FUTURA POESIA SONORA
[#19463]
Antologia storico critica della poesia sonora, a cura di Arigo Lora-Totino. Critical-historical anthology of sound poetry edited by Arrigo Lora-Totino Milan, Cramps Records, Avril 1978. A book of 60 pages, illustrated,with text over 4 columns, with Introduction by Renato Barilli. Together with, and contained in a silver-paper covered lettered box together with 7 long-play vinyl disks 33/30, each contained in the original illustrated sleeves (Cramps records 5206-301 to 5206-307).
EUR 1,800.00
Very complete Anthology of Sound Poetry, with texts in Italian and English by Renato Barilli, richly illustrated with photographs and examples of musical scores and texts. The disks:
- Futura 1: La déclamation futuriste: Filippo Tommaso Marinetti (1912-1914), Francesco Cangiullo (1913), Giacomo Balla (1914-1918-1920), Fortunato Depero (1916) & Farfa (1933-1937-1947)
.-Futura 2: Lo Zaum, langage transmental: Vladimir Majakovskij (1913-1918), Velemir Chlebnikov (1908-1922), Vasilij Kamenskij (1916), Aleksej Krucenych (1912-1920-1922), Il»Ja Zdanevic (1918). Le simultanéisme français: Pierre-Albert Birot (1916-1918) & Arthur Pétronio (1965).
-Futura 3: Precurseurs et dadaïstes en Allemagne: Christian Morgenstern (1890-1905), Paul Scheerbart (1897-1898- 1902), Hugo Ball (1916), Tristan Tzara, Marcel Janco, Richard Huelsenbeck (1916) & Raoul Hausmann (1919-1947), Kurt Schwitters (1919-1921-1922-1926-1936-1937-1946).
-Futura 4: Face 1: Le cri Antonin Artaud 1947. Face 2: l’ultra-lettrisme: François Dufrêne (1958-1971), Henri Chopin (1974-1975) & Bernard Heidsieck (1974).
-Futura 5: La poésie sonore aujourd’hui: Franz Mon (1973), Gerhard Ruhm (1954-1956-1965-1973-1975), Nikolaus Ein - horn (1975), Ladislav Novàk (1970) & Carlfriedrich Claus (1965).
-Futura 6: La poésie sonore aujourd’hui: Brion Gysin (1960--1962), Paul De Vree (1965-1966-1974), Bob Cobbing (1975), Isidore Isou (1965), Maurice Lemaître (1965), Altagor (1947-1960), Patrizia Vicinelli (1967-1976) & Adriano Spatola (1976).
-Futura 7: La poésie sonore aujourd’hui: Maurizio Nannucci (1976), Demetrio Stratos (1976), Arrigo Lora-Totino (1965- 1970-1974) & Il Concento Prosodico (Sergio Cena, Arrigo Lora-totino, Roberto Muso, Laura Santiano) (1976). The container-box has some wear to the corners,but is otherwise in good condition. The disks and sleaves in perfect condition. [Schraenen Vinyl, p.227; Broken Music p.236; Bonotto PVM0175 ( an edition in 2 volumes).
- Futura 1: La déclamation futuriste: Filippo Tommaso Marinetti (1912-1914), Francesco Cangiullo (1913), Giacomo Balla (1914-1918-1920), Fortunato Depero (1916) & Farfa (1933-1937-1947)
.-Futura 2: Lo Zaum, langage transmental: Vladimir Majakovskij (1913-1918), Velemir Chlebnikov (1908-1922), Vasilij Kamenskij (1916), Aleksej Krucenych (1912-1920-1922), Il»Ja Zdanevic (1918). Le simultanéisme français: Pierre-Albert Birot (1916-1918) & Arthur Pétronio (1965).
-Futura 3: Precurseurs et dadaïstes en Allemagne: Christian Morgenstern (1890-1905), Paul Scheerbart (1897-1898- 1902), Hugo Ball (1916), Tristan Tzara, Marcel Janco, Richard Huelsenbeck (1916) & Raoul Hausmann (1919-1947), Kurt Schwitters (1919-1921-1922-1926-1936-1937-1946).
-Futura 4: Face 1: Le cri Antonin Artaud 1947. Face 2: l’ultra-lettrisme: François Dufrêne (1958-1971), Henri Chopin (1974-1975) & Bernard Heidsieck (1974).
-Futura 5: La poésie sonore aujourd’hui: Franz Mon (1973), Gerhard Ruhm (1954-1956-1965-1973-1975), Nikolaus Ein - horn (1975), Ladislav Novàk (1970) & Carlfriedrich Claus (1965).
-Futura 6: La poésie sonore aujourd’hui: Brion Gysin (1960--1962), Paul De Vree (1965-1966-1974), Bob Cobbing (1975), Isidore Isou (1965), Maurice Lemaître (1965), Altagor (1947-1960), Patrizia Vicinelli (1967-1976) & Adriano Spatola (1976).
-Futura 7: La poésie sonore aujourd’hui: Maurizio Nannucci (1976), Demetrio Stratos (1976), Arrigo Lora-Totino (1965- 1970-1974) & Il Concento Prosodico (Sergio Cena, Arrigo Lora-totino, Roberto Muso, Laura Santiano) (1976). The container-box has some wear to the corners,but is otherwise in good condition. The disks and sleaves in perfect condition. [Schraenen Vinyl, p.227; Broken Music p.236; Bonotto PVM0175 ( an edition in 2 volumes).
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