Published initially simply as "Journal " (A contemporary Art Magazine), also as L.A.I.C.A . Journal (The Los Angeles Institute of Contemporary Art). Editors Fidel Danieli, Eleanor Antin,Julius Kaplan, Michael Auping, Barry Brennan, Bridget Johnson,Debra Burchett-Lere, Francis Colpitt, Michael Delgado, Cindy Berry, Douglas Blau, Jerry Dreva, Mareianna Ziotnick, Lane Reelya, Number 2 reports on the first LAICA General Membership Meeting, June 1974. Numbers 12-28 printed on a cheaper quality paper, mostly in b/w only, with occasional colour covers. From then on the magazine becomes more substantial and contains artists' pieces. No. 40 offers a survey of previous numbers. Featuring: John Baldessari, Eleanor Antin, Hans Burkhardt, Lorser Feitelson, Helen Lundeberg, Rachel Rosenthal, Allen Kaprow, Newton & Helen Harrison, Karl Benjamin, Ed Ruscha, John McLaughlin, Wallace Berman , Ruscha, Kaprow, Peter Krasnow, Rauschenberg, Charles & Ray Eames, Stan Brakhage, Erichard Prince, Boltanski, Richard Diebenkorn, Douglas Huebler, Number 28 is a very curious issue in which the entire publication is printed in mirror images, normal on the rectos and reversed on the preceding versos. From here on the magazine becomes much more substantial and contains many artists' pieces. Also various thematic issues(e.g.: Video art; Italian art; film, photography, Chicano art, Transatlantic artists, Transgressive phenomena, Music/Arty, Fluxus, Performance, Conceptualism, etc.
Small shortcomings to condition: Number 2 (light cover soilage), Number 6 (small staple holes in the first 32 pages front edge), Number 10 ( ballpoint markings and address label on front cover), Number 14 (browning of front cover, small hole in right hand corner bottom), Number 22 (felt tip marking top left front cover), Number 24 (light cover soilage).

An unusually well preserved complete set, in very fine to near mint condition. Important conceptual art magazine, published by Willoughby Sharp, edited by Elizabeth Béar. At the time, Sharp was a New York-based art historian and independent curator and Béar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on 13 issues from 1970 to 1976. They both conducted the interviews and conversations with the artists. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with a radical new media format--probing interviews, extensive use of photography and dynamic layouts. For many artists, publication in Avalanche preceded a one-person gallery or museum show. - No. 1: Cover photograph of Joseph Beuys, interviews with Carl André, Jan Dibbets, a portrait of Joseph Beuys by Shunk-Kender, retrospective of Richard Long, Carl Andre, Jan Dibbets, Richard Long, Joseph Beuys, Heizer, Oppenheim. - No. 2: (Body Works). Cover photograph of Bruce Nauman with articles on him, and on Vito Acconci, Terry Fox, Yves Klein, Bruce Nauman, Dennis Oppenheim, Klaus Rinke, Richard Serra, Wm. Wegman, incl. a photo of Matta-Clark-installation and Bas Jan Ader: Fullpage b+w photo of 'Too sad to tell you' and text in the Rumble-section. No. 3: (Post-Studio Sculpture). Cover photograph of Barry Le Va. Interview with David Tremlett and features on Jacks (Gordon Matta-Clark), contributions by Italo Scanga, George Trakas and on Barry Le Va (his picture on the cover), Bill Beckley, Joel Fisher, Robert Morris and others - No. 4: (Conceptual Art). Cover photograph of Lawrence Weiner. Jackie Winsor (interview), Sol LeWitt; Howard Fried, Alice Aycock, Stanley Brouwn; Hanne Darboven; Walter De Maria; - No. 5: (Performance). Cover photograph of Yvonne Rainer. Contributions Braco Dimitrijevic; Joseph Beuys (talking at Documenta 5); Jannis Kounellis (interview); Phil Glass; Keith Sonnier; Yvonne Rainer (interview) - No 6: (Vito Acconci). Cover photograph of Vito Acconci and number devoted to him. - No.7: (Humor). Cover Man Ray (name of the dog, photo by William Wegman). Interview with General Idea. Edward Ruscha, Interview with Van Schley ("Different Strokes for Different Folks", which is a green folder, stapled in the middlespread, intact but without the postcard insert), Man Ray, Do you want to.. (interview with William Wegman by Liza Béar) - No. 8: (Sculpture & Performance). Cover Robert Smithson. Exchange '73; A Drinking Sculpture, Gilbert & George. Memorial issue for Robert Smithson. Features Robert Morris, Tina Girouard, Chris Burden and others. Continued in a changes format: --NEWSPAPERS: (Now Published by Center for New Art Activities, Inc., New York.) As detailed below, each issue has several pages of general information, messages, rumbles, films, publications, etc. as well as several pages of advertising and the more specific contents are: - No. 9: June 1974. Issue dedicated to video and performance art. Texts by Willoughby Sharp, William Wegman, Joseph Beuys (contains partial transcript of Joseph Beuys' first US peformance at the New School), Iincludes interviews with Vito Acconci, Keith Sonnier, Richard Serra, Robert Bell, Willoughby Sharp and Dennis Oppenheim, Boris Wall Gruphy. 36 pages. . - No. 10: December 1974. Cover photo Jack Smith. Contents: Hans Haacke, Manet Project '74; Daniel Buren, Kunst bleibt Politik; Simone Forti, Dancing at the fence; Stephen Laub, Projections, interview by Willoughby Sharp; Jack Smith, Fear Ritual of Shark Museum (Centerfold) ; Joel Fisher. As strong as a spiders web; Terry Fox: Children's Videotapes (interview); Gordon Matta-Clark: Splitting (interview); The Phil Glass Ensemble (interview by Willoughby Sharp after Music in Twelve Parts performance). 52 pages. - No. 11: Summer 1975. Cover photo Steve Paxton. Contents: Alan Saret. Installation for Man; Darcy Lange. Videography: Work; Joel Shapiro:Torquing; On Kawara: One Million Years (centerfold); Laurie Anderson. Confessions of a Street Talker; Contact Improvisation (Laura Chapman, Scott Jones, Annette La Rocque, Daniel Lepkoff, Steve Paxton, Karen Radler, David Woodbury; Steve Paxton: Like the Famous Tree (Dialogue with Liza Béar). 40 pages. - No. 12: Winter 1975. Cover Photo Barbara Dilley. Contents: Robin Winters: Fairly regular hours; Robert Wilson & Christopher Knowles: Because Why; Alexis Smith: Anteroom; Rita Myers: A remote intimacy; Michael McClard: Mumbo Jumbo; Barbara Dilley: In the 'Dancing Room'; Barbara Dilley Dancing, a picture autobiography. 40 pages. - No. 13:Summer 1976. Cover photo: "Trial Balance". This printed with colour red added. Contents: Fitzgibbon:Colleen; Jim Roche:Straight Razor; Reiner Ruthenbeck:Eclipse; Bas Jan Ader: In search of the miraculous; Meredith Monk: Invocation/Evocation; Diego Cortez: An obvious kind of eyesore. 48 pages. ADDED TO THIS SET AND INCLUDED IN THE PRICE: Facsimile boxed edition in a limited edition of 100 signed and numbered by Liza Béar and Willoughby Sharp. Produced by PRINTED MATTER. Number 29 of 100. This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single bound paperback. Accompanied by a certificate signed by both Liza Béar and Willoughby Sharp shortly before Sharp's death in December 2008. The publication is 1,016 pages and illustrated throughout; is housed in a heavy duty, laminated, archival box measuring 10.5 x 19.5 x 2.5 inches. The first eight issues measure 9.25 x 9.25 inches and are exact facsimiles of the originals; the subsequent five tabloid-sized issues, now bound as a single volume measuring 9.25 x 13.5 inches, have been reduced slightly in scale from the original format.

Directed by Ugo Ojetti; One of the most important Italian art periodicals from between the wars. (A few of the annual indexes are not present in our set, otherwise complete).

Artist-edited magazine, founded by Betsy Sussler (X-magazine), Liza Bear (who considered this "the only authorized successor to Avalanche":, cf. Allen), Sarah Charlesworth, Glenn O'Brien, Michael McClard. A quarterly on new art, writing, theater and film, reporting internationally; important documentatary magazine with numerous illustrations. A remarkable production with much photowork and interesting cover-design. Contributions by Sarah Charlesworth, Barbara Kruger, David Seidner, Liza Bear, Craig Gholson, Mark Magill, Michael McClard, Glenn O'Brien, Cookie Mueller, Michelle Alder, Alan Frame, Carl Apfelschnitt, Luc Sante, Lynne Tillman, David Kapp, Heidrun Reshoft a.o. Cover designs: Sarah Charlesworth, Mark Magill, Mary Heilmann, Gianfranco Gorgoni, David Seidner, Carl Apfelschnitt, Olivier Mosset, Lee Jeffe, Georgia Marsh a.o.
Special issues: no. 4: Painters & Writers, no. 5: Theatre and Photography, no. 6: Sculpture and Fiction, no. 8: (Double Issue) Drawing, Fiction, Poetry, no. 9: The Americas, Art, Poetry, Fiction, Film.
Photography by Duncan Hannah, Mark Magill, Jimmy DeSana, Allan Frame, Nan Goldin, William Wegman, David Seidner, Barbara Kruger, Richard Prince, Erica Beckman, Sarah Charlesworth, Gianfranco Gorgoni, James Welling, James Casebere, Laurie Simmons, Cindy Sherman, Deborah Turberville, Amanda Means, Miriam Cooper, Ellen Brooks, Jimmy Desana, Bill Costa, Christopher Makos, Robert Mapplethorpe, Jeannette Montgomery, James Perry Walker, Jacki Ochs a.o.

Artist book. Vincenzo Accame (Loano, 1932 - Milan, 1999) was a poet, essayist, translator and editor of avantgarde poetry. In1964 he works in the magazine Malebolge. Since 1970, he has directed the literary supplement "Le Lettere" of the magazine "Le Arti"; He participated in the activity of the exhibition space Mercato del Sale of Milan and participated and made his own the Nuova Scrittura manifesto. Tireless worker, since 1965 he has participated in all major national and international journals of poetic-visual research, his work has been shown in numerous personal and collective exhibitions (both national and international). His critical and poetic texts have been published in many magazines: "Il Verri", "Uomini and idee.", "Geiger", "Techne", etc. He has also edited several anthologies of poetry. Among his artist´s books stand out "Ricercari" (1968), "Mot (s)" (1968), "Prove di linearitá" (1970), "Schede" (1970), "Differenze" (1972) and "La pratica" of the segno "(1974).

Edited by Werner Lippert, with original contributions by the artists. No.1 : Front cover courtesy Paula Cooper. Contributions by Hans HAACKE with text about the refusal of his project'74 'Manets Spargelstilleben' by the Wallraf-Richartz Museum, which was shown later in the gallery of Paul Maenz. Urs LÜTHI: 'The Numbergirl 1973', Daniel BUREN: 2 pages with vertical yellow bands printed on vellum. Duane MICHAELS: 'portrait of Andy Warhol, 1973'. Joseph KOSUTH: (Notizen) 'Über eine anthroplogisierte kunst' and Jean le GAC – ‘Les Anecdotes, 1974’. + loosely laid in one page text ‘Zusatz sur Projekt 74 Ausgabe'. - Number 2: Bernar VENET: Analysis of the graphic representation of the Function y =x etc.; Anne + Patrick POIRIER: Dodici Vedute etc. + Tempio C Dell' Acropoli etc.; A. DIAS: The Illustration of Art; Karl BLOSSFELD: 5 photographs; Art & Language, Joseph Kosuth, Iole de Freitas.- Number 3: Robert BARRY: 25 Words and 5 Blank Pages 1974; Terry ATKINSON: Article concerning Kosuth's Anthropologized Art"; Hanne DARBOVEN: Manuscript for a Film 1970-74; Ralph GIBSON: From Days at Sea 1974; Roman OPALKA: Details and Voyage Notes; Sol LEWITT: Drawings 1974. - Number 4: Devoted to David ASEKEVOLD: Complete Documentation of his Works 1968 - 1974. - Number 5: G. PENONE: Five pressures w. constant spatial characteristics etc…; Rune MIELDS: Line drawings on transparent sheets; Hans Peter FELDMANN: Pin Up Girls (photographs); Lewis BALTZ: Installations (photographs); G. ZORIO: Energy as Absence / Energy as Presence (photos on transparent sheets w. red line drawings).

Edited by Tom Marloni, curator of the Museum of Conceptual Art in San Francisco.
-No. 1: California
-No. 2: Eastern Europe.
-No. 3: New York.
-No. 4: Word of Mouth, prepared talks by 12 artists (Laurie Anderson, Daniel Buren, John Cage etc.).Complete with pamphlet
describing Vision and the meeting;
-No. 5: Artists' Photographs. With the collaboration of: Claes Oldenburg, Ed. Ruscha, Daniel Buren, John Cage, Georges Maciunas, Hans Haacke, Carl Andre, Lawrence Weiner, Wolf Vostell, a.o.

incenzo Accame (Loano, 1932 - Milan, 1999) was a poet, essayist, translator and editor of avantgarde
poetry.

Taped conversation in English with Acconci who stayed in Amsterdam preparing his retrospective in the Stedelijk Museum, Amsterdam, nov 1978- jan 1979.

Magazine of contemporary art in Europe, particularly Flanders. Contribs. in English, French, German, Dutch, Italian. Edited by and contribs. of: Flor Bex, Leo v. Damme, Georges Roque, Saskia Bos, Wim v. Mulders, Catherine Strasser, a.o. It was glossy, eager in its international aspirations, and was the first in Belgium to introduce the extravagant adverts that have come to be part of any successful international art periodical. It balanced text with large, attractive illustrations, and its aim was to present the latest art to a broad readership of art-lovers and buyers

Published and edited by Stephen Willats. "The magazine is concerned with developing conceptual models". Control Magazine acts as a vehicle for proposals and explanations of art practice between artists seeking to create a meaningful engagement with contemporary society…....has documented the work of many artists, both from the UK and abroad and encouraged a wide discussion of artist’s practice". Contribs. include Logie Barrow, Roy Ascott, Mark Boyle, Anthony Benjamin, Peter Stroud, Joe Tilson, Victor Burgin, Derrick Woodham, Eric Brown, Adrian Berg, Douglas Sandle, Don Mason, Kevin Lole, John Stezaker, Peter Smith, Anish Kapoor, Tony Bevan, Mary Kelly, Lili Fischer, Dan Graham, Helen Chadwick, Martha Rosler, Lawrence Weiner, Les Levine, Michael Gibbs, Endre Tot, etc.; also collectives and galleries, special issues (e.g. Coginition Control, Midland Group Gallery, Norringham, 1972;No. 10: Extending the social function of art; No. 11: Self Organisation, the expression of counter consciousness; No.14: Symposium Art Creating Society Oxford, 1989; Art and intervention at Wilma Gold, London, 2003) . Further details on request.

Stichting Pretentieus. Edited by Gerald van der Kaap, Elbert de Bruin, Frans-an Fortunati, Ludo van Halem. Dutch photographic magazine designed by 'Hard Werken'.Contains work by Max Koot, Michel Szulc Krzyzanoski, Sanne Sannes, Peer de Wit, Ben Hansen, Robert Mapplethorpe, Gilbert & George,Hans van Meerwijk, Boyd Webb, Thomas Anschütz, Tom Drahos, Klaus Frahm, Spank Moons, André Thijssen, Marcel van der Vlugt,Martin Kippenberger, Peter Klashorst, Jan Henderikse, Rob Scholte, Hiroshi Sugimoto, Peter Nagy, Allan McCollum, Gretchen Blender, Matt Mullican. and many others.

Editor: Agata Stoinska.
BLOW Projects is about bringing people together around totem of photography. Artists, Enthusiasts and Collectors engaged in creative exchange. The platforms we provide include exhibitions, workshops as well as digital experiences. Contributions by Julia Fullerton-Batten, Deirdre Brennan, Aleksandra Katuza, Derek Brunell, etc.

TECHNÉ,an assembling published in Florence from the Techne Center, was handmade from artists submissions (like "Geiger" which was published in Torino) , but with notably more political engagement. It was edited by Eugenio Miccini and Lino Centi.The center was engaged in research and experimental avant-garde literature. Visual poetry and art, originating from the "Gruppo 70" with Lamberto Pignotti. Each number comprises ab. 60 sheets contributed by various artists and poets: Adriano Spatola, Sarenco, Bussotti, Gianni Bertini, Bernard Aubertin, Betto, Jean-François Bory, Giovanni Broi, John Cage, Luciano Caruso, Lino Centi, Gilo Dorfles, Josef M.FigueresWalter Fusi, Isgrò, Fabbio Mauri, Eugenio Miccini, Giovan Battista Nazzaro, Michele Perfetti, Oberto, Poggiali, Gabri Rossi, Renato Spagnoli, Giuseppe Chiari, Timm Ulrichs, Franco Vaccari, André Vandegeerd, Pierre Vandrepote, etc. There were 3 more volumes published (11/13, 14/16, 17/19), in smaller size, and entirely printed offset (not containing loose contributions). These later volumes are sewn in card wrappers (22x16cm) and extremely rare.

Published under the auspices of "The Studio" Limited. First series was published as 'Drawing' (1915-1920). Contributions on British artists like Paul and John Nash, Ethelbert White, Frank Dobson, Stanley Spencer, Duncan Grant, Walter Sickert, Eric Gill but also on Henri Matisse, Pablo Picasso, Kees van Dongen, Pierre Bonnard, André Derain, etc. With numerous illustrations in the text, and some full-page or hors-texts, with two original wood-engravings by Ethelbert White (in no. 1) and by the Dalziel Brothers (after John Millais in no. 3). Features on exhibitions in Paris and London, contribs. like "The German Expressionist Woodcut", "Russian Art Movements since 1917", "Embroidery as a Modern Art" and articles on film (by Robert Herring) & theatre (by Audrey Scott).

Edited by Fred Buck a.o., this magazine began in April 1975 and ran (with irregular numbering and dating) until July 1981, publishing 84 issues in all, according to the Index in the final issue (here present). This collection is lacking 8 issues to be complete. (1 no 4; 3 no 1and 4: 5 no 3; 7 no 3; 18 no 2; 19 no 3; 20 no 1 damaged; 21 no 1). Contributions by Rothenberg, Rumaker, Metcalf, Reznikoff,Woolf, Bayliss, Whalen, Eigner, Harwood, Eshleman, Palmer, Olson, Coleman, Enslin, Creeley, Tarn, etc.

In the supplement "Siena Monumentale" a few plates were affected by humidity, of which one plate slightly damaged. Suspended 1916-1918. Year 1926 complete in 1 issue, years 1927-1928 in 2 parts: "Rassegna d'Arte Senese e del Costume" and "Rassegna di Attività Municipale". Years 1927-1930 includes a separate section "Istituzioni Cittadine di Beneficenza". Yearly indices from 1920 onwards most probably never published. Publication went on till May/June 1933. Prause p 77,523. See also related title: La Diana.

Art magazine pulished by "Ed.912, focusing on contemporary avant-garde art and art movements in or related to Italy. With important Fluxus issue.Published in English with parallel Italian text. Daniela Palazzoli Dirretore responsabile / Editor. Comitato editoriale / Editorial council: Germano Celant, Mario Diacono,Daniela Palazzoli, Tommasso Trin . Richly illustrated issues varying in length from 32 - 126 pages. Contributions by and features on: Bruno Munari (letter, in No. 1), Kounellis, Schifano, Enrico Baj, Dan Flavin, Jon Phetteplace, Gianni Emilio Simonetti, Lamberto Pignotti, Concert Fluxus (in no 2), Arman, Brecht, Cage, Castellano, Twombly, Tinguely, Wesselman, Alviani, Scheggi, Arakawa, Bauermeister, Warhol, Vautier, etc.; Interview with Lucio Fontana (No. 5), Biennale di Venezia, Celant, Triennale di Milano, Documenta Kassel, News on Galleries and Exhibitions in Italy. Later issues include also articles on cinema, theatre, music and the current student movements (Anno 2 no 2 on Rudi Dutschke). See: Maffei/Peterlin, p. 71/73.

No. 1 1982. Complete with 5 original prints (2 linocuts, 1 woodcut, 1 mixed etching ) by George Baselitz, Jorg Immendorff, Markus Lüpertz, Per Kirkeby and .R.Penck. Also includes the flexidisc in sleeve by Peter Kowald. Edition of 200. Issue devoted to Georg Baselitz. In cardboard slipcase.
No.2 1982. Includes 3 (of 5) original prints by: Jörg Immendorff (linocut !FF bringt"s"), Markus Lüpertz (linocut on screen print), und A.R. Penck (woodcut). Lacking 2 (of 5) prints by Baselitz (linocut) and Per Kirkeby (folded linocut) and the flexidisc by Immendorff. Edition of 250. Issue devoted to Jörg Immendorff In cardboard slipcase.
No.3 1983. Complete with 5 original prints by: Georg Baselitz, Jörg Immendorff, Markus Lüpertz, Per Kirkeby und A.R. Penck. Also includes the flexidisc (Das Springerkonzert 1983). One print (Baselitz?) has small pinholes in corners, else all very good. Edition of 300. Issue devoted to Markus Lüpertz. In cardboard slipcase.
No.4 1984. Complete, no original inserts as issued. Based on reproduced drawings by A.R. Penck. Edition of 300. Issue devoted to Per Kirkeby. This copy without slipcase.

No.5 1985. Complete, no original inserts as issued. Edition of 300. Issue devoted to James Lee Byars. Photos by Benjamin Katz. This copy without slipcase.
No.6 1990. Complete with 6 original prints (woodcuts, lino and etching) by Georg Baselitz, Jörg Immendorff, Per Kirkeby, Markus Lüpertz, A.R. Penck and Don Van Vliet. Edition of 220. Issue entitled USA/Europa. In cardboard slipcase.
No.7 1990. This copy published by Georg Baselitz. Complete with 6 original prints (woodcuts, lino and etching) by Georg Baselitz, Jorg Immendorff, Per Kirkeby, Markus Lüpertz, A. R. Penck and Don van Vliet. Woodcut by Kirby monogrammed and dated PK 90 in pencil. Also features a die cut text work. Unknown edition, c. 200. In cardboard slipcase.

Exhibition catalog published in 1978 on the occasion of Acconci’s exhibition at the Stedelijk Museum in Amsterdam. Profusely illustrated and well-designed, this catalog features several photographs, captions, and texts by the artist himself. Issued as SM Catalog No. 647.

An excellent, unbound set in ORIGINAL WRAPPERS. One of the best surveys of mainstreams in contemporary art'. Edited by James Fitzsimmons. Of Volume 1 (called 'European art today' ) we have in this set only 9 of the 12 issues (Nos.2 and 3 are missing). Otherwise all volumes/years are complete in original wrappers, except vols. 23 and 27 whch are partly bound.. The cover of vol. 13 no 3 designed by Mel Ramos is present in both versions, one with a gorilla and the scarcer one with a kangaroo.

The International Society of Copier Artists (I.S.C.A) was a non-profit group founded by Louise Neaderland in 1981, intended to promote the work of copier artists and to advocate for the recognition of copier art as a legitimate form.
Complete set of this unique periodical of which each issue consists of an assemblage of photocopied-prints, turned into original artwork by various techniques (colouring, collage etc.), numbered and signed, by artists who use the photocopier as a creative tool, including colour copying. Directed by Louise Neaderland. Contribs.include Anne Gilman, Susan Gold, Ralph Neaderlan, Keiichi Nakamura, Eiichi Matsuhashi, Lisa Reichenberger, etc.; final issue: "War and Peace".
The I.S.C.A. Quarterly was published from 1982-2003. Typically, issues were produced in limited editions of 200 copies, with an average of 45 pages of original copier art supplied by I.S.C.A. members. Over the years the form of the Quarterly mutated from a collection of unbound pages to a spiral bound journal with an Annual Bookworks Edition composed of a box of books made by I.S.C.A. members. The work produced for the Quarterly ranged widely in focus from social and political issues to personal and emotional themes. The final issue (Volume 21, #4) was published in June 2003.

“A.D. 2200” is a poignant tribute to 22-year-old Guinean immigrant Amadou Diallo, who was shot dead by four plain-clothed members of the New York City Police Department in February, 1999.
Diallo, a street merchant by day and student by night, was outside his apartment in the Bronx on the night of February 5 when he was spotted by four NYPD officers who believed he matched the description of a serial rapist who had been active in the burrough. The officers alleged that they had identified themselves clearly to Diallo, who had run; claiming to have mistaken the wallet he was carrying for a gun, the officers fired a total of 41 shots, 19 of which hit Diallo. Racial profiling, gross negligence and other civil rights violations by the officers were alleged.
All four officers were indicted for second-degree murder, but were subsequently acquitted by a jury in Albany, New York in February 2000, after the trial was moved due to claims that media coverage of the shooting had made a fair trial in New York City impossible. Diallo’s family were awarded a $3,000,000 settlement from the City of New York in a subsequent wrongful death claim.