note: rare ensemble, Prop seems to have been published till no. 16.

EUR 1,200.00

An Artists' Magazine published Joachim Frank (recent Nobel Prize Winner for Chemistry), and his Workspace Loft Albany, NY. -No 1: March 1979. Options of the Past, What is Art (Quotes from M.Duchamp, Beuys,Weiner, etc.) by Chris Waters; Joachim Frank; Aaron Flores; Max Semois;Lauren Jess; Greg Hymes, etc - No. 1 1/2: Superman vs. Tomorrow. 1979. Edited and designed by Joachim Frank. b+w ill. of collages, texts, statements. On the situation of using nuclear energy in Germany. 15 pp. - No. 2: Your Problem is Our Business. 1979. Ed. by G.C. Haymes and Theo Dorian. Collages and Texts. : Ed Atkeson. Myla Pesnichak. Lon Spiegelman. Viola B. Adams. Jill Shore. Ed Varney. Bowtie Blotto. Jo Denali. Hosea Frank. Art C. Phatze. Joachim Frank. Roxy Victoria. Rober Durlak. Delux, Philemon. Mikel Harwood. Barbara Aubin. Toute la Gang. Fred Kweicien. Aaron Flores. R. Dick Trace-It. Bart Plantenga. Roxanne Storms. Michael Stiles. LeClair. Jim Woodward. 24 pp. - No. 3 - Arts Magazine – December 1979. List of contents. Joachim Frank. Jan Galligan. Peter Below. Allen Morris. Jean Pierre Bretaudiere. Daniel Sperber. Steven Durland. Adriane Verschoor. Robert Durlak. Falves Silva. Jorge Caraballo. Ray Johnson's NOTHING. David Bourdon. Collages and Texts. 28 pp. - No. 4 - Literary Issue May 1980. Edited by Jessica Lawrence. : Ed Atkeson. Joachim Frank. Roland Feldspahr. Dorothy L. Rose. Lon Spiegelman. Adriane Verschoor. Michael Kase. Guy R. Beining. John M. Benning. Luna Bisonte Prods. Meg Smith. T. J. Kallsen. A. J. Wright. Cynde Gregory. Ralph Fusco. Stu Horn. Sue Medyn. D. Sullivan. Tom Holecek. Dennis Sullivan. Nancy Sue Pistorius. Joan Colby. Collages and Texts. 28 pp. - No. 5 - Vision and Supervision Fall 1980. (cover partly printed in red) Edited by Ed Atkeson and Joachim Frank. Ernst Volland. Vittore Baroni. Alagmir Hashmi. Adriane Verschoor. Werner Lorenzen. Peter Zingsheim. Reindeerwerk Associates. Tom Eiling Lomholt Formular Press. Sandie Shaw. Opal Louis Nation. DKeson. Stu Hn. Edgar-Antonio Vigo. Sam McPheeters. SPUDZ (Kees Francke). . 28 pp. -No. 6 - off and running - April 1981. (cover partly handcolored) Edited by Joachim Frank and Carol Tansey. : Ed Atkeson. Hosea Frank. Werner Lorenzen. V.E. Emmett. Adriana Verschoor. Jacques Carrie. Peter West. W. Goldfarb. Guy R. Beining.David Vadja. A.G. Bell. Bart Platenga. Dr. Ackerman. Richard C. Jeff Branin. Marin van Heel. Opal Louis Nations. R. Prost. Alexander Z. Kristian Berg. Roland Feldspahr. Howard Winn. Martin VI. G Barchenger. Susan Medyn. Seni P. Musus. Musicmaster. 28 pp. Includes the poem "ALPHA WAVES" by Jo Frank (fundamental discoveries with implications for our understanding of neurotransmission by glutamate) - No. 7 -– December 1981. BREAKFAST IN TORONTO! December 1981. Edited by Joachim Frank. : Carol Tansey. Ed Atkeson. Ulysses Carrion. Alan Catlin. Piotr Rypson. Cracker Jack Kid. Adriana Verschoor. David Vadja. Monica Rex. V.J. Emmett, Jr. Vittore Baroni. Opal Louis Nations. Harry Yokohoma. Paul Rutkovshy. Jeanne Finley. Marin van Heel. Spencer Livingston. Stu Horn. Richard Kelly. Warriors of Mars. Peter Below. Werner Lorenzen. Jacques Carrie. Bart Plantenga. R. Feldspahr. Musicmaster. Lucas Conde. Ruggero Maggi. Willy Buchholz. Peter West. Carlo Pittore. Lydia Tomkiw. Michael Scott. Hosea Frank. Lyn Lifshin. Daniele Ciullini. Hanna Bremer. Stevdio LeClair. Steven Durland. Collages and Texts. 28 pp. - No. 8 – December 1982. HELLO HALEY!!! December 1982. Edited by Joachim Frank. Louise Krasniewicz and Joachim Frank. : Lou Macellaro. Hosea Frank. Rene Aeberhard. Peter West. Thom Metzger. Jim Torrey. Adriana Verschoor. PiotrRypson. Michael Radermacher. David Vadja. Frank Ananicz. Janice Eidus. Loris Essary. John M. Bennett. Stephen Fisher. Bob Snyder. Guy R. Beining. John Crowford. Jefferey Marks. Collages and Texts. 28 pp. - No. 12: Edited together with Louise Krasniewicz. "More than 100 Post Historicai Documents"were sent tio Pro; they will be exhibited thisSummer in theAlbany area; Prop no. 12 is a catalogue of this show." Reference for PROP: Perneczky.- The Magazine Network – page 66 + 250 (Writing and visual gutsy, bizarre, political; Anti Isolation)

4 TAXIS (QUATRE TAXIS)

Nos. 1-24 (all publ) 1978-2003 COMPLETE SET with "A Bar a Day" calender additional to 15/16. Plus: Side publications 1972-2005: -4 Taxis Perpendiculaire n°1 & 2 (février 1982 et juillet 1983). -4 Taxis hors série : 3 volumes (Hiver 1983, octobre 1990, septembre 2004). -4 Taxis circulaire : n°1 à 5 (octobre 1982 à mars 1986). - 2 affiches (Neon de Suro,of 100 copies; Caves de Lascaux,of 80 copies) - ;Double-issue "Elvis vous parle",KingSize,Miami Sète 2001. Various formats and productions; illustrated covers; the first 5 issues (4to sized) with a spectacular design trimmed in the form of a traveller carrying a suitcase.

EUR 10,000.00

Founded by Michel Aphesbero and Danielle Colomine. The pedagogical and artistic experience of the Studio "Pensée Nomade" or " Nomadic Workshop of the Bordeaux School of Fine Art" in France. It looked for ways to reinvent and rethink the modalities and practicalities, and artistic practice itself, from the mixed legacy of counter-culture, Situationist International, French Theory, Martin Kippenberger, Walter Benjamin a.o.… " A teaching experiment where students dwelled in travel and picked knowledge on the side of the road rather than in classrooms. "Artistic education has to provide new conditions to think differently and to jettison accumulated traditions and inherited categories". The "Nomadic Workshop" travelled to different cities to live for a short period of time and an issue of the magazine was published as a result: 1980 : Berlin, 1981 : Barcelone, 1983 : Los Angeles, 1986 : Madrid, 1987 : São Paulo, 1991-92 : Séville. "Toutes ces villes où nous avons vécu posent les bases d'une construction mentale qui échappe à la seule forme d'une revue..." Special issues about: The Caves of Lascaux relocated to Col du Perthus, the space "Proun" with re-edition of /Lissitzky squares by Galerie du Triangle,Oct.1990, in Bordeaux, Art Rite in NY, redesign of Bordeaux-wine label by Warhol, Madrid des années 30; Biennale de Sao Paolo, a serigraphy if a a carton gun, a calender with addresses of 365 bars, no. 21/24 is a photobook (19,5x13 cm), 598 photographs of drug addicts and polsice pictures related to drugs; an issue combined with LAICA Journal, Participation of Christian Boltanski, Annette Messager, Martin Kippenberger, Chris Burden, Ed Ruscha, Daniel Busto, Klaus Krüger (Record in 2), Rhonas Wahweger, On Kawara, Pablo Echaurren, Laurie Anderson, Vito Acconci, Bob Wilson (in the Newsletters) and others. We offer the complete collection of this exclusive rare art journal.:. Ref. Gwen Allen in the book « Artists’ Magazines » The Mit Press 2011.

RADAR

Die Zeitschrift zwischen Basel und New York.

Nos. 1-5/6 (all publ.). Basel, Edition C.L.A.G., 1982-1988. Size (h/w): 29,6 x 20,9 cm. With an original silverprint, copyrighted with a stamp on verso in each issue: Original blindstamped metallic wrappers, near mint condition.

EUR 2,500.00

Edited by Carl Laszlo, René Matti and Michael Heitmann. With contributions by Allen Ginsberg, William S. Burroughs, Les Levine, Manon, Taylor Mead, Peter Orlovsky, Andy Warhol, Robert Mapplethorpe a.o. In each issue an original silverprint, copyrighted with a stamp on verso: -No. 1 portrait of William S. Burroughs by Robert Mapplethorpe; -No. 2 photograph by Manon; -No. 3 portrait of Taylor Mead, 1971 by Gerard Malanga; Texts in German, Malanga's writings are in English.The photo of Taylor Mead by Malanga inserted. Covering Malanga's extended works, his diary from 60's, poetry, portraits, nudes to voyeuristic photos, also incl. the Burroughs interview by Malanga -No. 4 portrait of William S. Burroughs by Victor Bockris; -No. 5/6 Eric H. Olson: Fotokomposition, 1985 in the Olson's Photokomposition (8 pages,partly colour).

RASSEGNA

Problemi di architettura dell'ambiente.

Nos. 1- 50. (Comprising Anno 1-14). Bologna: Editirice Cipia Srl, 1979- 1992. Quarto; original wrappers, some with light dust soilage, altogether a very good set.

EUR 800.00

Architectural and design quarterly, edited by Vittorio Gregotti. Number 50 is the general index to the previous ones. Each issue on a theme a.o.: 'I clienti de Le Corbusier'; 'Giuseppe Terragni 1904/43'; 'Vehicles 1909/47'; 'il campo della grafica italiana';"II disegno del mobile razionale in Italia 1928-1948", 'Architecture in the Avant-Garde Magazines'; 'Photographs of Architecture'; 'Venice: City of the Modern'; 'Materials of Design'. And many others. Articles usually with English, French & German summaries.

RAW

The graphix magazine of postponed suicides (becoming: The graphic magazine for damned intellectuals; The graphic aspirin for war fever; The torn again graphix magazine; etc.).

Complete with Poster and additions: (Vol. 1) Nos. 1-8 and Vol. 2 no 1-3 (all published, together 11 issues, complete set ). New York, 1980-1986, 1989-1991. Folio, unbound in the original full colour pictorial wrappers. (Vol. 2 nos1-3 smaller size 15,5 x 22,5 cm., Penguin Books). Together with: READ YOURSELF RAW. Pages From the Rare 3 Issues of the Comics Magazine for Damned Intellectuals ! New York, Pantheon Books, 1987, 360x270mm, 88p., original coloured pictorial wrappers. This copy SIGNED with a special dedication by Art Spiegelman and a SIGNED DRAWING in black ink: "For Bill Blackbeard w. thanks for your ongoing help to RAW and for your obsessions ! w. best wishes Art Spiegelman" [(William Elsworth Blackbeard (1926-2011), better known as Bill Blackbeard was a noted American specialist in cartoon books]. All in excellent condition. ADDED: Promotional POSTER for the first issue of Raw Magazine, 28x18,3 cm (11x7 inches), with the same Image on both sides. As new, all corners pointed, without tears, creases, bunos or chips; clean and bright.

EUR 5,000.00

The famous ferocious large-folio comics journal, founded and edited by Art Spiegelman and F. Mouly (=Mrs.Spiegelman), with magnificent colourful covers and depressing comic strips by Art Spiegelman and others. Included are enclosures with the first appearances of 'Maus, A Survivor's Tale'. the first four chapters of Maus in their original formats bound into issues 2-5. Number 4 contains a vinyl flexi-disc entitled "Reagan Speaks for Himself". All in excellent condition. Other contributors were: Gary Panter, Sue Coe, Fr. Mouly, Bill Griffith, Jacques Tardi, Mark Beyer, Charles Burns, Joost Swarte, Mariscal, Jerry Moriarty, Ever Meulen, Cathy Millet, Lynne Tillman, Scott Gillis, Mark Newgarden, Francoise Mouly, Winsor Mc Cay, a.o. Number 7 has a tear scross the wrapper as part of the design. The compilation of the first 3 issues contains contributions of Tardi, Mariscal, Bruno Richard, Kiki Picasso, Winsor McCay, Gary Panter, J. Swarte, Mark Beyer, Ch. Burns, Ever Meulen, entre autres. Complete with the two inserts: «Two-fisted Painters Action Adventures» (1980 Art Spiegelman), «City of Terror» - Trading Cards (1980 Marc Beyer).

REAKTION

Nos. 1 - 7. [All published]. Düsseldorf. Verlaggalerie Leaman. 1975 - 1983. Large 4to. 7 volumes. All contained in original printed plastic ring-binders. All seven annual volumes, edited by Milan Mölzer and published by the Verlaggalerie Leaman in Düsseldorf, presenting works by the avant-garde and Fluxus artists represented by the gallery . Each issue consists of photocopies, objects mounted on boards or contained in plastic slipcases, folded and manipulated papers, reproductions, and works in a variety of other media by well- and lesser- known figures. [Gwen Allen - Artists' Magazines. An alternative space for art, p. 290].

EUR 4,000.00

The complete set of these assemblages of visual poetry,original objects, photographs, collages, mixed-media. - Volume 1: Christian Megert, Milan Mölzer, André Thomkins, Günter Uecker, Ulises Carríon, Reiner Ruthenbeck, Leo Erb, Michael Gibbs. Düsseldorf: Verlaggalerie Leaman, 1975. 46 sheets and an envelope11x22 cm with content intact. - Volume 2: Adolf Luther, Hubertus Gojowcjk, Rolf Bendgens, Arnulf Rainer, Norbert Kricke, Franscisco Pino, George Brecht, Stephen Kukowski & Alan Czarnowski, Geza Perneczky, Vera Röhm. Düsseldorf: Verlaggalerie Leaman, 1976. 46 sheets of varying sizes and materials, plus a plastic bag containing a dried wax-like substance. - Volume 3: Sigurdur Gudmundsson, Helfried Hagenberg, Erwin Heerich,Alexander Schleber, Maurizio Nannucci, Alex Kayser, Daniel Spoerri,Fritz Schwegler, Zak & Kingbee. Düsseldorf: Verlaggalerie Leaman, 1978. 51 sheets and an envelope. - Volume 4: François Morellet, Jean-Pierre Bertrand, herman de vries, Ulrich Erben,Reinhard Omir, Claudio Parmiggiani, Paul van Dijk, Axel Heibel. Düsseldorf : Verlaggalerie Leaman, 1978. 58 sheets. - Volume 5: Boltanski, Voss, Filliou, Armleder, Saito, Monnier, Blank, KuliwieK, Fridfinson. Titelpage Franklin Berger (exact collation hardly possible due to unclear printing of section-titles, but likely complete). Düsseldorf: Verlaggalerie Leaman, 1980. - Volume 6: Nam June Paik, Alison Knowles, Trevor Winkfield, Bob Cobbing, Luciano Ori, Michael Druks,Ian Hamilton Finlay, Bill Griffiths, Gerhard Rühm, Robin Crozier, Endre Tót., Reaktion 6. (No colophon page). Alsbach: Verlaggalerie Leaman, 1981. 56 sheets. - Volume 7: John Furnival, Susan Hiller, Dick Higgins, Steve Wheatley, Rúrí, Gilbert & George, Jean-Luc Vilmouth, Jeff Nuttal, Agnes Denes, Arrigo Lora-Totino. Alsbach: Verlaggalerie Leaman, 1983. 57 sheets.

ROBHO

Les Carnets de l'Octéor nouvelle série.

Nos. 1-5/6 (all publ.). Paris, 1967-1971; 5 issues, 41 x 28 cm., [12],[18].[24]30,60 pages, fully illustrated. In very fine, near mint condition. Complete with all supplements: Two posters (60x80cm) by Martial Raysse; - Proxima Centauri 29/9/69. Text and illustrations recto/verso. - Oued Laou 1971. Printed in pink (diapositive) on white. (Verso blank) - A pamphlet: On en (a) assez des artes, 1 page 21x30cm, stencilled on yellow paper. - Aubertin, 9 Textes. Paris, Self-published, 1968. Single sheet, 49,9 x 33,2 cm, folded. Newspaper type layout with texts by the artist (in French) including ‘Activité Pyromanique 1965-1968’.

EUR 4,400.00

Complete avant-garde art periodical close to concrete art movements, edited by Julien Blaine and Jean Clay, designed by Carlos Cruz-Diez, photographs by Michel Desjardins and André Morain, regular contributors: Christian Duparc, Alain Schifres and others. Continues in a way the 'Carnets de l'Octéor' published in Aix-en-Provence in 1962 (4 issues published). Issues vary in length from 18 - 60 pages. Robho opposes the predominance of american capitalism in the art world, and published much articles on Latin American art. (Soto,Lygia Clark, Arte Madi,Tucumán Arde). Contains an extensive report on the artist manifestations against the MOMA in 1969, and Robho was the first French periodical to pay attention to the Japanese Gutaï movement. The publication gives positive attention to visual and concrete poetry, also linked to various forms of performance art. Contribs. include: Vasarely, Yaacov Agam, Grégoire Muller, F. Morellet, Joel Stein, J.F.Bory, Piero Manzoni, features on Hans Haacke; Kineticism in New York; Concrete artists in Prague; Lohse; Meta-art; Madi & Arden Quin; Yoko Ono, Jan Dibbets, Saburu Murakami, Michio Yoshihara, VantogerlooRévélations, TAKIS; Pénétrables de Soto; Lygia Clark, Man Ray, THEATRE GUERILLA TRACT CINEMA; Mathias Goeritz; Sanejouand; Dossier Argentine, Tucuman brule; Medalla; Aubertin; Guerre au Moma; Quelques aspects de l'art bourgeois:La non-intervention. In the first number is a double-page sample issue included of a project for a new journal MELP, which however never materialised.

DIE SCHASTROMMEL (later: DIE DROSSEL)

Organ der österreichische Exilregierung.

Numbers 1-17 (of 17 published numbers only lacking no. 4). Bolzano/Berlin, Verlag Interfunktionen (Köln), Edition Morra (Napoli), Verlag Die Drossel (Berlin), verlag hansjörg mayer (Stuttgart/London) n.d. (1969/70) - n.d. (1976). Paperbound, pictorial wrappers, 4to & 8vo.

EUR 10,000.00

Organ of the Viennese Actionists, published by Günter Brus, Otto Muehl, Hermann Nitsch, Gerhard Rühm, Hermann Schürrer, Oswald Wiener. Contribs. by Arnulf Rainer, G.Baselitz, Dieter Roth, D.Steiger, P.Weibel a.o. Number 5 without the white cloth multiple by Hermann Nitsch. The numbers 8A-C document the Aktionen (Actionism) by Günter Brus during 1964-1970. He called his rather shocking performances "totalaktion (direkte kunst)" (Direct Art) and defines it as "...eine weiterentwicklung des happening, sie vereinigt in sich alle elemente aller kunstgattungen, malerei, musik, literatur film, theater...", in which he explored Freudian themes of erotic violence in ritualistic performances utilizing bodily materials such as blood, semen and meat. Number 11 entitled "Peter Kubelka filmt Arnulf Rainer" is a photo-reportage on Arnulf Rainer with manipulated photos by A. Rainer. All issues in the original pictorial wrappers. The first 5 numbers are printed in a limited edition of 150-350 copies, after no. 6 the edition was enlarged to 500 copies. Nos.1-2 are in 2nd edition.

SCRAP. Organ of Abstract Expressionism

New York's outrageous good fortune.

Nos. 1-8, (all published). December 9, 1960 - June 14, 1962. Unbound, as issued; endemic browning, but altogether in good condition. (No. 1 is 4 pp. on off-white paper, 35.5 x 28.1 cm; nos. 2-8 are 8 pp. each on pale gray paper with page size 30.5 x 22.9 cm,folded in quarters from sheets about 61 x 46 cm). In each issue a few illustrations. Added is a printed brown paper (mailing) envelope for the whole set that could well be the only one still extant. (The envelope lacks its flap and was opened roughly on one side with consequent tears and creases repaired with tape).

EUR 3,000.00

Edited by Anita Ventura (critic and painter, designer of posters for Leo Castelli Gallery) and Sidney Geist (sculptor). (also as: the New York Sunday supplement, subtitle varies; Organ of Abstract Expressionism,, 4pp each, cheapest of the cheap newspaper stock, a few b&w illus in each number, Issue 1 & 4 with some age tanning, & 1 with a few slight chips but intact, a number of individual issues also available (s11/5/1 ). Featuring and illustrating work of Brancusi, Matsumi Kamemitsu, Resnik Reinhardt, Mark Rothko, Cajori, Tom Doyle, Yves Klein, Milton Resnick, Arshile Gorky, Franz Kline, etc. No. 2 has excerpts from a WBAI interview with the editors, "Scrap's First Tape" [a pun on Samuel Beckett's great monologue "Krapp's Last Tape"]. In no. 3 Paul Brach writes on Rauschenberg, and Jasper Johns reviews the printed version of Duchamp's The Bride Stripped Bare by Her Bachelors, Even. No. 4 contains Sidney Geist, A Critique of Criticism, "moodily dare": IFP, and the essay written at the occasion of the Rothko Exhibition curated by Peter Selz (Museum of Modern Art).No. 7 includes a supplement on pink paper 'Pandemonium'. No. 8 features two reviews of Harold Rosenberg's Arshile Gorky: the Man, the Time, the Idea.

SEMINA (Berman, Wallace)

A collection of 6 numbers out of 9 published: We offer Nos. 2, 4, 5, 6, 7 and 8 in very good to excellent condition, as follows: -SEMINA 2 . Los Angeles [and Jackson Street, San Francisco]: Wallace Berman / Stone Brothers Printing, 1957. First Edition. Slim octavo (21.5cm); brown sheets with variously-sized handset plates tipped in, saddle-stapled into cardboard covers, with Charles Brittin photograph of Suzi Hicks mounted to front wrapper; the original of the typed statement by Berman regarding his Ferus Gallery debacle mounted to lower rear wrapper; [28pp]; illus. Mild offsetting to mounted plates in-text (as seems to be common with this issue), subtle toning to covers, with two small stains to front wrapper and a small abrasion (ab.1x1 cm) on the bottom of the photograph; With contributions by Berman, Hermann Hesse, Paul Eluard, Jack Anderson, Charles Bukowski, Cameron, Jean Cocteau, Zack Walsh, Eric Cashen, Lynn Trocchi, Idell T. Romero, J.B. May, Charles Baudelaire, Peder Carr, Judson Crews, John Reed, Lewis Carroll, David Meltzer, Michael McClure, Alexander Trocchi, Paul Valery, Rabindranath Tagore, and others. - -SEMINA 4. San Francisco: Wallace Berman, 1959. First Edition. Small quarto (24cm); cardboard portfolio, containing 24 variously-sized hand-printed inserts housed in a pocket mounted to inner cover; large printed photographic portrait of Shirley Berman mounted to front cover. Mild toning and some faint creasing to portfolio, shallow loss to three corners, with old, faint stain to rear cover; thin splits to sides of inner pocket; Some of the inserts show mild offsetting, else in very good condition. The only issue which includes the work of principle Beat figures Allen Ginsberg and William S. Burroughs alongside the work of those within the Semina circle.With contributions by Berman, I.E. Alexander, William Blake, Ray Bremser, John Chance, Beverly Collins, Judson Crews, Charles Foster, Robert Kaufman, Philip Lamantia, Michael McClure, John Reed, Ron Loewinsohn, John Wieners, W.B. Yeats, and others. -SEMINA 5. Larkspur, CA: Wallace Berman, 1960. First Edition. One of 350 copies. Slim octavo (18.75cm); photo-illustrated card portfolio, with 18 loose handpress-printed sheets held in a pocket mounted to inner cover. Mild wear along spine-fold, a few faint creases to extremities, condition near fine, only some inserts show mild offsetting. Complete copy of the "Mexican Issue" of Berman's iconic assemblage zine, the front cover featuring a Charles Brittin photograph of a Mayan stone phallus. Contributors include Berman, Antonin Artaud, Kirby Doyle, John Hoffman, Lawrence Jordan, Michael McClure, Philip Lamantia, Robert Kaufman, Christopher MacLaine, Ruth Weiss, John Wieners, David Meltzer, John Reed, and others -SEMINA 6 (VI.) "THE CLOWN: A POEM" Larkspur, CA: Wallace Berman, 1960. First Edition. One of 335 copies. Slim octavo (21cm); photo-illustrated card portfolio, with 14 handpress-printed loose sheets held in a pocket mounted to inner cover.Trivial wear to extremities, a few faint creases along lower edge, with two thin splits to inner card pocket; Attractive, complete copy of the sixth issue of Berman's iconic assemblage zine, dedicated entirely to David Meltzer's 13-part poem "The Clown." Berman illustrated the title leaf and designed the photographic collage on the cover of the portfolio, featuring four images with shotgun of his Larkspur landlady and Sausalito gallery owner Phyllis surrounding an image of the Semina Gallery. - SEMINA 7. "ALEPH / a gesture involving photographs drawings & text by Wallace Berman". 200 Copies. Larkspur Calif. 1961. "For Shirley & Tosh. I love you". Folded sheet (20 x 14 cm) with photograph of actress Susan Hayward glued to the front. Inside, kept in a pocket glued to the back cover are 18 inserts of printed poems, photographs and drawings, all different in size and colour by Wallace Berman: a 'postcard' to David Meltzer with a photograph of John W., a poem called "First & last fearpoem, a poem called "Fairytale for Tosh, a photograph "For John Birch & Karl Marx" signed with P. Xantos (Wallace Berman), a poem called "Opos", 7 photo compositions with the 'aleph' on them: "Bird 1920-1955", "Patricia J.", "Jarry H. Mill Valley", "Tosh - Larkspur 1960", marihuana leafs, etc., 1 photograph with poem, "Some easy-rider titles by Rohmer..", a poem "Rapist & voicethrower" which consists of numbers only, a poem called "Boxed city", a drawing with text to Goerge Herms, a paper strip imprinted "Art is love is God". - SEMINA 8. Los Angeles: Wallace Berman, 1963. First Edition. One of 149 copies. Octavo (18cm); thick boards bound with black fabric tape along spine, with 15 handpress-printed loose sheets held in a pocket mounted to inner cover; altered press photograph of "Lipstick Killer" William George Heirens by Dean Stockwell mounted to front cover, with a black Aleph embossed to lower right corner of rear cover; right edge of boards punctured for string clasp, with a short length of the original twine mounted to inner cover. Two faint stains to front cover, with some trivial wear to corners; occasional mild offset to inserts, with 1 insert of the original 16 lacking (Berman collage of Lenny Bruce); Near Fine. Penultimate issue of Berman's iconic assemblage zine, and the issue with the smallest limitation. Includes contributions by Antonin Artaud, Wallace Berman, Cameron, Robert Duncan, Kirby Doyle, John Reed, William House, Jess Collins, Jerry Katz, Michael McClure, Aya Tarlow, Elias Romero, John Wieners, Zack Walsh, and Llyn Foulkes.

EUR 72,000.00

Fine collection of the most fundamental and groundbreaking periodical in American art and literature of the post-war period, in particular Beat and Underground. It was published as an assemblage and distributed by the visual artist Wallace Berman (1926-1976). Its circulation never exceeded a few hundred copies, it was not for sale but sent to an inner circle of writers and artists which Berman considered his friends and the reflection of his personal identity. 'Semina was a cult magazine' (Robert Duncan); "the magazine depicts the emerging subculture's aesthetics and its values" (Rebecca Solnit). It was thus at the same time an early example of 'mail-art'.-

SHINY

The Magazine of the Future.

Nos. 1-14 (all publ.) 1986-2008, complete. [subtitle varies] ,as follows: International nos. 1 (Spring 1986) - 4 (1988); The Magazine of the Future, nos. 5 (1990) - 7/8 (1992); Magazine, nos. 9/10 (1999) - 14 (2008) (all published). New York / Denver, CO: Shiny International Publications, Inc., 1986 - 2008. Fourteen issues in twelve physical issues (varying from 248 to 248 pages) illustrated throughout. Large 8vo. Very good overall; nos. 1 - 4 show slight rubbing and minor marginal age toning, else fine. Illus. wraps.

EUR 2,000.00

New York poetry, art, and fashion journal edited by Michael Friedman and Steven Hall (with art direction by Tom Lee and Duncan Hannah), illustrated throughout. Influential underground literary magazine. Contributions by John Ashberry, Ted Berrigan, Joe Brainard, Clark Coolidge, Dennis Cooper, Lydia Davis, Fielding Dawson, Larry Fagin, Ted Greenwald, Brad Gooch, Lyn Hejinian, Anselm Hollo, Piero Heliczer, Wayne Kostenbaum, Jackson Mac Low, Harry Matthews, Bernadette Mayer, Taylor Mead, Eileen Myles, Ron Padgett, Kit Robinson, Ann Waldman, John Wieners, etc.; interviews with artists and musicians including Chris Burden, Arthur Russell, Throwing Muses, etc.; reproductions of photographs and artworks by Chris Burden, Todd Eberle, Allen Ginsberg (photo portfolio), Felix Gonzalez-Torres, Duncan Hannah, Man Ray, Phil Niblock, Warren Sonbert, and others.

THE SOMETHING ELSE NEWSLETTER

Vol. 1 nos 1-12 (complete); Vol. 2 nos. 1- 6 (of 7). New York, Something Else Press, 1966- April 1973. Unbound (folded) as issued in good condition). Added: a variant of Vol. 1 no 6 ( bearing only the date May 1967, but without the volume/issue number and no price)

EUR 3,000.00

Together 18 Newsletters of the Something Else Press (and variant out of a total of 19 published, the last issue, vol. 2 no 7, dated April 1973 has in fact never been mailed). Each issue has 4 pages. All the lead-articles, e.g. 'Against Movements' (on Happenings, Concrete Poetry, Pop Art), 'Why do we publish so much Gertrude Stein?', 'Seen, Heard and Understood' (a defense of literature) are written by DICK HIGGINS. Added some ephemera of The Something Else Press: - 2 typed letters to A. A. Bronson, editor of 'File'; - Advance Book Information, stencilled, 5 sheets; - 2 order forms (4 pp. each), with extensive descriptions of the available titles; -Two Invitations i.e.: The inauguration of Wolf Vostell's T.O.T. (= Technological Oak Tree), text by Dick Higgins, 4 pp., and an invitation to a party to launch John Giorno's publication 'Cancer in my Left Ball'; Catalogue Fall/Winter 1973/74. Booklet, format 22,5 x 9 cm), 48 pp.; 6 flyers, printed on carton in various colours, stapled tog., format 21,7 x 10 cm; a sheet of invoice-paper.

STAMP-ART (Magazine)

Editor: Bill Caglione

Nos. 2, 3 and 5.. 1981-1984. -Number 2 (n.d. = 1981). Editor: Bill Gaglione, San Francisco. Produced in a limited Ed. of 150. Stamped title cover, 28 x 22 cm, spiralbound, approx. 70 unpag. pp. -Number 3. 1982: Editor: Bill Gaglione. Plastic covers, spiralbound, 28 x 22 cm. Limited editon of 150 copies approx. 80 unpag. pp. all w. Original rubberstampings and collages, orig. drawings, handapplied labels and cards by 100 artists. Different kinds of paper. Very good condition. -Number 5. 1984: Editor: Bill Gaglione./ CARE Number 11 Ed. Bart Boumans DOUBLE ISSUE of the two “magazines” Plastic covers, spiralbound, 28 x 22 cm. Limited editon of 150 copies approx. 150 unpag. pp. all w. Original rubberstampings and collages, orig. drawings, handapplied labels and cards by 100 artist (list of names on request), Different kinds of paper. Fine condition.

EUR 5,000.00

All with Original rubberstamp imprints by: Gaglione, Abott, Baroni, Buster Cleveland, Ko de Jonge, John Bennett, M. Cooper, Dogfish, Nancy Frank, Judith Hofberg, Leavenwort J., Birger Jesch, J. Juin, Ginny loyd, LeClair, R. Maggi, tim Mancusi, Carlo Pittore, J. Reva, Lon Spiegelman, etc. Some contributions are handsigned by the artists, some stamps on colored paper. With a handsigned dedication by (Dadaland)Gaglione. Rare. ublisher: Abracada. Editors: William John Caglione, Darling Darlene, Margaret Uhlarik, Joel Rossman, Tim Marcusi, Ginny Lloyd, Murina Golden, Roberta Elias, Hesh Rosen; Design Concept: Dadaland.

SYMBOL. SYMBOL-BONJOUR

Nos. 1-7 (n.d./1968-26/2/1970), continued as new series SYMBOL (-BONJOUR) Nos. 1-37 ( n.d.1971-1982). Düsseldorf & Köln, (Originally:) Self-published as schoolperiodical. (Later:) Verlag Symbol. 1968 - 1982. Size 21x29,7 cm, all limited editions, partly signed by the authors,editors and contributors, special editions and several numbers accompanied by the original paste-ups (used for printing). Several issues with added original artwork. Altogether 62 numbers, plus some ephemeral material.

EUR 1,000.00

Edited and started by Wolfgang Wangler & Friedhelm Jantzen as a mimeographed school periodical in a Gymnasium in Düsseldorf, this developed and expanded to a full-fledged highly respected publication. All numbers richly illustrated and with interesting lay-out. Originally mimeographed, stapled in the spine. Frequently signed by editors and/or artistst and with numerous special issues, De-luxe editions with original signed artwork etc. Added some ephemeral artwork (probably first attempts), some correspondence from the initial period, etc. Fuller details on request.

TECHNE

A PROJECTS AND PROCESS PAPER. Published in New York.(Experiments in Art and Technology, E.A.T.)

Volume 1 Nos.1-2 (all publ.). New York, Experiments in Art and Technology, April 14, 1969 - November 6, 1970. 12 pp. each. Folded tabloïds. 39×27,5 cm. (12); (12) pp. Illustrated. First issue folded one additional time. Excellent copies.

EUR 1,000.00

The only two issues published of this spin-off from E.A.T.’s exhibition activities. Published by Billy Klüver. Layout by Tom Gormley. Contributions include: "The Pavillion" by Billy Klüver, (on the Pepsi pavillion of Expo '70), Fujiko Nakay (Making of Fog or low-hanging stratus cloud) , Interview with Claes Oldenburg, Experiments in Art and Technology (Brooklyn Museum), Naum Gabo (Kinetic sculpture), Max Neuhaus and Ted Wolff Interview, Niels Young, and Project, Artists in India, etc. Rare complete.

TRACKS

A journal of artists' writing

Vol. 1-3 (all publ.). New York, 1974-1977. Each volume in 3 numbers. together 9 numbers in 8 issues (vol.3 no 1/2 is double).8vo. Original pictorial wrappers (some light dustsoilage or tanning due to the quality of the glossy white carton). Complete set.

EUR 1,800.00

Magazine devoted to the publication of the written work of visual artists. Editors: Herbert George, Kareen E. Lang, Peter Frank, Robin George. Contributions by (and texts of) Alberto Giacometti, Robert Indiana, Ad Reinhardt, Frank O'Hara, John Fernie, Nam June Paik, Arakawa, Richard Kostelanez, Barbara Kruger, Lucio Pozzi, Richard Prince, Claes Oldenburg, Barnett Newman, Sol Lewitt, Vito Acconci, Robert J. Horvitz, Dorothy Alexander, Jean Dubuffet, Francis Picabia, Gino Severini, Alice Aycock, Jiri Kolar, Michael Robbins, Piet Mondrian, Opal Nations a.o.

UFO Space Bulletin

Nos.1-3 (all publ with Prospectus): Nos. 1 and 2 (all pub. in magazine size), Juni 1971. "Revolution durch Information" UFO 2 Space Bulletin, 2 Oktober 1971. Göttingen : Expanded Media Editions. 43 x 31 cm, folded to 4to. (No.1 with small defect to spine, otherwise very fine). -Together with (No.3): -UFO Sondernummer. Mar 72 (also referred to as UFO 3) 'Radio 23' Piratensender: Mitschnitt des Programms, das in der Nacht zum 1. März 1972 von dem Münchener Piratenwender Radio 23 gesendet wurde. A 60 min. audiocassette featuring pirate radio from Munich, promoted as the first audio magazine in the world. It was released in March 1972 as the third issue of UFO, a magazine edited by Udo Breger, Carl Weissner, Jürgen Ploog and Jörg Fauser. Added: Expanded Media Editions, Publisher's Catalog, illustrated. 16 pages,spine stapled in light green wrapper.

EUR 1,400.00

Very rare set of this German counter culture publication, nicely illustrated with collaged images, clippings, photographs, photocompositions, etc. With contributions of Joerg Fauser, Doc Benway, Allen Ginsberg, Schnee-Ede, Jürgen Ploog, Leila Khaled, Carl Weissner, Peter Weibel, Valie Export, Pelieu, Hamburger Mary, 'Flash Gordon', und 'Lonnie the Pimp'. Number 2 with contributions by Joerg Fauser, Harry Gelb, Pierre Joris, Jürgen Ploog, Carl Weissner, Dr. Kurt Unruh, Udo Breger, Jan Herman. Leara, OZ-Prozess, Schwarze Zelle, Junk, Blutiger Mittwoch, TECHNO-Anarchie, Coca-Cola. "Erstaunlicherweise haben wir die 2te Nr. geschafft." Expanded Media Editions -was a small publishing house run by Udo Breger in Göttingen dedicated to underground/beat publications. Udo Breger (1941) is a German author, translator and publisher with close ties to the Beat Generation. Breger studied English and Romance Language & Literature at the University of Göttingen from 1964 to 1971, during which period he also ran an art gallery in Göttingen. Between 1968 and 1975 his Expanded Media Editions published and organised projects with Joseph Beuys, Ian Hamilton Finlay, Allen Ginsberg, Brion Gysin, William Burroughs and others. In the mid-1970s Breger translated Robert Shea’s and Robert Anton Wilson’s ‘Illuminatus! Trilogy’ for Sphinx Verlag, Basel. With the exception of a couple of years spent in Sweden, Breger has since then worked in Basel as a publicist and translator of works by Walt Whitman, Alan Watts, John Lilly, William Burroughs, Franco Beltrametti and others for various publishing houses including his own.

UNICORNIO (Bicórnio, Tricórnio,Tetracórnio, Pentacórnio)

Antologia de inéditos de autores portugueses contemporâneos, organizada por José–Augusto França.

Numbers 1-5 (each with changing title, subsequently: Unicórnio, Bicórnio, Tricórnio, Tetracórnio, Pentacórnio). Lisbon, Imprensa Libânio da Silva, May 1951- December 1956. Bound in blue morocco (binding signed Victor Santos), raised bands and gilt lettering on spine and front, top rouged, other edges untrimmed. (26 x 20 cm.). The very nice original illustrated front and back-wrappers of all issues bound in. Illustrations (lino- and woodcuts) in the text, 3 illustrations tipped into text and 9 hors-textes. The first number is duplicated with an untrimmed separate number containing the 3 hors-textes which were not included in the bound volume. This set belonged to Luiz Pacheco (Lisbon,1925-), and has several annotations by him. "Unicornio" includes extensive annotations with blue pencil, including a few designs in his hand. "Tetracórnio" is one of 30 copies on special paper, signed and numbered in blue ink "Nº 29 J–A França" in bottom margin of verso of title page. This bound volume is offered TOGETHER WITH additional de-luxe copies off numbers 2 and 3. Each issue 19 x 24 cm in illustrated covers, untrimmed and both in excellent condition as follows: No. 2: Bicornio, Lisboa, Abril 1952; Apparently one of the de-luxe edition limited to 30 copies. The cover is a jute-over-stiff cardboard wrapper, ornated on the front by a handmade silkscreened copy of an original painting by Fernando Lemos and illustrated by 3 hors-textes by Antonio Pedro and linocuts by Fernando Azevedo. No.3: Tricornio. Lisboa, 15 Nov. 1952; Cover is ornated by a handmade silkscreened copy of an original painting by Roberto de Araujo, 3 hors-textes by Almada Negreiros and vignettes by Fernando Lemos. The 3 hors-texts in number 1 are "Nu", fotografia de fernando Lemos; a drawing by F. Azevedo and a drawing by Vespeira.

EUR 1,200.00

This journal, directed and edited by José-Augusto França, aimed at offering an anthology of Portuguese avant-garde, and had close ties to Surrealism. Complete sets are quite rare. (No. 1: 64 pp, and 3 plates; No. 2: 64 pp.and 3 plates; No. 3: 64 pp. and 3 plates; No. 4: 72 pp.and 3 illustrations tipped into text; No. 5: 70 pp.) This periodical was privately printed in an unjustified edition of probably not more than 200 copies, in order to escape the attention of the censors as it included much material that would displease the Salazar regime. The aim of the editor was to unite prose, poetry and essayistic work of all avant-garde directions. The journal thus became a true anthology of Portuguese avant-gardes and its collaborators included modernists and postmodernists from the generation of Presença, as well as neo-realists, together with surrealists. Contributors included: Adolfo Casais Monteiro, António Pedro, José Augusto França, Fernando Azevedo, Jorge de Sena (among his several pieces is one on D.H. Lawrence, with a translation of the poem "Democracy"), Eduardo Lourenço, Alexandre O'Neill, and José Blanc de Portugal. There are also contributions by Sophia de Mello Breyner Andresen, António Sérgio, Delfim Santos, José Régio, Vitorino Nemésio, Almada Negreiros, Hernâni Cidade, Joel Serrão, Miguel Torga, Fernando Pessoa (a previously unpublished essay in Tricórnio, "O Orpheu e a literatura portuguesa"), David Mourão–Ferreira, Eugénio de Andrade, Fernando Namora, Ferreira de Castro, João Pedro de Andrade, José Osório de Oliveira, Luiz Francisco Rebello, Mário Dionísio, Tomás Ribas, Urbano Tavares Rodrigues, Ruy Cinatti, Tomás Kim, Fernando Lemos, Oscar Lopes, Alberto de Lacerda, and others. In the fifth number França wrote a final note announcing the termination of the review, saying that it had failed due to excessive ambition and lack of contributors. Artistically this review is significant with covers by Fernando Azevedo, Fernando Lemos (in particular nos. 2 and 3, which have extremely stunning silkscreened designs, as described above), Vespeira, also vignettes, woodcuts and linocuts by Almada Negreiros, Fernando Lemos, António Pedro, Roberto de Araujo, a.o. [Provenance: The bohemian critic, polemicist, writer of fiction and publisher Luiz Pacheco, collaborated in A afixação proibida, the first Portuguese surrealist manifesto. See Ana da Silva in Machado, Dicionário de literatura portuguesa; Jorge Colaço in Biblos, III, 1338–40; and Dicionário cronologico de autores portugueses, V, 42.]

VERNISSAGE

Kunst, Kritik, Kontakte.

Jg. 1-3 no 4. Baden (Agis Verlag), Feb. 1960 - Okt. 1963. Original stapled issues; large folio; illustrations & photographs. Most issues folded once, with occasional wear over the folds.

EUR 700.00

Edited by Alexander Leisberg and Heinz Rehn. Very informative art journal publ. by the Agis Verlag till vol. 3 no 6 (April 1964). Articles and features on Arp, Lucio Fontana, Bernard Buffet, Hans Richter, Mark Tobey, Biennale Venedig, Sonderborg, etc. Then continued as Kunst, years 1964-1969, then: Magazin Kunst, 1970-1976, from 1977 onwards entitled: Kunstmagazin.

IL VERRI

Rivista di letteratura diretta da Luciano Anceschi.

(Series 1:) Anno 1-5 (complete in 26 numbers). Milano, Rusconi e Paolazzi Editori, 1956-1961. Continued as: (Series 2:) Nos. 1-40 (all publ.). Milano, Feltrinelli, 1962-1972. Continued as: (Series 3-9: ) Together 64 numbers (all and last published). Milano, edizioni del Verri; Mucchi editore. Marzo 1973 - settembre/dicembre 1995. All in the original pictorial wrappers, in perfect state of conservation. With Autograph dedication by Anceschi to Eugenio Montale on the inside cover of Number 1.

EUR 1,500.00

Complete collection of this famous art and literary periodical founded in Milano by Luciano Anceshi , Organ of the 'neoavantgardia' of the sixties, and the exponent of the "Gruppo 63" (which was created after the conference in Palermo in 1963). Named after the café "verri"in Milano where young intellectuals like Nanni Balestrini, Antonio Porta, Giuseppe Pontiggia, Eduardo Sanguinetti, Elio Pagliarani, Alfredo Giusliani and others gathered. An exceptional complete ensemble of all the various stages of this publication.

DE VRIJE KUNSTENAAR

Religieus en politiek onafhankelijk orgaan voor de Nederlandsche kunstenaars, waarin opgenomen "De Brandarisbrief".

Collection 1944-1946 (wartime + post war) -our issues plus 1 extra-edition: illegally published: Year 1944: 1 Dec.; Year 1945: 1 Maart, 1 April, & April-Issue. Added: Extra Nummer Manifest aan het Nederlandse volk, Juli 1944. Together with the post-war continuation: Year 4: Nos. 1-18 (= last publ.). Amsterdam, 5 Mei, 1945 - 14 Mrt. 1946. Added: Manifest Aan de Kunstenaars van Nederland (27 pp.), and Mededelingen (Ned. Federatie van Beroepsverenigingen van Kunstenaars). No. 1, Maart 1946 (4 pp.).

EUR 500.00

Organ of the Artists' resistance group of Gerrit Jan van der Veen, which was functional in the production of false identity cards and responsible for the raid on the Registry Office. Winkel: 1019.Tog. 4 issues, 8 pp. each, plus 1 extra: illegally published. Together with the very rare post-war continuation, with contribs. by Paul F. Sanders, L.P.J. Braat, Hildo Krop, Sandberg, Nico Rost. Some headlines: "Zuiverings-Tumult", "Kunst en Overheid", "Waarheen met de omroep?", "De Opera te Amsterdam".

WHITE DOVE REVIEW

Group of three out of 5 issues: Vol. 1 No. 2. Tulsa, 1959, (signed by Padget on inside cover), together with: Vol. 1 No. 3. Tulsa, 1959 , together with: Vol. 1 No. 5. Summer Issue. 1960 (Vol. 2) Tulsa. (Final issue .): 8vo. All in near fine condition.(No. 2 and No. 3 fine; No 5 very lightly rubbed and papertoning).

EUR 3,500.00

Edited by Ron Padgett and Joe Brainard. Issues of 16 pp. each + ills. wrps. Three (out of 5 published) issues of one of the most significant little magazines of the period. Poetry and other work by Jack Kerouac, Paul Blackburn, Simon Perchik, Clarence Major, Ron Loewinshon, Leroi Jones, Ginsberg, Melzer, Orlovsky , Ted Berrigan, David Omer Bearden, Richard Dokey, Richard Gallup, Carl Larsen, C. Cleburne Culin, Leroi Jones, Dan Teis, Gilbert Sorrentino, Martin Edward Cochran, Robert Creeley (here spelled Creely), and Ron Padgett. Drawings by William A.King, Nyla Joe, John Kennedy, Paul England, Johnny Arthur Cover Michaek Marsh (No.2) Cover John Kennedy (No.3) Cover (No.5) and some illustrations by Brainard. One of the earliest appearances of Ted Berrigan in print. "Editorially the predecessor to all the second generation New York School little magazines" (Clay&Phillips 159)

WHITE STUFF

Numbers 1-6 (out of 8 published). London, Sandy Robertson, Feb. 1977- XMas'77. , Original wrappers. Corner stapled at upper left. 29,8x21 cn. Printed on rectos only. Illustrated (b&w). L ight corner creases over the staples to all issuesl ight wrinkles to back page of issue 1, Otherwise all in fine/ near fine condition. Each issue had a different subtitle and printed on different colour stock: Issue 1: A Rock N Roll Magazine for the Modern World (light blue); Issue 2: A Rock N Roll Magazine for Teen Aeshetes (pink); Issue 3: A Rock N Roll Magazine for Young Existentialists ( light green); Issue 4: A Rock N Roll Magazine for the New Romanticism (darks yellow); Issue 5: A Rock N Roll Magazine for international heroes (yellow stock). Issue 6- XMas'77. Cover picture:Susan Carson/Dreva Archives. 12 pages, stapled in left upper corner. P. 3/6: The return of the Rock+Roll Heroes. A Study of heroism, by Glenn Marks; 7 Patti art given by tony d, 8/9 henry miller by frank letchford; 10 Patti photo by alex fergusson; 11:Patti hotel bill,given by aris; 12 art by patti,given by skid kid.

EUR 3,000.00

Edited by Sandy Robertson. A PATTI SMITH fanzine, the name being derived from lyrics to Smith's song 'Ain't It Strange.' Sandy Robertson was a Scottish writer.Patti Smith was the main focus, others were also featured (Sex Pistols, Lou Reed, Harry Crosby, Kim Fowley, Artaud, Wilhelm Reich, Todd Rundgren). Robertson states in issue 1: "I'm starting this magazine because I believe that I have interesting ideas and yet I can't get them published by the 'big' music papers. Mark P. of Sniffin' Glue apparently said that everyone shoud start their own paper and I fully agree." And later: "I called it 'White Stuff' because I like Patti's line (from the song Ain't It Strange), and also there are lots of black music papers, but few in this country exclusively devoted to the music of urban white kids." No.1: Vive L'Anarchie; Patti Smith, Lou Reed; Sex Pistols, and more No.2:Contents feature articles on Smith and The Runaways, reviews of Smith's singles, Snatch, and The Clash, as well as numerous photos of Smith and surrealist poetry by Hans Arp and Antonin Artaud. No.3: Featuering the Patti Todd rundgren connections;Patti in 1973;You can't say "Fuck"in Radio Free Amwerica No. 4: Contents feature an article comparing Smith and Wilhelm Reich, as well as five pages of verse by Smith, each coupled with a different photograph. Issues of 'White Stuff' - particularly the early ones - are scarce in commerce; OCLC locates incomplete holdings at 3 US institutions, with 2 more in the UK. [Winchester, VA, No.5: Article by Frank W. Letchford on the art of Austin Osman Spare, 'Notes on Holiday Inn' by Smith, and a fans' notes on Smith, The Rolling Stones, and Rimbaud. Issues of 'White Stuff' - are scarce; OCLC locates incomplete holdings at 3 US institutions, with 2 more in the UK.

YARDBIRD

Magazine (Zeitschrift für Jazz und Anderes. Hrsg. Galerie Seide)

YARDBIRD. Nos. 1-6. Hannover 1959-1961 (all under this title). In the original wrappers. Continued as: DER EGOIST. Nos. 7-17 (all publ.), Frankfurt, n.d. (1965?)-1970. In the original stiff wrappers. Continued as: DER NEUE EGOIST. Nos. 1-2 (all publ.). Frankfurt/Hannover, (n.d.,1975-1976). In gold-coloured orig. wrappers. All issues are complete with thir belonging graphic or art supplements. The whole set in good condition for this fragile publication. All ca. 32,5 x 23,5 cm.

EUR 1,500.00

Promotional publication of the Avant-Garde Galerie Seide. Published almost single-handedly by the Gallerist Seide himself, causing several anomalies in the numbering and pagination. We can offer a full set ,printed and produced under Seides supervision, mimeographed and printed in offset, at first in Hannover. After his move to Frankfurt the journal was produced in a larger, more commercial edition. The last issue published by Melzer Verlag, but immediately there after publication was discontinued. The first series (Yardbird) with orig. artwork on the covers and supplements (Zinklithografien) by Igael Tumarkin, Carl Buchheister, Günter Drehbusch, Helmut Scholz (loose in no. 4, signed), Raimund Girke (2 of 3 in no 5.) Arnulf Rainer (in no. 6, signed), Hermann Goepfert, Robert Michel. Thomas Bayrle, etc. Articles on contemporary art and artists, also on Jazz (Peter Kasten). The successor "Der Egoist" later "Neue Egoist" was printed in offset, and bound in white stiff card wrappers with an illustration - No. 7. 1965. 44 pp, in typographic wrappers. incl.several illustrated pages. With signed lithography (56/200) by Raimund Girke. Contribs. By Werner Schreib, HJ Precht, Peter Iden, J.A.Thwaites, etc. - No. 8. n.d. (1966). 32 + XX pages, in illustrated stiff wrappers. With graphic supplement by Ygael Tumarkin also monograph 8 on Tumarkin - No. 9 , 1966. 22 + XX pages. With graphic supplement by Hermann Goepfert (by Produktionsgruppe X Nummer 23/500 der I. Auflage, signed and with stamp on verso). - No. 10. n.d. (1967). 50 page in illustrated stiff wrappers. With montage by Robert Michel & Ella Bergmann. Egozentrisches Manifest by Timm Ulrichs. - - No. 11. März 1967. 3.Jahrgang Heft 1. With a serigraphy by Jef Verheyen - No. 12. September 1967. 3.Jahrgang Heft 2. Hommage à Albert Schulze Vellinghausen. With orig.serigraphy by Raimund Girke - No.13. Nov. 1967. Hommage à Lucio Fontana. Hrsg. Adam Seide. 7 pages in stiff boards. "Weiße Manifest" von L. Fontana with portrait; Contributions by Heinz Mack, Herman Goepfert, Wieland Schmied, Kurt Leonhard, Otto Piene, - No. 14. 1968 (1.Quartal, 4.Jahrgang, should be 9 th year). 46 pages in illustrated card wrappers. With Graphic supplement by Christian Megert. Devoted to art in Switzerland. Contribs.: J.A.Thwaites,Tuli Kupferberg, Peter Handke.Willoughby Sharp, etc. - No. 15.1968 (2.Quartal 1968). 50 pages in illustrated card wrappers. With Lithography by Herman de Vries. Issue devoted to Art in The Netherlands, contr.many important dutch authors in translation, Provo documentation, etc - No. 16. (1.Heft 10.Jahrgang). 30 pages in illustrated card wrappers. Mostly dedicated to Thomas Bayrle. With Lithography by Bayrle. - No. 17. (Heft 1/1970,11.Jahgang). 64 pages in illustrated card wrappers. Mostly dedicated to Werner Schreib complete with the lithograph loosely laid in. The first commercially published issue (by Melzer Verlag), at the same time the last till continuation as - Neue Egoist No. 1 with signed lithograph by Leiv Warren Donnan - Neue Egoist No. 2 with signed lithograph by Thomas Bayrle.

YUGEN

A new consciousness in arts and letters.

Nos. 1-8 (all publ.). New York, 1958-1962. Orig.pictorial wrappers, 21,5 x 14 cm; (No. 4 worn, others good to fine). Rare complete.

EUR 1,600.00

Directed by LeRoi Jones & Hettie Cohen. Features the Beat generation poets and writers, many are first appearances: D. DiPrima, Allen Ginsberg, Jack Kerouac, LeRoi Jones, P. Whalen, Gregorio Corso, Tulli Kupferberg, Gary Snyder, W.S. Burroughs, Charles Olson, M. McClure, etc.; artwork and covers by Tomi Ungerer, P. Schwarzburg, S. Fischer, Fielding Dawson, Basil King, Norman Bluhm, a.o. Jed Birmingham writes: " Jones included the New York School (Frank O’Hara, Kenneth Koch), Black Mountain (Charles Olson, Robert Creeley, Joel Oppenheimer, Fielding Dawson), and San Francisco Renaissance (Robin Blaser) poets alongside a healthy helping of the Beats".

ZERO

Vol. 1-3 (all published, complete). Düsseldorf, Heinz Mack & Otto Piene, (1958-1961). sq.8vo, original wrappers. From a limited edition of 400 for vol.1 and 350 for vol2, and vol.3 1200 copies. -Vol. 1. N.p., n.d. (Düsseldorf, 1958). Zur 7. Abendaussellung Das Rote Bild. Original wrappers, 24 pages, incl. 4 pages on red paper in the middle. 21 x 20 cm. Fine condition in original red card wrappers; - Vol. 2. N.p., n.d. (Düsseldorf, ). Zur 8. Abendausstellung - Vol. 3. Düsseldorf, Heinz Mack & Otto Piene, (1962). 350 pp., with numerous illustrations, 21 x 20 cm.; original stiff wrappers, very good clean copy, only some rubbing on spine, and a miniscule old ownership signature. Complete with the matchstick by Spoerri, and the sunflower-seed of Tinguely, for which two small viewing windos were made in the back wrapper. .

EUR 2,500.00

The complete set of the programmatic publication of the group ZERO. Redaktion: Otto Piene, Heinz Mack, Düsseldorf, Cranachstrasse 32. No. 1 with introductoy texts by Franz Roh, Max Burchartz, Arnold Gehlen, Hans Sedlmyr, Georg Muche, Friedrich Bayl, Brentano, Cézanne, Hebbel, Kandinsky a.o. (zusammengestellt von Konrad Klapheck). John Anthony Thwaites (Wohin geht die Farbe?) , Yves Klein (Meine Stellung im Kampf zwischen Linie und Farbe), Heinz Mack (Die neue Dynamische Struktur), Otto Piene (Die Farbe in unterschiedlichen Wertbereichen), Hans Platschek (Notiz zur Farbe im informel), Michel Seuphor, Fritz Seitz. No. 2. Vibration: Contributions by Fritz Seitz (Bewegung), Arnold Gehlen (Wechsel der Identität des Bildes), K.F.Ertel, Holweck, Max Bense, Mavignioer, Zillmann, Mack, Otto Piene, Klaus J. Fischer, John Anthony Thwaites, Hans Platschek, No. 3, last number with contributions by Yves Klein (a burnt page), Piene (hole in white sheet), Castellani, Arman, Rainer, Mack, Kage, Tinguely, Aubertin, Manzoni, Bury. Also photos of works by Fontana, Tinguely, Arman, Rainer, Rot, Soto, Holweck, Dorazio, Castellani, Manzoni, Spoerri, Uecker, Bury, Adrian, Pomodoro, Lo Savio, Mavignier, Salentin, Hoeydock, Moldow, Uli Pohl, Kage, Aubertin, Peeters, Schoonhoven, Boris Kleint, Kilian Breier. Last page has the pasted-on contributions by Tinguely (sunflower seed) and Spoerri (matchstick).

ZIEN Magazine.

Nos 1 - 9 (all) Rotterdam,1980-1986. Original illustrated wrappers. First 3 issues 36,5x27,5, rest 30x29,5 cm., very good condition.

EUR 1,500.00

Stichting Pretentieus. Edited by Gerald van der Kaap, Elbert de Bruin, Frans Fortunati, Ludo van Halem. Dutch photographic magazine designed by 'Hard Werken'.Contains work by Max Koot, Michel Szulc Krzyzanoski, Sanne Sannes, Peer de Wit, Ben Hansen, Robert Mapplethorpe, Gilbert & George,Hans van Meerwijk, Boyd Webb, Thomas Anschütz, Tom Drahos, Klaus Frahm, Spank Moons, André Thijssen, Marcel van der Vlugt,Martin Kippenberger, Peter Klashorst, Jan Henderikse, Rob Scholte, Hiroshi Sugimoto, Peter Nagy, Allan McCollum, Gretchen Blender, Matt Mullican. and many others.