ARK

New York, Affinity, Reality, Communication Inc., 1968, (24)p., full-page photogr. ills., orig.selfwrappers, large folio. 58x42,5 cm.; newsprint, lightly toned. The issue has been folded in the middle, lightly abrased over the fold of the front page, spine damage to the first 4 pages without text or image-loss, otherwise in good condition for this fragile item. Very rare.

EUR 3,000.00

Photomagazine published as a newspaper on newsprint with only images ( no text) except copyright statements on each page; full-page photogaphs by Richard Avedon, Diane Arbus, Joseph Raffael, Steve Lawrence, Andy Warhol, John Chamberlain, Ed Leffingwell, Clyde Baines, Maxie Cravets (each photographer 2 full pages).

ASSEMBLING (Magazine)

Nos. 1-11 (all publ. but a Number 12 appeared later in 1986, see addition). Gnilbmessa Inc., Assembling Press, Brooklyn, 1970-1981. 4to. Original pictorial wrappers. Number 1 with signature of Kostelanetz on first page. Also: Includes "'Ecological' Rock" by Dan Graham and Ruscha's "Chocolate," a two-page piece consisting of a cover page followed by a unique smear of chocolate - consistent with his "Stains" portfolio and 1970 installation "Chocolate Room," in the United States Pavilion at the 35th Biennale Esposizione Internazionale dArte Venezia. - Added: Volume 12. 1986. Compiled by Charles Doria, Robin Middleman, Jude Schwendenwien and Leslie Hollis Soga. - Together with Precisely Nos. 1-16 (published in 6 issues of which 6/9 is identical to Assembling vol. 9)). New York, 1977. 8vo. Original illustrated wrappers - Together with: Assembling Assembling One issue. Brooklyn, 1978. 4to. Original wrappers.

EUR 4,000.00

Complete collection, with AssemblingAssembling and Precisely. Collective artist's landmark publication compiled by Henry Korn, Richard Kostelanetz and Mike Metz with original art-contributions by Vito Acconci, Elizabeth Ginsberg, Adele Aldridge, Alan Coleman, John Baldessari, Neil Baldwin, John Furnival, Shoichi Kiyokawa, Richard Meltzer, Jonathan Price, Ed Ruscha a.o. Together with Precisely edited by Richard Kostelanetz, Stephen Scobie, Sheldon Frank, Paul Zelevansky, Loris Essary, Dick Higgins and Karl Young. "Eighth/Assembling" appeared as two volumes, alphabetically divided. "Ninth Assembling" is at the same time "Precisely" No. 6/7/8/9. -Assembling 12 was collated and bound at the Douglass Campus of Rutgers University, New Brunswick, NJ, by members of the Mason Gross School of the Arts, Visual Arts Department.

L'ASSIETTE AU BEURRE

Nos. 1-572. Paris, 1901- 30 mar 1912.(incl. 7bis and hors-série). (out of a total of 594 nos, publ).Variously bound (first 52 issues in 2 vols.brown h.leather with loose spines, remainder in 16 volumes unif green half cloth ( of which 2 spines in need of repair) and Nos.427-572 in 3 vols. in original beige bindings with embossed fronts/,

EUR 6,000.00

L'Assiette au Beurre was the most important and best known of the politico-satirical weeklies of the time; the best artists contributed to it. Contributions by Forain, Paul, Léandre, Steinlen, Ibels, Valloton (one issue with one-faced lithographs "Crimes et Chatiments" in 1902), Van Dongen, Jossot, Caran d'Ache, Willette, etc.,etc. A noter les numéros " Argent" entièrement illustrée par Kupka, " "Petite histoire pour enfants" par Van Dongen " Les vengences sociales par Jouve; "les cafés concerts d'Ibels ; "Les masques " de Morin; " La vision de Hugo " de Steinlen; " Crimes et châtiments de Vallotton.

BAB ILU

Rivista del gruppo "A" di Bologna (Rivista di letteratura).

Nos. 1-2 (all publ.). Bologna, 1962. Original pictorial wrappers; (38 pages text+8 ills.; 44 pages). (Light soilage; blank back cover of the second issue with closed tear; otherwise very good).

EUR 1,200.00

Direttore: Adriano Spatola, Redattori: Miro Bini, Gianni Celati, Giuseppe Landini, Vittorio Puccetti (No. 2 with Aurelio Ceccarelli, Claudio Altarocca, Carlo Conti Marcello). Texts by the various editors and by Emilio Vila, Alain Jouffroy, Alberto Tomiolo, Renato del Bono, Carlo Negri, Ettore Baldini; in no. 2: Roberto Roversi, Claudio Altarocca, Patrizia Vicinelli, Vic Detassi (In memoriam Charlie Parker), Bruno Camoirano, Il Teatro a Bologna (Badini, Cappelli, Cavalli, Dursi, Guazotti, Malavasi, etc.). The illustrations depict work of Leoni, Nino Crociani, Giuseppe Landini; in no. 1: 'La giovane pittura bolognese nel 1961'. No. 2 prints on the frontcover: 'Siamo contro: Moravia, Roversi, Rendiconti, Pasolini, Piovene. Siamo con, Anceschi, Zolla, Banfi, Balestrini, Villa, Cesaire, Robbe-Grillet.'

BARBARBER

Tijdschrift voor teksten.

Nos. 1-91 (all published, nos-1-87 of the first series and nos 88-91 published later, see below).Amsterdam, 1958-1971 and 1989-1999/2019.. Original wrappers; tall narrow folio (no. 1, 8vo.); till no 35 stencilled.. No. 75 is the record by Jan Hanlo. All in (except no 9)in original first edition and in good condition (except some damage on lower part of front-cover of no. 7 (ab 4-7 cm torn from the right bottom corner, no loss of text) ,no 10 with some waterdamage and no 9,with insert, in photocopy) - ADDITIONS: - nr. 47B (= Gemeen Goed Uitgave nummer 3, december 1976; a small portfolio) - Barbarber 1968: Vouwblad met 3 gedichten. Folded sheet. Edited, numbered, and signed by the three poets: J. Bernlef, G. Brands, K. Schippers, in only 50 copies. -- nr. 47B. Foto's (Rott., 1976, photogr. ills. on plates, printed in 500 copies, loose as issued in paper portfolio, obl. 8vo)nr.(= Gemeen Goed Uitgave nummer 3, december 1976; a small portfolio) - Werkgroep Barbarber,2e j Nederlands mo/ Maart/April 1970; 40 pages in orig.stiff boards wrapepr; - Numbers 88 and 89 (Published 19 years later) Barbarber 88. Oude kuk Reinold Kuipers: c'est notre père. N.pl. (Amst.), J. Bernlef, G. Brands and K. Schippers, "26 augustus 1989", (4)p., linocut by P.Y. DE VRIES, printed by Ser J.L. Prop in 75 copies, orig. wr., sm. folio. = "Deze uitgave is gemaakt voor Reinold Kuipers, ter gelegenheid van zijn vijfenzeventigste verjaardag (...) Barbarber 89. N.pl. (Amst.), Barbarber, 1990, bottle of wine (Côtes du Ventoux, Domaine la Reynarde 1988) w. printed colophon label on the back. - Sm. scratch on front label. = Very rare, unopened bottle. "Barbarber 89 verschijnt in een oplage van 144 exemplaren in februari 1990. Elk nummer is door de redactie gesigneerd." Signed by J. BERNLEF, G. BRANDS and K. SCHIPPERS. - Prospectus for Algemen Tentoonstelling. juni 1`966. 4 pages, one folded sheet. - Together with No. 90 (Barbarber Alfabet). Amsterdam, Em.Querido,1990. 3975 pages, bound, with orig. wrapper: by J. Bernlef, G. Brands and K. Schippers; -No. 91. Barbarbar DVD. 1991. and extra edition: BBB-Extra Zending. Published by Demian at the occasion of the exhibition in Antwerp 2018/2019. Added: offprint VPROGids,Okt.1990 & Het Ook in 't Zeil , Year 3 bi 2 (about Barbarber).

EUR 4,000.00

Edited by J. Bernlef, G. Brands and K. Schippers. The most influential periodical of literary avant-garde and innovation in The Netherlands,after the Generation of the Fifties. Experimental and concrete poetry, ready-mades, by o.a. Buddingh, van Geel, Jan Hanlo, Jos Ruting, T.M.F. Steen, Campert, M. Stigter, Bert Voeten, E. Warries, a.o. Rare complete set (initially from an edition of 100 copies only

THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE (d.a.levy)

THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE: Nos. 1-27 (all publ. under this title; #27 also published under the new title: GREAT SWAMP ERIE DADA BOOM). Cleveland/ Ohio, 1967- December 1969. [Also numbered as: Nos. 1-13 (which is also vol. 2 no 1, then the numbering continues from there, becoming vol. 2 nos. 2-6 (of which the last 4 were also named first to fourth last issue after which publication continued with the "last issue" numbering as 5th to 13th last issue, then it stopped definitely). PLUS the Rare PRECURSOR: -SWAMP ERIE "Pipe Dream". Vol. 1 no 1 (all publ.) Cleveland: d. a. levy, 1967.Tabloid , [4] pp. incl. covers, single folded sheet. Offset printed on newsprint. Old horizontal fold and additional creasing, toning, and some short marginal tears alloverl about very good. - Newsprint, tabloids; illustrated throughout in b/w; light sunning on edges, very mild edge wear (a bit heavier for nos. 22-240, and incidentally a little wear over de folds. The newsprint paper taken into account this set is overall in quite good condition and very rare so.

EUR 15,000.00

Absolutely complete set of this journal produced by d. a. levy in Cleveland. All published during his lifetime and edited by d. a. levy himself, then after his death continued till no 27. The "Swamp Erie Pipe Dream" is the only issue of this remarkable journal , the predecessor to the Buddhist Third Class Junkmail Oracle. This issue includes much Buddhist content, as well as levy's poem "the bells of the Cherokee Ponies," a much-deserved attack on prosecutor George Moscarino, and more information about the police raid on James Lowell's Asphodel Bookshop. The "Oracle"is profusely illustrated with collage art by d.a.levy and others. Heavily Buddhist influenced, promoting drugs and reporting from the counter-culture underground scene of Cleveland, and also news taken from papers of other cities. His radical collage art, concrete poetry, and publishing always put him in conflict with the powers that be in Cleveland: he was arrested and harassed constantly and died under mysterious circumstances (suicide? murder?) at the age of 26 in 1968 .Publication was continued by his friend, Steve Ferguson, until 24l Mar. 1970. Contribs. include Allen Ginsberg, Gary Snyder, John Sinclair, Russell Atkins, Charles Bukowski, Doug Blazek, Paul Puhle, Michae Lesy (photograph), etc; interview with The Velvet Underground, increasing attention to underground music and bands visiting Cleveland (Syeve Miller, Stone Poneys, Jefferson Airplane, The Who) ; passages from The Tibetan Book of the Dead; typical d.a.levy collages throughout, also in the advertising;Religious Collage North American Jewish Tantra;.In no. 15 a piece by Rudi Dutschke etc.; the last issues numbering started where Jim Ferguson took over; no. 18 being the 'Fourth Last Issue' published after the suicide of D. A. Levy, with his photograph on the front page and the text 'Wanted for the assassination of D.A.Levy'. Very rare complete ongoing set from the beginning. (Vol. 2 nos 5 and 6 also as 'The Barking Rabbit or the Buddhist Oracle", ed. by John Rose.) Note: From Aug 1969 a second section KALEIDOSCOPE was published;we only have that section for the 12th last issue0.

C-MAGAZINE

A Journal of Poetry (+ Behind The Wheel)

Nos. 1-14 (Complete, less No. 12 which was never published), including BEHIND THE WHEEL ("C" No. 14, by Michael Brownstein). New York: Lorenz Gude and Ted Berrigan, 1963-1967. Side stapled mimeographed sheets with wrappers or selfwrappers (35,4x21,5 cm, except for no. 14 which is 28x21,2 cm). In generally very good condition (some near fine), with only a little toning or edgewear. Some issues were also stapled from the backside,some not completely penetrating. There was no number 12 issued, this number omitted in the numbering, is generally considered as having been replaced by C-Comics No. 1, which is included in the set: TOGETHER WITH: C-COMICS 1-2 (cplt) C-Comics Number 1. New York, C-Press, June 1964; folio, mimeographed, side- stapled (small defect to left margin), together with: Number 2. New York, n.d. (ca. 1966), Boke Press. Sm.folio; pictorial wrappers, stapled in the spine.

EUR 18,000.00

Landmark Beat magazine, one of the cornerstones of the 1960's mimeo revolution and poetry scene. "C" was founded to replace the short-lived "Censored Review," which gathered work that had been banned from The Columbia Review. Edited by Ted Berrigan and Rond Padgett. "C" became the organ of 'Second- New York School' (and served as a bridge between the older and younger branches of both The Beats and The New York School. Includes Ginsberg, Burroughs, O'Hara, Koch, Schuyler, Ashbery, Whalen, Orlovsky, Corso, Pagdett, Wieners, Elmslie, Lima, Rothenberg, Gysin, Saroyan,O'Hara, Koch, Schuyler, Ashbery and others. No.4 was dedicated to Edwin Denby. The cover was designed by Andy Warhol and has on the covers the famed silk-screened images of Denby with Gerald Malanga. It marked the first time Warhol based a silkscreen on a poloroid, a technique that would become one of his defining methods in the 1970's. Most of the other covers are by Joe Brainard. The Brownstein (No. 14) was published in 200 copies. Light damage around staples. There was no Number 12. Jed Birmingham, co-editor of Mimeo Mimeo, has quoted Ron Padgett as suggesting that "C" Comics #1 was intended in the place of issue 12 of C-Magazine, which given format and timing makes sense. ("C" Comics #2, despite its title, was issued under the Boke Press imprint). Numbers 6 and 10 have light soilage to the front cover; No 9 has last page detached and last ab.20 pages stapled upside down; No. 14 light damage around the staples; C-Comics No 1 with damage to left frontpage near the spine (paper loss of ab. 2 cm.) and some edgewear,very light soilage.

CITY LIGHTS

Film Criticism, Short Stories, Poems.

Numbers 1, 2, 3, 4, 5 (complete, all published). San Francisco, July 1952 Oct.1952, Spring 1953, Fall 1953, Spring 1955. In original wrappers. A very good set with only light tanning to extremities of some covers (22x17,5 and 24,5x19,5 cm). Very rare complete.

EUR 1,800.00

The Backstory to City Lights: City Lights Magazine Cradle of the Beat Generation, where Lawrence Ferlinghetti had a partner named Peter D. Martin. The magazine was edited by Peter Martin, with Charles Polk, Norma Swain, Richard Miller, Wilder Bentley, Arthur Foff, Herbert Kaufman, Antoinette Wilson, MFM Pollack. Contributions by these and by Marjorie Farber, Hans Meyerhoff, V.S.di Suvero, Ken Kolb, George Herriman,Joseph Kostolefsky David Ri Bart Abbott, Philip Lamantia,Leslie Farber, Jack Spicer, etc.. Cover design Don Smith. Peter D. Martin came to San Francisco from New York in the 1940's to teach sociology. Inspired by the Chaplin film, City Lights, he started this literary magazine in 1952, publishing such key Bay Area writers as Philip Lamantia, Pauline Kael, Jack Spicer, Robert Duncan, and Lawrence Ferlinghetti, as "Lawrence Ferling." In 1953 Martin and Ferlinghetti founded City Lights bookstore, which has had a pretty good run. After two years Martin sold his interest and returned to New York and opened The New Yorker Bookstore. The inaugural issue opens with Robert Duncan's "Open Letter to City Light", and an an interesting review of San Francisco's, Newsvue Theatre at Market and Mason streets, a third-run movie house that, every Saturday and Sunday, was the city's only theatre featuring the Giant Cartoon Carnival offering 20 cartoons. Also, a wonderful ad for 12 Adler Place, the 'lower bar' for Tommy's restaurant on Broadway, now known as Specs. In Number 5 (The Television Issue)is a contribution by Lawrence Ferling (in fact Ferlinghetti).

COMMONPRESS

Collection of 31 numbers of COMMONPRESS, a project initiated in 1977 by the Polish artist Pawel Petasz, based on the concept of an art magazine with a floating editorship. Each issue was compiled by a different editor who circulated a call in the Mail Art network naming a special theme for the coming issue. In turn each contributor was encouraged to edit, print, and distribute a future periodical on a specific theme. During the thirteen years of the magazine’s history 32 numbers were actually published between Nos.1 to 56. The numbering is very erratic, and not always in chronological order. Issue No.7 was never published, the concluding issue No. 100 was published in 1989. 31 numbers are offered in this collection. Most issues were collated and printed low budget, comprising of Xeroxed sheets with some original additions. The edition size of Commonpress varied and is largely unknown, only the cited (numbered) edition size is mentioned in the list of offered issues. Pawel Petasz was the magazine’s coordinator until 1981. Martial law in Poland rendered this role impossible, hence his task was taken over by G. X. Jupitter-Larsen from Canada. The list of Commonpress editors feature a stunning 'who's who' from the international Mail Art community including Peter Below, Guy Bleus, Ulises Carrión, Adriano Spatola and Giulia Niccolai, Klaus Groh, Aart van Barneveld, Guy Schraenen, G. E. Marx Vigo, Vittore Baroni, Johan van Geluwe, György Galántai and Júlia Klaniczay et al.

EUR 25,000.00

- No.1, Dec. 1977. Pawel Petasz. Arrière-Garde, Elblag, Poland. - No.2, March 1978, Open and Closed. Ko de Jonge. Key-Art editions, Middelburg, The Netherlands - No.3, 1978, Eroticsm and Art. Peter Below. Kitzingen, Germany. - No.5, 1978, Box, Boxing, Boxers. Ulises Carrion. Amsterdam, The Netherlands. - No.6, August 1978, Ideas on Wheels. Carioca. San Francisco, USA - No.8, Nov 1978, Positive-Negative. Hans Brög, Thomas Grünfeld and Hermann Sturm. Bergisch-Gladbach, Germany. - No.11, Dec 1978, Diary. Tommy Mew. Mt.Berry, Georgia, USA. - No.12, January 1979, White Lies. Robin Crozier. Sunderland Polytechnic, Sunderland, England. - No.15, 1979, Selfportraits. Aart van Barneveld. Stempelplaats, Amsterdam, The Netherlands. - No.16, 1979, Artists' Postage Stamps. Guy Schraenen. Antwerp, Belgium. - No.18, August 1979, Nudes on Stamps. E.F.Higgins III. Doo-Da Post, New York, USA. - No.19, 1979, Pigeons of Freedom. G.E. Marx Vigo. La Plata, Argentinia. - No.22, Oct 1979, You Can Know More Than You Can Tell. Steven Durland. Amherst, Massachusetts, USA. - No.23, 1979, Political Satire: Post Scriptum. Vittore Baroni. Forte dei Marmi, Italy. - No.25, Jan 1980, Ruins. Jane Ellen Gilmor. Cedar Rapids, USA - No.26, Feb 1980, Zen and Art. Nicola Frangione. Monza, Italy. - No.28, October 1981, Drawing Activity. Andrzej Wielgosz . Poznan, Poland. - No.31, May 1981, Meetings. 78 works by artists from 20 countries. Edited by Pier van Dijk, part of the Commonpress series founded by Pawqel Petasz. This copy signed by van Dijk and Joseph, numbered 172/200. Ringbound, 78 pp. Contributions by Baroni, Carrion, Groh, Bruscky, G. Marx, Vigo et al. - No.32, August 1980. Areas of Artists’ Activities/Künstlerische Arbeitsfelder. Gebhard Eirich. Wulle Konsumkunst, Cologne, Germany. - No.33, July 1980, Meanwhile. Russell Butler. Gurdon, Arkansas USA. - No.36, 1980, Idea & Communication. Günther Ruch. Geneva, Switzerland. - No.39, 1981, Homosexuality. Christoph Machert. MachArt kunstproduktion, Witten, Germany - No.41,1983, Mutual Illumination. Bernhard Suin de Boutemard, Lindenfels/Odenwald, Germany. - No.46, 1982. Photoboothpicture/ Automatenfotos. Angelika Schmidt. Künstlerhaus Stuttgart, Stuttgart, Germany. - Call sheet for No.47, 1981, Material Metamorphosis. Postcard mailed by Chuck Welch (editor No.47) from Omaha Nebraska USA to Peter Below in Kitzinger Germany. - No.48, 1982, Selfexamination. Carsten Schmidt-Olsen. Djørring, Denmark. - Call sheet for No.50, 1982, Synthesism. Postcard sent by R. Walsh (editor No.50) from Gulport, Florida to Klaus Groh in Germany. - No. 51, 1984/1989, International Hungary. Gyorgy Galantai. Artpool, Budapest, Hungary. - No.53, 1984, The Dictionary. Klaus Peter-Fürstenau. Frankfurt am Main, Germany. - No.55, March 1984, Mail Art About Mail Art. John Held jr. Richland College, Dallas, Texas, USA. - No.56, September 1984, C.P. 56/ Microfiche catalogue. Guy Bleus. Stedelijk Museum het Toreke, Tienen, Belgium. - No.64, 1986. Ein Berliner im Pariser; wenn Mail-artisten kalauern. Peter Küstermann. Minden, Germany

DE-COLL/AGE

Bulletin aktueller Ideen.

Nos. 1-7 (all published, complete). Koeln, Wolf Vostell, June 1962 - 1969. Full run in fine to very fine condition, edited, designed & published by Wolf Vostell. Complete with all inserts, paper wraparound bands (when issued) and Josef Beuys' first multiple "Zwei Fräulein mit leuchtendem Brot' in exceptionally good condition. WITH IMORTANT ADDITION: Dé-Coll/Age No.7, unique adorned copy of the last issue dated 1974. Composed of Dé-Coll/Age No.7, Elektronischer dé-coll/age, Happening Raum. Cologne, Typos Verlag 1969. The publication documents the creation of the ELEKTRONISCHER dé-coll/age HAPPENING RAUM (1959-1968), produced by Vostell at the invitation of the Institute of Modern Art in Nuremberg and exhibited at the Venice Biennale in 1968. The environment was made up of 6 TV sets equipped with auxiliary electro motors that move objects over a glass-strewn floor. Slides showing earlier happenings and works by Vostell were projected on the walls. Vostell made this copy of the book into a delightful artwork. The title page features a handwritten dedication to Inge (most probably Inge Baecker, Vostell's gallerist who initiated her gallery in 1970 with a show by Vostell), 'Für die bewundernswerte Inge mit guten Gerdanken', signed and dated 21.2.1974. Three black cord are taped to the title page by black electrical tape. Attached to the cords are a horn comb (in original plastic container), a BASF sound coil containing the sound of feet stepping on broken glass, and a roll of negatives with photos from Vostell. Added is a transparent plastic box, 19.5 x 19.5 cm, filled with fragmented glass. The plastic box has a crack on the lid, the book shows moderate rubbing on spine and small stains on second page, else in good condition.

EUR 30,000.00

The best possible set of this epoch-making publication, eminently suitable for exhibition purposes because of the unusually fine state of conservation of this fragile ensemble. Fully collated it can be detailed as follows: - Number 1, June 1962: Incl. Arthur (Addi) Köpcke, George Maciunas, Benjamin Patterson, Nam June Paik, La Monte Young, Bostell & others. (28) pp. as 7 two-sided double-page foldouts. - Number 2, (numbered as 1b). Nov. 1962: Dick Higgins issue. 21 stapled mimeographed sheets plus paper front cover (issued without back cover); incl. the scarce wraparound band. - Number 3, Dec. 1962: Christo, Henry Flynt, Dick Higgins, György Ligeti, Nam June Paik, Jan Voss (the painter), Vestell & others, plus reviews & photos of the early European Fluxus concerts. (108) pp. as mostly-2-sided double-page foldouts + (12) pp. in a combination of offset, memeo, letterpress & screenprinting. Paper covers with screenprinted dust jacket. - Number 4, Jan. 1964: Happenings issue with George Brecht, Stanley Brouwn (a tipped-in rubber-stamped paper-bag multiple), Allan Kaprow, Higgins, Paik, Jean-Jacques Lebel, Tomas Schmit, Claes Oldenburg, Al Hansen a.o. (132) pp. as 33 mostly-2-sided double-page foldouts + (23) pp. Paper covers with dust jacket (4-page ad brochure laid in). - Number 5, Feb. 1966: "Happenings/Stücke/Partituren". Numbered edition of 500 copies. 22 printed works/multiples in a cardstock portfolio. Includes Joseph Beuys's first multiple, "Zwei Fraeulein mit leuchtendem brot", a block of painted chocolate on a long, printed scroll. The original chocolate after small restauration in fine condition. Hansjoachim Dietrich's multiple signed, Eckart Rahn's piece numbered, the Gerhard Ruehm & Henning Christiansen works hand-stamped with their names. In addition to the artists listed above, other contributors include: René Block, Claus Bremer, Ludwig Gosewitz, Higgins, Kaprow, Patterson, Ben Vautier, & members of the Zaj group. The Vostell multiple, powdered pigment & a printed sheet in a cellophane pouch is intact. The tip of the protruding plastic hook in Dietrich's "Aufhänger", which is frequently broken, is intact. - Number 6, July 1967: Higgins, Maciunas, Vostell, Gustav Metzger, Milan Knízák, Vautier, Hansen, Kaprow, Paik, Franz Mon, Daniel Spoerri, Charlotte Moorman, Lebel, Alison Knwles a.o.; plus Diter Rot's original blue-marker drawing on photographic paper, "das Blaue Geheul" laid in, as issued (174) pp; cardstock covers. - Number 7, 1969: Wolf Vostell "Elektronischer dé-coll/age Happening Raum 1959-1968", Einführung von F.W. Heubach, Typos-Verlag Frankfurt a. M. 1969. PLUS the adorned version as described above.

DOT ZERO

Numbers 1-5 (all publ.). Dot Zero Inc. - Finch Pruyn and Company, New York. 1966-1968. Original card wrappers, first issue embossed cover, others photographically illustrated. 30,5x23 cm. An excellent set; only the cover of no 1 very lightly soiled, otherwise excellent condition. Complete set, very scarce. Order forms on back covers unused, thus back covers all intact.

EUR 1,000.00

"Ground breaking design journal"(Gwen Allen). Edited by Robert Malone, design Massimo Vignelli. Number 1. Editorial Statement by Robert Malone; Decline of the visual, by Marshall McLuhan; Computer Graphics, by Maurice Constant; Variations on the face, by Bruno Munari; Psychology of the Visual, by Martin Krampen; Printing as an art form: Eugene Feldman; Questions of Legibility, by Bror Zachrisson; Alternatives to Architecture, by Arthur Drexler; Book review, by Douglas MacAgy. Illustrations in black and white and colours. Number 2. Issue on Corporate Identity. Contributors: Jay Doblin, Nan Adams, George Bain, Allon Schoener, Reyner Banham, Fgui Bonsieppe, Kenneth Galbraith (Economics and Environment) Number 3:. Issue on Mass Communications. Contributors: John McHale, Clay Felker, John Dievold, Germano Facetti, John Szarkowski (Photography and the Mass Media), Gordon Hitchens, Jay Doblin, Mildred Constantine, Thomas George, Number 4. Summer 1967: Issue on World’s Fairs. Contains:; A theory of Expositions by Umberto Eco; The concept of Environmental Management by Serge Boutourline;Designing ‘Creative America’ by Ivan Chermayeff; Creating Emotional Involvement in Geography, Geology and Space Science: an interview with Rudolph de Harak; Thoughts on Three-Dimensional Science Communications by Will Burtin; Alpha Chambers by Kenneth Isaacs; Expo 67 Puts You in the Picture by Bosley Crowther and Five Films at Epo by Willard van Dyke. Number 5. Fall 1968. Issue on Transportation Graphics.(Symposium held at MOMA Oct.1967). Contributions by George Nelson, Lowell Bridwell, Jocj Kinneir, Pierre Bourgeau, Henry A.Barnes, Will Burtin, Jonathan Barnett, Donal Appleyard, Peter Chermayeff, Vbob Noorda, Charles M.Haar. Harmomn H. Goldstone, Daniel T. Scannell,

FILE (General Idea)

Megazine.

1-6 no. 3. Vancouver, 1972-1985. L. folio; original pictorial wrappers; numerous illustrations; then continued in a new consecutive numbering: Nos. 25-29 (last publ.), 1986-1989. (no. 25 folio, nos. 26-29: roy.8vo.) original wrappers. A set in very good to near mint condition, with only wear and tearing to the ultra-rare first number (condition detailed in the footnote below). -TOGETHER WITH: Vol. 3 no 1 "Glamour Issue"in a variant (Fall 1975). -TOGETHER WITH: Group of 5 postcards, 3 of which adressed to Ulysses Carrion/ Other Books and So, Amsterdam. Announcements/invites. - TOGETHER WITH: File: January 1, 1984 (SIC!) is part of: File Vol. 2, No. 3. Toronto: Art-Official, 1973. Staple-bound softcover. 64 pages. Edition of 3000. Surface loss to front cover of the issue proper top right. Some minor wear at edges.

EUR 9,000.00

Complete set of File Magazine. 27 issues (including a variant, all published) published by General Idea, edited and designed by AA Bronson, Jorge Zontal and Felix Partz. First published in the year that LIFE-Magazine had to cease publication, FILE adopted the lay-out of the front cover, size and style. Issues are mostly around a theme: Women's Issue, Paris Issue, Mondo Nudo, NYC Issue, Punk Issue, People Issue, Artists Directory, Image Bank Issue, People Issue, Transgression Issue, Global Downtown, Foreign Agents, The Re-Materialization of the Art Abject, X Ray Sex, Mondo Cane, Kama Sutra, etc. File 6 no. 1/2 is a retrospective number on General Idea and File, 1968-1984. Contribs. include: William Burroughs, Andy Warhol, David Byrne, Robert Cumming, Salvador Dalí, etc. - Vol. 3 no 1 Glamour Issue, With the VARIANT Black and white. Wrappers. Staple bound. approximately 200 variants, of which this is one, with the High Profile logo screen printed on the cover. Very good condition. Also: Vol. 2 no. 5 and Vol. 5 no. 1complete with the Flex-disks; Vol. 5 no. 2 complete with insert Bartolini. - Vol. 1, No. 1. April 15, 1972. "Mr. Peanut Issue." is only in fair condition, fragile due to paper quality. Wear and tearing to wrappers (Four 0.5" tears along fore edge, two tears repaired by tape; bottom right corner torn off; several 1" tears to back cover along spine and to back cover fore edge. Single 1.25" tear to pages at fore edge). This first number is however excessively rare. All others are in very good to near mint condition. A remarkable set of great rarity so complete. Vol. 1, No. 2 & 3. May – June, 1972. "Manipulating the Self Issue." / Vol. 1, No. 4. December, 1972. "Eye of the Shadow Issue." - Vol. 2, No. 1 & 2. April – May, 1973. "Special Double Issue." Vol. 2, No. 3. September, 1973. "IFEL Special Paris Issue." . Vol. 2, No. 4. December 1973 "Mondo Nudo Issue." Vol. 2, No. 5. February, 1974. "Annual Artists' Directory Issue." Includes flexidisc (at the end, spine a little weak) . Hollywood Edition Art's Birthday Fb.1974 is laid in. - Vol. 3, No. 1. Fall 1975. "Glamour Issue." Vol. 3, No. 2. Spring 1976. "New York City Edition Issue." Vol. 3, No. 3. Spring 1977. "Special People Issue." Vol. 3, No. 4, Fall 1977. "PUNK 'TIL YOU PUKE!" - Vol. 4, No. 1, Summer 1978. "1984 A YEAR IN PICTURES.' Vol. 4, No. 2, Fall 1979. "Special Transgressions Issue." Vol. 4, No. 3. Summer 1980. "Special Global Downtown Issue." Vol 4, No. 4. Fall 1980. "Foreign Agents Issue." - Vol. 5, No. 1, March 1981. "Special Success Issue." Vol. 5, No. 2, Fall 1981. "The Re-materialization of the Art Object Issue." Vol. 5, No. 3. Spring 1982. "X Ray Sex Issue." Vol. 5, No. 4. 1983. "Special General Idea Issue - Mondo Cane Kama Sutra." SPECIAL GENERAL IDEA ISSUE sticker affixed to front cover. - Vol. 6, Nos. 1 & 2. 1984. "General Idea’s 1984 and the 1968-1984 FILE Retrospective Issue." Vol. 6, No. 3. 1985. "Diane Frankenstein Issue." FILE MEGAZINE No. 25 / ART & TEXT No. 22. 1986. FILE MEGAZINE 26, 1986 FILE MEGAZINE 27, 1987 FILE MEGAZINE 28, 1987 FILE MEGAZINE 29, 1989

FUCK YOU (Fuck You Press)

ED SANDERS. CATALOGUE #1 (June/July 1964) / Sanders, Ed. New York: Ed Sanders [Fuck You Press], 1964. Very good.. Debut catalogue from Sanders who, as an extension of his editing duties and running of his Peace Eye bookshop, also dealt in..

EUR 1,400.00

FUCK YOU (Fuck You Press)

THE PLATONIC BLOW / Auden, W. H. New York: FUCK YOU PRESS, 1965. First edition. Softcover. Fine. First edition. Softcover. 8 1/2'\'''\'' X 6 15/16'\'''\''. Unpaginated. Stapled softcover. Trade edition of 300 copies. A fine copy of a..

EUR 300.00

FUCK YOU (Fuck You Press)

The Cantos of Ezra Pound. CX-CXVI (110-116) / (SANDERS, Ed and Joe Brainard) POUND, Ezra. New York: Fuck You Press, 1967. Softcover. Near Fine. Limited edition. Cover by Joe Brainard. Quarto. Mimeographed sheets printed rectos only in stiff stapled illustrated white wrappers.

EUR 250.00

HIGH PERFORMANCE

The Performance Art Quarterly.

Nos. 1-76 (all publ.) Los Angeles / Santa Monica, 1978-97. With special issue The Verdict and the Violence, Summer 1992. Original pictorial wrappers. Only 3 issues in photocopy (see below). No. 29 without the flexidisk, otherwise all issues in good to excellent condition. No. 23 (The Record) is an Album of 2 LP records, in the original sleeve (sides a bit bumped).

EUR 1,500.00

Edited and published by Linda Frye Burnham. The oldest and most important magazine on performance (art & workshops), happenings, body art and feminist art activities (Lesbian Art Project, Feminist Art Workers, The Waitresses, etc.). With features on Rachel Rosenthal, Chris Burden, Bill Viola, John Cage, Diamanda Galas, Chris Burden, Laurie Anderson, David Wojnarowics, James Luna, Allen Kaprow and many others. Photography: Charles Christopher Hill, Francis Shishim, John Duncan, Barbara Smith, Paul Vellick, Megan Williams, a.o. Issue no. 23 is an album of 2 LP records; Issue 1 in partial photocopy. Issues 3 and 58/59 are in good quality colour photoreprint.

HOLLYWOOD QUARTERLY

Volume 1 - 5 (all publ.). Berkeley & Los Angeles:(University of California Press), 1945-1950. Together 20 issues and supplement issue to 1 no 1. Original printed wrappers. An excellent set.

EUR 600.00

Edited by John Howard Lawson, S.T. Farquhar, a.o. (Hollywood Writers Mobilization). Precursor to The Quarterly of Film, Radio, and Television, and Film Quarterly, which is still being published. "The first issue of Hollywood Quarterly, in October 1945, marked the appearance of the most significant, successful, and regularly published journal of its kind in the United States. For its entire life, the Quarterly held to the leftist utopianism of its founders, several of whom would later be blacklisted. The journal attracted a collection of writers unmatched in North American film studies for the heterogeneity of their intellectual and practical concerns: from film, radio, and television industry workers to academics; from Sam Goldwyn, Edith Head, and Chuck Jones to Theodor Adorno and Siegfried Kracauer." (Quoted from the Univ.of Calif.Anthology).

Eugene JOLAS-- (VERTIGRALISM)

VERTIGRALIST PAMPHLET. Paris: Transition Press, 1938. First edition. Small 8vo. Jolas's manifesto of artistic and editorial "vertical" belief. Tan stapled wrappers, printed in red. Very delicate and very scarce. Light toning, and tarnished staples, very good. Together with: VERTICAL. Paris: Librairie Tschann, [1937]. First edition. Les Feuillets de "Sagesse" Nº 64. Single sheet, printed on both sides, and folded twice to make an 8vo., 5 page poem in French; front cover spotted as seems endemic to this title. Not dated, but published at about the same time as his Vertigralist Pamphlet (1938), published by his Transition Press. Other than spotting which appears less frequently internally, and short split at fold, very good. Scarce. Togetherwith: TRANSITION Number 22. February 1933. The Servire Press, The Hague. First edition, original illustrated wrappers, cover illustrations (front and back) by Hans Arp. Contains VERTIGRAL DOCUMENTS: Hans Arp, Hugo Ball, Hamilton Basso, , Eugene Jolas, Georges Pelorson, Theo Rutra, Camille Schuwer, Kurt Schwitters, Roger Vailland.Also James Joyce: Work in Progress. Very good copy, with slight dustiness to covers, spine with slight sunnings and minor wear. Scarce journal and scarce collection. .

EUR 2,700.00

Jolas born in the US, but raised in France was a key figure in the Modernist Movement, in particular as publisher of TRANSITION where he published much of Joyce's FINNEGAN'S WAKE, Becket, Kafka, Stein and others edited by Eugene Jolas, with Vincent Huidobro, Hans Arp, Georges Peterson (who was the director). Very rare periodical, inspired by 'Vertigralism', the movement that Jolas had developed in Transition. "Vertigralism adopted the irrational aspects of Surrealism, but did not care to accept the idea of automatic writing or the surrealist Communist political bias (...) and wished to stress language innovation, never a primary concern of Surrealism." (Hofman,Allen & Ulrich, The Little Magazine). Texts and poems in German, French and English from Jolas, Huidobro, Gabrielle Buffet, Hans Arp, Georges Peterson, Léon-Paul Fargue. (Not in Vasseur, Admussen and the Cat.Collectif de la BN).

JOVENTUT

Literatura. Arts. Ciencia. Périodich Catalanista.

Vol. 1-7 (all publ., comprising nos. 1-359 and preliminary issue. Barcelona, Jan. 1900-Dec.1906. Roy. 8vo., in the original yellow cloth decorated bindings (in good condition, 1901 looose in the spine)

EUR 1,200.00

The most important artistic and literary periodical of the 'Modernismo'-movement, directed by Lluís Vía and A. de Riquer, in the beautiful decorated bindings with a different image for each volume. The preliminary issue contains 28 pages with articles (publ. as a literary supplt. 'Setmanari Catalanista') by the same editors as 'Joventut', i.e.: Lluí Vía, Oriol Martí. Emili Tintorer, Salvador Vilaregut, Joquim Pena. Director literario: Lluís Vía - Director Artístico: Alexandre de Riquer Joventut. Periódich Catalanista. Art - Ciencia - Literatura. Further we find contribs. of a.o.: Salvador Albert, Joseph M. Rosich, Joan Massana, Cecili Gasóliba, Geroni Zanné, Adrí Gual, L. Escardot, F. Pujulá y Vallés, C. Karr. Ills. by Joan de Brull, J.M. Xiró, J. Nnell, Eduart Marsal, Modest Urgell, Lluís Graner, Victor Català, Picasso, Apelles Mestres. Especially of interest are the 'Cap d'Any' (=till 1905, first issue of the year) and 'Supplement Artistichi Literari', printed on glossy paper: i.e.:'Setmana Santa', 'Heinrich Vogeler', Eleonora Duse', 'Por! Quadret de costums catalans', 'Simó Gómez', 'La Atlantida', 'Ermete Zacconi', 'La Bandera', 'Felibrige', 'La Festa Nacional', 'Tina di Lorenzo'. Bound in vol. 7: Index teatral 1/7 and Index general d'autors 1/7. (Torrent/Tasis, p. 344-349). 1900. 736 pages. P. 144, suplement p. 1-8. P. 288, supl. p. 9-16. P. 608, supl. p. 17-24 1901. 860 pages. P. 652, supl. 1 p. (photo). P. 716, supl. 8 p. 1902. 840 pages. P. 360, supl. 16 p. 1903. 864 pages. P. 216, supl. 8 p. P. 368, supl. 8 p. 1904. 860 pages (actually, 840, due to a printing error in p. 557 -537-). P. 344, supl. 8 p. P. 860, supl. 4 p. 1905. 840 pages. P. 424, supl. 8 p. 1906. 848 pages. P. 208, supl. 4 p. P. 816, supl. 8 p. Index autors XXXI p.

DE KIM

Literair Pamflet.

Nos. 1-6/7 (all publ.). Amsterdam, 1950-1956. Original pictorial wrappers, folio; illustrated.

EUR 500.00

Dutch avant-garde magazine, ed. by Ludwig Kunz & L.P.J. Braat, with contribs. by H. & Th. Mann, Duhamel, M. Brod, Tr. Tzara, Jack Lindsay, Henry Miller, a.o.; one issue dedicated to negro poetry, another issue to Red Indian poetry; no 6/7 is a special on Filmills. throughout, a.o. by Karel Appel, Corneille, Masereel.

KINETECISM PRESS

STATEMENT/PROGRAM

Prospectus, printed in black on whits stock, folded to 13,9x14,4 cm. and unfolding in 5 pages of the same size as a harmonica, to a total length of 69,5 cm (14,4 cm wide). Has been through the mail, with stamp still affixed, and has slight soilage as a result.

EUR 800.00

Kineticism Press documents and distributes artistic information in many media: Books, Catalogs, Exhibitions, Radio and Television, Multiples. The owners of the press were Willoughby Sharp and Paul Maenz. Included on two pages are their portraits and biographies. Also a statement: There is no arrt, there are only works of art.We are dedicated to the total distribution of artistic information in all media. Signed: WS, PM, New York, 1966.

KUNSTSTOFF

Nos. 1-6 (all publ.). Köln, Eigenverlag Rudolf Bonvie/Juergen Klauke, 1975-Dezember 1977. Original pictorial wrappers.unpaginated (60pp to 80pp, No. 4: 222pp). Offset. Edition of 500 copies. first three issues numbered copies. No 6, inscribed and signed by R. Bonvie

EUR 1,100.00

Artist periodical by Rudoplf Bonvie and Juergen Klauke. Illustrated issues of 62-80 pages, No. 4 is a special issue FAG-HAG. Jürgen Klauke Tageszeichnungen 1974. Elsass-Express ,Kunststoff Extra 4 (222 unnumbered pages, with Intro by Werner Lippert and drawings by Klauke). No 1: Klauke, Sequenz Begegnung (photogRaphs); No. 2: Gedanken bleiben sich selber überlassen. (Drawings by Marcel Odenbach); No. 3: Blume, photographs by Klauke; No. 5: Idylle, photographs by Bonvie; No. 6: photographs by Thomas Hesterberg, Juergen Klauke, G. J. Lischka, Peter Pick, Rudolf Bonvie, Jerry Drevs.

KWY

Revue trimestrielle d'art actuel.

No. 6, Juin 1960 (32 pp.) Wrappers after work by Gonçalo Duarte. One of 500 copies. With original silk screens by Gonçalo Duarte (2), José Escada (3) and Antonio Saura (1, folded in 3). Contributions by Manuel de Castro, Sebastião Fonseca, Alfredo Margarido and Michel Tapié.

EUR 1,500.00

KWY

Revue trimestrielle d'art actuel.

KWY No. 8. "No. Vostok," Automne 1961. Quarto, 48 pages. Front wrapper imitated with aluminum paper over boards (without the blind stamps by Lourdes Castro), printed back cover. With silk screen prints by Lourdes Castro (+ collage elements (Eh le cosmonaute arrive) and one placed after the print by Escada, Joăo Lopes Vidal, Gianni Bertini, João Vieira, Arpad Szenes, J.J. Levêque (with a pasted in piece of magnetic tape – cette bande a ete enregistree lors du voyage intersideral du pilote sovietique Titiov le 6 aout 1961 - ), Gail Singer, António Costa Pinheiro, Vieira da Silva, Conçalo Duarte, Guido Biasi, Jorge Martins, Christo (+ wrapped silver colored cone attached to the inside of the rear board), René Bertholo, Manolo Millares, Guy Weelen, Peter Klasen, Jan Voss, Pfahler, Gerresheim, and Jose Escada, Texts by José-Augusto Franca, Jean Jaques Levêque, Andre Peyre de Mandiargues, Claus-Peter Jllinger, Antonio Arcal, Jaques Spacagna, Manuel de Castro, Carl Laszlo and Bazon Brock.

EUR 1,000.00

This copy complete for contents but without the embossed silver foil (by Lourdes Castro) on front cover replaced by plain aluminum paper the letters KWY (done with some letra set letters).

KWY

Revue trimestrielle d'art actuel.

KWY No. 9. Primavera de 1962. Quarto, 36 pages. Wrappers with original silkscreen by Jan Voss in collaboration with Guido Biasi. One of 300 copies. Original silkscreen prints by Jan Voss, Guido Biasi, George Noël, Lourdes Castro, Paul Wunderlich (a double silkscreen with some damage in the spine and top of the left page), and Rene Bertholo. With reproduced art works by Cy Twombly and Christo. Texts by Guido Biasi, Benjamin Patterson, Carl Laszlo, François Dufrêne, and Jean Jaques Levêque.

EUR 900.00

LIBELLUS

A monthly mail-art publication.

Nos. 1-12 (all publ.). Antwerpen, Internationaal Cultureel Centrum, 1980-1981. Size (h/w): 29,7 x 21 cm. Each no. two sheets folded in the middle, all ssues intact. A fine set.

EUR 2,000.00

Edited by Guy Schraenen. The complete set of this Mail art periodical, in original layout, a compilation of images, short texts and artists' postage stamps. (Pernecky p. 241) This preceded the "Antwerp International Mail-Art Festival" held in October 1981, with contributions by almost all European mail-artists. Abundantly illustrated. Number 1 with insert ( I.C.C.on blue pape) ; Number 8. may 1981, complete with the 2 sheetst of stamps (blue and red) by richard c., b. A rare complete set.

THE LITTLE REVIEW

A Quarterly Journal of Art and Letters/ Literature, drama, music, art.

Vol. 1 no 1 (March 1914) - Vol. 12 no 2 (May 1929, Final number). Chicago, New York, Paris, 1914-1929. Complete set in unusually good condition. Most issues are very good to near fine. When financial constraints made it necessary to use cheaper paper this inevitably caused that a few numbers (mostly around vols. 4-5, 1918) are weak and occasionally lightly damaged. Many numbers (in particular the important special numbers on larger size, starting with vol. 8) are near mint. The whole is housed in 7 uniform custom slipcases. An exceptional set.

EUR 70,000.00

Key journal for MODERNISM: "Making no compromise with the public taste" was the motto of this avant-garde periodical, edited by Margaret Anderson, later on joined by Ezra Pound as European editor. Together they turned the "Little Review" into a truly international vanguard publication for the arts and letters. A magazine that featured a wide variety of transatlantic modernists and cultivated many early examples of experimental writing and art. Contributors were American, British, Irish and French Modernists. In addition to publishing a variety of international literature, the Little Review printed early examples of Surrealist artwork and Dadaism. It showed sympathy to feminism and anarchism (Emma Goldman collaborated and raised a scandal with the May 1914 issue). Anderson looked out for such controversial work but for lack of sufficient material published in 1916 a Blank Pages issue as a "Want Ad". The journal has become best known for the first serialized appearance of James Joyce’s "Ulysses", of which Episodes 1-14 are consecutively contained in the issues between 1918-1920. This resulted in a (second) trial for obscenity and helped to establish the journal’ reputation. A first obscenity trial occurred some years earlier when the Post Master refused distribution of the October 1917 issue for a story by Wyndham Lewis. In its history the journal was often criticized and threatened in its existence, such as for the sexually explicit writings of Baroness Elsa von Freytag-Loringhoven (her photograph Sept/Dec 1920 by Man Ray). There were a number of special issues, such as 'A study of french modern poets', 'An American Number' and issues dedicated to Henry James (with essays about him by Ezra Pound, T.S. Eliot a.o.), Remy de Gourmont, W.H. Hudson. In 1923 the editors travelled to Paris, and between 1925 and 1929 Heap became the new editor. Then the journal started to publish more art in addition to literature (2 expositions organised: Machine Age and Intl.Theatre Exposition in NY). There were elaborately produced important special numbers in this period (which are in particularly very good condition contained in the set): Special issue: Brancusi, Picabia, Joseph Stella, Exiles (the Paris avant-garde), Juan Gris, an issue for Van Doesburg/I.K.Bonset, American and the Frernch Surrealists a.o. Work of the following artists is reproduced: Stanislaw Szukalski, William Saphier, Osip Zadkine, Jean de Bosschere, Stuart Davies, Man Ray (various photographs), Hans Arp, Atkinson, de Bosschere, Duchamp, Max Erst, Léger, Joseph Stella,and others. Literary contributions and essays by: James Joyce, Tristan Tzara, Francis Picabia, Apollinaire, Ezra Pound, Gertrude Stein, Conrad Aiken, Malcolm Cowley, Louis Lozowick, Jean de Bossschere, Arthur Winthrop, Dorothy Richardson, Marianna Moore, William Butler Yeats, Ribemont Dessaignes, T.S. Elliot, Margaret Anderson,Helen Hoyt, Lupo de Braila, sherwood Anderson, Marjory Siefert, Alexander Kaun, Arthur Symons, Eunice Tietjens,Emma Crane, Hart Crane, Wyndham Lewis, Maxwell Bodenheim, William C. Williams, Giovanni Papini, Emannuel Carnevali a.o. Drawings by Stuart Davies, Max Weber, Jerome Blum, Marie Laurencin, De Segonzac, et al. The final issue of this controversial and notorious literary magazine contained confessions and letters from 62 leading writers and artists of the period, including James Joyce, Ernest Hemingway, Sherwood Anderson, Jean Cocteau, T. S. Eliot, Havelock Ellis, Ford Madox Ford, Andre Gide, Emma Goldman, Ben Hecht, Moholy-Nagy, Ezra Pound, Edith Sitwell, Gertrude Stein, William Carlos Williams, a.o., the questions were criticised with Tristan Tzara replying "What the fuck are you doing ?" Publication sequence as follows: Vol.1, Nos.1-11 (March-December, 1914, and January-February, 1915); Vol.2, Nos.1-10 (March-December, 1915, and January-February, 1916); Vol.3, Nos.1-10 (March-November, 1916, and January-April, 1917); Vol.4, Nos.1-8 (May-December, 1917); [Vol. 5-6]January-December, 1918...erroneously numbered]; [January-December, 1919...erroneously numbered]; Vol.6, Nos.9-11 (January, March-April, 1920); Vol.7, Nos.1-4 (May-June, July-August, September-December, 1920, and January-March, 1921); Vol.8, Nos.1-2 (Autumn, 1921 & Spring, 1922); Vol.9, Nos.1-4 (Autumn & Winter, 1922 & Spring and Autumn-Winter, 1923); Vol.10, Nos.1-2 (Spring-Summer, 1924 & Autumn-Winter, 1924-25); Vol.11, Nos.1-2 (Spring & Winter, 1925); Vol.12, Nos.1-2 (Spring-Summer, 1926 & Spring [May], 1929 - the Final Number) . There has been a supplement to this last number (but not included in the set) as an Editorial by Margaret Anderson and tentatively numbered as 12 No.3 (May 1929).

LOST GENERATION JOURNAL

Numbers 1-24 (all publ., also mumbered as Volume 1-10) May, 1973, 1990 (lacking only Volume IX, Number 1, Spring / Summer, 1989, Issue 22), All in original printed wraps, very light general wear-only, all issues bright and clean. Scarce.

EUR 1,800.00

Near complete run of the journal about Americans in Paris in the 1920s and 30s. Features many articles on Hemingway including Hemingway in Florida (Vol. 1., no. 1), the special Sports Issue (Vol 1, no. 2), and Salute to Writers in the WW I Ambulance Corps (Vol 5, no. 2). Other issues focus on writers such as Pound, Dos Passos, Miller, Cowley, Cummings, the Crosbys, and many others. From the editor, "LGJ greets you and comes upon the scene with hopes of fulfilling a mission. LGJ's mission is to trace the steps of Lost Generation people, to stimulate the survivors into further expression, and to strive for the creation of an archival holding worthy of a great era." Also numbered as:Volumes 1 and 5 complete in two numbers. None published 1984-1986. Volume 8, number 2 (winter 1988-89)-volume X (1990) also called issues 21-24.

LYSS DANA POST (HORUS)

Hieroglyphes & Co. France, numbered and signed, copy 10/50. Publ 1982. Cardboard Box 9,5 x 15 cm including 38 (from 0 to 37) postcards/artworks,

EUR 600.00

Postcards by : Horus, Jupitter-Larsen, Râ, Evelyne Lassire & Michel Champendal, Philippe Pissier, Cavellini, Jack Marlow, Vittore Baroni, Pégase, Jürgen O. Olbrich, Ulises Carrion, Jean-Pierre Espil, Daniel Daligand, Claude Pélieu-Washburn, Jean-Louis Houchard, Robin Crozier, Harley, Thierry Tillier, Ruggero Maggi, Angela Riemann, Marisa da Riz, Lon Spiegelman, Guy Bleus, Dogfish, Serse Luigetti, Editions Dao Badao, Bart Boumans, Jean-Marc Rastorfer, Pittore Euforico, Angelo Vitale, Gencarlo Martina, Balazs Peter Kovacs, Steen Moller Rasmussen.

MIDI-MINUIT FANTASTIQUE

Nos. 1-24 (all publ.). Paris, (Éds. du Terrain Vague), mai/juin 1962 - hiver 1970/71. Original pictorial wrappers, a bit dustsoiled. roy-8vo., later 4to. Numerous illustrations.

EUR 600.00

Devoted exclusively to fantasy in film, fiction and performing arts, directed by Eric Losfeld, edited by Alain LeBris & Michael Caen. Thematic issues, e.g.: Terence Fisher; Vamps Fantastiques; Special King Kong, Special Dracula; Comte Zaroff; Erotisme et Epouvante dans le cinema anglais (the censored no.8), Tour du Monde fantastique, Fu Manchu, Polanski, Japon, Wakamatsu Koji, Science Fiction, Gaston Leroux, etc.

MODERN CORRESPONDENCE MAGAZINE

Nos. 2-5 (of 5 published.). Clandestine Comic Company, Plymouth, CT . 1974-1976 Black and white offset print. Wrappers. Staple bound. Very good condition. Sunning to edges. Dimensions vary by issue.

EUR 400.00

Edited by Tom Hosier. .Published in collaboration with the Museum of Autistic Endeavours. (Ref.Geza Perneczky, Magazine Network) Contributions by: S. Block, P. H. Gervais, A. Greenier, W. Beckett, The Northwest Mounted Valise, Cosey Fanni Tutti, Whitson, Sir Q, Sub Waxin Haddock, Spaceange, K. Groh, G. P. Orridge, D. Coovert, G. Puchalski, Daddaland, B. Buczak, D. Micloskey, T. Gracie.

OUR WONDERFUL CULTURE

Edited and produced by Diploma Course in Publishing Production

Numbers 1 & 2 (most probably all published): (No. 1) March 1987. London College of Printing, 1987. (30 x 42 cm), 32 pages, contained in stiff paper stock as covers with screenprint by Fisherman mounted onto front cover. (Front-cover has two small grease-stains, back cover has some larger stains). (No. 2). London, Hercules Fisherman, 1987. Plastic wrappers, spiral binding, (29x 33,5 cm), multiple print techniques and various papers and cardstocks. (No. 49 of an edition of 200). Several original, signed contributions.

EUR 1,000.00

Nicely printed on different paper-stock, b/w and colour, on handpresses using metal type, as a student project by members of the Diploma Course in Publishing Production. No 1: Cover screenprinted by Hercules Fisherman. (Contribs. include Stefen Szcelkun, Steven Aaldeks, Glynn Banks, Deborah Levy, Philip Dobree, Alfredo Jaar, Steve Dalachinsky, Tim Palmer, Peter Neish, Warren Andrews, Brian Robinson, Jan Van der Ploeg, Gregor Samsa Jnr, Sally Han, Suze Weigand, a.o.) No 2: Editorial: Hercules Fisherman, Toby Debree, Ann Twinn, Adrian Self, Bryan Robinson. Cover: Andrew Heard. Contributions: David Robilliard, Ann Twinn, Matthew Cullen, B.J. Boggs (signed), Adrian Self, Artists in Power, Edith Vincent, Robin Grierson (signed gelatin silver print), Brian Robinson, Liz Finch (signed) Deborah Levy, Helene Fesenmeier (signed), Birgit Jensen.

LE PALACE ( MAGAZINE)

Numbers 1-13 (all publ.). Paris,Société de Presse et de Publications Artistiques, 1980-1982 and the 3 AGENDAS (Diaries). The numbers have various sizes and layouts. [21x24cm (nos.1-4), 29x21cm (nos.5-13) ; folded sheets and stapled issues(ca.104 pp each).] Complete collection of the numbers and the 3 AGENDAS (Diaries). Additions: - ADDED: Le Palace, An 1: [1979]. Small square quarto. [6 pages]. Booklet issued to celebrate the first year of the Le Palace the Parisian Studio 54. The volume includes a text by Roland Barthes, a list of an events of the first year, and a fold-out pop-up depicting the main stage. A very good copy of this rare item. -ADDED 2: Le Palace: Au bout de la Nuit. Par LAUGA, Dominique. (Paris): Editions Seesam, 1979. First edition. 4to. Preface by Michel Remy-Bibeth, afterword by Fabrice Emaer. Scarce book of photographs of the artsy jet setters of 1979 taken at Le Palace night club, the Paris equivalent of Studio 54. Some of the luminaries of the day who frequented this club included Andy Warhol, Karl Lagerfeld, Paloma Picasso, Yves Saint Laurent, Edwige and many more. A very good copy in glossy wrappers.

EUR 14,000.00

Chief editors were Prosper Assouline and Jean Pierre Cerquant, with Brigitte Cucherat , Sylvie Grumbach, Claude Aurensan. Textes d’Alain Pacadis, Pierre Benain, Jean Pierre Cerquant, Roxanne Lowit, Hugo Marsan, Prosper Assouline. Illustrations by Jean Lagarrigue, Gabriel Pascalini, Gérard Garouste, Gérard Failly, Elisabeth Gabert, Pierre Le Tan, Alexandra Boulat, Nadja, Tristam et Hippolyte Romain. Almost all the photography (90%) by François Dymant, and also Alice Springs, Jean Loup Sieff, Bettina Rheims, Jean Paul Goude, Pierre Houlès, Dominique Lauga , Roxanne Lowit a.o. Le Palace"opens its doors on March 1, 1978. The most explosive club of Europe. The leader Fabrice Emaer, who succeeds in uniting aristocrat and punks, homos and heteros, white and tinted faces, Jacno et Francis Bacon, Isabelle Adjani et Yves Adrien, The contents of the magazine-numbers contains (a.o.) the following names: Yves Mourousi, Jean-Jacques Schuhl, Grace Jones, Paquita Paquin, Jerry Hall, Tina Aumont, Mick Jagger, Serge Gainsbourg, Claude Montana, Prince…,Burroughs , Pacadis, Keith Richards, Jack Lang, Thierry Le Luron, Edwige, etc., And everybody fought to get a place in the magazine. The Agendas give a wonderful panorama of the events inf the club: -AGENDA 1980 Paris, featuring Kiki Picasso, Bette Midler, Rod Stewart, Yves St Laurent, Roland Barthes, Edwige, Sonia Rykiel, Mick Jagger, Andrée Putman, Hemut Newton, Shirley Mac Laine, Béjard, Noureev, Frédéric Mitterrand, Andy Warhol, Tom Waits, B 52'S, Kraftwerk, Serge Gainsbourg, Talking Heads, Paloma Picasso, Karl Lagerfeld, Kenzo. Réalisation de J. Maillot, participations ou photographies de l'Agence Angeli, H. Bamberger, C. Bricage, Christopher, O. Desbordes, L. Froissard, P. Hinous, D. Lauga, X. Lambours, P. Morillon, Kiki Picasso, K. Pruszkowski. Pas d'exemplaires sur OCLC, les deux années suivantes (1981 et 1982) ne figurant qu'à la BNF. - AGENDA 1981 Paris, Photography by François Dymant, and featuring Dominique Lauga, Christopher, Jean-François Gaté, Lionel Froissard, Roxanne Lowit, jean Bricage, Xavier Lambours, Arnaud bazuman, Antonio Freitas, Julian Wasser, Angeli, Jean-Paul Goude, K. Pruszkowski, Andréa Blanch, Pierre et Gilles, Socrate Soulanges, Deidi von Schaewen. - AGENDA 1982 Paris, Featuring peronalities who had visited during that year; Léo Ferré, Alain Delon, William Burroughs, Mick Jagger, Yves St Laurent, Thierry le Luron, Divine, Emile Aillaud, Julien et Jean Pierre Kalfon, Frédéric Mitterrand, Karl Lagerfeld. And on the last pages the program for 1982 with no less than 96 manifestations with Tangerine Dream, Frédérc Mitterrand, Ian Dury, Tom Waits, William Klein, Clash, Dire Straits, Siouxsie and the Banshees, Pontus Hulten, Urban Sax, William Burroughs, Grace Jones, Karl Flinker, Robert Mapplethorpe, Helmut Newton, UB 40, Klaus Nomi, pour n'en citer que quelques uns. Photographies de François Dymant, Dominique Lauga, Lionel Froissard, Roxanne Lowit, X.

PARKETT

Schweizer Kunstzeitschrift/Swiss Art Magazine.

Ns. 1-100/101 (all publ.). Zurich/ New York, Parkett-Verlag, 1984-2017. richly illustrated, orig. unif. wr., 4to. Added: - "Silent & Violent Artists' Editions for Parkett" 26x21,5 cm. 183pp. Black cloth binding. Published at the occasion of the exhibition of all Parkette Editions at Palazzo Remer during the Venice biennale 1995; - A box with cards "Collaborations & Editions since 1984" Published on the occasion of the Parkett exhibition at the Museum of Modern Art, New York; - A group of catalogues, surveys and retrospectives.

EUR 2,000.00

Complete set of this essential art periodical, with text in German and English, ed. by Peter Blum, Jacqueline Burckhardt, Bice Curiger, Walter Keller; thick issues, richly illustrated, dealing with contemporary avant-garde art. Collabs.: Martin Disler, Eric Fischl, Markus Raetz, Francesco Clemente, Bruce Naumann, George Baselitz, Andy Warhol, Kippenberger, Rebecca Horn, Meret Oppenheim, Brice Marden, John Baldessari, Ed Ruscha etc.; includes several special issues, all in first edition and perfect copies (e.g. No. 2 with the spiderweb photography paper pullout multiple of printed filmstrips made by Polke, No. 4 with pages die-cut in the shape of a glove by Meret Oppenheim, No. 7 has folding by Brice Marden and a 32-page insert by John Baldessari, No. 9 contains a color poster by Ed Ruscha) etc. Many of the Parkett-issues are now out of print. All vols. are compiled in collaboration with an artist, and all (except for the first 2) contain an "insert" by artists like E. Ruscha, R. Mapplethorpe, A. Penck, B. Kruger, G. Förg, S. Polke, W. Wegman, D. Byrne, R. Crumb, K. Holmqvist, T. Madani and N. Relph.

PHASES

Série 1: Nos. 1-11 (all). Paris, janvier 1954-mai 1967. Original illustrated wrappers roy. 8vo. Continued as: Série 2: Nos. 1-5 (all and last publ.). Paris, mai 1969-nov. 1975. Original illustrated wrappers; 4to. 15 issues (no 5/6 is a double-issue), with light soilage to some of the covers (in particular to no .8), altogether a set in generally very good condition. Complete with all hors-textes. ADDED: -Pamphlet of the groupe PHASES, dated 15 juin 1968; 4to, printed b/w recto/verso. The signatories of the groupe take position in the May 1968 events. -Rétroviseur. Nice, Galérie des Ponchettes, 1972. 4to; illustrated wrappers ( Exhibition of Phases, regular copy without the hors-textes). - Atélier Sesame. Galerie Le Passe Muraille. (Exposition Phases à Lyon, Nov. 1973, copy without the hors-textes).

EUR 3,300.00

Directed by Edouard Jaguer. Contribs.: G. Henein, M. Tapié, G. Bertini,P. Alechinsky, R. Hausmann, A. Joubert, J. W. Schuster, F. Picabia, B. Atmani, Dotremont, a.o. Illustrations hors-texte by o.a.: K.O. Götz, Baumeister, Corneille, Lam, Matta, A. Dax, J. Zimmerman, C. Peverelli, E.F. Granell, R. Magritte, O. Borda, E. Baj, A. Debie, J. Perahim, A.Tapiès, Yves Tanguy, o.a. First series no 4 is the exhibition catalogue "Phasen" (Phases) - Stedelijk Museum, Amsterdam, 10 mei - 10 juni '57 .4to. stapled, app. 50 pp. printed in b+w on different kinds of paper, incl. wrapping papers, tissue paper etc. Texts in Dutch and French by E. Jaguer. Reprod. of works by Corneille, Tajiri, J. Herold, E. Baj, Alechinsky, Soulages, Rooskens, Appel, etc.

PROVO- PHOTOGRAPHS- Henk J MEIER

Collection of 9 original b/w photographs, all 14,7 x 10,5 cm, of which 7 photographs of Provo actions and protests around the statue "Het Lieverdje" (Spui Amsterdam) and 2 of the Ant-Vietnam Protests on Dam square. All stamped on the backside "Copyright Candid Pix Press Service, Amsterdam" and each with handwritten explanatory texts by the journalist Henk J. Meier.

EUR 1,200.00

Explanatory texts on the back of the photographs : - Provo's white bicycle happening - Striptease of Provo puber/painter - Provo pubers + retarded pubers painting bicyles with white paint - Provo assembly around "Het Lieverdje" chased by the police - Saturday night demonstration around "Het Lieverdje", coughing the Ugh-Ughe and carrying flowers - Fight with empty vegetable cans - Provo's (or "Nozems") marchuing with red Image banner - Picture of poster & pamphlet from the Provo riot, Roel van Duyns anarchists, 4 were arrested, and the "Klaus Pampflet", censored picture of Bernhard - 2 photographs of demonstration on Dam Square 6 Aug 1965 commemmorating 20-yers ago A-bombs on Japan,and commemoration meeting in Krasnapolsky (De Derde Weg; Kerk & Rede; Pacifist group Pax Crhtisti, Young Socialists", etc.

SCHMUCK

(Editors: David Mayor & Felipe Ehrenberg). Cranleigh & Mexico, Beau Geste Press -Libro Accion Libre.

Nos. (1)-8 (=last). Beau Geste Press/Libro Accion Libre, Devon, U.K. & Mexico, 1972- All in original pictorial wrappers, unpaginated; 29,5x21 cm (No. 1). Schmuck presents Real Schmuck. March 1972. 64 unnumbered pages, between illustrated wrappers, kept together in the spine with 1clamp, the second clamp replaced by tape. Includes several inserts and additional artwork, Mimeographed in various colours. Contributions include: Yael & Felipe Ehrenberg, Chris Welch, David Mayor,Jim Parker, Marc Chaimowicz, Hammond Guthrie, Richard Kriesche, Michael Gibbs, Carolee Schneeman (from Parts of a body house), Milan Kunz, etc.; (No. 2). Icelandic artists. July 1972, 50 unnumbered pages + collage. Paperbound in orig. wrappers. Mimeographed. Including photographs, artwork,etc.. Contributors including Kristjan and Sigurdur Gudmundsson, Hreinn Fridfinnsson, Hlif Svavarsdottir. (No. 3) Hungarian Schmuck, spine lightly damaged. March/April 1973. 78 unnumbered pages, including artwork, collage,cutouts. photographs, etc.; mimeographed in various colours. Contributors: Gabor Attalai, Imre Bak, Istvan Balint, Laszlo Beke, Peter Donatgh, Miklos Erdely, Peter Eötvös, Tibor Gayor, Béla Hap,Agnes Hay, Tamas Hencze, G.Jovanovicz, Gyula Konkolty, Peter Legendy, Peter Lajtai, Janos Major, Dora Maurer, Gyula Pauer, Geza Perneczy, Tamas Szentjoby, Endre Tót, Peter Türk, Janos Urban (No. 4). Aktual Czechoslovakia Schmuck. (1963-1972). 1974. 4to. Original wrappers. No. 5: 1975. General Schmuck! Typo-pictorial card wrappers designed by Takako Saito. Edition of 550 copies. No. 6: French Schmuck. November 1975. 4to. Pictorial wrappers, double bound, Mimeograph, offset, collages, etc. Edition of 550 copies. No. 7: Teutonic Schmuck. December 1975. 4to. Original wrappers. Edition of 400 copies. No. 8 (Final issue). Japanese Schmuck. Spring 1976. 4to. Original wrappers. Edition of 500 copies. Contributions by Saito, Shiomi, Takahashi, et al . Add: H. Yoshida, “1971.7.4:p.m. 2:00-4:00”.

EUR 7,000.00

Complete set of this artist/Fluxus periodical by Beau Geste Press, edited by David Mayor and Philippe Ehrenberg. Composed of printed multiples, object-inserts & tipped-in pieces by the contributing authors and artists. Beau(tiful) Geste is a contamination with Gestetner, the brand of the stencil/multiplying machine the publisher used. Schmuck is the name given to this publication, meaning 'penis' in Yiddish and 'idiot'in American slang. - (No. 1) (March 1972). Ed. D. Mayor und F. Ehrenberg. Illustrated covers, bound w. 2 plastic clips, color reproductions, mimeographed texts, original contributions and inserts u.a. . 29,5 x 20,5 cm. Unpaginated (64pp.). Contributors include Ken Friedman (notes on 'Concept Art'); Anthony McCall; Graham Keen; Hammond Guthrie; Monte Cazazza; Michael Gibbs; Opal L. Nations; Carolee Schneemann (from 'Parts of a Body House Book'); Michael Hollingshead; and Egg Placement Group ('What Is Housework?'). Fluxshoe flyer loosely inserted. Loosely encl. is an object by Michael Schultz (a dead fly in a slide-frame w. a silver foil attached to a cardboardstrip) Made in approx. 100 copies only. Very rare, very fine. - (No. 2) The Iceland Issue. 1972. Beau Geste Press, Cullompton, Devon, England Pictoral covers, 30 x 21 cm, approx. 50 pp. stenciled texts, b+w illustr. some original artworks (collage etc.) This issue, concentrating on Fluxus-artists from Iceland K. Gudmundsson, Hrein Fridfinnsson, H. Svavarsdottir, Siggi Gudmundsson, is extremely scarce. Made in 300 copies only. Fine condition. - (No. 3). Hungarian Schmuck. March/April 1973. 78 unnumbered pages, including artwork, collage,cutouts. photographs, etc.; mimeographed in various colours. Contributors: Gabor Attalai, Imre Bak, Istvan Balint, Laszlo Beke, Peter Donatgh, Miklos Erdely, Peter Eötvös, Tibor Gayor, Béla Hap,Agnes Hay, Tamas Hencze, G.Jovanovicz, Gyula Konkolty, Peter Legendy, Peter Lajtai, Janos Major, Dora Maurer, Gyula Pauer, Geza Perneczy, Tamas Szentjoby, Endre Tót, Peter Türk, Janos Urban. - (No. 4:) January 1974. Selection & design by Milan Knizak. 60 unnumbered pages, printed in b/w and red, copyright Aktual CSSR, texts,photos,drawings,ideas by Sona Svecova, Helena Popisilova, Robert Wittmann, J.Patocka,Zdenko Zizkova,Jan Maria Mach, V.Korejz,M.Marik,Milan Knizak. - No. 5: Contributions by Dick Higgins, Michael Gibbs, Felipe Ehrenberg, Robin Crozier, Jiri Valoch, Takako Saito, a.o. With additional booklet: The Intermediary: The first lecture”. - No. 6: Put together by Jean-Clarence Lambert; includes contribs. by Ben Vautier, R. Filliou, C. Dotremont, H. Chopin, M. Lemaitre, J. Le Gac, M. Broodthaers, C. Boltanski, M. Alocco. With additional booklet: Ben Vautier’s "Me Ben I Sign”. - No. 7: Includes contribs. by Dietrich Albrecht, Bulkowski, K. Groh, R. Hannes, M. Kunz, etc. W. Feelisch, L. Gosewitz, D. Iannone, Hans Werner kalkmann, Milan Kunz, W. Vostell a.o. . W. Feelisch, L. Gosewitz, D. Iannone, Hans Werner Kalkmann, Milan KunzW. Vostell a.o.l. Complete with added booklet, held in a pocket on the back-wrapper: K. Groh’s, Art impressions. USA and Canada” - No. 8: Edited by Felipe Ehrenberg, and David Mayor in conjunction with guest editors Taii Ashizawa and Takehisa Kosugi.This number devoted to works by Japanese Fluxus and affiliated artists. Includes tipped-in pieces on tissue, wax and reflective paper, as well as cut-outs. Contributions by Takako Saito (partner of David), Shiomi, Takahashi, and others. Includes additional booklet: H. Yoshida, 1971. 7.4: p.m. 2:00-4:00”

SPIRALE

Numbers 1-9 (all published, complete). Bern, 1953-1964. Redaktion und verlag Marcel Wyss, spiral press, stadion wankdorf, bern schweiz / Diter Roth / und Eugen Gomringer, Hochschule für Gestaltung, Ulm, Deutschland.

EUR 12,000.00

Articles and illustrations by R. Fink, R.P. Lohse, P. Mazetti, A. Piccoli, E. Gomringer, M. Bense, G. Rühm, H. Heissenbüttel, L. Moholy-Nagy, - Heft 1: Bern, undated (1953): Loose in yellow wrapper (50x34,5 cm): Dieter Roth (Woodcut), Hans Arp (Lino), Erich Müller (Slate print), Bernhard Luginbüh (lino), Max v. Mühlenen (lino), Joachim Uhlmann, Paul Celan, Kurt Wirt (lino), Eugen Gomringer, Josef Pillhofer (woodcut; with small round brown stain outside the image), Hermann Platter (lino/wood). - Heft 2: Bern ,undated (1953?): Loose in wrapper (50x34,5 cm): Imre Reiner (lino), Marcel Wyss (lino), Lili Erzinger (lino) , Oskar Dalvi (woodcut), Leo Leuppi (wood) , Franz Eggenschwiler (litho), Kenneth Patchen, Dieter Roth (litho). Robert Gessne (wood), Klaus Demus, Anneliese Haber, Walter Binder (wood). - Heft 3: Bern, undated (1954). Loose in wrapper, 32 pages incl.wraps; (50x34,5 cm): Max Bill (Zink) Eugen Gomringer, Manuel Acre, Marcel Wyss (litho), F. Vordemberge-Gildewart (lito), Jean Frondère, Richard P. Lohse (lito) , Hans Hofer, Sophie Taeuber-Arp (lino) , Aurélie Nemours, Marianne Lundgren, Heinrich Eichmann (litho) , Verena Loewensberg (lino), Mary Vieira (litho) , Camille Graeser (holz) , Hans Hofmann (lino) - Heft 4. Bern, undated. (1954). Loose in wrapper, 23 leaves incl.wrapper (50x34,5 cm): Abbildungen von Plastiken der Künstler Kurt Blum, Mary Vieira, F. Vordemberge-Gildewart, Marcel Wyss, Erwin Rehmann, Rolf Willimann, Karl Gerstner, Martin Krampen, André Piccoli, Max Bill, Richard Lippold, Ibram Lassaw, Eugen Gomringer, Henry Moore, Barbara Hepworth, Reg Butler, Ben Nicholson and others. - Heft 5. Bern, undated. (1955). Large square 4to, 22 leaves,loose in orig. black wrappers (very lightly rubbed), front illustrated by M. Wyss (zincograph) and another full page inside, 3 lithographs by Josef Albers, coloured lithos by F Geiser, G.Ifert and Karl Gerstner (on double page), b/w lithos by P.Thalmann, Rolf Willimann, H.Mattmüller (zincograph), I.Bombelli - Heft 6/7. Bern, undated(1958).Large square 4to.. 32 leaves in orig. Yellow wrappers,, front illustrated by M. Wyss (zincograph). Col.lithograph by Richerd P.Lohse; Col.lithograph by C.Graeser, 2 lithographs by C.Graeser and H.Spahr, a zincograph by M.Wyss. 4 Pages constructivist designs as advertising. Photographs by: Heininger (2), W.Klein (2), P.Keetmann, H.Lederer (2), R.Schröter, G.Ilfert, O. Aicher, R.Humbert, M.Wyss. Mit Beiträgen von R. Fink, R.P. Lohse, P. Mazetti, A. Piccoli, E. Gomringer, M. Bense, G. Rühm, H. Heissenbüttel, L. Moholy-Nagy, u.a. Photographische Beiträge von W. Klein, M. Wyss, O. Aicher, H. Lederer, T. Schneiders, P. Keetmann a.o.. - Heft 8. 1960. 44 leaves (of wich 8 pages Concrete Poetry, edited by Eugen Gomringer), 6 leaves design advertising, In orig green wrappers (with small label). 1 page col.print (8 colours) by K.Gerstner, further illustrations (full page and in the text), b/w) by K. Gerstner, H.W. Franke, F. Achtleitner, R. Azeredo, E. Gomringer, H. Heissenbüttel, D. Rot G. Rühm, O. Wiener a.o.; photography by B.F. Laposky, H.B. Frank, R. Groebli, M. Wyss, O. Steinert, H. Lederer, P. Keetmann, S. Kuhn a.o.(small price label affixed on left lower corner, otherwise fine) . -Heft 9: August 1964. 4 Bl. (Inserate), 2 Textbl., 5 transparente Plastikseiten., Broschur, Last issue of this important periodical. Introductory text by Karl Gerstner and 5 «trans-variationen» by Marcel Wyss (black lines on transparent sheets).

STAMP ART POSTERS

Three posters: (1) Rubber Stamp Art. Santa Monica, India Ink Gallery, 1978. Mail art group show with Barton Lidice Benes, Leavenworth Jackson et al. Cover image features 'Oriental Rug' by Benes. Colour offset, 60 x 42 cm, folded three times. Moderate age wear along folds else a good copy. (2) Aulo Pedicini, Naples (Italy). Silkscreened poster, purple on white, 72 x 52 cm. Announcements for a show by Lara Vinci. Folded for mailing. Pinholes on corners, some age wear. (3) Aulo Pedicini, Naples (Italy). Silkscreened poster, purple on white, 72 x 52 cm. Folded for mailing. Announcement for the exhibition 'Cancellation Stamps Amsterdam', undated (late 70s). Small pinholes on corners, some age wear, generally a fine copy.

EUR 400.00

STOOGE

Numbers 1-14 (all published, only without No.4). Oconomowoc Lake, Wisc. N.d. (ca. 1968) -1975.

EUR 2,800.00

A near complete set of Stooge including the rare number 5 and the variant issues, (but without no. 4 which was Allen Schiller. One Sheet Phantasy. 7 poems and 7 woodcuts. Hong Kong, 1970, in an edition of 35). - No. 1. Fine copy. Untrimmed in orig. blue wrappers. Not dated. Contributors of poetry and design: Mary Moe Curly, Kan Weston, R.WV. Brown, Brett Barton, Tim Wardell, S.M. Paulsen, Jan Tucker, Vallejo, Smale, a.o. - No. 2. Laura Chester, Geoff Young, Philip Whalen, Gene Frumkin, Nathaniel Tarn et al. includes the lyrics to three Dylan songs ("Please Mrs. Henry", "Million Dollar Bash", "Too Much of Nothing" and "Country Pie") - No. 3 edited by Geoffrey Young and Laura Chester (Albuquerque): Stooge, (1969), with several Bukowski contributions - No. 4 (missing) - No. 5. First edition. Young, Geoffrey and Laura Chester (editors) (np) [c. 1970]. Scarce fifth issue of Young and Chester's innovative small press poetry magazine. Original white pictorial cardboard folders (“from a pre-fabricated box top…notched folds”), front with yellow pictorial art image, rear with brown image of a large “5”, various shaped inside folds over pictorial black & white photographic inside covers (looks like alphabet soup with numbers), 35 x 31 cm) – containing: 22 pictorial broadsides by various authors on various sized sheets, various paper (one being stamped on yellow napkin / one is an original frottage), mostly silkscreen. Loose (as issued) and laid inside are also 5 small printed cards with words in French + English. Portfolio is signed by the cover-designer Allen Schiller (founder of Stooge). One from an unknown number of copies. - No. 6. present in all 3 versions: Beige, Red and Blue. - No. 7. May 1972. 76 pages + illustrated wrappers: the two versions both present: Cow and Calf version & Bull version. - No. 8. March 1973. Guest Editor: James Holmstrand. ("If all the people in Xchina jumped simultaneously from six foot platforms, the world would be destroyed".) - No. 9 With a William Wegman photo on front cover. Work by: David Benedetti, Michael Brownstein, Marie Harris, Anselm Hollo, Russell Edson, Clayton Eshleman, Margaret Atwood, Jacques Dupin (transl. by Pau Auster), Max Douglas, James Bertolino, Joe Brainard, Chuck Lee Lenward Elmslie, Laura Chester, Geoffrey Young - No. 10 . Guy Williams: Poems for Painters. 1974. - No. 11. Poems and Prose. Cover by John Baldessari. Stooge, Oconomowoc Lake, Wisc. N.d. (ca. 1972). Tog. 102 stencilled pages in illustrated wrappers (very light soilage to back wrapper). - No. 12 Geoffrey Young and John Bennett. In XX Arrondissements. 4to; unnumbered pages; Poems by Yound, photographs by Bennett. Orig.pictorial wraps. - No. 13. Spring 1975. Editors Geoffrey Young & Laura Chester. Outside cover: Richard Allebn Morris; Inside cover John Baldessari. - No. 14. Howard McCord. The Aectic Desert. Stooge Editions, 1975.

THIS IS NOT HERE

Yoko ONO and JohnLENNON Guest Artists at Everson Museum of Art,

Syracuse: Everson Museum of Art, 1971. Tabloid size catalogue (42 x 55,2 cm), 12 pages, illustrated throughout. Design George Maciunas. Catalogue shaped as a newspaper. 1971 Syracus/NY. Everson Museum of Art. 55x42cm, folded once. Illustrated. 12 pp. Fine.

EUR 500.00

Fluxus inspired exhibition catalog of Ono's works. Poster for the event on one cover. 1971. Catalogue of an exhibition held at the Everson Museum from October 9 – 27, 1971. Mostly reproducing newspaper clippings about exhibitions and reproducing exhibition announcements, small comics and drawings by Yoko Ono. The rear wrapper, which doubles as the exhibition poster, features a sequence where the couple’s faces were typographically morphed from one to the other, images that would later be used on the labels for “Happy Xmas (War is Over)” and “Some Time in New York City.” This retrospective exhibition at the Everson’s ‘was nearly closed when it was besieged by excited Beatles fans, who broke several of the art pieces and flooded the toilets.’

0 - 9. (ZERO TO NINE)

Nos. 1-6, with Supplement “Street Works”, (all publ.). New York, April 1967-1969. Tog. 7 ssues of 60-120 pp., stencilled and stapled. And the 3 Minimalist books of the Press (see below). The first issue of the periodical is complete with the very fragile blue carbon-paper front-cover, and No. 4 with the dust-jacket . Printed in a very small edition of 100 to 200 copies. All issues show light wear to extremities and some minimal handling; mimeograph stencil paper cover on No.1 detached but present, with several nicks, tears and losses; No.2 with faint foxing to text edges; No.4 with small stains to covers; contents clean, complete; altogether an excellent and well preserved set. TOGETHER WITH the 3 rare MINIMALIST books published by 0-9 Press: - Saroyan, Aram: Coffee Coffee. 1967 - Bernadette Mayer: Story. 1968 - Acconci,V.A. : Four Book. 1968 All 3 in near fine condition, details on request. Extraordinary and very rare ensemble. Ed. by Vito Hannibal Acconci and Bernadette Mayer, in addition to the editors, also contribs. by Clark Coolidge (poems), Aram Saroyan (poems), Bruce Marcus, Rosemary Mayer (drawings), Dan Graham, Yvonne Rainer, Adrian Piper and many others. Zero to Nine originates from the New York group of conceptual artists, of which Vito Hannibal Acconci is an important representative.

EUR 32,000.00

No. 1 (est.100 copies, [iv], 79, [3] pp); No. 2 (est.100 copies, [iv], 80 pp); No. 3 (est. 200 copies, [ii], 82 pp); No. 4 (est. 200 copies, [iv], 114, [2] pp); No. 5 (350 copies, [ii], 96 pp); No. 6 (est. 200 copies, [iv], 113, [7] pp); No. 6 Supplement: “Street Works” (limitation unspecified, [64]pp). Complete run of Acconci and Mayer’s little magazine, one which “followed in the Greenwich Village spirit of self-publishing embodied by Ted Berrigan’s C Magazine, John Ashbery’s Art & Literature, and Ed Sanders’s Fuck You. The work in 0 to 9, however, soon moved off into a very different direction from the post-Beat and New York School poetics as practiced by the editors’ contemporaries in the downtown scene. Instead, 0 to 9 created a niche that can now be located at the beginnings of the Language and performance poetry movements” (Aarons & Roth. In Numbers: Serial Publications by Artists Since 1955, p.33). The magazine contained art, drama, Language, concrete, and experimental poetry, and was distributed by hand to local New York bookstores like the Gotham Book Mart, Eighth Street, and Sheridan Square. Acconci and Mayer employed a curious aesthetic, cobbling together covers using materials as diverse as crumpled-up paper, dustjackets from their own collection, blank sheets, and mimeo stencil paper. It included works by Acconci and Mayer, Gertrude Stein, Anne Waldman, Aram Saroyan, Tom Clark, Ron Padgett, Raymond Queneau, Rosemary Mayer, John Giorno, Clark Coolidge, Robert Greene, Bruce Marcus, Ted Berrigan, Jacksin Mac Low, Dick Higgins, Sol LeWitt, Harry Mathews, Hannah Weiner, Bern Porter, Jerome Rothenberg, Kenneth Koch, Yvonne Rainer, Jasper Johns, Robert Heizer, Michael Smithson, and others. [Aarons & Roth, pp. 33-37; Clay & Phillips, pp. 206-209.; Archiv Sohm] SAROYAN, Aram. Coffee Coffee. NY: 0 to 9 Books (1967). 4to. [82 pp]. Side-stapled wrappers; corners very lightly bumped, else fine. WITH the original mailing envelope adressed to Wormwood Review in Storrs (postmarked Nov 10 ‘67) MAYER, Bernadette. Story. NY. 0 to 9 Books, 1968. 4to. Side-stapled orange wrappers, front cover rubber-stamped in red ink “STORY.” Front cover restapled with staples that were a bit smaller than the originals,the resulting old hole neatly repaired. Very light toning, internally fine). ACCONCI, Vito Hannibal. Four Book. NY. 0 to 9 Books, 1968. Side-stapled wrappers, 42 leaves. (Small old price in right upper corner of title). Mimeographed, graph paper front wrapper, Lightly toned, near fine.